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Rachel Colwell Independent Study Project Popular Culture and Globalization in the Arab World School for International Training (SIT) May 11, 2009 Colwell 1
“Fusion” Musics and Tunisian Identity in the Age of the Global Stereo Rachel Colwell Independent Study Project Popular Culture and Globalization in the Arab World School for International Training (SIT) May 11, 2009 Colwell 1 Tunisia wears its hybridity on its sleeve. Quite literally, a walk through the residential suburbs of Tunis, La Marsa or La Goullette, proves just that; when walking past a café you are as likely to see a middle-aged man in a smart Italian business suit wearing chechia, a distinctively Tunisian felt hat, as an older gentleman in djellabah, a heavy brown Berber cloak, sporting a “Yankees” cap and pair of sneakers. Superficially, these hybridities between local and inter-state, old and new, and “traditional” and “modern” are everywhere, on the street, on restaurant menus, and in the every-day colloquial Tunisian Arabic, darija, a combination of local Arabic and French with a spattering of Italian. These demonstrations barely scratch the surface though; hybridity is by no means skin-deep in Tunisia. Fusion and hybridity are not patterns that Tunisia or Tunisians put on to go out in the morning and take off at night like the imported second-hand American, British, and Brazilian t-shirts that women of all ages picked up for a few hundred millimes at the Sunday market in La Marsa. Fusion is a deeply rooted ideology, a meaningful pattern of life for Tunisians, whether explicitly or implicitly realized, that has had, and continues to have, profound effect on the development, internalization, and presentation of Tunisian identity throughout. Hybridity characterizes both internal identities among Tunisians and is an important component in Tunisia’s presentation of itself to other Arab states, to Europe, and to the world. -
Mick Jagger © Felix Aeppli 04-2020 / 09-2021
Memo From Turner Mick Jagger © Felix Aeppli 04-2020 / 09-2021 1001 July 26, 1943 Born in Dartford, Kent: Michael Philip Jagger. 1001A Late 1961 Bob Beckwith’s home, Bexleyheath, near Dartford, and/or Dick Taylor’s home, Dartford, Kent: LITTLE BOY BLUE AND THE BLUE BOYS, SOME OLD SONGS (Download EP, Promotone / iTunes, May 27, 2013: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES FILES 1961-1964 (BT CD: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES, REELIN’ & ROCKIN’ (BT CD: cuts 1-5 [all incomplete]); DOWN THE ROAD APIECE (STONES TOURING HISTORY VOL. 1) (BT CD: cuts 1, 9 [1 longer, but still incomplete]); HOW BRITAIN GOT THE BLUES (BT CD: cuts 2, 3, 6, 8), BILL WYMAN’S BLACK BOX (BT CD [VGP]: cuts 2, 3, 6, 8); GENUINE BLACK BOX (BT CD box set [Disc 1]: cuts 5, 11-13); REEL TIME TRIP (BT CD: cut 7): 1. Around And Around, 2. Little Queenie, 3. Beautiful Delilah (all Berry), 4. La Bamba (Trad. arr. Valens), 5. Go On To School (Reed) [not Wee Baby Blues (Turner, John- son)], 6. I Ain’t Got You (Carter), 7. I’m Left, You’re Right, She’s Gone (Kesler, Taylor), 8. Down The Road Apiece (Raye), 9. Don’t Stay Out All Night (Arnold), 10. I Ain’t Got You (Carter), 11. Johnny B. Goode, 12. Little Queenie, 13. Beautiful Delilah (all Berry) MJ: vocals; Keith Richards: guitar, Bob Beckwith: guitar, and maybe harmonica (13); Dick Taylor: bass, guitar, drums (probably 13); Alan Etherington: maracas, drums, back-up vocals; – NOTES: Cuts 1-13: 30 minutes reel-to-reel tape of which the original was bought by Mick Jagger at Christie’s auction house, London, May 25, 1995, for £ 50,250; Cut 10: Existence unconfirmed; Cuts 11-13: Might come from a January, 1962, session at Dick Taylor’s home; – In spite of respective rumours, LITTLE BOY BLUE AND THE BLUE BOYS just rehearsed in their parents homes and never had a public appearance. -
Views, and Discography 88
!"!!"#$%&'!()!!*&+%"&$,$&'-!! —!"#$%& .*/$,/!!"0!&*"$/$!"!$ 0%"&$&'1! ! ! 2'!3!,+%4!3(/%!,(45%44! ! +("(3/!&+%/$/!'()!.*/$,!4!/&*0$%/!! *+,-!.!'(/01!+2!%&+"(.*/$,(4(6'! ! 7898!:!(2%34$"!,(44%6% ACKNOWLEDGEMENTS I would like to thank Jennifer Fraser for her mentorship, encouragement, and support; Mounir Khelifa, for re-filling my glass and poetic wisdom when we were weary; Hatem Bourial, for invaluable research guidance, translation assistance, and for khobs zitoun; Jihed, Miriam, and Emina for humoring me with so many questions; Kalthoum, Lamia, and Skander for caring for me like family; Rob and Robin, my parents, for teaching by example and for taking me along all these years. ii — Chapter 1, Article 5 “The Republic of Tunisia shall be founded upon the principles of the rule of law and pluralism and shall strive to promote human dignity and to develop the human personality. The state and society shall strive to entrench the values of solidarity, mutual assistance and tolerance among individuals, social categories and generations…” — Constitution of the Republic of Tunisia iii CONTENTS Preface vi Chapter 1. A Selective Introduction to Tunisian Music History 1 An Immigrant’s Music becomes the “Local” 3 Today’s Ma’luf 8 A Case Study in the Interpretation of Ma’luf 11 Art Music and Popular Music in Tunisia 14 Difficulties in Definition: Ma’luf and Tunisian Fusion 17 Chapter 2. Interpreting Tunisian Musical Hybridity 20 Problematizing Cultural “Hybridity” 20 Hybridity: Post Eugenics, Postcolonial 23 Working definitions 31 Useful Definitions and their Relation to Tunisian Music 34 Intentional and Organic Hybridity 40 A Working Definition of “Hybridity” for Tunisian fusion Musics (1980 – 2009) 43 Chapter 3. -
KULTURKULTUR Samstag 17
KULTURKULTUR Samstag 17. SEPTEMBER 2011 / Seite 30 www.schwetzinger-zeitung.de SZ/HTZ Geburtstag: Heute vor 100 Jahren wurde der Gründer der Schwetzinger Mozarttage, Generalmusikdirektor Gerhard Treiber, in Heidelberg geboren Unermüdlicher Streiter in Sachen Musik Von unserer Gastautorin chermaßen einen enorm hohen einmaligen Atmosphäre des Roko- Angela Bräunig Stellenwert einnimmt. kotheaters ermöglichen. Häufig Der 1911 geborene Richard Trei- stand er selbst am Dirigentenpult Die Mozartgesellschaft Schwetzin- ber entstammt einer alten Heidel- und hat mit großem Einfühlungsver- gen gedenkt heute des 100. Geburts- berger Musikerfamilie. Sein Vater er- mögen Orchester und Solisten gelei- tages ihres Gründers und Spiritus kannte und förderte schon früh sei- tet. Rector, Generalmusikdirektor Dr. ne musikalische Begabung. Berich- Man erinnert sich noch gerne an Richard Treiber. Mit vielen Titeln be- ten von Klassenkameraden zufolge die vielen schönen Konzerte. Kurz dacht wie „Dirigierende Legende“, hat er bereits während seiner Schul- vor seinem 85. Geburtstag dirigierte „Feste Größe im Musikleben“, „Nes- zeit intensiv – unter der Schulbank – er letztmals für die Mozartgesell- tor der deutschen Dirigenten“, Partituren studiert. schaft Schwetzingen beim Eröff- Schwergewicht bei SuperHeavy: Mick „Maestro“ oder liebevoll „Richy“ ge- Nach dem Studium der Musik- nungskonzert des 21. Schwetzinger Jagger. BILDER: UNIVERSAL nannt, hatte Dr. Richard Treiber wissenschaft an der Mannheimer Mozartfestes 1996 das Mozartor- über 30 Jahre lang den Taktstock fest Musikhochschule und Promotion chester der Münchener Philharmo- Pop: Bei SuperHeavy sticht der im Griff. Bereits 1986 wurde ihm ein bei Heinrich Bessler in Heidelberg niker. Inder A. R. Rahman heraus langes Leben bescheinigt, war doch begann eine erfolgreiche Dirigen- in den Medien zu lesen: „Das Kon- tenlaufbahn, die in der Stelle des ers- Ein Jüngling mit 85 Jahren zert im Rokokotheater am 20. -
Musik Im Animationsfilm: Arbeitsbibliographie Zusammengestellt Von Hans J
Repositorium für die Medienwissenschaft Ludger Kaczmarek; Hans Jürgen Wulff; Matthias C. Hänselmann Musik im Animationsfilm: Arbeitsbibliographie 2016 https://doi.org/10.25969/mediarep/12799 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Kaczmarek, Ludger; Wulff, Hans Jürgen; Hänselmann, Matthias C.: Musik im Animationsfilm: Arbeitsbibliographie. Westerkappeln: DerWulff.de 2016 (Medienwissenschaft: Berichte und Papiere 164). DOI: https://doi.org/10.25969/mediarep/12799. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0164_16.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 164, 2016: Musik im Animationsfilm Redaktion und Copyright dieser Ausgabe: Ludger Kaczmarek u. Hans J. Wulff. ISSN 2366-6404. URL: http://berichte.derwulff.de/0164_16.pdf Letzte Änderung: 12.1.2016. Musik im Animationsfilm: Arbeitsbibliographie Zusammengestellt von Hans J. Wulff und Ludger Kaczmarek Mit einer Einleitung von Matthias C. Hänselmann: Phasen und Formen der Tonverwendung im Animationsfilm* Der Animationsfilm ist ein von Grund auf syntheti- die lange Zeit dominante Animationsform handelt, sches Medium: Alle visuellen Aspekte – und das 2) gerade der Zeichentrickfilm Prinzipien der anima- wird besonders am Zeichentrickfilm deutlich – müs- tionsspezifischen Musikverwendung hervorgebracht sen zunächst künstlich erzeugt werden. Es müssen hat und diese Prinzipien 3) dann auch von anderen Serien syntagmatisch kohärenter Bewegungsphasen- Animationsfilmformen übernommen wurden bzw. -
State Magazine + July/August 2007 + Number 514
U.S. DEPARTMENT OF STATE MAGAZINE MOTHER EARTH JULY/AUGUST 2007 CONTENTS STATE MAGAZINE + JULY/AUGUST 2007 + NUMBER 514 Crate Ideas 20 American ingenuity helps Swazi schoolchildren. * Foreign Affairs Day 36 Frontline diplomats confront a changing world. * Security First Diplomatic Security team supports Transformational 42 Democracy in Liberia. * ON THE COVER Mother Earth and the world environment, as seen by 15-year-old Mariya Nikolova of Kazanlak, Bulgaria, one of three winners in the Department’s 2007 international Earth Day art contest. POST OF THE MONTH: Kigali Modern Rwanda Reflects a Calm and Pleasant Beauty. 28 12 Earth Day Artists 40 Science & Technology Abroad Three Earth Day artists have transformational Jefferson Fellow promotes S&T exchanges experience. with Africa. 22 A Worthwhile Weekend 46 Operation Warfighter IT specialist applies skills to hostage Department helps wounded service members videotape. during recovery. 24 Peace Through Music 48 ‘Gold Standard’ Hybrid band bridges musical traditions. OMB calls Department’s data-sharing system the best. 26 Saving Lives Embassy security team responds quickly to 50 Training ‘Ops’ Iraq bombing. Operations Center takes on added role. COLUMNS 2 FROM THE UNDER SECRETARY 54 APPOINTMENTS 3 READERS’ FEEDBACK 55 RETIREMENTS 4 FROM THE DG 56 EDUCATION & TRAINING 5 IN THE NEWS 57 OBITUARIES 52 MEDICAL REPORT 60 THE LAST WORD UNDER SECRETARY HENRIETTA FORE Advancing Our Mission Through Public-Private Partnerships Secretary Rice has described Transforma- As its first deliverable, the center has John Engler, president and CEO, National tional Diplomacy as “rooted in partnership.” begun to assemble a database of existing Association of Manufacturers; Kenneth The Secretary’s vision calls for us to Derr, retired chairman and CEO, Chevron innovate and be creative as we expand the Corporation; Yousif Ghafari, chairman of influence of diplomacy and the Department. -
Film Music Has a Home
Film Music Has a home www.VareseSarabande.com STEVEN ALLEN FO X, CONDUCTOR THE GSPO CHORALE Expect the unexpected LED BY MAESTRA MARYA BASARABA VICTOR PESAVENT O, MUSIC DIRECTOR PRODUCED AND HOSTED BY ROBERT TOWNSON SOLOIST: SARA ANDO N, FLUTE WITH SPECIAL GUESTS ANN MARIE CALHOUN JOHN DEBNEY CLIFF EIDELMAN DANNY ELFMAN MICHAEL GIACCHINO MARK ISHAM CHRISTOPHER LENNERTZ JOEL M cNEELY DIEGO NAVARRO JOHN POWELL BRIAN TYLER HANS ZIMMER MAY 11, 2013 WARNER GRAND THEATER Producer’s Note Welcome to Varèse Sarabande’s 35th Anniversary Concert Gala! There are film music fans all over the world tonight who wish they could be occupying the seat you are currently in, but you are the lucky ones. What a night this is going to be! The forces that have come together for the show you are about to see are remarkable. There is so much more history represented in tonight’s program than merely the last 35 years. This evening is really about the entire history of film music. We’ll be enjoying the performances of a select few … some of my best friends, who just happen to the masters of modern film music. And we’ll hear the music of those I dearly miss … legends of the art form — the immortals. As I’ve said before, the great thing about celebrating Varèse Sarabande history is that, for us, the spotlight is always on the composers. Tonight is, without question, about them. All of them! We could never represent everyone. That’s been the hardest part about putting together this programme. I started with a list of well over 1500 scores — closer to 2000, actually. -
Billboard Magazine and on Billboard.Com
10.12.2013 billboard.com billboard.biz YOUTUBE 3.0 Are They Paying Enough? SONG RECOGNITION GOES LIVE New Tech From Gracenote, Shazam REMEMBERING POLLY ANTHONY MANAGING THE LEGACY OF REGIONAL MEXICAN'S BIGGEST STAR UK £5.50 WorldMags.net ANOTHER AMAZING MUSIC FESTIVAL, ANOTHER 2 MILLION+ WATCHED ON TV MUSIC & FOOD FESTIV THANK YOU: ZAC BROWN BAND JASON MRAZ JOHN FOGERTY KENNY ROGERS GRACE POTTER AND THE NOCTURNALS DAWES EDWARD SHARPE & THE MAGNETIC ZEROS WILLIE NELSON & FAMILY ELI YOUNG BAND THE HEAD AND THE HEART WARREN HAYNES KACEY MUSGRAVES TROMBONE SHORTY & ORLEANS AVENUE BLACKBERRY SMOKE BROTHERS ROAD THE STELLAS FEATURING LENNON AND MAISY THE WOOD BROTHERS NIKO MOON DUGAS AJ GHENT BAND CLARE BOWEN CLAY COOK JOHN DRISKELL HOPKINS & THE MOSIER BROTHERS BAND LEVI LOWREY COY BOWLES AND THE FELLOWSHIP SPECIAL THANKS TO: ROAR MUSIC IS BACK ON TV WorldMags.netaxs WorldMags.net THIS WEEK Volume 125 No. 39 FEATURES 20 Jenni Rivera 26 YouTube 32 Top producers 37 Mexican Music Awards TOPLINE 4 Lawmaker looks GEAR to establish new performance right for broadcast P. 19 “The chord radio. 9 My Day Dennis Ashley, ICM C i progression that :1 Partners became ‘Wake 10 The Deal Beats Electronics gets Me Up!’ was the cash boost from Carlyle Group. f rst thing that 12 Think Tank On the Road, happened. Every Business Matters, Sound & Vision experience I ever 14 Questions Answered had that came out Emilio Romano, well didn’t feel Telemundo Media BACKBEAT labored over.” 16 Parties Global Citizen Festival, Advertising Week, MIKE BET Hip Hop Awards 18 Places EINZIGER Amsterdam 19 Play Mike Einziger Mike Einziger photographed QUESTIONS ANSWERED FEATURE at his studio in MUSIC Los Angeles. -
06-07 Ann Marie Calhoun
Orange County Review inSIDEr, June 7, 2007 three minutes of music." During her sophomore year, she i Is it a joined a bluegrass band called Walker's n Run, and that same week, the band's guitar player, Brian Calhoun was quitting to pursue instrument building full time. fidfiddledle "When I met him, the guitar company S was first starting," she remembers. "He took down all his orders on a scrap piece of cardboard that he had laying around or a I his shop. And sometimes he wouldn't even use a pen; he'd just take a nail and D etch it into the cardboard. He didn't even violin?violin? do e-mail. He didn't have an email address. He was just this kind of moun- tain man," she says affectionately. ctually, in Ann Marie's case, it's Married in 2002, Brian and Ann E both. "Same instrument, just dif- Marie moved to a drafty renovated barn AAferent styles," she says of this "that had no climate control" near musical instrument that she first picked Barboursville. "So we basically saved all up at age three. "I don't even remember our money to have a down payment so r learning how to play; I was so young. we could buy the house." By now, Ann I've just felt like I've always been able to Marie was playing with play." Americana/New-grass band Old School Generally speaking, a violin is for Freight Train and teaching at classical music; a fiddle is for everything Woodberry Forest as well as directing else: country, old-time, bluegrass, jazz, the school's string program. -
Foo Fighters
Topic relevant selected content from the highest rated entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the con- venience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mission: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it e ectively and globally. e content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accurate or reliable information. Some information in this book maybe misleading or simply wrong. e publisher does not guarantee the validity of the infor- mation found here. If you need speci c advice (for example, medical, legal, nancial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Foo Fighters 1 2011 MTV Video Music Awards 11 24 Hours of Foo 17 Alanis Morissette 19 Ann Marie Calhoun 32 Backbeat (soundtrack) 38 Best of You 39 Big Me 44 Bleed -
The “World” in Some Popular Sinhala Reggae, Hip Hop, and Pop Songs Nishadi Meddegoda
The “World” in Some Popular Sinhala Reggae, Hip Hop, and Pop Songs Nishadi Meddegoda Abstract Though Sri Lanka is an island with a number of burning internal cultural problems, “world music” elements are one feature that is highly regarded in the Derana Music Video Awards ceremony. This study is to investigate the impact of fragmented world music and its reception by the listeners who consume popular music texts in the Sinha- la language. Important questions are how those elements of world music are imitated and adapted in popular Sinhala songs and what motivates Sri Lankan musicians to adapt them. A detailed scrutiny into processes of imitations and adaptations of that what happened to become “world music trends” in popular Sinhala songs have been ex- plored by choosing a close-up analysis of products presented at a recent Derana Music Video Awards ceremony. Il “mondo” in alcune popolari canzoni reggae, hip hop e pop singalesi. Sebbene lo Sri Lanka sia un’isola con una quantità di problemi culturali scottanti, la presenza di elementi di world music è una caratteristica altamente considerata all’interno della cerimonia dei Derana Music Video Awards. Il presente studio intende indagare l’impatto della world music, nelle sue varie componenti, e la sua ricezione presso il pubblico che ascolta canzoni pop in lingua singalese. Alcune questioni importanti sono come questi elementi di world music siano imitati e adattati nelle canzoni pop in lingua singalese e cosa spinga i musicisti dello Sri Lanka ad adattarli. Un esame dettagliato dei processi di imitazione e adattamento di quelle che sono diventate delle “tendenze di world music” nelle canzoni pop singalesi è stato affrontato attraverso un’attenta analisi dei prodotti presentati in una recente cerimonia dei Derana Music Video Awards.