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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
3 Issuing Activity and Currency Circulation
CHAPTER 3 3 ISSUING ACTIVITY AND CURRENCY CIRCULATION 3.1 CUMULATIVE NET ISSUANCE Euro banknotes accounted for almost the en- tire value of the CNI (98.5%), but only for 19% of The cumulative net issuance (CNI)10 of euro the CNI in terms of volume. Euro coins (includ- banknotes and coins in Slovakia had a total ing euro collector coins) made up the remaining value of €11.02 billion as at 31 December 2016, 81%. with euro banknotes accounting for €10.9 billion of that amount. The CNI increased in The cumulative net issuance as at 31 Decem- 2016 by 7.9% year on year (by €807.2 million), ber 2016 comprised almost 157.2 million euro which represented a slight acceleration com- banknotes and approximately 654 million euro pared with the previous year. The value of the coins, including collector coins. For the first item currency in circulation, corresponding to time, the €100 denomination had the largest Národná banka Slovenska’s allocated share in share of the total number of banknotes includ- the Eurosystem’s production of euro banknotes ed in the CNI, at 24%. The €50 denomination, (Banknote Allocation Key), amounted to around which had held that position in all the previ- €11.4 billion as at 31 December 2016.11 The dif- ous years following Slovakia’s adoption of the ference in value between the euro banknotes euro, saw its share drop to 23%. The coins is- issued in Slovakia and the currency in circulation sued in the highest volumes are the two low- item was €515 million. -
Results of the Public Anonymous Competition for the Design of a ‡¬2
Results of the public anonymous competition for the design of a €2 co... https://www.nbs.sk/en/banknotes-and-coins/euro-coins/news/results-of-t... This website uses cookies. By browsing the site, you agree to use them.More InformationI understand N Slovensky Results of the public anonymous competition for the design of a €2 commemorative coin to mark the 10th anniversary of the accession of the Slovak Republic to the European Union First prize (design selected for the coin) Mária Poldaufová Second prize Mária Poldaufová Third prize Branislav Ronai 1 sur 2 23/12/2018 à 15:43 Results of the public anonymous competition for the design of a €2 co... https://www.nbs.sk/en/banknotes-and-coins/euro-coins/news/results-of-t... On 1 May 2004, the European Union underwent a massive enlargement with the accession of ten new Member States, including Slovakia. Národná banka Slovenska is preparing the issue of a €2 commemorative coin to mark the 10th anniversary of Slovakia's accession to the European Union, and in April 2013 it announced a public anonymous competition for the design of the coin's national side. A total of 24 designs by 11 designers were entered in the competition. In May 2013, the designs were judged by the NBS Governor's Committee for the Assessment of Slovak Euro Coins Designs, which took expert advice from Mgr. Peter Beňo, a representative of the Ministry of Foreign and European Affairs of the Slovak Republic. A design by Mária Poldaufová won first prize in the competition and was approved for the national side of the coin. -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
Actes Intermédiaires De La Conférence ICE-Z 69
"Actes intermédiaires" de la 3ème Conférence Internationale de Zappologie (ICE-Z 69) Nous sommes en attente de la retranscription des interventions de Jean-Christophe Rabut, Philippe Mérigot, Jonathan Pontier et Serge Maestracci. Tous les textes présentés ici sont susceptibles d'être corrigés par leurs auteurs avant publication définitive en édition bilingue anglais-français. 14 juillet 2008 p.3 — Marco Belluzi (I) Une présentation de "New Mother, Old Dust", une re-création de "200 Motels" p.10 — Andy Hollinden (USA) "Everything Is Now: How Frank Zappa Illustrates The Universe" p.17 — suivi de la traduction en français par Michel Sage p.23 — Simon Prentis (UK) "As Above, So Below : One Size Fits All" p.29 — Dr Richard Hemmings (UK) "Conceptual Wazoos : Kazoo Concepts : Whizzle-whizzle" p.34 — Paul Sutton (UK) “God bless America!”: Frank Sinatra and the Mothers of Invention p.43 — Pacôme Thiellement (F) "De la guerre : Continuité Conceptuelle, Freaks, Polices du cerveau et Mutations Unies" p.49 — suivi de la traduction en anglais par Michel Sage p.54 — Ben Watson (UK) "Anti-Zappa, Or, not getting the point : the "French problem" Marco Belluzi (I) Une présentation de "New Mother, Old Dust", une re-création de "200 Motels" NEW MOTHER, OLD DUST Musical Phantazie on Frank V. Zappa's '200 MOTELS’ Original Soundtrack (United Artists, 1971) A shameless description for the 3rd International Conference of Esemplastic Zappology (ICE_Z) Paris, 5th ‐ 6th July 2008 by Alessandro Tozzi & Marco Belluzzi ‐ ‐ ‐ INTRODUCTION In primis et ante omnia [first of all and before everything], let's give ourselves up to the ineffable pleasure to thank you all for having given two wandering musicians as we are, such a high‐level opportunity to introduce this specimen of our work. -
Understanding Stress, Immunity, and Sleep Disturbances in Caregivers of Persons with Dementia
UNDERSTANDING STRESS, IMMUNITY, AND SLEEP DISTURBANCES IN CAREGIVERS OF PERSONS WITH DEMENTIA By BRANDY L. LEHMAN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2008 1 © 2008 Brandy L. Lehman 2 To my husband, who always provided support for my education with love, Brandy L. Lehman 3 ACKNOWLEDGMENTS This endeavor represents the climax of an “impossible dream” of one who has spent many years in academic pursuits. Many individuals have influenced my development along the way but are too numerous to be listed here. The following warrant special recognition. Foremost among these individuals is my advisor and chairperson, Dr. Meredeth Rowe, RN, PhD. From the onset of my doctoral studies through the completion of this dissertation, she willingly shared her knowledge and experience. Her patience and understanding as well as her interest in my education and professional growth are deeply appreciated. Each member of my graduate committee has contributed to the development, refinement, and completion of this dissertation. Appreciation is expressed to the following committee members: Dr. Shawn Kneipp, RN, PhD; Dr. Deidre Pereira, PhD; and Dr. Susan McMillan, RN, PhD. My committee went well beyond their duty in helping me with this dissertation reading and copiously commenting on the numerous drafts. They also provided encouragement and honest analysis of my work. Their collective insight greatly increased the quality of this dissertation. Special thanks go to Dr. Maureen Groer, RN, PhD for her assistance in data collection, use of the University of South Florida Biobehavioral Nursing Laboratory, and purchasing salivary cortisol and IgA kits. -
235 Million 917 Million Euro Banknotes in Euro Coins in the Bank’S Cumula- Slovakia’S Cumulative Tive Net Issuance Net Issuance
B Issuing activity 4 and cash circulation more than more than 235 million 917 million euro banknotes in euro coins in the Bank’s cumula- Slovakia’s cumulative tive net issuance net issuance almost 231 million 177 million banknotes euro coins processed processed by NBS by the Bank 6 17,523 precious metal counterfeit euro collector coins banknotes and issued coins recovered by the Bank in Slovakia 73 B Issuing activity 4 and cash circulation 2020 saw a year-on-year increase in euro cash issuance growth and a rise in the number of counterfeit banknotes and coins withdrawn from circulation in Slovakia 4.1 Cumulative net issuance developments Euro cash issuance growth was higher in 2020 than in the previous year In 2020 cash circulation in Slovakia was affected by the COVID-19 pan- demic crisis, which when it broke out in March triggered a brief surge in euro cash issuance. Immediately after Slovakia reported its first case of COVID-19, it saw increasing demand for euro banknotes, mainly for the €200 and €100 denominations. As a result, the cumulative net issuance (CNI)12 of euro in Slovakia increased by €0.8 billion during March. In sub- sequent months, the CNI maintained a steady trend. Once the cash started to be returned from circulation to Národná banka Slovenska, cash circula- tion stabilised. Despite a year-on-year reduction in the volume of the cash cycle (the volume of cash issued and returned from circulation), the value of the CNI of euro in Slovakia in 2020 represented a year-on-year increase of 13.2% (€1.96 billion). -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Sgt. Pepper's Lonely Hearts Club Band: Lyrics
MUSC-21600 Freeze Sgt. Pepper’s Lonely Hearts Club Band: Lyrics 1. Sgt. Pepper’s Lonely Hearts Club Band It was twenty years ago today, Sergeant Pepper taught the band to play. They’ve been going in and out of style, But they’re guaranteed to raise a smile. So may I introduce to you the act you’ve known for all these years? Sergeant Pepper’s Lonely Hearts Club Band. We’re Sergeant Pepper’s Lonely Hearts Club Band, We hope you will enjoy the show, We’re Sergeant Pepper’s Lonely Hearts Club Band, Sit back and let the evening go. Sergeant Pepper’s lonely, Sgt. Pepper’s lonely, Sergeant Pepper’s Lonely Hearts Club Band. It’s wonderful to be here. It’s certainly a thrill. You’re such a lovely audience, We’d like to take you home with us. We’d love to take you home. I don’t really want to stop the show, But I thought you might like to know That the singer’s gonna sing a song And he wants you all to sing along. So let me introduce to you, The one and only Billy Shears, And Sergeant Pepper’s Lonely Hearts Club Band, yeah. 2. With a Little Help from My Friends What would you do if I sang out of tune? Would you stand up and walk out on me? Lend me your ears and I’ll sing you a song, And I’ll try not to sing out of key. Oh, I get by with a little help from my friends. -
Gender Role Construction in the Beatles' Lyrics
“SHE LOVES YOU, YEAH, YEAH, YEAH!”: GENDER ROLE CONSTRUCTION IN THE BEATLES’ LYRICS Diplomarbeit zur Erlangung des akademischen Grades eines Magister der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mario Kienzl am Institut für: Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, April 2009 Danke Mama. Danke Papa. Danke Connie. Danke Werner. Danke Jenna. Danke Hugo. 2 TABLE OF CONTENTS 1. Introduction .......................................................................................................................... 4 2. The Beatles: 1962 – 1970...................................................................................................... 6 3. The Beatles’ Rock and Roll Roots .................................................................................... 18 4. Love Me Do: A Roller Coaster of Adolescence and Love............................................... 26 5. Please Please Me: The Beatles Get the Girl ..................................................................... 31 6. The Beatles enter the Domestic Sphere............................................................................ 39 7. The Beatles Step Out.......................................................................................................... 52 8. Beatles on the Rocks........................................................................................................... 57 9. Do not Touch the Beatles.................................................................................................. -
The Beatles and the Creative Process CCA 185/AI 185/SNC
The Beatles And The Creative Process Undergraduate Course Information Guide Course Number: CCA 185, 4 credits, 10 Weeks Cross listed Course Number: AI 185, 2 or 4 credits, 10 Weeks Cross listed Course Number: SNC 185, 4 credits, 10 Weeks Delivery Formats: Online Async, On campus Learning Strategies Learning Learning Outcomes and Resources Deliverables Assessment/Grading Course Schedule Policies Course Description The Beatles are significant in many ways: they were an unprecedented show business phenomenon; they were leaders of Sixties cultural rebellion; and they stand, for many, as a signal instance of popular entertainment attaining the status of high art. This course will examine the musical craftsmanship of the Beatles, focusing on their work as songwriters and record makers. Recent audio and print releases documenting the group's performing and recording history provide a unique and detailed glimpse of the Beatles' creative process. We will utilize these materials to closely trace the development of the group's work while using other resources to place it in a larger historical and cultural context. The goal is to shed critical light on this recent chapter in cultural history. That discussion will, in turn, highlight questions about creativity in a modern context where commerce vies with art, technology redefines performance and an emerging global village culture transforms concepts of originality and tradition. Learning Outcomes After completing this course, you will be able to: • The course focus on songcraft and record making as art forms as well as various approaches to interpreting these forms. • The course focus on such artworks in relation to 60s-era trends in spirituality and philosophy. -
TBS GCSE MUSIC A4 Revison.Indd
GCSE Music. Comprehensive resource pack to support the popular Music area. GCSE Music. Contents. 1. Introduction 2. Learning Aims and Objectives 3. Before Sgt Pepper 4. The ‘concept album’. 5. Pop Art, Peter Blake and the importance of album art in the 60s and beyond 6. L yric Analysis: (exploring melody, harmony, structure, rhythm and meaning behind the lyrics) — Lucy in the Sky — Within You/Without You — With a Little Help from my Friends 7. Worksheets – exploring structure: With a Little Help from My Friends and Within You, Without You 8. Sgt Pepper lectures @ The Beatles Story 9. The Beatles story and Liverpool Hope Partnership 10. Booking a visit to the Beatles Story 11. L yrics: With a Little Help from My Friends, Lucy in the Sky, Within you, Without You 12. Fascinating facts about the album 13. Recommended reading list/websites 2 Introduction. Located within Liverpool’s historic Albert Dock, the Beatles Story is a unique visitor attraction that transports you on an enlightening and atmospheric journey into the life, times, culture and music of the Beatles. Since opening in 1990, the Beatles Story has continued to develop our learning resources to create a fun and educational experience for all. Our commitment to life-long learning ensures every guest has a valuable experience, whatever their age or ability. We have linked the story of the Beatles, their early lives, their fame and combined creativity to selected areas of the National Curriculum: history, literacy, art and music to actively encourage and involve pupils in their own learning. This resource pack focuses on GCSE Music in accordance with the AQA specification.