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47955 the Musician's Lifeline INT01-192 PRINT REV INT03 08.06.19.Indd
181 Our Contributors Carl Allen: jazz drummer, educator Brian Andres: drummer, educator David Arnay: jazz pianist, composer, educator at University of Southern California Kenny Aronoff: live and studio rock drummer, author Rosa Avila: drummer Jim Babor: percussionist, Los Angeles Philharmonic, educator at University of Southern California Jennifer Barnes: vocalist, arranger, educator at University of North Texas Bob Barry: (jazz) photographer John Beasley: jazz pianist, studio musician, composer, music director John Beck: percussionist, educator (Eastman School of Music, now retired) Bob Becker: xylophone virtuoso, percussionist, composer Shelly Berg: jazz pianist, dean of Frost Music School at University of Miami Chuck Berghofer: jazz bassist, studio musician Julie Berghofer: harpist Charles Bernstein: film composer Ignacio Berroa: Cuban drummer, educator, author Charlie Bisharat: violinist, studio musician Gregg Bissonette: drummer, author, voice-over actor Hal Blaine: legendary studio drummer (Wrecking Crew fame) Bob Breithaupt: drummer, percussionist, educator at Capital University Bruce Broughton: composer, EMMY Chris Brubeck: bassist, bass trombonist, composer Gary Burton: vibes player, educator (Berklee College of Music, now retired), GRAMMY 182 THE MUSICIAN’S LIFELINE Jorge Calandrelli: composer, arranger, GRAMMY Dan Carlin: award-winning engineer, educator at University of Southern California Terri Lyne Carrington: drummer, educator at Berklee College of Music, GRAMMY Ed Carroll: trumpeter, educator at California Institute of -
Boston Symphony Orchestra Concert Programs, Summer, 1995
osfon i^j^ny wksW Tangtew@» 5 NOW AT FILENE'S... FROM TOMMY H i The tommy collection i Cologne spray, 3.4-oz.,$42 Cologne spray, 1.7-oz.,$28 After-shave balmB mm 3.4-oz., $32 m After-shave, 3.4-oz., $32 Seiji Ozawa, Music Director One Hundred and Fourteenth Season, 1994-95 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. August R. Meyer Peter A. Brooke Deborah B. Davis Allen Z. Kluchman Mrs. Robert B. Newman James F. Cleary Nina L. Doggett Harvey Chet Peter C. Read John F. Cogan, Jr. Dean W. Freed Krentzman Carol Scheifele-Holmes Julian Cohen AvramJ. Goldberg George Krupp Richard A. Smith William F. Connell Thelma E. Goldberg R. Willis Leith, Jr. Ray Stata William M. Crozier, Jr. Julian T. Houston Trustees Emeriti Vernon R. Alden Archie C. Epps Mrs. George I. Mrs. George Lee Philip K. Allen Mrs. Harris Kaplan Sargent David B. Arnold, Jr. Fahnestock George H. Kidder Sidney Stoneman Leo L. Beranek Mrs. John L. Thomas D. Perry, Jr. John Hoyt Stookey Abram T. Collier Grandin Irving W. Rabb John L. Thorndike Nelson J. Darling, Jr. Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Board of Overseers of the Boston Symphony Orchestra, Inc. Thelma E. Goldberg, Chairman Robert P. O'Block, Vice-Chairman Jordan L. -
Rachel Colwell Independent Study Project Popular Culture and Globalization in the Arab World School for International Training (SIT) May 11, 2009 Colwell 1
“Fusion” Musics and Tunisian Identity in the Age of the Global Stereo Rachel Colwell Independent Study Project Popular Culture and Globalization in the Arab World School for International Training (SIT) May 11, 2009 Colwell 1 Tunisia wears its hybridity on its sleeve. Quite literally, a walk through the residential suburbs of Tunis, La Marsa or La Goullette, proves just that; when walking past a café you are as likely to see a middle-aged man in a smart Italian business suit wearing chechia, a distinctively Tunisian felt hat, as an older gentleman in djellabah, a heavy brown Berber cloak, sporting a “Yankees” cap and pair of sneakers. Superficially, these hybridities between local and inter-state, old and new, and “traditional” and “modern” are everywhere, on the street, on restaurant menus, and in the every-day colloquial Tunisian Arabic, darija, a combination of local Arabic and French with a spattering of Italian. These demonstrations barely scratch the surface though; hybridity is by no means skin-deep in Tunisia. Fusion and hybridity are not patterns that Tunisia or Tunisians put on to go out in the morning and take off at night like the imported second-hand American, British, and Brazilian t-shirts that women of all ages picked up for a few hundred millimes at the Sunday market in La Marsa. Fusion is a deeply rooted ideology, a meaningful pattern of life for Tunisians, whether explicitly or implicitly realized, that has had, and continues to have, profound effect on the development, internalization, and presentation of Tunisian identity throughout. Hybridity characterizes both internal identities among Tunisians and is an important component in Tunisia’s presentation of itself to other Arab states, to Europe, and to the world. -
Read Book # a Passion Play: the Story of Ian Anderson and Jethro
LDJ1OWTOGJH3 # eBook / A Passion Play: The Story of Ian Anderson and Jethro Tull A Passion Play: Th e Story of Ian A nderson and Jeth ro Tull Filesize: 8.6 MB Reviews The most effective publication i ever read through. I could possibly comprehended almost everything using this composed e pdf. I am very easily could get a enjoyment of reading through a composed pdf. (Opal Bauch V) DISCLAIMER | DMCA 1Y4IIV692U7F \ Doc ^ A Passion Play: The Story of Ian Anderson and Jethro Tull A PASSION PLAY: THE STORY OF IAN ANDERSON AND JETHRO TULL To read A Passion Play: The Story of Ian Anderson and Jethro Tull eBook, remember to refer to the web link below and save the file or gain access to other information which are related to A PASSION PLAY: THE STORY OF IAN ANDERSON AND JETHRO TULL ebook. Soundcheck Books. Paperback. Book Condition: new. BRAND NEW, A Passion Play: The Story of Ian Anderson and Jethro Tull, Brian Rabey, This is a book in two parts. Part one is a history of the band, largely told by band members themselves - Maartin Allcock , Mick Abrahams, Martin Barre, Clive Bunker, Glenn Cornick, John Evans, Andy Giddings. Jerey Hammond, Dave Pegg, Doane Perry, and, of course, Ian Anderson. Author Brian Rabey really did have 'access all areas' for this work. He made good use of it as well, oen relating the same story (for example, how Martin Barre came to join Tull) but from dierent people's viewpoints. Part two, is devoted to the thoughts of Ian Anderson, again largely told in the man's words in interviews that stretch back to Anderson's first meeting with Rabey in the 1970s, right up to the present. -
Richmond-Annual-Report-2010.Pdf
Town of RICHMOND Massachusetts Annual Report 2010 RICHMOND TOWN HALL Monday through Friday – 8:30 – 2:30 (413) 698-3355 Town Administrator – Matt Kerwood 698-3882 Monday through Friday – 9:00 – 4:00 Tax Collector – Frederick Schubert 698-3315 Tuesday, Wednesday, Friday – 9:00 – Noon Town Clerk – Kate Zahn 698-3555 Tuesday through Friday – 8:30 – 1:30 Town Treasurer – Amy Lane 698-3556 Monday, Thursday – 9:00 am – 4:00 Town Secretary – Kate Zahn 698-3355 Monday through Friday – 8:30 – 1:30 Board of Selectmen 1st, 2nd and 4th Wednesday – 6:00 pm Board of Assessors 2nd Wednesday – 7:00 pm Board of Health 1st Tuesday – 6:30 pm Planning Board 2nd Monday – 6:30 pm Conservation Commission 2nd Tuesday – 7:00 pm Building Inspector – Paul Greene 1st, 2nd and 4th Wednesday – 10:30 am - 12:00 Zoning Enforcement Officer – Craig Swinson 698-2525 1st, 2nd and 4th Wednesday – 10:30 am - 12:00 pm Chief of Police – William Bullett (442-3693) 2nd and 4th Wednesday – 7:30 pm Animal Control Officer John Springstube 232-7038 Richmond Annual Town Report - 2010 In Memoriam Each year we honor town officers and employees who have passed away. In 2010/2011 we lost the following: Lillian Casman Russell Chapman George Crawford Oscar Frank Mim Kimball David Morrison Marylyn Ratcliff Virginia van Allman This town report is dedicated to their memory. Town of Richmond Massachusetts ANNUAL REPORTS of the Town Officers For the Year Ending December 31, 2010 FY 2011 Tax Rate – $ 9.04 FY 2011 Total Valuation – $ 440,153,324 FY 2011 Total Tax Levied – $ 3,979,348. -
Mick Jagger © Felix Aeppli 04-2020 / 09-2021
Memo From Turner Mick Jagger © Felix Aeppli 04-2020 / 09-2021 1001 July 26, 1943 Born in Dartford, Kent: Michael Philip Jagger. 1001A Late 1961 Bob Beckwith’s home, Bexleyheath, near Dartford, and/or Dick Taylor’s home, Dartford, Kent: LITTLE BOY BLUE AND THE BLUE BOYS, SOME OLD SONGS (Download EP, Promotone / iTunes, May 27, 2013: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES FILES 1961-1964 (BT CD: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES, REELIN’ & ROCKIN’ (BT CD: cuts 1-5 [all incomplete]); DOWN THE ROAD APIECE (STONES TOURING HISTORY VOL. 1) (BT CD: cuts 1, 9 [1 longer, but still incomplete]); HOW BRITAIN GOT THE BLUES (BT CD: cuts 2, 3, 6, 8), BILL WYMAN’S BLACK BOX (BT CD [VGP]: cuts 2, 3, 6, 8); GENUINE BLACK BOX (BT CD box set [Disc 1]: cuts 5, 11-13); REEL TIME TRIP (BT CD: cut 7): 1. Around And Around, 2. Little Queenie, 3. Beautiful Delilah (all Berry), 4. La Bamba (Trad. arr. Valens), 5. Go On To School (Reed) [not Wee Baby Blues (Turner, John- son)], 6. I Ain’t Got You (Carter), 7. I’m Left, You’re Right, She’s Gone (Kesler, Taylor), 8. Down The Road Apiece (Raye), 9. Don’t Stay Out All Night (Arnold), 10. I Ain’t Got You (Carter), 11. Johnny B. Goode, 12. Little Queenie, 13. Beautiful Delilah (all Berry) MJ: vocals; Keith Richards: guitar, Bob Beckwith: guitar, and maybe harmonica (13); Dick Taylor: bass, guitar, drums (probably 13); Alan Etherington: maracas, drums, back-up vocals; – NOTES: Cuts 1-13: 30 minutes reel-to-reel tape of which the original was bought by Mick Jagger at Christie’s auction house, London, May 25, 1995, for £ 50,250; Cut 10: Existence unconfirmed; Cuts 11-13: Might come from a January, 1962, session at Dick Taylor’s home; – In spite of respective rumours, LITTLE BOY BLUE AND THE BLUE BOYS just rehearsed in their parents homes and never had a public appearance. -
Views, and Discography 88
!"!!"#$%&'!()!!*&+%"&$,$&'-!! —!"#$%& .*/$,/!!"0!&*"$/$!"!$ 0%"&$&'1! ! ! 2'!3!,+%4!3(/%!,(45%44! ! +("(3/!&+%/$/!'()!.*/$,!4!/&*0$%/!! *+,-!.!'(/01!+2!%&+"(.*/$,(4(6'! ! 7898!:!(2%34$"!,(44%6% ACKNOWLEDGEMENTS I would like to thank Jennifer Fraser for her mentorship, encouragement, and support; Mounir Khelifa, for re-filling my glass and poetic wisdom when we were weary; Hatem Bourial, for invaluable research guidance, translation assistance, and for khobs zitoun; Jihed, Miriam, and Emina for humoring me with so many questions; Kalthoum, Lamia, and Skander for caring for me like family; Rob and Robin, my parents, for teaching by example and for taking me along all these years. ii — Chapter 1, Article 5 “The Republic of Tunisia shall be founded upon the principles of the rule of law and pluralism and shall strive to promote human dignity and to develop the human personality. The state and society shall strive to entrench the values of solidarity, mutual assistance and tolerance among individuals, social categories and generations…” — Constitution of the Republic of Tunisia iii CONTENTS Preface vi Chapter 1. A Selective Introduction to Tunisian Music History 1 An Immigrant’s Music becomes the “Local” 3 Today’s Ma’luf 8 A Case Study in the Interpretation of Ma’luf 11 Art Music and Popular Music in Tunisia 14 Difficulties in Definition: Ma’luf and Tunisian Fusion 17 Chapter 2. Interpreting Tunisian Musical Hybridity 20 Problematizing Cultural “Hybridity” 20 Hybridity: Post Eugenics, Postcolonial 23 Working definitions 31 Useful Definitions and their Relation to Tunisian Music 34 Intentional and Organic Hybridity 40 A Working Definition of “Hybridity” for Tunisian fusion Musics (1980 – 2009) 43 Chapter 3. -
EMS Organizational Analysis for Southern Berkshire Region Final
EMS ORGANIZATONAL ANALYSIS FOR THE SOUTHERN BERKSHIRE REGION Official Report prepared by: Hanifen & Associates, LLC in Partnership with Kramer & Associates and Meyers EM K&A EMS ORGANIZATIONAL ANALYSIS FOR SOUTHERN BERKSHIRE REGION Project Team Leader: Project Team Associates: Randall W. Hanifen, Ph.D. William M. Kramer, Ph.D. Patrick Meyers, B.S. Table of Contents I. FOREWORD...............................................................................4 II. EXECUTIVE SUMMARY ........................................................9 III. HISTORICAL PERSPECTIVE ..............................................14 IV. COMMUNITY RISK ASSESSMENT ....................................17 V. BALANCING ALL EMERGENCY SERVICES ...................29 VI. RESPONSE DATA ...................................................................32 VII. EMS STATION LOCATIONS….……………..……………..37 VIII FIRE STATION LOCATIONS ...............................................39 IX. REPLACING FIRE & EMS STATIONS ...............................41 X. REGIONAL APPARATUS ....................................................43 XI. COMMUNICATIONS AND DISPATCH ..............................54 XII. MUTUAL AND AUTOMATIC AID ........................................60 XIII. HEALTHCARE REFORM/TECHNOLOGY ........................62 XIV. REDUCED TURNAROUND TIMES ......................................67 XV. MOBILE INTEGRATED HEALTHCARE............................74 XVI. RELEVANT NATIONAL STANDARDS ...............................79 XVII. ENSURING ADEQUATE RESOURCES ........................ -
Jethro Tull Discography
Jethro Tull Discography Jethro Tull - Discography Year Album Details Pag. 1968 This Was 4 1969 Stand Up 4 1970 Benefit 5 1971 Aqualung 5 1972 Thick As A Brick 6 1972 Living In The Past 6 1973 A Passion Play 7 1974 War Child 7 1975 Minstrel In The Gallery 8 1976 M.U. - The Best Of Jethro Tull 8 1976 Too Old To Rock'N'Roll: Too Young To Die 9 1977 Songs From The Wood 9 1977 Repeat - The Best Of Jethro Tull - Vol. II 10 1978 Heavy Horses 10 1978 Live - Bursting Out 2-CD European release 11 1978 Live - Bursting Out 1 CD US release 11 1979 Stormwatch 11 1980 A 12 1982 The Broadsword And The Beast 12 1984 Under Wraps 13 1985 A Classic Case 13 1985 Original Masters 14 1987 Crest Of A Knave 14 1988 20 Years Of Jethro Tull (Box) 3-CD/ 5-LP/ 5-MC - Box 15 1988 Thick As A Brick Mobile Fidelity Gold CD 17 1988 20 Years Of Jethro Tull (Sampler) European release 17 1988 20 Years Of Jethro Tull (Sampler) US release 17 1989 Rock Island 18 1989 Stand Up Mobile Fidelity Gold CD 18 1990 Live At Hammersmith '84 19 1991 Catfish Rising 19 1992 A Little Light Music 20 1993 The Best Of Jethro Tull: The Anniversary Collection 2-CD 21 1993 25th Anniversary Box Set 4-CD Box 22 1993 Nightcap 2-CD 24 1994 Aqualung - Chrysalis 25th Anniversary Special De Luxe Edition 25 1995 Roots To Branches 25 1995 In Concert 26 1996 Aqualung - 25th Anniversary Special Edition 26 1996 The Ultimate Set 1 CD, 1 Video, 1 Book, 1 LP 27 1997 Through The Years 28 1997 Aqualung DCC Gold CD 28 1997 A Jethro Tull Collection 29 1997 Thick As A Brick - 25th Anniversary Special Edition 29 1997 -
KULTURKULTUR Samstag 17
KULTURKULTUR Samstag 17. SEPTEMBER 2011 / Seite 30 www.schwetzinger-zeitung.de SZ/HTZ Geburtstag: Heute vor 100 Jahren wurde der Gründer der Schwetzinger Mozarttage, Generalmusikdirektor Gerhard Treiber, in Heidelberg geboren Unermüdlicher Streiter in Sachen Musik Von unserer Gastautorin chermaßen einen enorm hohen einmaligen Atmosphäre des Roko- Angela Bräunig Stellenwert einnimmt. kotheaters ermöglichen. Häufig Der 1911 geborene Richard Trei- stand er selbst am Dirigentenpult Die Mozartgesellschaft Schwetzin- ber entstammt einer alten Heidel- und hat mit großem Einfühlungsver- gen gedenkt heute des 100. Geburts- berger Musikerfamilie. Sein Vater er- mögen Orchester und Solisten gelei- tages ihres Gründers und Spiritus kannte und förderte schon früh sei- tet. Rector, Generalmusikdirektor Dr. ne musikalische Begabung. Berich- Man erinnert sich noch gerne an Richard Treiber. Mit vielen Titeln be- ten von Klassenkameraden zufolge die vielen schönen Konzerte. Kurz dacht wie „Dirigierende Legende“, hat er bereits während seiner Schul- vor seinem 85. Geburtstag dirigierte „Feste Größe im Musikleben“, „Nes- zeit intensiv – unter der Schulbank – er letztmals für die Mozartgesell- tor der deutschen Dirigenten“, Partituren studiert. schaft Schwetzingen beim Eröff- Schwergewicht bei SuperHeavy: Mick „Maestro“ oder liebevoll „Richy“ ge- Nach dem Studium der Musik- nungskonzert des 21. Schwetzinger Jagger. BILDER: UNIVERSAL nannt, hatte Dr. Richard Treiber wissenschaft an der Mannheimer Mozartfestes 1996 das Mozartor- über 30 Jahre lang den Taktstock fest Musikhochschule und Promotion chester der Münchener Philharmo- Pop: Bei SuperHeavy sticht der im Griff. Bereits 1986 wurde ihm ein bei Heinrich Bessler in Heidelberg niker. Inder A. R. Rahman heraus langes Leben bescheinigt, war doch begann eine erfolgreiche Dirigen- in den Medien zu lesen: „Das Kon- tenlaufbahn, die in der Stelle des ers- Ein Jüngling mit 85 Jahren zert im Rokokotheater am 20. -
Musik Im Animationsfilm: Arbeitsbibliographie Zusammengestellt Von Hans J
Repositorium für die Medienwissenschaft Ludger Kaczmarek; Hans Jürgen Wulff; Matthias C. Hänselmann Musik im Animationsfilm: Arbeitsbibliographie 2016 https://doi.org/10.25969/mediarep/12799 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Kaczmarek, Ludger; Wulff, Hans Jürgen; Hänselmann, Matthias C.: Musik im Animationsfilm: Arbeitsbibliographie. Westerkappeln: DerWulff.de 2016 (Medienwissenschaft: Berichte und Papiere 164). DOI: https://doi.org/10.25969/mediarep/12799. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0164_16.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 164, 2016: Musik im Animationsfilm Redaktion und Copyright dieser Ausgabe: Ludger Kaczmarek u. Hans J. Wulff. ISSN 2366-6404. URL: http://berichte.derwulff.de/0164_16.pdf Letzte Änderung: 12.1.2016. Musik im Animationsfilm: Arbeitsbibliographie Zusammengestellt von Hans J. Wulff und Ludger Kaczmarek Mit einer Einleitung von Matthias C. Hänselmann: Phasen und Formen der Tonverwendung im Animationsfilm* Der Animationsfilm ist ein von Grund auf syntheti- die lange Zeit dominante Animationsform handelt, sches Medium: Alle visuellen Aspekte – und das 2) gerade der Zeichentrickfilm Prinzipien der anima- wird besonders am Zeichentrickfilm deutlich – müs- tionsspezifischen Musikverwendung hervorgebracht sen zunächst künstlich erzeugt werden. Es müssen hat und diese Prinzipien 3) dann auch von anderen Serien syntagmatisch kohärenter Bewegungsphasen- Animationsfilmformen übernommen wurden bzw. -
August 2009 Issue 319 Jazz Now in Our 35Th Year
August 2009 Issue 319 jazz now in our 35th year &blues report www.jazz-blues.com Diana Krall Diana Krall Knockin’ ‘Em Out on Quiet Nights Tour Full Orchestra Performances at Some Dates Editor & Founder Bill Wahl Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Mark Cole, Kelly Ferjutz, Nancy Ann Lee, Peanuts, Matt Simpson, Wanda Simpson, Mark Smith, Dave Sunde, Joerg Unger, Duane Verh, Emily Wahl and Ron Weinstock. Check out our constantly updated website. Now you can search for CD Reviews by artists, titles, record labels, keyword or JBR Writers. 15 years of reviews are up and we’ll be going all the way back to 1974. Comments...billwahl@ jazz-blues.com Web .................. www.jazz-blues.com Copyright © 2009 Jazz & Blues Report No portion of this publication may be reproduced without written permission from the publisher. All rights Reserved. iana Krall is roughly two-thirds of the way through her sum- Founded in Buffalo New York in March of mer tour supporting her new Verve CD “Quiet Nights” as she 1974; began in Cleveland edition in April of 1978. Now this global e-zine edition is visits cities from coast to coast in the U.S. She performed 18 posted online monthly Dconcerts across her homeland, Canada, in April and May be- at www.jazz-blues.com fore kicking off the U.S. dates June 5. She has already played two nights at Carnegie Hall in New York, and will perform two nights at the Holly- wood Bowl in L.A. – with an orchestra – August 21 and 22.