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Flow Magazine 2019

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Flow Magazine 2019 IN BED WITH M T A Ö U T S T E T Y OWEN PALLETT SWAN/KOISTINEN JOIN FORCES WITH FLOWMAG 2019 ANNUAL FLOW FESTIVAL MAGAZINE DOUGH T I S N E T O B E W H N T T H N E W B O E T S N T I D H O G U CARDI B THE CURE HENRIK! GETS MELLOW! AND TAME IMPALA FLOWMAG 2019 Makia x Flow Festival Flow x Makia THE PRE-PARTY IS ABOUT TO BEGIN COME AS YOU ARE JOIN THE FLOW Available now at selected stores RIGHT? YES! and makiaclothing.com PAGE 2 Flow Magazine is THANK YOU The festival will 06 PRO TIPS FOR FESTIVAL STYLES, MODESELEK TOR AN the annual, official Beam make a head start at IN SHORT D SI X DE WELCOME TO THE NEW VENUE: PINK CAD publication of Flow Bar Flagon the Finnish National 10 SPACE. ES GOING PINK OF Festival. Nordic Ice Company Opera on Wednesday TH THIS IS HOW LUSTROU E 12 S BREAD CU Pirilän Kukkatalo, 7th and Thursday 8th DOUGH MY GOODNESS! IS M RE ADE . IN BED WITH MAU . You can also call us Tuusula of August. Read more 16 SLEEP TIGHT, TIGERS STETYTÖT Flowmag. Klaus K with its about the prefestival ROCKER HENRIK! AN 22 D DJ SA Sweet Suite dance piece on page MELLOW CELEBRATION NSIB AR SHA We are made in Kallio, Oodi 34. 32 TAKING THE THRONE OF HIP-HOP. RE CARDI B A Helsinki. Maxim MO ME 34 THE FE NT Nikolai II For more info, go to OOOOOOOOOOOOOOOOOOOOOPERA! STIV O AL S F EDITOR Marski www.flowfestival.com. TA CO 38 ASTRID SWAN AND STINA KO RT M TIME HEALS NOT ISTI S W F NEN I O Tero Kartastenpää CheapSleep You will also find the JO TH R TAME IMPAL IN T T 44 A AIMS FO W . Sini Saavala sizzling, electronic MIND... EXPANDING... FOR P RC O ERF ES N ART DIRECTOR and Ruttén the Dog version of this ECT W IG 46 IO IT H HEARING WHAT DO YOU THINK ABOUT THESE T N H T Viivi Prokofjev publication. RACK IN O S S, R P W A ING S E T MEDIA SALES A Y N T M CH AN E P H N D A E SUB-EDITOR Milla Valjus, milla@ COVER E E L O R L L AN I E P Aurora Rämö flowfestival.com Henrik! aka Janne D A T E J . T R E . A Marko Ylitalo Ahtiainen was S . S E PRINTED IN photographed by M A PRODUCER Grano, Finland Bryan Saragosa. Style R K I Hanna Kaikula by Ines Kalliala. The N S ? FLOW FESTIVAL VISUAL cover story begins on TRANSLATOR IDENTITY page 22. Maria Salervo Tsto DINGBLINGBAT VISUALIST FLOW FESTIVAL 2019 Katri Tikkanen The celebration of music, food, art and CONTRIBUTORS OF TEXT life takes place in Markus Hildén Suvilahti, Helsinki T Samuli Knuuti from Friday 9th until Tuomas Kokko Sunday 11th of August Senni Lähde 2019. This is the 16th Emilia Mäenmaa edition Flow Festival. Noora Nuotio Veera Nuutinen CONTRIBUTORS OF IMAGES Aya Brace N Vita Edvards Ama Essel Pauliina Holma Milena Huhta "HELLO Ines Kalliala Birgit Kaufuss HENRIK!? Tanja Koljonen THIS IS Hayley Lee Mikko Rikala SANSIBAR. Ilkka Saastamoinen E Anna Salmi WANNA Bryan Saragosa Haliz Yosef MEET ON PAGE 32?" TABLE T N ANNUAL FLOW FESTIVAL MAGAZINE OO F C 5 IN 6 SHORT DJ YU CHUAN WANTS Yu Chuan, what would you like to see at Flow? “I l • ook forw TO FEEL HOW THE the festival weekend where there are perform ard ance to s, c se 2019 year they had lots of graffiti paintings o that I l nte ei PARTY GETS STARTED iked m ng great.” at po t ⟚ What would you like to hear at Flow the ra he ? f r n THIS AUGUST AT FLOW • es y e record collection but I haven’t seen hi “ ti d w FLOWMAG m v a perf Th a n e orm eo l c v “Just that I have enjoyed myself a lo ing P a e e t! And a b ar re , n lso ef ris a e t Seeing th o h b le at re e a a to be lots of after parties but the best o th .” c n c t nes e a d t t ar a u r h e ft • a o m e s l n e What would you like to play at Flow? ay r e s • • “I b p o i F do e a I c i n’ i r W ’v I want to play a proper house line t k n t h t m n up, I n t y a e h n thi o h t e nk w e w b u i . E ye a a w e i s s tracks. I am playing early on Satur a t o n i h day rl b r s u e so I y e c n s c w h u a ld t N a o t o a to get people ready for the rest n u i o q a a of th t s o y n e da to e f f l o u l t y. t d i I b m h c . u i l wa u l T t a o n i u e u l e a t l h i t n w k t d s b e i u a o e a a i e o d g c K r l e a t n and saying c , a e o f i t t O h m a s o t h i ’s h i s n v p l a e k a a e p i e l y r u y o n s p a b r r i a f d a o t u a n e s o r n h d r b l a j t a d F i i e a l u y g l m g f a P b o s s r a e w h l o l t t o r y a t w l ? a s b o t y n s r t v g . d • e d t g w y o i B L f e o s i e o d s a h a c o n r r . e r i s ” o d g s e e t . t ” Yu Chuan at Flow Sat 10th Aug Six decades GO WITH THE CURE, 41, AND ROBERT SMITH, 60, THE FONT “ l o l o s r o f F W b o o a f o f t i f f e • e ARE BECOMING MORE o u s r g e W T T t k t w d h t s e n h . s h i t y a ” t f e o o INTENSE THAN EVER. e o o l r l • ” F o n i a u , S d “ • n l l k r g t - T c y o e h s . h h h B w I e l t s e Safe but still an explosive hairdo made Robert f i r First decade t a l f • r c d ’ t o n o m of a goth W s i e k h e t t g n an outsider. This has been the Smith an androgynous icon. O o n h e s h i • • T h t s c a i e n o • l t , t core of The Cure since it’s prehistory. Fourth decade The masterpiece was h g r g i r e l c • n s y i f k d t r c t ’ p e , 60, played his first guitar revealed in May 1989. Disintegration is r k s a o t e s Robert Smith a o a i o t l n “ r i s t e “ u t i chords when he was seven. Everybody a holy, warm and tragic compilation T l r s n t e e s W d c h a g u d e n r . s e i l r c e i o e i h in the Smiths’ musical family of six of sounds – from Lullaby to Lovesong. S t e e e r m n d n a o e e y v b S r m a d h f 2 played the piano. They moved from The Cure was the strangest stadium- e e e e r 0 a a d e h a e a n k s o 1 c r e t d i s m 0 t Blackpool to south to Crawley. He filling band at the end of the d r n i . e e . d t s b r a h o d k e t I AT FLOW y s F i k h t didn’t fit in completely. millennium. The e m F e h Second Fifth decade e o f ä n e a ⟚ • • i v r f l e l i o s t e e o n p Smith was fourteen when beginning of the century was an era e n r e w r decade c r t j a i • o e n ä g ANNUAL FLOW FESTIVAL MAGAZINE o a t ’s r u w n e e b o in he and future members of The Cure of insecurity, but by now, The Cure’s l t r r v ä d a l t g i ” i l d v h v L s , e .
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