The Quest for Truth and Beauty
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She Walks in Beauty - Lord Byron
Edexcel English Literature GCSE Poetry Collection: Relationships She Walks In Beauty - Lord Byron This work by PMThttps://bit.ly/pmt-edu-cc Education is licensed under https://bit.ly/pmt-ccCC BY-NC-ND 4.0 https://bit.ly/pmt-cc https://bit.ly/pmt-edu https://bit.ly/pmt-cc SHE WALKS IN BEAUTY Lord Byron Brief Summary The speaker in “She Walks In Beauty” is describing both the intense inner and outer beauty of a woman he seems enchanted by. It celebrates the attractiveness of women and suggests that beauty is a combination of both appearance and personality. Synopsis ● The speaker introduces an unnamed woman, whom he compares to dark, yet beautiful, imagery. ● Byron continues to use the light and dark contrast in reference to the unnamed woman. ● The speaker then comments that as well as her outward beauty, the woman also has a beautiful personality as well. Context Lord Byron (1788-1824) Byron was a notorious Romantic poet who was frequently embroiled in public scandals: he is considered by many to be the first “celebrity”. After apparently having an illegitimate child with his half sister, Byron married Annabella Milbanke. They soon split up and after this Byron engaged in shameful activities such as affairs and getting into debt. He eventually moved to Lake Geneva in 1816 where he spent time with Mary Shelley, Percy Bysshe Shelley and Claire Clairmont (Mary Shelley’s half sister). He also fathered Clairmont’s child. Byron travelled further throughout Europe and eventually died of a fever in modern day Greece. Romanticism Movement Romanticism stemmed from the Enlightenment period. -
Scottish Art: Then and Now
Scottish Art: Then and Now by Clarisse Godard-Desmarest “Ages of Wonder: Scotland’s Art 1540 to Now”, an exhibition presented in Edinburgh by the Royal Scottish Academy of Painting, Sculpture and Architecture tells the story of collecting Scottish art. Mixing historic and contemporary works, it reveals the role played by the Academy in championing the cause of visual arts in Scotland. Reviewed: Tom Normand, ed., Ages of Wonder: Scotland’s Art 1540 to Now Collected by the Royal Scottish Academy of Art and Architecture, Edinburgh, The Royal Scottish Academy, 2017, 248 p. The Royal Scottish Academy (RSA) and the National Galleries of Scotland (NGS) have collaborated to present a survey of collecting by the academy since its formation in 1826 as the Scottish Academy of Painting, Sculpture and Architecture. Ages of Wonder: Scotland’s Art 1540 to Now (4 November 2017-7 January 2018) is curated by RSA President Arthur Watson, RSA Collections Curator Sandy Wood and Honorary Academician Tom Normand. It has spawned a catalogue as well as a volume of fourteen essays, both bearing the same title as the exhibition. The essay collection, edited by Tom Normand, includes chapters on the history of the RSA collections, the buildings on the Mound, artistic discourse in the nineteenth century, teaching at the academy, and Normand’s “James Guthrie and the Invention of the Modern Academy” (pp. 117–34), on the early, complex history of the RSA. Contributors include Duncan Macmillan, John Lowrey, William Brotherston, John Morrison, Helen Smailes, James Holloway, Joanna Soden, Alexander Moffat, Iain Gale, Sandy Wood, and Arthur Watson. -
Disfigurement and Disability: Walter Scott's Bodies Fiona Robertson Were I Conscious of Any Thing Peculiar in My Own Moral
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Mary's University Open Research Archive Disfigurement and Disability: Walter Scott’s Bodies Fiona Robertson Were I conscious of any thing peculiar in my own moral character which could render such development [a moral lesson] necessary or useful, I would as readily consent to it as I would bequeath my body to dissection if the operation could tend to point out the nature and the means of curing any peculiar malady.1 This essay considers conflicts of corporeality in Walter Scott’s works, critical reception, and cultural status, drawing on recent scholarship on the physical in the Romantic Period and on considerations of disability in modern and contemporary poetics. Although Scott scholarship has said little about the significance of disability as something reconfigured – or ‘disfigured’ – in his writings, there is an increasing interest in the importance of the body in Scott’s work. This essay offers new directions in interpretation and scholarship by opening up several distinct, though interrelated, aspects of the corporeal in Scott. It seeks to demonstrate how many areas of Scott’s writing – in poetry and prose, and in autobiography – and of Scott’s critical and cultural standing, from Lockhart’s biography to the custodianship of his library at Abbotsford, bear testimony to a legacy of disfigurement and substitution. In the ‘Memoirs’ he began at Ashestiel in April 1808, Scott described himself as having been, in late adolescence, ‘rather disfigured than disabled’ by his lameness.2 Begun at his rented house near Galashiels when he was 36, in the year in which he published his recursive poem Marmion and extended his already considerable fame as a poet, the Ashestiel ‘Memoirs’ were continued in 1810-11 (that is, still before the move to Abbotsford), were revised and augmented in 1826, and ten years later were made public as the first chapter of John Gibson Lockhart’s Memoirs of the Life of Sir Walter Scott, Bart. -
Jon Craig and William Allan the Concept of Tax Expenditures Was De
FISCAL TRANSPARENCY, TAX EXPENDITURES, AND BUDGET PROCESSES: AN 1 INTERNATIONAL PERSPECTIVE Jon Craig and William Allan The concept of tax expenditures was developed in the United States and Germany in the 1960s and spread to a significant number of OECD countries in the 1980s. There has been a renewed international interest of late, with Brazil and Korea and a few non-OECD members adopting the practice of reporting tax expenditures to the public. This paper outlines the work being initiated through the IMF Code of Good Practices on Fiscal Transparency to promote the tax expenditure concept as a standard feature of national budget presentation. A. Fiscal Transparency and Tax Expenditures The international community has sought to promote more openness about the conduct of fiscal and other policies in member countries. To that end, the Fund staff developed a Code of Good Practices in Fiscal Transparency that was initially approved by the Executive Board of the Fund in April 1998, and a slightly modified version was approved by the Board on March 26, 2001. The fiscal transparency code defines a set of specific principles, and, under each of these principles, a set of operational good practices.2 Member countries implement the code on a voluntary basis. Countries indicate their commitment to transparency by participating in a Report on the Observance of Standards and Codes (ROSC), which involves, first, consideration of their practices against a self-assessment questionnaire and then an assessment by IMF staff against each of the good practices defined in the code, including suggestions of priority areas to improve transparency. -
She Walks in Beauty
She Walks in Beauty -Lord Byron She walks in beauty, like the night Of cloudless climes and starry skies; And all that's best of dark and bright Meet in her aspect and her eyes; Thus mellowed to that tender light Which heaven to gaudy day denies. One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress, Or softly lightens o'er her face; Where thoughts serenely sweet express, How pure, how dear their dwelling-place. And on that cheek, and o'er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow, But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent! Introduction: Lord Byron had concern for liberty which was associated with the romantic poets. He also possessed the love of nature and the concept of love and beauty just like the other romantics. But Lord Byron was an admirer of Pope and the trends of 18th century poetry. Byron’s natural mode of poetry was narration. He skillfully used Heroic Couplet, the Spenserian and the Ottawa Rima. Summary: At the outset of the poem the poet describes the beauty of cloudless and starry skies. He compares this beauty to the beauty of a lady. The poet admiresher beauty and is inspired by her beauty and wrote this poem to celebrate her beauty.He says the lady’s beauty carries with it the best of both worlds of brightness and darkness which springs from her eyes. -
Shelley Meagher – Politics and Persian Mythology in Irish Poetry
Shelley Meagher Politics and Persian Mythology in Irish Poetry IN 1809 LORD BYRON was prevented by the Napoleonic wars from taking the European Grand Tour. He instead sailed south, through the straits of Gibraltar and across the Mediterranean, to tour Greece and Turkey. On his return he published the first two Cantos of Childe Harold’s Pilgrimage (1812), a poem whose hero follows in Byron’s wake eastwards. Gratified by the acclaim Childe Harold received, Byron next published two action poems set in Turkey, The Giaour (1813) and The Bride of Abydos (1813). These fluent ‘Turkish Tales’, as he called them, sold very well and whetted the public’s appetite. On the day Byron’s next Turkish tale, The Corsair, came out in 1814, it sold 10,000 copies. There was one problem. For two and a half years Byron’s friend, Thomas Moore, had been composing a poem set in the Persianate cultures of Mughal India and Persia (as Europeans then termed Iran). Moore was alert to differences between Turkish and Persian culture. But to the general public, both cultures were simply eastern. When sales of Byron’s Turkish poems rocketed, Moore fretted that Byron had stolen his opportunity. Byron tried to allay Moore’s fears. ‘Stick to the East!’ he wrote to Moore in May 1813. ‘The little I have done . is only a “voice in the wilderness” for you; and, if it has had any success, that will only prove that the public is orientalising, and pave the way for you.’1 When, six months later, Byron proceeded to pave Moore’s way further with The Corsair, he knew very well that Moore would be alarmed. -
Biography Daniel F
Newsletter No 40 Autumn 2012 From the Chair SSAH Research Support Grants I hope you’re all enjoying the summer. This is The Scottish Society for Art History promotes always a busy time for us as we prepare the scholarship in the history of Scottish art and art papers for the next Journal, which this year will located in Scotland. To facilitate this, the SSAH focus on Scottish connections to and research on offers research support grants from £50 to £300 the Pre-Raphaelites. It will include, among to assist with research costs and travel expenses. others, Rossetti’s relationship with animals; the Applicants must be working at a post-graduate eco-socialism of William Morris; attitudes to the level or above and should either be resident in PRB by the Edinburgh Smashers Club; and the Scotland or doing research that necessitates Pre-Raphaelite influence on landscape painter travel to Scotland. Application deadlines: 30 George Wilson. We hope to have the journal November and 31 May. ready in time for our AGM, which this year will be in the splendidly re-designed Scottish To apply please send via e-mail: National Portrait Gallery on 8 December – please note the date in your diaries! a cover letter Another date to keep free if you can is 17 current curriculum vitae November, when we will be holding an a brief project description (300-500 words) afternoon conference at George Watson’s specifying how the grant will be used and College in Edinburgh looking at French artists how it relates to a broader research agenda who worked in Scotland in the late 18th and 19th a budget centuries, and the influence this had on their the name and e-mail address of one work – see below for more information. -
Correspondence of Lord Byron, with a Friend
^M 8£ DUKE UNIVERSITY LIBRARY Treasure "Room CORRESPONDENCE LORD BYRON. PRINTED BY JULES DIDOT, SENIOR, PRINTER TO HIS MAJESTY, RUE DD PONT-DK-LODI, N° 6. CORRESPONDENCE WITH A FRIEND, INCLUDING HIS LETTERS TO HIS MOTHER, WRITTEN FROM PORTUGAL, SPAIN, GREECE, AND THE SHORES OF THE MEDITERRANEAN, IN l8og, 1 8lO AND l8l I. ALSO UettHltctioM of fbt $oet. BY THE LATE B. C. DALLAS, ESQ. •» THE WHOLE FORMING An Original Memoir of Lord Byron's Life, FROM 1808 TO 18 I 4- • AND A CONTINUATION AND PRELIMINARY STATEMENT OF THE PROCEEDINGS BY WHICH THE LETTERS WERE SUPPRESSED IN ENGLAND, AT THE SUIT OF. LORD BYRONS EXECUTORS. BY THE REV. A. R. C. DALLAS. VOL. III. PUBLISHED BY A. AND W. GALIGNANI, AT THE ENGLISH, FRENCH, ITALIAN, GERMAN, AND SPA.NISH LIBRARY, l8, RUE VIVIENNE. 4825. 159783 — '3 , CONTENTS. VOL. III. Pages Recollections i — 126 Correspondence of Mr Dallas with Lord Byron, considered to be here ended. —Lord Byron's residence in London enables Mr Dallas to have personal intercourse with him.—January and February, 1812.—Mr Dallas attempts to have the poem entitled Euthanasia suppressed. — Succeeds for the first edition. —Mr Dallas's affection for Lord Byron. —Combats his errors.—His depression of spirits.—His family history and circumstances. —Character of his uncle, Captain George Byron,—his death a great loss to the Poet.—It broke the link with his other family alliances. —Neglected by his relatives at school and college.—His Satire caused him to be beheld with respect, but with awe. —He felt himself alone in London.—His affairs involved. -
History and Vision in Byron, the Shelleys, and Keats Timothy Ruppert
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Spring 2008 "Is Not the Past All Shadow?": History and Vision in Byron, the Shelleys, and Keats Timothy Ruppert Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Ruppert, T. (2008). "Is Not the Past All Shadow?": History and Vision in Byron, the Shelleys, and Keats (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1132 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. “IS NOT THE PAST ALL SHADOW?”: HISTORY AND VISION IN BYRON, THE SHELLEYS, AND KEATS A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University in partial fulfillment of the requirements for the degree of Doctor of Philosophy By Timothy Ruppert March 2008 Copyright by Timothy Ruppert 2008 “IS NOT THE PAST ALL SHADOW?”: HISTORY AND VISION IN BYRON, THE SHELLEYS, AND KEATS By Timothy Ruppert Approved March 25, 2008 _____________________________ _____________________________ Daniel P. Watkins, Ph.D. Jean E. Hunter , Ph.D. Professor of English Professor of History (Dissertation Director) (Committee Member) _____________________________ _____________________________ Albert C. Labriola, Ph.D. Magali Cornier Michael, Ph.D. Professor of English Professor of English (Committee Member) (Chair, Department of English) _____________________________ Albert C. Labriola, Ph.D. Dean, McAnulty College and Graduate School of Liberal Arts Professor of English iii ABSTRACT “IS NOT THE PAST ALL SHADOW?”: HISTORY AND VISION IN BYRON, THE SHELLEYS, AND KEATS By Timothy Ruppert March 2008 Dissertation Supervised by Professor Daniel P. -
Images of Masculınıty in Lord Byron's
IMAGES OF MASCULINITY IN LORD BYRON’S TURKISH TALES GÖNÜL BAKAY Bahçeşehir University Abstract : Forms of knowledge regarding masculinity and femininity are socially constructed and discursively constituted. In this sense, cultural productions play an indispensible role in both representing and shaping masculinities. Making use of the insights provided by Deleuze and Guattari, this paper examines performatively constituted masculinities in Lord Byron’s “Turkish Tales”, with particular emphasis on the portrayal of male identity as fluid, metamorphic and capable of multiple possibilities. Representations of masculinity in Byron’s “Turkish Tales” clearly illustrates that masculinity is not a fixed/universal concept, but one that would be better understood in light of Deleuze and Guattari’s theory of becoming and may vary from one region to another. Keywords : Deleuze and Guattari, Lord Byron, masculinity, orientalism, Turkish Tales. So long as there are battles to be fought, wars to be won, heights to be scaled, hard work to be done, some of us will have to “act like men”. (Gilmore qtd. in Connell 2005:32) Masculinity does not exist except in contrast wih femininity. A culture which does not treat women and men as bearers of polarized character types, at least in principle, does not have a concept of masculinity in the sense of European/American culture. (Connell 2005:68) 1. Introduction Representations of masculinity in Byron’s Turkish Tales clearly illustrate that masculinity is not a fixed/universal concept, but one that may vary from one region to another, and would be better understood in light of Deleuze and Guattari’s theory of becoming. -
Threepenny Guide & Directory for Stirling, Bridge of Allan
Threepenny STIRLINC/BRIDCE Of ALLAN, Dunblane, DouNE, Si niniansjcBannockbiirn STIRLING. BRiiCE cf ALLAN sDUNBLANt STIRLING DAVID MILLER * SOW. ^ BAK&H STREE T >0A PATERSON & SONS' LONDON AND PARIS PIASOFOBTE, EARMOMM, ASD MFSIC S A L K S. The Largest Stock of Instruments in Scotland for Sale or Hire. PubUshers of the Celebrated GUINEA EDITION of the SCOTCH SONGS. SECOND-HAND PIANOFOKTES AND HARMONIUMS. PATERSON & SONS Have always on hand a Selection of COTTAGE, SQUARE, AND SEMI-GEAND PIANOFOKTES, SLIGHTLY USED. THE PATENT SIMPLEX PIANETTE, In Rosewood or Walnut, EIGHTEEN GUINEAS. This Wonderful Little Cottage Piano has a good touch, and stands well in Tune. FuU Compass (6i Octv.) HARMONIUMS BY ALEXANDRE, EVANS, and DEBAIN, From 6 to 85 GUINEAS. A Large Selection, both New and Segond-Hand. PATERSON 8c SONS, 27 GEORGE STREET, EDINBURGH; 152 BUCHANAN STREET, GLASGOW; 17 PRINCES STREET, PERTH. National Library Of S^^^^^^^^^^ -k ^^^^^ i^fc^^*^^ TO THE HONOURABLE THE OF THE ^v- Zey /Ma Digitized by the Internet Arciiive in 2010 witii funding from National Library of Scotland http://www.archive.org/details/threepennyguided1866dire .. ... insriDExi- - Address, . Stirling, Stirling Castle, Back Walk, . Cemetery, . Ladies' Eock, Hospitals, Drummond's Tract Depot, Post-Office, . Stirling General Directory, Street Directory, Academies and Schools, Places of Worship, Sacramental Fast-Days, . Stirling Young Men's Christain Association, Trades and Professions Directory, Stirling Town Council, &c., Commissioners of Police, Sheriflf Court, Small Debt Court, Commissary Court, Justices of the Peace, Stirling Castle Officials, High School, School of Arts, Faculty of Writers, Parochial Board, Excise Office, Gas-Light Company, ... Water-Works, Athenseum Subscription Eeading-Eooru, Macfarlane Free Library, Newspapers, . -
The Bride of Abydos: the Regime of Visibility and the Possibility of Resistance
Edinburgh Research Explorer The Bride of Abydos: The Regime of Visibility and the Possibility of Resistance Citation for published version: Mole, T 2008, The Bride of Abydos: The Regime of Visibility and the Possibility of Resistance. in B Beatty, T Howe & CE Robinson (eds), Liberty and Poetic Licence: New Essays on Byron. Liverpool University Press. <http://www.liverpooluniversitypress.co.uk/index.php?option=com_wrapper&view=wrapper&Itemid=11&AS1 =Liberty+and+Poetic+Licence> Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Liberty and Poetic Licence Publisher Rights Statement: © Mole, T. (2008). The Bride of Abydos: The Regime of Visibility and the Possibility of Resistance. In B. Beatty, T. Howe, & C. E. Robinson (Eds.), Liberty and Poetic Licence. Liverpool University Press. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 The Bride of Abydos: The Regime of Visibility and the Possibility of Resistance Tom Mole ‘All convulsions end with me in rhyme’ Byron wrote to Thomas Moore, ‘and, to solace my midnights, I have scribbled another Turkish story’ (BLJ III, 184).