II Chicago Studio Bucking Trend

Total Page:16

File Type:pdf, Size:1020Kb

II Chicago Studio Bucking Trend 34 Sound Business IGNORES VIDEO Studio Track Record Plant actim: Rod Stewart continues solo Elektra LP at Larrabee, Richard Dashut a Chicago Studio Bucking Trend working on material Jack Douglas producing the console with assistance from David Brown, By ALAN PENCHANSKY the Knack and employing Chicago's horn section Dennis Mays and Judy Clapp. Fleetwood Mac for one track; Martin Birch producing Black Sab- also there working on a new Warner Bros. LP, CHICAGO -The tide toward the construction and they allowed "A lot of times clients don't listen bath for Warner Bros., Eddie Delena assisting; Ken Callait and Richard Dashut co- producing video diversification is strong in the me to do everything I wanted to do," to us, and there's business we have to John Boylan producing Seafood Mama, Paul with assistance from Carla Fredericks and Sa- recording studio business, but one Zraick says. Price tag for the facility turn down," notes Zraick. Grupp engineering, Phil Jamtas assisting; and brina Buchanek. Chicago company is bucking the is about $300,000. Sound Factory studios, for Mer- the Plant's remote wing taped Dave Mason * * * trend. Zraick, who emphasizes "total in- rillville, Ind.'s Erect Records, is recently at Perkins' Palace in Pasadena. Jimmy Biondolillo producing Bernie Shana- Two -year old Studio Supply /Chi- volvement in the client's projects," Zraick's second major project. The Wally Heider: Lindsey Buckingham work- At han for Expo Productions at Media Sound, Man- cago intends to maintain its audio not just equipment sales, says he has Irby- designed 24 -track facility, with ing his solo Elektra LP, Richard Dashut engi- on hattan. specialization, believing that undi- turned down some work because the a price tag of about $500,000, is ex- neering; Bill House aed Jim Softer co- producing Clive Hunt and Earl Chin of Roots Man Tru luted acoustical design expertise is client was not seeking a total solu- pected to open in November, ac- Rocky Bumette, Biff Dawes engineering; Gene Blu Production producing an album with Bobby its best foundation for the future. tion to the design problem. cording to Zraick. Paine producing Lenny Williams for MCA, Mi- Keys at Dynamic Studios, Kingston, Jamaica. "A lot of people are branching chael Carnevale assisting; Derek Lawrence is Before opening Studio Supply, pro- Rory Gallagher cutting a new LP Dierks One example the Playboy Re- at into video; some are even installing was sales manager ducing the Machieval Band for EMI Belgium; sort in Lake Geneva, Wis., which Zraick the for Studios, Pulheim, Germany, Jurgen Kramer en- alarms," says George Zraick, Studio and Dino Fekaris producing Curtis Mayfield, wants a replacement public address Streeterville Studios here. Zraick, gineering. Supply /Chicago president. "I figure Don Schrotta engineering. says the Chicago studio scene is in Jimmy Johnson and Barry Beckett co- produc- system for its convention center. we'll be the only people in the coun- relatively good health today, com- Sound Labs sees: Dixon House mixing a proj- ing Levon Helm's debut LP on MSS Records/ Zraick has recommended acoustical try for studio design in a few years." pared to the proliferation of "for ect with producer M ke Flicker, Stewart White - Capitol at Muscle Shoals Sound Studios, treatment for the room, noting that Zraick's company is affiliated posted in Los Angeles. more assisting; Bob Gaudio producing Chris Sheffield, Ala., Gregg Hamm at the board, Mary new equipment without redesign sale" signs with Nashville's Studio Supply, one Christian for Boardwalk, Anthony D'Amico engi Beth McLemore and Pete Greene assisting. Also will only bring a marginal improve- However, he notes, several smaller the best design and instal- neering, assisted bi Patrick von Wiegandt; there: Beckett completing production on Bonnie of -known ment in audio quality. studios recently closed their doors. Roger Young engineering the Carpenters, Stew- Bramlett's MSS /Capitol LP, Hamm engineering, lation companies. This year Zraick art Whitemore assisting; and Gary Klein produc- Greene assisting; Glenn Frey working gn over- expects to complete two new 24- ing tracks with Rita Coolidge, John Arrias engi- dubs, vocals and mixing on his co- production ef- track studios for Chicago area neering, Chip Orland, assisting. fort with Jerry Wexler on Lou Ann Barton, Steve clients. West German Audio Firm Karla Bonoff working on a new LP called Melton engineering, Mary Beth McLemore as- According to Zraick, many equip- "Wild Heart Of The loung" at Wilder Brothers sisting; and Ron Haffkine producing Dr. HM ment firms now push video to ex- Plans Early '82 U.S. Bow Studios, Kenny Edwads producing. for PolyGram International, Steve Melton engi- pand their sales base. However, the Lindsey Buckingham continuing work on his neering. decision to add video can lead to NEW YORK -A West German of Schneider Rundfunkwerke. complications. audio firm, Schneider Rund- Phil Welch was involved in the in- funkwerke, will enter the U.S. mar- troduction of Pioneer's Syscom Zraick says space requirements ket early next year. Phil Welch, for- product line and so seems a logical are a major concern as is the neces- merly U.S. Pioneer's director of mar- choice to help launch a new line of sary complete redesign of lighting. keting, will serve as president of one -brand systems. "We will ap- Zraick also notes that existing air Schneider North America, Ltd. proach the market from a slightly conditioning systems often aren't Schneider presently supplies high different angle than other com- designed for the extra burden the fidelity systems and music centers to panies," Welch explains, "in that we hot lights create. JUST THE FACTS... the European Common Market. The will deliberately go after the family Zraick's first 24 -track design /in- same products will be brought into and female demographics." stallation recently was completed for this country, to "see how they shake Schneider North America w =11 be Red Productions of Chicago. Re- out" here, according to Bernard located in central New Jersey. Staff- portedly, it is the Midwest's first Schneider, co- chairman of the board ing will begin in September. an Francisco Harrison /Studer 24 -track equipped s Q jronicle facility. Aug. 9, 1981 Studio and control room design were handled by Tom Irby, head of w Nashville's Studio Supply. A screen- a> ing room with 35mm and 16mm film N LIVELY and video equipment also is part of (V ARTS the installation. I- "We got a carte blanche deal on (n By Joel Selvin c I Iln: \I.,1 hI li' f1!!RF: IHl! f t tunr,..tfTTR1T1 ' Digital Denon Q I ,I 'l1 1\';Il k r'libel. 4 ll 1111 I I i hr ';,, Si,, , t Continued from page 32 ! i The current top three records on KFRC to those found in production of large 'Sweet Baby" by George Duke and Stanley Clarke, scale integrated circuits will exist, "The Breakup Song" by the Greg Kihn Band and "Who's Anazawa says. Crying Now" by Journey - were all recorded at Fantasy "Quality control is exactly the Records' Studio D in Berkeley , open barely one same as in the integrated circuit 'ear ... l :au,i i;art'e!, !U1;!';I manufacturing plant," he explains. lu'n;ti!' ,11-;,:Ir('II. ;'!.fl :t'- "We have to prepare the clean room, nt u ink; the very, very clean, the same conditions (., ,' as Valley in ' :Il.. i, :T %. I :: t i!y appears in Silicon California." 1Joiiie - h ;1 !,I !whin(' , i!;! ^ri Ilnit; . V.:-Jr Anazawa says plating of the metal fin ;: -7 ".1:. used in manufacture is the biggest it :it !,tt .`t. '1 ?. ., ,it! :f.':1`.. !(`-.'f'lllt', ti:ftltlt!'( technical challenge. "Pressing is ::I: f ,ll;ir ill fn easy, the plating is difficult for Itti' DAD; it takes a longer time," he ex- 111n \!P. plains. r 1"a Two methods are being explored. In one a photo sensitive glass plate is etched by laser. Anazawa says laser etching directly onto metal also is a possibility. Congratulations and thanks He adds, "This plant is only for audio records so it's not possible for to StaileyClarke, George Duke, there to be many plants in the world. Just a few companies will produce The Greg Kihn Band, all the records." With all Japanese companies sup- and Journey. porting the Philips DAD system-in contrast to the compatibility wars in quad, video and pro digital gear- manufacturers are excited about market prospects. But at Denon the successor to the Philips disk is being thought of already. According to Anazawa, the next generation DAD will eliminate all mechnical functions such as the Philips system's rotating turntable. AT.B.spci 20030 Senago "Within less than 15 years there Milano Italy 30, Palmiro Togliatti will be another DAD without the telefono 02 9989976/7/8 TENTH AND PARKER BERKELEY CA 94710 mechanical things," says the engi- TLX 334457 ATI8IX I. (415) 549.2500 ROY SEGAL /ANDEA SALTER neer. "It has to be." www.americanradiohistory.com.
Recommended publications
  • Russell Gulley Alabama Touring Artist Program
    Alabama Touring Artist Program Study Guide Russell Gulley Intro: FROM TRADITIONAL MUSIC TO AMERICAN POP 265-845-0203 [email protected] Artistic Genre: Music Performing Artist: Russell Gulley 1 Alabama Touring Artist Program Study Guide presented by Alabama State Council on the Arts 201 Monroe Street, Suite 110; Montgomery, AL 36130-1800 334-242-4076 Ext. 241 Alabama Touring Artist Program presented by the Alabama State Council on the Arts This Study Guide has been prepared for you by the Alabama State Council on the Arts in collaboration with the performing artist. All vocabulary that is arts related is taken directly from the Alabama Course of Study, Arts Education. With an understanding that each teacher is limited to the amount of time that may be delegated to new ideas and subjects, this guide is both brief and designed in a way that we hope supports your school curriculum. We welcome feedback and questions, and will offer additional consulting on possible curriculum connections and unit designs should you desire this support. Please feel free to request further assistance and offer your questions and feedback. Hearing from educators helps to improve our programs for other schools and educators in the future. Please Contact: Diana F. Green, Arts in Education Program Manager at: 334/242-4076 Ext. 241 [email protected] Set up: Artists typically arrive 60 minutes before their scheduled performance in order to set up. Please have the space available to the artist as soon as she arrives. All artists will need some kind of setup prior to arrival.
    [Show full text]
  • Spartan Daily, October 16, 2013
    SPARTANDAILY.COM INSIDE thespartandaily.tumblr.com facebook.com/spartandaily P. 3 Sports: The scholarly Twitter: @spartandaily fighter: Marti Malloy Instagram: @spartandaily P. 4 A&E: Free comedy show WEATHER Clear SPARTAN DAILY at SJSU 82°F Serving San José State University Hungry for more? since 1934 P. 5 Opinion: Revenge not so 52°F Volume 141 / Issue 21 Special issue coming Thursday! Printed on recycled paper Wednesday, October 16, 2013 sweet in real life SAFETY CAMPUS IMAGE SJSU prepares Branching out in human lifespan to shake it up Information compiled from Ready.gov and FEMA Infographic by Leeta-Rose Ballester | Spartan Daily By Leeta-Rose Ballester ing for up to three days,” she @leetarose said. Phillips said Thursday’s The university is prepar- drill will primarily be a test ing to shake, rattle and roll — of campus communications or at least test its emergency in the event of an emergen- communications in the event cy, although instructors and of an earthquake. administrative departments The Great California are encouraged to partici- Shake Out is a statewide pate in a physical drill. earthquake drill that will “We don’t do the drill in take place precisely at 10:17 the classrooms so as not to Jenny Bennett | Spartan Daily a.m. on Thursday, accord- disrupt,” she said. “We can Peter Im (right), an undeclared sophomore, directs Thao Vy Nguyen (left), a junior health science major, to hug ing to Yvette Phillips, SJSU have people stop, drop, cover a tree near Spartan Complex on Tuesday. Nguyen is blindfolded as part of an activity for a human lifespan class emergency preparedness co- and hold, but the messaging which simulates what it is like to lose the sense of sight.
    [Show full text]
  • Still on the Road 1980 Saved Sessions
    STILL ON THE ROAD 1980 SAVED SESSIONS FEBRUARY 11 Sheffield, Alabama Muscle Shoals Sound Studio, 1st Saved recording session 12 Sheffield, Alabama Muscle Shoals Sound Studio, 2nd Saved recording session 13 Sheffield, Alabama Muscle Shoals Sound Studio, 3rd Saved recording session 14 Sheffield, Alabama Muscle Shoals Sound Studio, 4th Saved recording session 15 Sheffield, Alabama Muscle Shoals Sound Studio, 5th Saved recording session 27 Los Angeles, California Shrine Auditorium, 22nd Annual Grammy Award Ceremony MARCH Los Angeles, California United Western Studios, Keith Green recording session Still On The Road: 1980 Saved Sessions 5551 Muscle Shoals Sound Studio Sheffield, Alabama 11 February 1980 1st Saved recording session produced by Jerry Wexler & Barry Beckett. 1. Covenant Woman 2. Covenant Woman 3. Covenant Woman 4. Covenant Woman 5. Covenant Woman 6. Covenant Woman 7. Covenant Woman 8. Covenant Woman 9. Covenant Woman 10. Covenant Woman 11. Covenant Woman Bob Dylan (vocal & guitar), Fred Tackett (guitar), Spooner Oldham (keyboards), Terry Young (acoustic piano), Barry Beckett (electric piano), Tim Drummond (bass), Jim Keltner (drums). Official release 3 released on Bob Dylan: Trouble No More. The Bootleg Series Vol. 13 1979-1981, Disc Three: Rare and Unreleased, Columbia 88985454652-2, 3 November 2017 References Michael Krogsgaard: Bob Dylan: The Recording Sessions (Part 4). The Telegraph #56, Winter 1997, pp. 168- 176. Clinton Heylin: Bob Dylan. The Recording Sessions [1960 – 1994]. St. Martin’s Press December 1995, pp 131– 136. Clinton Heylin: Trouble In Mind. Bob Dylan’s Gospel Years. What really happened. Chapter 6. Where I Will Always Be Renewed, (January – February 1980). Lesser Gods 2017.
    [Show full text]
  • Lulu New Routes Mp3, Flac, Wma
    Lulu New Routes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul / Pop Album: New Routes Country: US Released: 1970 Style: Pop Rock, Soul MP3 version RAR size: 1272 mb FLAC version RAR size: 1392 mb WMA version RAR size: 1358 mb Rating: 4.7 Votes: 685 Other Formats: MIDI RA XM MPC AIFF MP1 AUD Tracklist Hide Credits Marley Purt Drive A1 3:21 Written-By – Barry, Robin & Maurice Gibb* In The Morning A2 3:30 Written-By – Barry Gibb People In Love A3 2:42 Written-By – Eddie Hinton, Grady Smith After All (I Live My Life) A4 3:12 Written-By – Frank Miller, Jim Doris Feelin' Alright A5 3:04 Written-By – Dave Mason Dirty Old Man B1 2:18 Written-By – Delaney Bramlett, Mac Davis Oh Me Oh My (I'm A Fool For You Baby) B2 2:45 Written-By – Jim Doris Is That You Love B3 2:40 Written-By – Jackie Avery, John Farris Mr. Bojangles B4 3:06 Written-By – Jerry Jeff Walker Where's Eddie B5 3:01 Written-By – Donnie Fritts, Eddie Hinton Sweep Around Your Own Back Door B6 2:40 Written-By – Fran Robins Companies, etc. Record Company – Atlantic Recording Corporation Manufactured By – Atlantic Recording Corporation Recorded At – Muscle Shoals Sound Studios Copyright (c) – Atlantic Recording Corporation Published By – Casserole Published By – Bramsdene Published By – Ruler Published By – Nootrac Published By – Irving Published By – Metric Published By – Redwal Published By – Cotillion Music Published By – Danel Music Published By – Blackwood Mastered At – Atlantic Studios Credits Bass – David Hood Design [Album] – Haig Adishian Drums – Roger Hawkins Engineer – Jimmy Johnson , Marlin Greene Guitar – Cornell Dupree, Duane Allman, Eddie Hinton, Jimmy Johnson Keyboards – Barry Beckett Lacquer Cut By – aB* Photography By – Stephen Paley Producer – Arif Mardin, Jerry Wexler, Tom Dowd Notes (C) 1970 Atlantic Recording Corporation Printed in U.S.A.
    [Show full text]
  • Muscle Shoals Sound Records
    WHO'S WHO AT MUSCLE SHOALS SOUND RECORDS 1000 Alabama Avenue, P.O. Box 915, Sheffield, Ala. 35660 (205) 381-9200 Muscle Shoals Sound Records was more or less the natural extension of what had become one of the most successful production organizations in the business. The four principals of the production company, Jimmy Johnson, Barry Beckett, David Hood and Roger Hawkins made up what became the legendary "Muscle Shoals Rhythm Section". Jimmy and Roger met while playing in local bands at school dances and clubs along the state line. They were later members of an early 60's group called the Delrays. At the same time David Hood was playing in a group called the Mystics. Johnson was the first to move into studio work when he began working with producer Rick Hall as an engineer and their session guitarist. By 1964 Jimmy and Roger were working regularly at Fame Studios with the occasional assistance of David Hood, when Hood could get away from his father's tire store a block and a half away from the studio. In 1966 Hawkins and Johnson played on their first million seller, "When A Man Loves A Woman" by Percy Sledge. In 1967 Barry Beckett came to Muscle Shoals to cut "I'm Your Puppet" by James and Bobby Purify. It was about that time that Spooner Oldham, the Muscle Shoals keyboard player, decided to move to Mem- phis. Shortly thereafter, Barry Becket and his family came to Muscle Shoals and the Rhythm Section was formed. By the late 1960's there were 3 studios in Muscle Shoals and the Rhythm Section was working at all of them.
    [Show full text]
  • Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites
    Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites – 750 Vallejo In North Beach, SF “The Jam” Mike Bloomfield and friends at Fillmore West - January 30-31-Feb. 1-2, 1970? Feb. 11, 1970 -- Fillmore West -- Benefit for Magic Sam featuring: Butterfield Blues Band / Mike Bloomfield & Friends / Elvin Bishop Group / Charlie Musselwhite / Nick Gravenites Feb. 28, 1970 – Mike Bloomfield, Keystone Korner, SF March 19, 1970 – Elvin Bishop Group plays Keystone Korner , SF Bloomfield was supposed to show for a jam. Did he? March 27,28, 1970 – Mike Bloomfield and Nick Gravenites, Keystone Korner ***** MICHAEL BLOOMFIELD AND FRIENDS 1970. Feb. 27. Eagles Auditorium, Seattle 1. “Wine” (8.00) This is the encore from Seattle added on the bootleg as a “filler”! The rest is from Long Beach Auditorium Apr. 8, 1971. 1970 1 – CDR “JAMES COTTON W/MIKE BLOOMFIELD AND FRIENDS” Bootleg 578 ***** JANIS JOPLIN AND THE BUTTERFIELD BLUES BAND 1970. Mar. 28. Columbia Studio D, Hollywood, CA Janis Joplin, vocals - Paul Butterfield, hca - Mike Bloomfield, guitar - Mark Naftalin, organ - Rod Hicks, bass - George Davidson, drums - Gene Dinwiddle, soprano sax, tenor sax - Trevor Lawrence, baritone sax - Steve Madaio, trumpet 1. “One Night Stand” (Version 1) (3.01) 2. “One Night Stand” (Version 2) wrong speed 1982 1 – LP “FAREWELL SONG” CBS 32793 (NL) 1992 1 – CD “FAREWELL SONG” COLUMBIA 484458 2 (US) ?? 2 – CD-3 BOX SET CBS ***** SAM LAY 1970 Producer Nick Gravenites (and Michael Bloomfield) Sam Lay, dr, vocals - Michael Bloomfield, guitar - Bob Jones, dr – bass ? – hca ? – piano ? – organ ? Probably all of The Butterfield Blues Band is playing. Mark Naftalin, Barry Goldberg, Paul Butterfield 1.
    [Show full text]
  • Mustang Daily, January 25, 1983
    o Mustang DallyUniversity Archives Tuesday, January 25,1983 California Polytechnic State University, San Luis Obispo Volum e 47, N o. 59 Friendship and Poly hosts ‘Enterprise’ engineer Story and photo biii wiil solve by Brian Bullock The show appeared to be the hot alien problem ticket for a rainy Friday night as an early arriving crowd gathered by Mary Hennessy near Chumash Auditorium. They Staff Wiltar were anticipating an evening with the chief engineer of television's The movement of Mexican aliens over the U.S. most popular sci-fi series. border is probably the largest peaceful invasion of a “ Space . .the final frontier. civilized country, a former U.S. ambassador to Mexico These are the voyages of the Star- said during a Thursday night speech in Chumash ship Enterprise. ” was the chant Auditorium. of an overenthusiastic Trekkie "The people that come from Mexico are pioneers,” who happened to be the first per­ Julian Nava said. “ They are the valuable people that son in the endless line. Mexico would like to keep ahold of.” Many members of the large The former ambassador administered the largest crowd scurried for front row seats American Embassy ever in Mexico with a staff of to get the best possible view of 1,200 p>eople. He has studied in Venezuela, Puerto their intergalactic hero. As the Rico, Spain, Columbia and Mexico. muffled roar of the crowd was Nava, who was an ambassador during both the beginning to subside, a stocky, Carter and Reagan administrations, said an awareness dark-haired man dressed entirely of the two countries' mutual and binding interests is in green walked into the room.
    [Show full text]
  • Dedicated to the Needs of the Music/Rec Albums
    DEDICATED TO THE NEEDS OF THE MUSIC/REC STRY SEPTEMBER 10, (977 $1.75 SINGLES ALBUMS RITA COOLIDGE, "WE'RE ALL ALONE" (prod. by ALAN O'DAY, "STARTED OUT DANCING, LINDA RONSTADT, "SIMPLE DREAMS." David Anderle) (writer: Boz Scaggs) ENDED UP MAKING LOVE" (prod. by From the album artwork to the record (Boz Scaggs, ASCAP) (3:38). This Steve Barri) (writer: O'Day) (WB, contained within, this is Ronstadt's superb Scaggs ballad was never a ASCAP) (3:21). "Undercover Angel" finest achievement to date. She is in single for the writer, but should be brought O'Day to number one with classic form with Roy Orbison's "Blue Coolidge's second straight pop hit. his first record, and this disco -ori- Bayou," Buddy Holly's "It's So Eeasy" She sings it with feeling and re- ented 'ollow-up has the same play- and the Stones' "Tumbling Dice" while straint. With her album in the top 20, ful eroticism and hook -filled struc- the ballads reflect an introspective side top 40 should react quickly. A&M ture. Look for a speedy chart return. with a sparse arrangement underpin- 1965. Pacific 002 (Atlantic). ning her voice. Asylum 6E-104 (7.98). JIMMY BUFFETT, "CHANGES IN LATITUDES, ART GARFUNKEL, "CRYING IN MY SLEEP" DARYL HALL AND JOHN OATES, CHANGES IN ATTITUDES" (prod. by (prod. by Art Garfunkel & Barry "BEAUTY ON A BACKSTREET." The Norbert Putnam) (writer: Jimmy Buf- Beckett) (writer: Jimmy Webb) (Can- group continues to ride the peak of fett) (Coral Reefer / Outer Banks, opy, ASCAP) (4:00). The first offering their success with this strong follow-up BMI) (3:15).
    [Show full text]
  • The Bates Student
    Bates College SCARAB The aB tes Student Archives and Special Collections 9-25-1981 The aB tes Student - volume 111 number 02 - September 25, 1981 Bates College Follow this and additional works at: https://scarab.bates.edu/bates_student Recommended Citation Bates College, "The aB tes Student - volume 111 number 02 - September 25, 1981" (1981). The Bates Student. 2279. https://scarab.bates.edu/bates_student/2279 This Newspaper is brought to you for free and open access by the Archives and Special Collections at SCARAB. It has been accepted for inclusion in The aB tes Student by an authorized administrator of SCARAB. For more information, please contact [email protected]. The Student Volume 111, Number2 Established 1873 September 25, 1981 Tenure denied Work begins this summer politics, science profs Rand renovation by Scott A. Damon was over the past six years,” when News Editor he taught at Bates. “Some of my credentials and characteristics that may close Fiske were viewed with suspicion and en¬ “It’s nearly impossible for facul¬ by Derek Anderson eliminated, some student leaders ty here not to see it as an evalua¬ mity elsewhere are considered and Lise LaPointe said early this week, a major party tion of teaching,” said Acting positively at Yale Law School,” he Staff Reporters site on campus would be Dean of the Faculty John Cole. said. eliminated. The total capacity of Simon is on a one-year unpaid “It” is the tenure evaluation pro¬ The administration has an¬ Fiske Lounge is 500 students. cess, conducted yearly. Of the six leave of absence from the college nounced tenitive plans for a major professors eligible last spring, only and will return for the academic renovation of Rand Hall this sum¬ One junior stated, “1 think Rand four received tenure.
    [Show full text]
  • Mustang Daily, October 24, 1980
    · 7 t.. � ive c_ Richter-reducingconditi ons discusSed athearings BY JIM MALONE Staff Writer relat� _to soil �tructure and the Diablo Canyon power P!ant s rntera t1on. ewrnark, a structural i_tness � engineer, also � es representing the uclear Regulatory Com­ ci�ed several instances where nuss1on took building and equipment the stand before the commission's three­ withstoo_d the quakes of a magnitude m mber higher than they � appeals board Thursday in the fourth day of were designed to survive. D1ablo . Can�o� s�ismic hearings at the Veteran's "We can learn about earthquake · (effects on Memorial struc­ Bwldmg m an Luis Obispo. tures) from buildings that survive as much as from in• D . Please see Page 6 � Nathan ewmark, an NRC consultant, provided st:uments," the former University of Illinois professor testunony on the possible earthquake-softening factors said. • a1 Friday, October 24, 1980 California Polytechnic State University, San Luis Obispo Volume45, No. 18 BY TERESA HAMILTON • Staff Writer source." • Democratic candidate for state senate Henry Mello said he has not been impressed with the Nuclear Regulatory Commission in the past and Mello announced to several hundred Cal Poly believes the Diablo Canyon nuclear power plant students that he is opposed to oil drilling off the should not be opened "unless the NRC can coast of San Luis Obispo County. guarantee protection to the public." Mello does not "It's not worth the risk to expose the hazards ex­ believe this promise can be made. ploration would bring to the area," he said, referr· Reviewing his past record, Mello said education ing to the U.S.
    [Show full text]
  • October 1994
    Features AARON COMESS Album number two sees Spin Doctors drummer Aaron Comess laying down that slippery funky thing yet again. Not that Aaron has cut down on his extracurricular jazz work. Does this guy ever stop? • Teri Saccone 20 BOB MOSES The eccentric but unarguably gifted drummer who powered the first jazz-rock band is still breaking barriers. With a brand- new album and ever-probing style, Bob Moses explains why his "Simul-Circular Loopology" might be too dangerous in live doses. • Ken Micallef 26 HIGHLIGHTS OF MD's FESTIVAL WEEKEND '94 Where should we start? Simon Phillips? Perhaps "J.R." Robinson? Say, Rod Morgenstein? How about Marvin "Smitty" Smith...or David Garibaldi...maybe Chad Smith, Clayton Cameron, or Matt Sorum.... Two days, one stage, a couple thousand drummers, mega-prizes: No matter how you slice it, it's the mother of all drum shows, and we've got the photos to prove it! 30 Volume 18, Number 9 Cover Photo By Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 52 DRUM SOLOIST 8 UPDATE Max Roach: Bill Bruford, "Blues For Big Sid" David Garibaldi, TRANSCRIBED BY Dave Mancini, CRAIG SCOTT and Ray Farrugia of Junkhouse, plus News 76 HEALTH & SCIENCE 119 INDUSTRY Focal Dystonia: HAPPENINGS A Personal Experience BY CHARLIE PERRY WITH JACK MAKER DEPARTMENTS 42 PRODUCT CLOSE-UP 80 JAZZ 4 EDITOR'S Tama Iron Cobra DRUMMERS' OVERVIEW Bass Drum Pedals WORKSHOP BY ADAM BUDOFSKY Expanding The 6 READERS' 43 Tama Tension Watch Learning Process PLATFORM Drum Tuner BY JOHN RILEY BY ADAM BUDOFSKY 12 ASK A PRO 84 Rock 'N' 44 Vic Firth Ed Shaughnessy, American Concept Sticks JAZZ CLINIC Stephen Perkins, and BY WILLIAM F.
    [Show full text]
  • Mustang Daily, January 25, 1990
    A IL Y California Polytechnic State University San Luis Obispo Volume 54, No.55 Thursday, Jan. 25, 1990 w: ^ ; W-' “S 1 si-s- ■ Bradley rancher leases land to Poly agriculture Property will cost $75,000 over 5 years By Leo Shiffrar tude to the Bashams for much stuff.” staff Writer their generosity,” Scotto Basham said the ranch has The School of Agriculture said. never lost money in the 25 will benefit from another In addition to the ranch, years he’s had it. He at­ valuable piece of real estate the Bashams also gave Cal tributed much of his success in teaching its learn-by-doing Poly Foundation 75 cow-calf to having a conservative at­ philosophy to students. pairs worth about $88,000 titude. On Nov. 1, Walter and total. Basham said this will “ I’ve always been conser­ Vida Basham agreed to lease give Cal Poly a good start vative,” he sdid. “ I don’t S.OOO acres of their 8,000- for its cattle operations. --------------------------------------- acre Bradley ranch to Cal The Bashams have owned Poly. the ranch for nearly 25 “ I leased it to Cal Poly years. They decided to lease It's a good because I decided 1 wanted the property in hopes that out of the cattle business,” students will benefit from opportunity for Walter Basham said in a the actual operation of a phone interview Tuesday ranch. students to evening. *Tve been at it 50 "It’s a good opportunity years and decided to turn it for students to gain hands- gain hands-on over to the Cal Poly Foun­ on experience,” Basham dation.
    [Show full text]