Kant and Freud at the Edge of Critical Theory
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Hair: the Performance of Rebellion in American Musical Theatre of the 1960S’
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Winchester Research Repository University of Winchester ‘Hair: The Performance of Rebellion in American Musical Theatre of the 1960s’ Sarah Elisabeth Browne ORCID: 0000-0003-2002-9794 Doctor of Philosophy December 2017 This Thesis has been completed as a requirement for a postgraduate research degree of the University of Winchester MPhil/PhD THESES OPEN ACCESS / EMBARGO AGREEMENT FORM This Agreement should be completed, signed and bound with the hard copy of the thesis and also included in the e-copy. (see Thesis Presentation Guidelines for details). Access Permissions and Transfer of Non-Exclusive Rights By giving permission you understand that your thesis will be accessible to a wide variety of people and institutions – including automated agents – via the World Wide Web and that an electronic copy of your thesis may also be included in the British Library Electronic Theses On-line System (EThOS). Once the Work is deposited, a citation to the Work will always remain visible. Removal of the Work can be made after discussion with the University of Winchester’s Research Repository, who shall make best efforts to ensure removal of the Work from any third party with whom the University of Winchester’s Research Repository has an agreement. Agreement: I understand that the thesis listed on this form will be deposited in the University of Winchester’s Research Repository, and by giving permission to the University of Winchester to make my thesis publically available I agree that the: • University of Winchester’s Research Repository administrators or any third party with whom the University of Winchester’s Research Repository has an agreement to do so may, without changing content, translate the Work to any medium or format for the purpose of future preservation and accessibility. -
Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20 -
The Dialectic of Freedom 1St Edition Pdf Free Download
THE DIALECTIC OF FREEDOM 1ST EDITION PDF, EPUB, EBOOK Maxine Greene | 9780807728970 | | | | | The Dialectic of Freedom 1st edition PDF Book She examines the ways in which the disenfranchised have historically understood and acted on their freedom—or lack of it—in dealing with perceived and real obstacles to expression and empowerment. It offers readers a critical opportunity to reflect on our continuing ideological struggles by examining popular books that have made a difference in educational discourse. Professors: Request an Exam Copy. Major works. Max Horkheimer Theodor W. The latter democratically makes everyone equally into listeners, in order to expose them in authoritarian fashion to the same programs put out by different stations. American Paradox American Quest. Instead the conscious decision of the managing directors executes as results which are more obligatory than the blindest price-mechanisms the old law of value and hence the destiny of capitalism. Forgot your password? There have been two English translations: the first by John Cumming New York: Herder and Herder , ; and a more recent translation, based on the definitive text from Horkheimer's collected works, by Edmund Jephcott Stanford: Stanford University Press, Learn how to enable JavaScript on your browser. Peter Lang. The truth that they are nothing but business is used as an ideology to legitimize the trash they intentionally produce. Archetypal literary criticism New historicism Technocriticism. The author concludes with suggestions for approaches to teaching and learning that can provoke both educators and students to take initiatives, to transcend limits, and to pursue freedom—not in solitude, but in reciprocity with others, not in privacy, but in a public space. -
CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (Eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES
CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES The series is attached to Philosophy at Sder- trn University. Published in the series are es- says as well as anthologies, with a particular em- phasis on the continental tradition, understood in its broadest sense, from German idealism to phenomenology, hermeneutics, critical theory and contemporary French philosophy. The com- mission of the series is to provide a platform for the promotion of timely and innovative phil- osophical research. Contributions to the series are published in English or Swedish. Cover image: Kristofer Nilson, System (Portrait of a Swedish Tax Form), 2020, Lead pencil drawing on chalk paint, on mdf 59.2 x 42 cm. Photo: Jesper Petersen. Te Swedish tax form is one of many systems designed to handle and present information. Mapped onto the surface of an artwork, it opens a free space; an untouched surface where everything can exist at the same time. Kristofer Nilson Critical Theory Past, Present, Future Edited by Anders Bartonek & Sven-Olov Wallenstein Sdertrns hgskola Sdertrns University Library SE-141 89 Huddinge www.sh.se/publications © the Authors Published under Creative Commons Attribution 3.0 Unported License Cover layout: Jonathan Robson Graphic form: Per Lindblom & Jonathan Robson Printed by Elanders, Stockholm 2021 Sdertrn Philosophical Studies 28 ISSN 1651-6834 Sdertrn Academic Studies 83 ISSN 1650-433X ISBN 978-91-89109-35-3 (print) ISBN 978-91-89109-36-0 (digital) Contents Introduction -
Syllabus PT 154 Comparative Psychoanalysis T. Morgan Fall 2018
Syllabus PT 154 Comparative Psychoanalysis T. Morgan Fall 2018 Wed. 3:30-5:30 CMPS: 30 Clock Hours NYGSP: 2 Credits Course Description This semester’s work will familiarize candidates with the motifs, idioms and preoccupations of a not- exhaustive list of schools of psychoanalysis as well as field influencers who fall between the theoretical cracks. We will aim to traverse a cross-section of meta-psychologies, diverse understandings of the human subject, unique concepts of cure, and (to the degree that ways of working are made apparent), various clinical techniques. Modern candidates will have the opportunity to prepare to interact with the ideas of many psychoanalytic tribes. Toward that end we will whet our appetites for Kleinian, Relational, Contemporary Freudian, Lacanian, Intersubjective, Feminist, and Interpersonal points of view. Objectives The candidate will be able to: • think historically about the genesis of transformations and developments in the field of psychoanalysis; • identify themes germane to discrete schools of psychoanalytic thought; and • employ psychoanalytic terminology such as “repression, conflict, dissociation, co-construction, thirdness, drive derivatives, internalized objects, regression, self-states, symbolization, “not-me”, trauma, wish, projective identification, introject, adaptation, ego defense, enigmatic messages, object a, attacks on linking, and more. Requirements *Reading requirements will, on average, tally about 50 pages a week. Pay attention to feelings aroused by the readings. *Come to class prepared to share what you loved and hated about the readings. *Submit, every other class, a 2-3 page, double-spaced written exploration of the last two week’s readings. Find what interests you and elaborate upon it. Email it to the instructor at [email protected] by Sunday before 6 pm the class before it is due if you want written commentary. -
10753820.Pdf
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Outside of a Logocentric Discourse? The Case of (Post)modern Czech “Women’s” Writing Jan Matonoha Degree: MPhil Form of Study: Research Department of Slavonic Studies School of Modern Languages and Cultures University of Glasgow May 2007 © Jan Matonoha, 2007 ProQuest Number: 10753820 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10753820 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. -
Freud on Time and Timelessness: the Ancient Greek Influence
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Freud on time and timelessness: the ancient Greek influence https://eprints.bbk.ac.uk/id/eprint/40071/ Version: Full Version Citation: Noel-Smith, Kelly Ann (2014) Freud on time and timelessness: the ancient Greek influence. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Freud on Time and Timelessness: the Ancient Greek Influence A dissertation presented by Kelly Ann Noel-Smith in fulfilment of the requirements for the degree of Doctor of Philosophy Birkbeck College, University of London January 2014 Declaration I declare that the work presented in this thesis is my own. …………………………………………………… ………………… 2014 Kelly Ann Noel-Smith © 2014 Kelly Noel-Smith. All rights reserved. 2 Kelly Noel-Smith Freud on Time and Timelessness: the Ancient Greek Influence Abstract This thesis turns on two assumptions: first, that there is a current absence within the psychoanalytic library of a consolidated account of Freud's theories of time and timelessness; second, that there is compelling evidence of an influence by the ancient Greek canon on Freud's metapsychology of time. The thesis is that a detailed examination of this influence will bring additional clarity to our understanding of Freud’s thoughts about time and timelessness and permit the provision of the currently lacking systematic account of this part of his theory. The author brings the three components of the Greek canon most important to Freud - myth, tragedy and philosophy – into dialogue with psychoanalysis to show the importance of their influence on Freud's ideas on temporality. -
The Apres-Coup, Apres Coup: Concerning Jean Laplanche Problématiques VI
The Apres-Coup, Apres Coup: Concerning Jean Laplanche Problématiques VI. L’Après-Coup1 Sergio Benvenuto Italian Council for Scientific Research Abstract Here the author examines the question of après-coup (afterwardsness) in psychoanalysis, commenting in particular on Jean Laplanche’s book, Après-Coup. The author appreciates Laplanche’s determination to avoid either a positivist interpretation of après-coup (as a “delay-action bomb”, as simply a delayed psychic effect) or an hermeneutic interpretation that makes of it a post-factum re-signification of past events. Yet at the same time, the author shows that Laplanche’s solution— which assumes an initial trauma to the subject, who must “translate” an ambiguous and enigmatic message originating from an adult other—ends up being, in effect, a clever combination of the two approaches, positivist and hermeneutic, that Laplanche was trying to avoid. Laplanche advances a much too linear theory, placing “the other” (that is, the desire of the adult) at the beginning of the process, while Lacan’s approach to après-coup opens up far more complex and disturbing perspectives for psychoanalysis. The author, having shown the limitations of Laplanche’s result (“the primacy of the other”), proposes his own interpretation of après-coup, wherein it would connect, in a unique way, the cause and the sense of the psychic world: a subsequent event in some way makes the sense of a preceding event to function as the cause of later psychic phenomena or symptoms. Introduction In time, later, we realize that the question of nachträglich – après-coup in French – is one of the central knots of psychoanalysis. -
Ja a LAPLANCHE
APAXXX10.1177/0003065116675878Book EssayLaplanche 675878research-article2016 j a P a Deborah L. Browning 64/5 LAPLANCHE: FROM THE ENIGMATIC MESSAGE OF THE OTHER TO THE UNCONSCIOUS ALTERITY WITHIN THE TEMPTATION OF BIOLOGY: FREUD’S THEORIES OF SEXUALITY. By Jean Laplanche. Translated by Donald Nicholson-Smith. New York: The Unconscious in Translation, 2015, xii + 140 pp., $73.50 hardcover, $39.50 paperback. BETWEEN SEDUCTION AND INSPIRATION: MAN. By Jean Laplanche. Translated and with an introduction by Jeffrey Mehlman. New York: The Unconscious in Translation, 2015, xxii + 304 pp., $68.50 hardcover, $48.50 paperback. DOI: 10.1177/0003065116675878 These two books, The Temptation of Biology: Freud’s Theories of Sexuality (hereafter, Temptation) and Between Seduction and Inspiration: Man (hereafter, Seduction), by the French psychoanalyst Jean Laplanche are complete English translations, compiled by Laplanche himself, of his major writings and lectures from 1992 through 1999 and published here in 2015 by the American press The Unconscious in Translation. Although Laplanche’s name is well known, linked with J.-B. Pontalis as co-author of The Language of Psycho-Analysis (1967; hereafter, Language), as well as from his Life and Death in Psychoanalysis (1970) and New Foundations for Psychoanalysis (1987), it is important to keep in mind that until his death in 2012 Laplanche was also in charge of the complete translation of the works of Freud from German into French, translating many of the papers himself. This process provided him a particularly intimate knowl- edge of certain aspects of Freud’s writing, not easily available to the exclusively anglophone reader of Strachey’s Standard Edition. -
Hanns Sachs Library and Archives Newsletter
Boston Psychoanalytic Society and Institute Hanns Sachs Library and Archives Newsletter VOLUME 4, NUMBER 2 MARCH 2004 DIRECTOR OF From the Director Dan Jacobs, MD LIBRARY “A man will turn over half a library to accompanied by a catalogue identifying Dan Jacobs, MD make one book.” and giving biographical information —Samuel Johnson about the analysts photographed. I hope you all will come to the opening recep- DIRECTOR OF There’s good news that, thankfully, fol- tion on Friday, March 26 from 6-8 P.M. ARCHIVES lows the bad. While we lost our librarian The event not only honors our senior Vivien Goldman last fall, we have found colleagues, but Dr. Palmer who gave so Sanford Gifford, MD in Steve Morandi an excellent replace- generously of his time and talent to make ment. Steve, a graduate student in ar- this event possible. ADMINISTRATIVE chaeology, has been working hard to keep our library up to date. He is available We have set a target date, spring 2005, DIRECTOR every day but Friday to help candidates for the publication of a book of photo- Diana Nugent and members who want to write a book graphs of Edward Bibring that are part of or read one. our archives. The book was made possi- ble, in part, by a grant from the Founda- LIBRARIAN The heavy snows this winter caused an- tion of the American Psychoanalytic As- Steve Morandi other flood in the library, drenching our sociation and by contributions from newly installed carpet. We’ve been as- friends and members of BPSI. It is not sured, however, that the leak in the roof too late to make a contribution and add LIBRARY is now fully repaired, thanks to the persis- your name to the list of sponsors that will COMMITTEE tent efforts of Diana Nugent and Bill be acknowledged in print. -
Generic Affinities, Posthumanisms and Science-Fictional Imaginings
GENERIC AFFINITIES, POSTHUMANISMS, SCIENCE-FICTIONAL IMAGININGS SPECULATIVE MATTER: GENERIC AFFINITIES, POSTHUMANISMS AND SCIENCE-FICTIONAL IMAGININGS By LAURA M. WIEBE, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy McMaster University © Copyright by Laura Wiebe, October 2012 McMaster University DOCTOR OF PHILOSOPHY (2012) Hamilton, Ontario (English and Cultural Studies) TITLE: Speculative Matter: Generic Affinities, Posthumanisms and Science-Fictional Imaginings AUTHOR: Laura Wiebe, B.A. (University of Waterloo), M.A. (Brock University) SUPERVISOR: Professor Anne Savage NUMBER OF PAGES: vi, 277 ii ABSTRACT Amidst the technoscientific ubiquity of the contemporary West (or global North), science fiction has come to seem the most current of genres, the narrative form best equipped to comment on and work through the social, political and ethical quandaries of rapid technoscientific development and the ways in which this development challenges conventional understandings of human identity and rationality. By this framing, the continuing popularity of stories about paranormal phenomena and supernatural entities – on mainstream television, or in print genres such as urban fantasy and paranormal romance – may seem to be a regressive reaction against the authority of and experience of living in technoscientific modernity. Nevertheless, the boundaries of science fiction, as with any genre, are relational rather than fixed, and critical engagements with Western/Northern technoscientific knowledge and practice and modern human identity and being may be found not just in science fiction “proper,” or in the scholarly field of science and technology studies, but also in the related genres of fantasy and paranormal romance.