From Me to You an Introduction

Total Page：16

File Type：pdf, Size：1020Kb

FROM ME TO YOU AN INTRODUCTION 107 THE BRAVE AND THE BOLD #81 185 WORLD’S FINEST COMICS #185 Cover feel it is somehow incumbent upon December-January 1969 June 1969 me to explain, though I can’t really, “But Bork Can Hurt You” Pencils and inks: Neal Adams I how it is that you are holding in Story: Bob Haney Pencils: Neal Adams 186 THE BRAVE AND THE BOLD #84 your hand a fifty-dollar reprint book of my Batman work. Inks: Dick Giordano and Vince Colletta June-July 1969 In fact, it is only the first of three “The Angel, The Rock, and the Cowl” such volumes. 132 WORLD’S FINEST COMICS #182 Cover Story: Bob Haney Who am I, for heaven’s sake, to be February 1969 Pencils and inks: Neal Adams worthy of such a high-ticket item? Pencils: Curt Swan (page 19 inked by Joe Kubert) Inks: Neal Adams I have to say I’m not worth it — no 211 DETECTIVE COMICS #389 Cover matter what anyone says, it just isn’t so. Yet here this volume sits, in your 133 WORLD’S FINEST COMICS #183 Cover July 1969 hand, joining two similar volumes of my March 1969 Pencils and inks: Neal Adams Layout: Carmine Infantino DEADMAN and my GREEN LANTERN/ Inks: Neal Adams 212 WORLD’S FINEST COMICS #186 Cover GREEN ARROW work, each selling for an outrageous price. Believe me, if it was August 1969 me selling a book at this price it would 134 THE BRAVE AND THE BOLD #82 Layout: Carmine Infantino have to tell you how the whole Universe February-March 1969 Inks: Neal Adams “The Sleepwalker from the Sea” works. Still, if you bought this, I humbly Story: Bob Haney 213 THE BRAVE AND THE BOLD #85 thank you. Pencils: Neal Adams August-September 1969 First off, let me say that without the Inks: Dick Giordano “The Senator’s Been Shot” incredible Denny O’Neil, the GL/GA Story: Bob Haney volume would not have seen the light of 158 BATMAN #210 Cover Pencils: Neal Adams day. Denny somehow saw a void in the March 1969 Inks: Dick Giordano history of comics that no one had filled Pencils and inks: Neal Adams or probably could fill, and at exactly 237 DETECTIVE COMICS #391 Cover the right moment he stepped in with 159 DETECTIVE COMICS #385 Cover September 1969 the right stuff. March 1969 Pencils and inks: Neal Adams People often overlook Pencils and inks: Neal Adams Denny’s sensitivity 238 DETECTIVE COMICS #392 and com- 160 THE BRAVE AND THE BOLD #83 October 1969 mitment to April-May 1969 Pencils and inks: Neal Adams collaboration “Punish Not My Evil Son” on the Batman Story: Bob Haney 239 Biographies stories we did Pencils: Neal Adams together, and I will Inks: Dick Giordano always be grateful for his contributions, ideas, concepts, and intelligent presentation in usable story form. BATMAN: ILLUSTRATED BY NEAL ADAMS 5.

Copy Link

Recommended publications

LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting
[Show full text]
Michael Tierney
Sample file Sample file by Michael Tierney Authorized by Edgar Rice Burroughs, Inc. Sample file Copyright © 2018 First Printing, 2018 Mother Was A Lovely Beast cover Copyright © 1974 Philip Jose Farmer The Recoverings Alternate Timeline Dust-jacket design for Tarzan and the Castaways, along with the coloring of the Frank Frazetta cover drawing is Copyright © 2016 Phil Normand & Recoverings. All other artwork Copyright © Edgar Rice Burroughs, Inc. All Text Copyright © Michael Tierney Little Rocket Publications is a Trademark™ of Tierney Incorporated Trademarks Tarzan®, Tarzan of the Apes™, Lord of the Jungle® and Edgar Rice Burroughs® owned by Edgar Rice Burroughs, Inc. and Used By Permission All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, without permission in writing from the publisher. Every effort has been made not to make use of proprietary or Copyrighted material without permission. Any mention of actual commercial products in this book does not constitute an endorsement. Printed in the United States by Chenault & Gray Publishing. First Unabridged Edition Edited by Rus Wornom Cover Design by Peter Bradley and Michael Tierney Cover Art by Frank Frazetta Layout and Design: Michael Tierney, Peter Bradley and Mark Sandy Library of Congress Cataloging-in-Publication Data Michael Tierney Edgar Rice Burroughs 100 Year Art Chronology, Vol. 2 The Books: Literature with Sharp Cutting
[Show full text]
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture.
[Show full text]
Alter Ego #78 Trial Cover
TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc.
[Show full text]
The Silver Age of DC Comics Ebook Free Download
THE SILVER AGE OF DC COMICS PDF, EPUB, EBOOK Paul Levitz | 400 pages | 15 Jul 2013 | Taschen GmbH | 9783836535762 | English | Cologne, Germany The Silver Age of DC Comics PDF Book Unsourced material may be challenged and removed. Archived from the original on January 9, Retrieved May 7, The first appearance also introduces Carol Ferris , the love interest for Hal Jordan, but she rebuffs him, with her being his boss. Garguax and General Immortus have discovered Agamemno's plans as well as a cache of weapons belonging to Luthor that are designed to destroy the JLA. DC's " Page Super- Spectacular" titles and later page and "Giant" issues published from to featured a logo exclusive to these editions: the letters "DC" in a simple sans- serif typeface within a circle. It wasn't long before dealers were September 7, The November DC titles introduced an updated logo. Superman' Fallout: Warner Bros. Wheeler-Nicholson's next and final title, Detective Comics , advertised with a cover illustration dated December , eventually premiered three months late with a March cover date. The Avengers 1. Fawcett Warner v. Thanks for telling us about the problem. January 30, First appearance of Green Lantern Hal Jordan. The Comics Journal. This article is about the US publisher of comics. Chris Oliveria rated it really liked it Jan 20, Cover art by Carmine Infantino and Joe Kubert. There is an interesting interview with Neal Adams and snippets from other DC creators. Justice League International. The Silver Age of DC Comics Writer It is considered to be the first comic book to feature the new character archetype—soon known as "superheroes" and was a sales hit bringing to life a new age of comic books with the credit going to the first appearance of Superman both being featured on the cover and within the issue.
[Show full text]
Dec. 2012 $10.95
D e c . 2 0 1 2 No.61 $10.95 Legion of Super-Heroes TM & © DC Comics. All Rights Reserved. Rights All Comics. DC © & TM Super-Heroes of Legion Volume 1, Number 61 December 2012 EDITOR-IN- CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER FLASHBACK: The Perils of the DC/Marvel Tabloid Era . .1 Rob Smentek Pitfalls of the super-size format, plus tantalizing tabloid trivia SPECIAL THANKS BEYOND CAPES: You Know Dasher and Dancer: Rudolph the Red-Nosed Rein- Jack Abramowitz Dan Jurgens deer . .7 Neal Adams Rob Kelly and The comics comeback of Santa and the most famous reindeer of all Erin Andrews TreasuryComics.com FLASHBACK: The Amazing World of Superman Tabloids . .11 Mark Arnold Joe Kubert A planned amusement park, two movie specials, and your key to the Fortress Terry Austin Paul Levitz Jerry Boyd Andy Mangels BEYOND CAPES: DC Comics’ The Bible . .17 Rich Bryant Jon Mankuta Kubert and Infantino recall DC’s adaptation of the most spectacular tales ever told Glen Cadigan Chris Marshall FLASHBACK: The Kids in the Hall (of Justice): Super Friends . .24 Leslie Carbaga Steven Morger A whirlwind tour of the Super Friends tabloid, with Alex Toth art Comic Book Artist John Morrow Gerry Conway Thomas Powers BEYOND CAPES: The Secrets of Oz Revealed . .29 DC Comics Alex Ross The first Marvel/DC co-publishing project and its magical Marvel follow-up Paul Dini Bob Rozakis FLASHBACK: Tabloid Team-Ups . .33 Mark Evanier Zack Smith The giant-size DC/Marvel crossovers and their legacy Jim Ford Bob Soron Chris Franklin Roy Thomas INDEX: Bronze Age Tabloids Checklist .
[Show full text]
Comics and Graphic Novels Prerequisite(S): Third-Year Standing Or Permission of the Department
1 Carleton University Fall 2018 Department of English ENGL 3011A: Comics and Graphic Novels Prerequisite(s): third-year standing or permission of the department Wednesday and Friday / 2:35 p.m.-3:55pm Location: 280 University Center *confirm meeting place on Carleton Central prior to the first class* Instructor: B. Johnson Email: [email protected] Office: 1917 Dunton Tower Phone: (613) 520-2600 ext. 2331 Office Hours: Tuesdays 1:30 p.m.-3:00 p.m. Course Description This course has several broad goals, foremost among them is to guide students towards a fuller, richer, more pleasurable, more knowledgeable, and more intellectually stimulating experience of reading comics. To this end, the course will begin with a substantial introduction to the formal and technical dimensions of comics as a medium of expression. We will learn about how elements like the comic panel and the comic page function as systems of meaning and how visual and verbal systems of signification converge and interact within graphic space. We will develop our skills in visual literacy and examine some of the ways that comic narratives have shaped but also challenged the conventions of the medium across a very broad range of visual styles, genres, and aesthetic projects. Once we have developed some preliminary facility with the formal elements and technical language of comics, we will begin to pursue the secondary goals of the course in greater detail: (1) developing a sense of the material and cultural history of North American comics and (2) developing a sense of the emergent academic field of comic studies.
[Show full text]
32-35 Greatidea.Indd
TM With six broadcast networks and over 30-plus cable outlets comprising the landscape of the small screen, and with new outlets launching at a The rapid pace, countless hours of television programming are needed to fill schedules in the burgeoning niche world of broadcasting. Common terms used in the entertainment industry for this ever- increasing genre of content are “reality,” “informational,” “documentary” Television programming or “unscripted” programming; but content creators and producers Karen Kraft and Molly Hermann would disagree. Writing is definitely a part of crafting documentary/informational content—to such a degree that even the WGA is working to implement a division for the Docu/ writers of the so-called “nonfiction” genres. Karen Kraft graduated with a B.S. in communications from Ithaca College and an M.A. in film and writing from American University. Kraft joined Discovery in 1995 as a producer/writer for Discovery Networks Reality International. During her tenure Kraft was personally involved in pitch- ing, producing and writing numerous award-winning productions. In 1999, she was promoted to creative executive of the Discovery Production Group International. In her role, Kraft oversaw the editing of dozens of Special long and short-form originals as executive producer/creative executive, as andand thethe creationcreation andand well as handled reversions for Discovery networks in over 155 countries. Over the last four years, her creative team, the Production Services Unit making of International, has garnered over 100 awards from such prestigious festivals as PROMAX, Monitor, Worldfest, CINE and the New York Festivals. TRAVEL CHANNEL’S Her associate, co-producer and director of Marvel Super Heroes’™ Guide to New York City, Molly Hermann, graduated from Dickinson College with Marvel a B.A.
[Show full text]
Graphic Novels in Your School Library
GRAPHIC NOVELS IN YOUR SCHOOL LIBRARY Jesse Karp ILLUSTRATED BY Rush Kress AMERICAN LIBRARY ASSOCIATION CHICAGO 2012 For more than ten years, JESSE KARP has been a school librarian at LREI (Little Red School House and Elisabeth Irwin High School), one of Manhattan’s oldest independent schools and a long-standing leader in progressive education. He works with students across the cur- riculum, from beginning readers to high school students, with all kinds of material, includ- ing graphic novels. He regularly reviews graphic novels and picture books for Booklist and contributes to the magazine’s yearly graphic novel best list roundup; he has written articles for Book Links and American Libraries as well. He has delivered seminars on the sequen- tial art form at Pratt Institute and Queens College and teaches a graduate course about the history and analysis of the form at Pratt. He has served as a graphic novel panelist at Book Expo America for two years running and served on YALSA’s Great Graphic Novels for Teens committee from 2009 to 2012. He cocreated the education webcomic Dr. Lollipop and is the author of the young adult novel Those That Wake, which is set in Manhattan, where he lives with his wife and two daughters. Please visit his website at www.beyondwhereyoustand.com. RUSH KRESS graduated from the illustrious Joe Kubert School of Cartoon and Graphic Illustration in 1999. He has produced corporate comics for Derivatives Strategy magazine, cocreated the education webcomic Dr. Lollipop, and produced assorted covers for Early Music America magazine. He lives and works in New York City.
[Show full text]
Mason 2015 02Thesis.Pdf (1.969Mb)
‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created.
[Show full text]
Table of Contents
DC COMICS DAN DIDIO CHRIS CARAMALIS BATMAN ILLUSTRATED BY NEAL ADAMS VP-Editorial VP-Finance VOLUME ONE MURRAY BOLTINOFF TERRI CUNNINGHAM Published by DC Comics. JULIUS SCHWARTZ VP-Managing Editor Cover, introduction, and compilation MORT WEISINGER copyright © 2003 DC Comics. Editors-original series ALISON GILL All Rights Reserved. VP-Manufacturing TABLE OF CONTENTS BOB GREENBERGER Originally published in single magazine form as Senior Editor-collected edition LILLIAN LASERSON BATMAN 200, 203, 210; THE BRAVE AND THE BOLD 75-76, Senior VP & General Counsel 79-85; DETECTIVE COMICS 370, 372, 385, 389, 391, 5 Introduction by Neal Adams 35 WORLD’S FINEST COMICS #176 ROBBIN BROSTERMAN 392; and WORLD’S FINEST COMICS 174-176, 178-180, Senior Art Director DAVID MCKILLIPS 182-183, 185, 186. Copyright © 1967, 1968, 1969 June 1968 VP-Advertising DC Comics. All Rights Reserved. PAUL LEVITZ 11 DETECTIVE COMICS #370 Cover “The Superman-Batman Split” President & Publisher JOHN NEE All characters, the distinctive likenesses thereof and VP-Business Development related indicia are trademarks of DC Comics. December 1967 Story: Cary Bates GEORG BREWER The stories, characters and incidents featured in this VP-Design & Retail Product Development CHERYL RUBIN publication are entirely fictional. DC Comics does not Pencils: Carmine Infantino Pencils: Neal Adams VP-Licensing & Merchandising read or accept unsolicited submissions of RICHARD BRUNING ideas, stories or artwork. Inks: Neal Adams Inks: Dick Giordano VP-Creative Director BOB WAYNE VP-Sales & Marketing DC Comics PATRICK CALDON 1700 Broadway Senior VP-Finance & Operations New York, NY 10019 12 THE BRAVE AND THE BOLD #75 Cover 54 BATMAN #203 Cover A Warner Bros.
[Show full text]
Dave Cockrum Cover Colorist Writer/Editorial: the Red Planet—Mostly in Black-&-White!
Roy Thomas' Xtra-strength Comics Fanzine THE POWER AND THE PANDEMONIUM OF YOUNG $9.95 DAVE In the USA COCKRUM No. 163 March 2020 1 82658 00376 0 Art TM & © Marvel Characters, Inc. Vol. 3, No. 163 / March 2020 Editor Roy Thomas Associate Editor Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Don’t STEAL our J.T. Go (Assoc. Editor) Digital Editions! C’mon citizen, Comic Crypt Editor DO THE RIGHT THING! A Mom Michael T. Gilbert & Pop publisher like us needs Editorial Honor Roll every sale just to survive! DON’T Jerry G. Bails (founder) DOWNLOAD Ronn Foss, Biljo White OR READ ILLEGAL COPIES ONLINE! Mike Friedrich, Bill Schelly Buy affordable, legal downloads only at www.twomorrows.com Proofreaders or through our Apple and Google Apps! Rob Smentek William J. Dowlding & DON’T SHARE THEM WITH FRIENDS OR POST THEM ONLINE. Help us keep Cover Artist producing great publications like this one! Dave Cockrum Cover Colorist Writer/Editorial: The Red Planet—Mostly In Black-&-White! .. 2 Glenn Whitmore The Genius of Dave & Paty Cockrum .................. 3 With Special Thanks to: Joe Kramar’s 2003 conversation with one of comics’ most amazing couples. Don Allen David Hajdu Paul Allen Heritage Comics Dave Cockrum—A Model Artist....................... 11 Heidi Amash Auctions Andy Yanchus take a personal look back at his friend’s astonishing model work. Pedro Angosto Tony Isabella “One Of The Most Celebrated Richard Arndt Eric Jansen Bob Bailey Sharon Karibian Comicbook Artists Of Our Time” .................... 15 Mike W. Barr Jim Kealy Paul Allen on corresponding with young Dave Cockrum, ERB fan, in 1969-70.
[Show full text]