Mick Herron's Slough House Universe
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Boxoffice Records: Season 1937-1938 (1938)
' zm. v<W SELZNICK INTERNATIONAL JANET DOUGLAS PAULETTE GAYNOR FAIRBANKS, JR. GODDARD in "THE YOUNG IN HEART” with Roland Young ' Billie Burke and introducing Richard Carlson and Minnie Dupree Screen Play by Paul Osborn Adaptation by Charles Bennett Directed by Richard Wallace CAROLE LOMBARD and JAMES STEWART in "MADE FOR EACH OTHER ” Story and Screen Play by Jo Swerling Directed by John Cromwell IN PREPARATION: “GONE WITH THE WIND ” Screen Play by Sidney Howard Director, George Cukor Producer DAVID O. SELZNICK /x/HAT price personality? That question is everlastingly applied in the evaluation of the prime fac- tors in the making of motion pictures. It is applied to the star, the producer, the director, the writer and the other human ingredients that combine in the production of a motion picture. • And for all alike there is a common denominator—the boxoffice. • It has often been stated that each per- sonality is as good as his or her last picture. But it is unfair to make an evaluation on such a basis. The average for a season, based on intakes at the boxoffices throughout the land, is the more reliable measuring stick. • To render a service heretofore lacking, the publishers of BOXOFFICE have surveyed the field of the motion picture theatre and herein present BOXOFFICE RECORDS that tell their own important story. BEN SHLYEN, Publisher MAURICE KANN, Editor Records is published annually by Associated Publica- tions at Ninth and Van Brunt, Kansas City, Mo. PRICE TWO DOLLARS Hollywood Office: 6404 Hollywood Blvd., Ivan Spear, Manager. New York Office: 9 Rockefeller Plaza, J. -
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now. -
Healthy Candy Bars
[Market Trends] Vol. 21 No. 6 June 2011 Candy Bars You Can Feel Good About By Kimberly J. Decker, Contributing Editor Paul Frantellizzi thinks we should all just give up the guilt and make like the ancients. The founder and CEO of Good Cacao, Boise, ID, notes the “many recent articles and studies now surfacing to confirm what the Mayan culture knew all along: Chocolate is good for you." To those of us who always considered a premium bar a bit of an over-the-counter “wonder drug, “this comes as little surprise. But to others— enamored of the notion that whatever tastes good must be bad for you—it flies in the face of conventional wisdom. But convention isn’t what it used to be, as more of us accept that a judiciously savored (and strategically formulated) candy bar need not oblige one to do penance. “The response we’ve gotten Candy a Top Impulse Buy at Checkout has been huge," Frantellizzi says of his company’s organic “functional" chocolates. A recent consumer survey regarding front-end checkout reveals But no shine from a healthy halo can that candy, magazines and soft drinks are the top impulse buys supplant what’s made candy bars so by most shoppers at the checkout line and retailers are missing opportunities for impulse sales. irresistible all along: pure sensory pleasure. As he says, “I have always believed that The study, “Front-End Focus,” was sponsored by Mars Chocolate acceptance of chocolate’s health benefits North America, a Division of Mars, Inc., Time-Warner Retail Sales will come with a great-tasting, quality & Marketing a division of Time Warner, The Wm. -
Cinemabreweryarts.Co.Uk | 01539 725133 Jan-Mar 2019
Cinema Jan-Mar 2019 breweryarts.co.uk | 01539 725133 Capernaum | Mar 01 For listings, information and online bookings, go to breweryarts.co.uk/cinema 02 Island of Hungry Ghosts The Brewery Cinema USEFUL INFO Doors open 10 minutes prior to January-March 2019 advertised start time and includes adverts & trailers All screenings have allocated seating; choose your preferred view when elcome to a new season of films We’ll also be welcoming back the booking Destroyer at the Brewery Cinema. Japan Foundation Touring Film You are welcome to enjoy alcoholic Programme with a selection of This winter/spring we will drinks in our cinema screens - served films, based around the theme of be bringing you the best in in plastic glasses only. Please drink love, in the intimate surroundings mainstream film and a selection responsibly TICKETS & OFFERS of British independent and of our Warehouse Cinema. The first W Only food & drink purchased at *Ticket Prices unless stated: specialist films from around the film in the series will be Tonight at the Brewery may be taken into the £8.50 | £7.50 OAP/NUS | £7.00 U18 world. the Movies which will be screened cinemas on Valentine’s Day – perfect timing! Book online: breweryarts.co.uk/cinema The 2019 Awards Season is This year, the Brewery will be Please note that hot drinks or via our box office: 01539 725133 well under way, and we’re are not permitted in Screen 3 looking forward to screening celebrating Inspirational Women some of the main contenders. in the Arts with special theatre, Screens 1 & 2 are equipped with an The Reel Deal Enjoy a movie & a pizza for only £15 Titles to look out for include comedy and spoken word infra-red assisted listening system & audio description facility. -
Mayhem in the AM Book Selections Page 1
Mayhem in the A.M. Book Discussion Group Henderson Library Presumed Innocent by Scott Turow (January 12, 2012) Rusty Sabich, a prosecuting attorney investigating the murder of Carolyn Polhemus, his former lover and a prominent member of his boss's staff, finds himself accused of the crime. The Ice Princess by Camilla Lackberg (February 9, 2012) After she returns to her hometown to learn that her friend, Alex, was found in an ice-cold bath with her wrists slashed, biographer Erica Falck researches her friend's past in hopes of writing a book and joins forces with Detective Patrik Hedstrom, who has his own suspicions about the case. Careless in Red by Elizabeth George (March 8, 2012) Scotland Yard's Thomas Lynley discovers the body of a young man who appears to have fallen to his death. The closest town, better known for its tourists and its surfing than its intrigue, seems an unlikely place for murder. However, it soon becomes apparent that a clever killer is indeed at work, and this time Lynley is not a detective but a witness and possibly a suspect. Killer Smile by Lisa Scottoline (April 12, 2012) When she receives personal threats and an associate is murdered, young lawyer Mary DiNunzio realizes that her latest case, involving a World War II internment camp suicide, may have deadly modern-day ties. The Janissary Tree by Jason Goodwin (May 10, 2012) When the Ottoman Empire of 1836 is shattered by a wave of political murders that threatens to upset the balance of power, Yashim, an intelligence agent and a eunuch, conducts an investigation into clues within the empire's once-elite military forces. -
Theatre of the Absurd : Its Themes and Form
THE THEATRE OF THE ABSURD: ITS THEMES AND FORM by LETITIA SKINNER DACE A. B., Sweet Briar College, 1963 A MASTER'S THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS Department of Speech KANSAS STATE UNIVERSITY Manhattan, Kansas 1967 Approved by: c40teA***u7fQU(( rfi" Major Professor il PREFACE Contemporary dramatic literature is often discussed with the aid of descriptive terms ending in "ism." Anthologies frequently arrange plays under such categories as expressionism, surrealism, realism, and naturalism. Critics use these designations to praise and to condemn, to denote style and to suggest content, to describe a consistent tone in an author's entire ouvre and to dissect diverse tendencies within a single play. Such labels should never be pasted to a play or cemented even to a single scene, since they may thus stifle the creative imagi- nation of the director, actor, or designer, discourage thorough analysis by the thoughtful viewer or reader, and distort the complex impact of the work by suppressing whatever subtleties may seem in conflict with the label. At their worst, these terms confine further investigation of a work of art, or even tempt the critic into a ludicrous attempt to squeeze and squash a rounded play into a square pigeon-hole. But, at their best, such terms help to elucidate theme and illuminate style. Recently the theatre public's attention has been called to a group of avant - garde plays whose philosophical propensities and dramatic conventions have been subsumed under the title "theatre of the absurd." This label describes the profoundly pessimistic world view of play- wrights whose work is frequently hilarious theatre, but who appear to despair at the futility and irrationality of life and the inevitability of death. -
Agatha Awards – Best First Novel the Agatha Awards, Named for Agatha
Agatha Awards – Best First Novel The Agatha Awards, named for Agatha Christie, are literary awards for mystery and crime writers who write in the cozy mystery subgenre. At an annual convention in Washington, D.C., the Agatha Awards are handed out by Malice Domestic Ltd, in six categories: Best Contemporary Novel; Best First Novel; Best Historical Novel; Best Short Story; Best Nonfiction; Best Children's/Young Adult Novel. Additionally, in some years the Poirot Award is presented to honor individuals other than writers who have made outstanding contributions to the mystery genre, but it is not an annual award. 2019 Winner: Tara Laskowski, One Night Gone Nominees: Connie Berry, A Dream of Death S. C. Perkins, Murder Once Removed Ang Pompano, When It’s Time for Leaving Grace Topping, Staging is Murder 2018 Winner: (Tie) Dianne Freeman, A Ladies Guide to Etiquette and Murder and Shari Randall, Curses, Boiled Again Nominees: Edwin Hill, Little Comfort Aimee Hix, What Doesn't Kill You Keenan Powell, Deadly Solution 2017 Winner: Kellye Garrett, Hollywood Homicide Nominees: Micki Browning, Adrift V.M. Burns, The Plot is Murder Laura Oles, Daughters of Bad Men Kathleen Valenti, Protocol 2016 Winner: Cynthia Kuhn, The Semester of Our Discontent Nominees: Marla Cooper, Terror in Taffeta Alexia Gordon, Murder in G Major Nadine Nettmann, Decanting a Murder Renee Patrick, Design for Dying 2015 Winner: Art Taylor, On the Road with Del and Louise Nominees: Tessa Arlen, Death of a Dishonorable Gentleman Cindy Brown, Macdeath Ellen Byron, Plantation Shudders Julianne Holmes, Just Killing Time 2014 Winner: Terrie Farley Moran, Well Read, Then Dead Nominees: Annette Dashoffy, Circle of Influence Sherry Harris, Tagged for Death Susan O'Brien, Finding Sky Tracy Weber, Murder Strikes a Pose 2013 Winner: Leslie Budewitz, Death Al Dente Nominees: Shelley Costa, You Cannoli Die Once Kendel Lynn, Board Stiff Liz Mugavero, Kneading to Die LynDee Walker, Front Page Fatality 2012 Winner: Susan M. -
Strategic Planning Overview by Laura Disilverio
the Sisters in Crime Quarterly Vol. 26, No. 3 Strategic Planning Overview by Laura DiSilverio f you read inSinC front to back, you women crime writers.” We dropped the goal, ranging from expanding the moni- probably haven’t read Hank’s letter about phrase “to achieve equality in the indus- toring project to developing new edu- Ithe SinC strategic planning session… try” from the 2008 statement not because cational opportunities for members, to what? You haven’t? So go to Page 3 and male and female crime writers operate sharing webinars and information across read it—we’ll wait. Okay. Aren’t you excited on a level playing field, but because we chapters, and many more which you can now? This organization is going places, think the idea of promoting recognition read about in the full report. moving forward, heading for new heights. encapsulates our unchanged commitment Believe us, we came away from the two days to ensuring women crime writers receive Your national board is totally excited about of meetings totally jazzed up, not exhausted the reviews, publishing opportunities and our new direction and committed to it. like you usually get after a couple of days awards their excellence demands. Our hope is that as you read the full plan locked in a conference room. You’re prob- and discuss it, it will stimulate you to come ably wondering however, what, exactly, we • We broadened our mission statement forward with ideas, or even to volunteer accomplished. Let us tell you. to “Serve as the voice for excellence and in one of the goal areas. -
The Sisters in Crime Quarterly September 2020
inSinC the Sisters in Crime quarterly September 2020 inSinC • September 2020 • Page 1 Mission Statement Promote the ongoing advancement, recognition, and professional development of women crime writers. inSinC Board Members The Sisters in Crime Quarterly • September 2020 Lori Rader-Day, President inSinc is the official publication of Sisters in S.G. Wong, Vice President Crime International and is published four Faye Snowden, Secretary Jacki York, Treasurer times a year. One-year dues are $50 for pro- Tracee de Hahn, Membership & fessional US and Canada writers and $40 for Development Liaison non professionals; lifetime, $500 and $400. Kellye Garrett, Member at Large Address and all other changes can be made Stephanie Gayle, Grants/ACA Coordinator by members at our website. Debra H. Goldstein, Monitoring Chair Edwin Hill, Education Liaison Information in inSinC is submitted or Vanessa Lillie, Publicity Chair reprinted from sources listed in each Shari Randall, Library Liaison article. Where required, permission to Barb Ross, Web Liaison reprint has been granted and noted. SinC Alec Peche, Chapter Liaison does not investigate each submission inde- Sherry Harris, Immediate Past President Next Wave Group pendently and articles in no way constitute 550M Ritchie Hwy #271 an endorsement of products or services 833.492.7463 • 410.544.4640 Fax offered. No material may be reprinted ©2019 Sisters in Crime International without written permission from Sisters in inSinC Crime; contact Molly Weston. Molly Weston, Editor Most articles for inSinC are submitted by Margie Bunting, Proofreader SinC members. If you are interested in writ- Priscilla Gruenewald, Proofreader ing an article (or a series), check the SinC Merrilee Robsons, Proofreader website for guidelines. -
GM Gives Support to the District Council
28.2.85 Edinburgh University Student Newspaper-- Labour group leader speaks to inquorate student audience ------Tt1is week GM gives support to the ------in District Council bY AnM McHaughl The issue of Nelson Mandala's nomination as a candidate In next month's Rectorial election has been reopened after Monday's General Meeting which passed unopposed an emergency motion resulting in the Association formally decrying the University's disqualification of Mandela from candidature, and Increasing its active demands for his release from prison. uncovering alegaJ loophOle whkh Also distu$$«1 by lhe 111 who would pet"m;t the nomination. and attended the GM W'(lte motions ,nld hO WttS meetlno w ith lawyett dWing with poUey rtglrd•no lhe to'lowlng day. Ed•nburgh Olstnct Council, ano l"he ~ motion concerned l~ Clmpjlgn lor a Scottish local govemmtnt $1)tnd•ng. and A.wtmbl)'. A tnOCion on sign spuk.ing In la'I0\11 wat L~b<Kir 1anguago had etrea<ty been OislrieL Councillor. Alox Wood. withdrawn, dut to a ehanoe of whowua110w0dtoe.peallbtetuse stance oo the matter by thO of the walvlng or a slanding otdOt cornmluee.. whlch prtvent.s non-membtl.t The motion supporting Mande&. trom speak.lng. He ex.'hOfted the ellc:ited no cM~et nega:ri'Yo.and the A$soe•aUon to suppon Edtnburgh AS THE rtct()('i~l ei'""'Uon l)(opostt, He.non Ebra.hl'm, briefly District Coundl's Ulogal bu6get approtel'lts. Stlldtnteontinues •umm~ up the cue for MtncH:Ia's ~. befOfe the mot)on could lis ccwora~ by ~reat~.ng a nom•noMon to be tccepted ptogrou. -
Bio-Bibliographie
Bio-Bibliographie Alle Rechte vorbehalten. Alle Angaben ohne Gewähr. © Diogenes Verlag AG www.diogenes.ch e-mail: [email protected] Diogenes Bio-Bibliographie Jonathan (Wyatt) Latimer Jonathan Latimer, geboren am 23. Oktober 1906 in Chicago. Er studierte am Knox College (Galesburg, Illinois) und arbeitete danach als Journalist in Chicago. 1938 kam er nach Hollywood und schrieb Drehbücher für Paramount und Metro-Goldwyn-Mayer, so u.a. für Dashiel Hammetts The Glass Key (1942), Kenneth Fearings The Big Clock (1948) und Cornell Woolrichs The Night Has a Thousand Eyes (1948). Latimer schrieb fünf Romane über den hartgesottenen Privatdetektiv Bill Crane, der von Chicago aus agiert: Murder in the Madhouse (1934), Headed for a Hearse (1935), The Lady in the Morgue (1936), The Dead Dont’t Care (1938), Red Gardenias (1939). Drei der fünf Romane sind verfilmt worden. Sein umfangreichstes Werk The Search for My Great Uncle’s Head (1937) veröffentlichte er unter dem Pseudonym Peter Coffin. Bekannt wurde Latimer auch durch seine Drehbücher für die Fernsehserie Perry Mason in den Jahren 1960–1965. Latimer heiratete 1937 Ellen Baxter Peabody, mit der er eine Tochter und zwei Söhne hatte, und 1954 in zweiter Ehe Ann Hanzlik. Er starb am 23. Juni 1983. Werke Murder in the Madhouse · 1935 Mord bei Vollmond Zürich: Diogenes, 1991 (detebe 21926) Diogenes · Bio-Bibliographie Jonathan Latimer Seite 2 Headed for a Hearse · Roman. 1935 Unschuldig verurteilt München/Wien/Basel: Kurt Desch, 1962 Neuübersetzung unter dem Titel Wettlauf mit der Zeit Zürich: Diogenes, 1990 (detebe 21825) The Lady in the Morgue · Roman. 1936 Wer ist Alice? München/Wien/Basel: Kurt Desch, 1959 Neuübersetzung unter dem Titel Leiche auf Abwegen Zürich: Diogenes, 1988 (detebe 21592) The Search for My Great Uncle’s Head · 1937 (Erschien unter dem Pseudonym Peter Coffin) Der enthauptete Großonkel Zürich: Diogenes, 1995 (detebe 22796) The Dead Don’t Care · Roman. -
Evanovich Janet Evanovich Janet Evanovich Why Not Try: Why Not Try: Why Not Try
If you like Reading If you like Reading If you like Reading Janet Evanovich Janet Evanovich Janet Evanovich Why Not Try: Why Not Try: Why Not Try: Sheryl Anderson—Molly Forrester series Sheryl Anderson—Molly Forrester series Sheryl Anderson—Molly Forrester series Donna Andrews—Meg Langslow series Donna Andrews—Meg Langslow series Donna Andrews—Meg Langslow series Nancy Bartholomew—Sierra Lavotini series Nancy Bartholomew—Sierra Lavotini series Nancy Bartholomew—Sierra Lavotini series Anthony Bruno—Loretta Kovacs series Anthony Bruno—Loretta Kovacs series Anthony Bruno—Loretta Kovacs series Nancy Bush—Jane Kelly series Nancy Bush—Jane Kelly series Nancy Bush—Jane Kelly series Tori Carrington—Sofie Metropolis series Tori Carrington—Sofie Metropolis series Tori Carrington—Sofie Metropolis series Jill Churchill—Jane Jeffry series Jill Churchill—Jane Jeffry series Jill Churchill—Jane Jeffry series Jennifer Crusie Jennifer Crusie Jennifer Crusie Sparkle Hayter—Robin Hudson series Sparkle Hayter—Robin Hudson series Sparkle Hayter—Robin Hudson series Marne Davis Kellogg—Lilly Bennett series Marne Davis Kellogg—Lilly Bennett series Marne Davis Kellogg—Lilly Bennett series Harley Jane Kozak—Wollie Shelley series Harley Jane Kozak—Wollie Shelley series Harley Jane Kozak—Wollie Shelley series Charlotte MacLeod—Sarah Kelling series Charlotte MacLeod—Sarah Kelling series Charlotte MacLeod—Sarah Kelling series Sarah Strohmeyer—Bubbles Yablonsky series Sarah Strohmeyer—Bubbles Yablonsky series Sarah Strohmeyer—Bubbles Yablonsky series MENTOR PUBLIC LIBRARY MENTOR PUBLIC LIBRARY MENTOR PUBLIC LIBRARY www.mentorpl.org www.mentorpl.org www.mentorpl.org Janet Evanovich Janet Evanovich Janet Evanovich Checklist Checklist Checklist Stephanie Plum series: Jamie Swift & Stephanie Plum series: Jamie Swift & Stephanie Plum series: Jamie Swift & Max Holt series: Max Holt series: 1.