Synopsis of Bye Bye Birdie
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31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
JAYE BARRE Directed By: MARIELLA KLINGER
Bernards Township2015 Parks & Recreation Presents a Trilogy Repertory Production of Executive Producer: LORRIE LANE Produced by: JAYE BARRE Directed by: MARIELLA KLINGER Musical Direction by: JOE LESKY Choreography by: SAMANTHA KESTENBAUM In The Heights is presented through special arrangement with R&H Theatricals Conceived by: Lin-Manuel MirandaMusic and Lyrics by: Lin-Manuel Miranda Book by: Quiara Alegria Hudes Development of In The Heights was supported by the Eugene O’Neill Theater Center during a residency at the Music Theater Conference of 2005 Originally produced on Broadway by Kevin McCollum, Jeffrey Seller, Jill Furman Willis, Sander Jacobs, Goodman/Grossman, Peter Fine, Everett/Skipper Summer, 2016 Dear Residents and Friends of the Community, Good evening and welcome to the Bernards Township Department of Parks and Recreation’s 29th season of Plays in the Park. So many of you enjoy and look forward to the plays year after year. I am excited that the Township brings this tradition free to the public for all to enjoy. Bernards Township proudly sponsors this event and substantially subsidizes the budget because we recognize the importance of keeping performing arts alive. It is truly wonderful that these productions are here, under the stars, in Pleasant Valley Park. July is Parks and Recreation Month. Bernards Township offers many opportunities to enjoy family outings such as Plays In The Park. Please join us as we celebrate… details may be found on pages 17-18 of this playbill. You can stay current on all our special events by visiting our website at www.bernrads.org. There you will find information on the wide variety of programs we offer. -
GAILY, GAILY the NIGHT THEY RAIDED MINSKY's “In 1925, There
The one area where it succeeded perfectly was So, Rosenblum began refashioning the film, in its score by Henry Mancini. By this time, using a clever device of stock footage that Mancini was already a legend. After toiling in the would lead into the production footage, rear - GAILY, GAILY music department at Universal (the highlight of ranging and restructuring scenes, and spend - his tenure there would be Orson Welles’ Touch ing a year doing so – the result was stylish and Of Evil) , he hit it big, first with his TV score to visually interesting and it transformed the film THE NIGHT Peter Gunn – which not only provided that from disaster into a hit. THEY RAIDED MINSKY’S Blake Edwards series with its signature sound, but which also produced a best-selling album The score for Minsky’s was written by Charles on RCA – and then in a series of films for which Strouse, who’d already written several Broad - “In 1925, he provided amazing scores, one right after an - way shows, as well as the score for the film other – Breakfast At Tiffany’s, Charade, Hatari, Bonnie and Clyde . The lyrics were by Lee there was this real The Pink Panther, Days Of Wine and Roses , Adams, with whom Strouse had written the religious girl” and many others. Many of those films also pro - Broadway shows Bye Bye Birdie, All-American, duced best-selling albums. Mancini not only Golden Boy, It’s A Bird, It’s A Plane, It’s Super - knew how to score a film perfectly, but he was man and others. -
Bye Bye Birdie! - Characters/Scene, Sets/Scene, Characters/Song
Bye Bye Birdie! - Characters/Scene, Sets/Scene, Characters/Song Characters who Act/Scene Set Characters in Scene Songs (Song #) Sing the Songs Overture B Conrad, teen girls #1A #1A Conrad, teen girls p. 6 Act 1 Sc. 1 #2 An English Teacher Office of Almaelou Music, Pgs. 7-11*Opt Albert, Rosie #3 An English Teacher #2, #3 Rosie NYC Material Tag Sweetapple Teens, Harvey, Nancy, Act 1 Sc. 2 Sweet Apple, Ohio Helen, Alice, Margie, Penelope, #4 Telephone Hour #4 Sweetapple Teens Pgs. 12-14 Suzie #6 How Lovely to Be A Act 1 Sc. 3 MacAfee Home, Sweet Ursula, Kim, Mr/Mrs MacAfee, Woman #6 Kim Pgs. 15-17 Apple Randolph #7 Penn Station #7 NYC Teen Chorus Transition #8 Albert (choreo with 2 sad #8 Put on A Happy girls) NYC Teens/Adults, Albert, Rosie, Face #9 Albert, Rosie, NYC Teen Act 1 Sc. 4 Mae, Conrad, 3 Reporters, Trainman, #9 A Healthy, Normal, Penn Station, New York Chorus, NYC Adult Chorus Pgs. 18-26 Policeman, One girl, 2 sad girls, American Boy (Choreo) Travelers #10 Penn Station to #10 NYC Teen Chorus and Sweet Apple NYC Adult Chorus Sweetapple Teens/Adults, Kim, Hugo, Albert, Rosie, Conrad, #11 Sweetapple Teen/Adult #11 Sweet Apple Band Act 1 Sc. 5 Railroad Station, Sweet Deborah Sue, Alice, Ursula, Mrs. Chorus #12 One Boy Pgs. 27-31 Apple, Ohio Merkle, Fred, Lee, Phyllis, Reporters #12 Kim, 2 Girls (TBD), 1, 2 & 3 Rosie Bye Bye Birdie! - Characters/Scene, Sets/Scene, Characters/Song Act 1 Sc. 6 Courthouse Steps, Sweet All Teens, Mayor, Edna, Conrad, #14 Conrad (Choreo with #14 Honestly Sincere Pgs. -
Bye Bye Birdie Cast List (Updated 03/18/14)
Bye Bye Birdie Cast List (updated 03/18/14) Character: Actor: Actor Initials: Albert Peterson Tyler Ekizian Rosie Alvarez Erin Ben-Moche Conrad Birdie Zachary Levine Kim MacAfee Lana Floer Mrs. Mae Peterson Claire Jolliffe Mr. Harry MacAfee Nick Kisse Mrs. Doris MacAfee Brooke Bain Hugo Peabody Joey Asker Ursula Merkle Katie O’Shaughnessy Randolph MacAfee Andrew Hughes Debra Sue/”One Boy Singer” Erika Lowenthal Margie/”One Boy Singer” Erin Pouncy Mayor/Adult Chorus Perry Quarker Alice (mayor’s daughter)/Teen Chorus Alexa Applefield Harvey Johnson (teenager) Seth Betman Nancy/Teen Chorus Olivia von Opel Helen/Teen Chorus Ilyssa Brunhild Ed Sullivan/Adult Chorus Ian Belger Mrs. Merkle/Adult Chorus Miranda Hakim Gloria Rasputin/Adult Chorus Kaylin Mahoney Sad Girl 1 (“Put on a Happy” Alex Bayer Dancer)/Teen Chorus Sad Girl 2 (“Put on a Happy” Zoe Kaufman Dancer)/Teen Chorus Voices (A1S7) TBD Fred (“Telephone Hour”)/Maude’s Aaron Strager Dishwasher (Quartet, 1st Tenor)//Teen C. Suzie/Teen Chorus Tiffany McNulty 1st Reporter/Adult Chorus Ian Graham 3rd Reporter/Adult Chorus Dunia Zawideh Carl (“Telephone Hour”)/Teen Chorus Mario Kakos Penelope (“Telephone Hour”)/Teen Eliana Herman Chorus Mr. Johnson (Harvey’s father)/Adult Ben Lin Chorus Lee (various voice) TBD Mayor’s Wife (Edna)/Adult Chorus Adaija Packnet Policeman 1/Adult Chorus Camera Rasmussen Phyllis (various voice)/Adult Chorus Kelsey Bowman Charles F. Maude (Quartet, 2nd Zay Douglas Tenor)/Teen Chorus One Girl/Teenage Girl Chorus Raina Pintamo Traveler 1 (split line)/Adult Chorus -
THE CURIOUS INCIDENT of the DOG in the NIGHT-TIME Based on the Novel by Mark Haddon Adapted by Simon Stephens Directed by Kristin Wold
Michael Bradford, Artistic Director presents the production of THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME Based on the novel by Mark Haddon Adapted by Simon Stephens Directed by Kristin Wold Director Kristin Wold Scenic Designer Movement Directors Dennis Akpinar Marie Percy & Ryan Winkles Lighting Designer Fight Director Allison Zerio Greg Webster Costume Designer Projections Sofia Perez Taylor Edelle Stuart Sound Designer Stage Manager Mack Lynn Gauthier Tom Kosis* Technical Director Puppet Designer Aubrey Ellis Bart. P. Roccoberton, Jr. Dialect, Voice, & Text Dramaturg Julie Foh Eddie Vitcavage NY Casting McCorkle Casting “The Curious Incident of the Dog in the Night-Time” is presented by Special Arrangement with SAMUEL FRENCH, INC. University of Connecticut Season Sponsor School of Fine Arts, Anne D’Alleva, Dean Department of Dramatic Arts CAST Ed Joe Cassidy* Judy Margot White* Christopher Tyler Nowakowski Siobhan Thalia Eddy Voice 1-Mrs. Shears/Mrs. Gascoyne/Woman on Train/Shopkeeper Elizabeth Jebran Voice 2-Roger Shears/Duty Sergeant/Mr. Wise/Man Behind Counter/ Drunk One Mauricio Miranda Voice 3-Policeman/Mr. Thompson/Drunk Two/Man with Socks/ London Policeman Justin Jager Voice 4- Reverend Peters/Uncle Terry/Station Policeman/Station Guard Matthew Antoci Voice 5-No. 40/Lady in Street/Information/Punk Girl Alexandra Brokowski Voice 6-Mrs. Alexander/Posh Woman Nicolle Cooper Actors’ Equity Association (AEA), founded in 1913, represents more than 49,000 stage actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. -
OUT 10 1980 San Joaquin Delta College 5151 Pacific Avenue Stockton, California 95207
CALIFORNIA COMMUNITY AND JUNIOR COLLEGE ASSOCIAT16.1 2017 "0" Street • Sacramento, California 95814 • (916) 444-8641 • Executive Director, Lloyd E. Mes.;.!rsrnith October 7, 1980 nr1T,"1 fnu.r.a Dr. Dale Parnell Superintendent and President OUT 10 1980 San Joaquin Delta College 5151 Pacific Avenue Stockton, California 95207 Dear Dale: This letter confirms the earlier telephone conversation with our office relative to the selection of Ms. Janet Leigh, an alumnus of San Joaquin Delta College, as the recipient of a CCJCA 1980 Distinguished Alumni Award. We are delighted that you have nominated such an out- standing person for this honor and, further, that the committee has seen fit to select her. The formal presentation will be made at the CCJCA Annual Conference Awards Luncheon, Sunday, November 9, at 12:30 p.m., in the Biltmore Bowl of the Biltmore Hotel in Los Angeles. If you have not already done so, you should invite Ms. Leigh to be your College's guest at the luncheon. Seating will be reserved for you and Ms. Leigh at the head table. You should be prepared to briefly introduce your College's award winner, citing appropriate accomplishments. He will then have the opportunity to respond to the award. Luncheon tickets will be provided for the award winner plus one guest. As we indicated, we hope that it will be possible for your distinguished alumnus to join with us for this, recognition. If we can assist in making any local arrangements, please do not hesitate to contact us. Sincerely, (7-7-r-Toyd E. c;41-smith Executive Director LEM:slz I',es input Vice Pi esident VrCe PI esident Vice President Post President John C. -
VOL 30, ISSUE 8 / AUGUST 2021 Celebrate Broadway Celebrate André De Shields De André
VOL 30, ISSUE 8 / AUGUST 2021 thirteen.org 1 EVENING AND NIGHT André De Shields Liza Minnelli Filmmaker Rick McKay (left) with Jane Summerhays, Tommy Tune, and Don Pippin. To view the monthly program guide on our website, visit thirteen.org/schedule CelebrateCelebrate BroadwayBroadway and click on “Program Guide.” ON JUNE 26, after a 15-month shutdown, Chita Rivera, Elaine Stritch, Jane Sum- 11:00 Thou Shalt Not 10:00 POV: “Pier Kids” Broadway officially reopened with Spring- merhays, Tommy Tune, Dick Van Dyke, SYMBOL KEY Kill The homicide of Black, homeless queer Guglielmo Mantovani and trans youth who call steen on Broadway. Hamilton, Hadestown, Ben Vereen, and more, touching on classic Premiere appears to be the New York’s Christopher and Wicked are set to open in September, Broadway shows including Once Upon a consequence of a home Street Pier their home Our productions with more shows welcoming audiences in Mattress, Bye Bye Birdie, Barefoot in the invasion gone wrong. work to carve out coming months. THIRTEEN celebrates this Park, Pippin, and 42nd Street. Aired earlier (Part 3 of 12) REPEATS autonomy and security this month momentous return to the theater with Donna McKechnie shares stories about 3RD, 3AM. in their lives. REPEATS To be announced specials spotlighting Broadway legends, the creation of A Chorus Line. Liza Minnelli 5TH, 4AM AND 9TH, 2:30AM. 8/02 EARLY MON AM hit musicals, and more. recalls stepping into the role of Roxie Hart 12:00 Beyond the Canvas [R] The festivities begin with Broadway: in Chicago in 1975 while Gwen Verdon was 1 SUNDAY 12:30 Austin City Limits: Beyond the Golden Age (Thu 19th, 8 p.m.) on vocal rest. -
Bye Bye Birdie Synopsis and Character Descriptions
Bye Bye Birdie Synopsis and Character Descriptions SYNOPSIS (compliments of Tams-Witmark Music Library, Inc.): BYE BYE BIRDIE is one of the most captivating musical shows of our time. It tells the story of a rock and roll singer who is about to be inducted into the army. The singer, Conrad Birdie, an Elvis Presley type, has a pompadour and thick sideburns; he wears gaudy gold costumes and speaks in a rugged voice. Albert Peterson, his agent, is a very pleasant mild-mannered young man. Albert's faithful secretary Rose Alvarez keeps him and Birdie moving forward in the world. Rosie concocts one final national publicity plan before Conrad's induction. Conrad will bid a typical American teen-age girl goodbye with an all-American kiss. Kim MacAfee in Sweet Apple, Ohio wins the honor. All of the phones in her town are already busy during The Telephone Hour as Kim has just been pinned to Hugo, a local boy. She is a pretty girl of fifteen and sings with spring-like ardor How Lovely to Be a Woman, as she pulls on the plaid woolen socks and the baggy mustard colored sweater considered stylish and popular among young ladies. The arrival of Birdie in Sweet Apple causes people of all ages to swoon. Birdie says that his success is due to the fact that he is Honestly Sincere when he sings, and the quiet little town goes into a spin. The MacAfee household is completely upset by the visiting celebrity. It is decided that Birdie will give his One Last Kiss on the Ed Sullivan show. -
On Location in Santa Cruz by Lisa Jensen
On Location in Santa Cruz By Lisa Jensen With Jane Seymour in the foreground, it's hard to pay attention to the background. But those of you who were to tear your eyes off the villainous starlet of East of Eden might have noticed that some of the locations looked familiar. They ought to—several scenes in the made-for-TV movie (telecast last winter) were shot at the Calvary Episcopal Church on Lincoln Street, the Hitchcock house on Ocean View Terrace and the Capitola pier. To the eyes of folks from Hollyweird, Santa Cruz looks more like Steinbeck's Salinas than Salinas does. The Eden crew was one of the most visible of the many TV and movie production companies that have come to Santa Cruz. Within the last five years, our town has also played host to crews of the 1976 telefilm The Entertainer starring Jack Lemmon, which filmed extensively at the Boardwalk and the movie Tilt with Brooke Shields which spent several weeks shooting principal footage in Capitola. (Although the movie fizzled, it received a marginal theatrical release in 1979 and was recently shown on local cable TV.) Last year portions of the upcoming science fiction comedy Heartbeeps with Andy Kaufman and Bernadette Peters, were shot in the meadows of UCSC, and scenes for the TV series The Gangster Chronicles came from the Capitola wharf. Shooting movies in Santa Cruz is not a new idea. We've had a colorful history as a film location that dates back to the silent era. Stars gracing the local scene have ranged from Tom Mix and Zasu Pitts to James Stewart, Jeanette MacDonald and Lassie. -
Peeping Through the Holes
Peeping Through the Holes Peeping Through the Holes: Twenty-First Century Essays on Psycho Edited by Eugenio M. Olivares Merino and Julio A. Olivares Merino Peeping Through the Holes: Twenty-First Century Essays on Psycho, Edited by Eugenio M. Olivares Merino and Julio A. Olivares Merino This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Eugenio M. Olivares Merino and Julio A. Olivares Merino and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4475-6, ISBN (13): 978-1-4438-4475-8 TABLE OF CONTENTS Acknowledgements ................................................................................... vii Preface...................................................................................................... viii Chapter One................................................................................................. 1 Hitchcock and the Hollywood Production Code: Censorship and Critical Acceptance in the 1960s María del Carmen Garrido Hornos Chapter Two.............................................................................................. 25 “I Don’t Hate Her. I Hate What She’s Become:” -
The Color of Brainwashing: the Manchurian Candidate and the Cultural Logic of Cold War Paranoia
【연구논문】 The Color of Brainwashing: The Manchurian Candidate and the Cultural Logic of Cold War Paranoia Swan Kim (University of Virginia) [T]he shock of the discovery of the plight of the prisoners placed Chinese conduct in a new, infinitely more disturbing light. Mao Tse Tung’s China acquired a new, far more frightening and disturbing aspect. From this, arguably, its image in the West never recovered. Long after the Korean War receded into memory, the fear of “the Manchurian candidate” remained. Max Hastings, The Korean War (1987, 304) The concept of a rumor does not deny the presence of existential threats facing the United States during the course of the Cold War. In fact, the predominant image of the enemy was, at times, quite realistic. Nevertheless, veracity had little to do with the rumor’s reception. The rumor spread because it provided a culturally compelling explanation for an uncertain predicament; fact and accuracy played a supporting role only. The sinister face of the enemy emerged primarily from a common “universe of discourse” and a pool of “shared assumptions” permeating American society at mid-century. Ron Robin, The Making of the Cold War Enemy (2001, 4) 168 Swan Kim The Korean War brought one of the great sea changes in postwar American history, yet the most mysterious and terrifying outcome for the American public was a psychological one: “[o]ne of the most interesting aftermaths of the Korean conflict in 1950-1953 has been the preoccupation of many Americans with ‘brainwashing.’”1) As the ultimate product of Cold War paranoia, brainwashing was considered the latest weapon that would complement an ideological warfare.