Year 2014 (Part V, Line 2A)
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Research Programme Les Nouvelles Frontières De La
Council for the Development of Social Science Research in Africa Conseil pour le développement de la recherche en sciences sociales en Afrique CODESRIA RESEARCH PROGRAMME LES NOUVELLES FRONTIÈRES DE LA RECHERCHE SUR L’ENFANCE ET LA JEUNESSE EN AFRIQUE Douala, Cameroun, 25 – 26 / 08 / 2009 NEW FRONTIERS OF CHILD AND YOUTH RESEARCH IN AFRICA TITRE / TITLE: RISK AND PLEASURE IN ROMANTIC DISCOURSES : PROBLEMATIZING THE PHENOMENON OF GLOBAL YOUTH MARKETING IN KENYA AUTEUR / AUTHOR : MITENGA PETER OTIENO The youth sexual relationships in urban Africa are being socially constructed as an appropriate expression of intimacy, but also as a statement about a particular kind of modern identity. Kenya burgeoning commercial and the public sector have been embraced by global changes and today have reached the highest point of capitalism and has became a preserve or marketplace of sexual information, enticing eager audiences with expert radio programs, newspaper gossip columns, foreign romance novels. Western pornographic films and bikini-clad cover girls staring the soap operas on television and smuggled DVDs tend to expand the sexual marketplace which in turn serves to further codify the category of youth, as development agents and commercial advertisement seek to appeal and to shape its young audience. I argue that the new shape of social and economic cohesion emerging in Africa now must be understood within the context of the consumer culture and trends moderated by technology based on commodities rather than physical ventures. New forms of romance mediated by the internet and global economy tend to emerge and alter non-heteronormative sexualities in diverse locales; short-change the diasporic cultures and intimacies; triggered commoditized sex and romance in tourist circuits; and transformed and transgressed family relationships. -
Greenpeace Annual Report 2017 – Laying the Groundwork for An
© Greenpeace / Pierre Gleizes . Taziazet 1 alongside the Esperanza in West Africa, Mauritania-Western Africa. 2017. Editorial Team: Mbong Akiy, Nchemty Metini Ozongashu, Hellen Dena Contributors: Ahmed Diame, Bodhisattva Gupta, Deshanta Naidoo, Dr Ibrahima Cisse, Gerhard Combrink, Leola Abraham, Lindlyn Moma, Melita Steele, Nhlanhla Sibisi, Renee Olende, Toko Tomita, Victorine Che Thorner and Zane Ford Commissioned by: Greenpeace Africa Published: June 2018 by Greenpeace Africa Greenpeace Africa: 293 Kent Avenue, Randburg, Johannesburg, South Africa Designed by: Kaitoma Creatives Printed on 100% recycled post-consumer paper with vegetable based inks. Cover photos: © Greenpeace. For more information contact: [email protected] © Greenpeace / Pierre Gleizes. Village on beach in Turtle Islands, Sierra Leone. 2017. on beach in Turtle Gleizes. Village / Pierre © Greenpeace Contents Executive Director’s Summary 04 Campaigns: Oceans Fighting Illegal, Unregulated and Unreported Fishing in West African Waters 06 Forests The World Dances for a Pristine Forest 12 Climate and Energy Bringing Light and Hope to Diepsloot – Project Sunshine 20 Food for Life Revamping the Food System in Kenya 28 Towards an Environmental Movement in Africa 34 What did our Volunteers Get Up to? 36 Working with Partners– Together we are Stronger 38 Maiden Internship Voyage in Greenpeace Africa 40 The Year in Numbers: FR Acquisitions 2017 and Sign-ups at a Glance 42 Finance 44 2017 : Looking Back at Greenpeace Globally 46 © Greenpeace / Philip Schedler. Njeri Kabeberi Greenpeace Africa Executive Director. South Africa. 2017. Executive Director’s Summary “To settle in” must be an alien concept at Greenpeace, because after 1 year and 2 months, I can honestly say I am still waiting for that moment. -
EU/UNESCO Expert Facility Inception Meeting List of Participants 12‐14 February 2019, Bangkok, Thailand
With funding from the European Union EU/UNESCO Expert Facility inception meeting List of Participants 12‐14 February 2019, Bangkok, Thailand Members of the 2019/2022 Expert Facility: 40 Jordi Baltà Portolés (Spain) [email protected] Jordi is a consultant, researcher and trainer in cultural policy and international affairs, with a particular interest in the role of culture in sustainable development, cultural diversity and international cultural cooperation. He is an advisor on culture and sustainable cities for the United Cities and Local Governments (UCLG) Committee on Culture and regularly works for several other organizations, including the Asia‐Europe Museum Network (ASEMUS) and Trànsit Projectes (Barcelona). He has experience working in several Latin American, African and European countries. Between 2001 and 2014, he was a researcher and project coordinator at the Interarts Foundation, where he coordinated the European Expert Network on Culture (EENC). He teaches at the MA in Cultural Management at the Open University of Catalonia (UOC) and the University of Girona (UdG), as well as the Degree in International Relations at the Universitat Ramon Llull (URL). Jordi holds a BA in Political Science (Autonomous University of Barcelona, UAB) and an MA in European Cultural Policy (University of Warwick). Languages: Spanish, English, French, Catalan Alexandra Bensamoun (France) alexandra.bensamoun@u‐psud.fr Alexandra is a professor of Private Law at the University of Rennes 1 (IODE‐CNRS) and a member of the Board of Directors for the Center for Studies and Research in Immaterial Law (CERDI – University Paris‐Sud/Paris‐Saclay). She specializes in intellectual property law and digital law, which she teaches in France and in foreign universities. -
Wiyaala EPK Google Doc.Docx
The Most Promising Artiste in Africa - All Africa Music Awards (Afrima) 2014 The Revelation of the African Continent - All Africa Music Awards (Afrima) 2014 Best Female Vocal – Vodafone Ghana Music Awards 2015 Songwriter of The Year – Vodafone Ghana Music Awards 2015 “Wiyaala is sensational” DJ Rita Ray’s artistes to watch out for in 2015 on BBC Africa “She’s taking the musical game, devouring it, and asking for seconds” Mind Of Malaka Daily Graphic “unyielding Wiyaala blew away the richly diverse audience at Alliance Francaise” Circumspect: Wiyaala in Concert, The Making of an African legend The Music Wiyaala fearlessly explores different musical genre in pursuit of her musical ambitions. In just one year, she has played Afro- pop sex kitten, Afro-tribal warrior queen, old school reggae man-eater, Afro-house dreamer and the nation’s favorite soccer playing girl next door. She self-assuredly inhabits every musical role with unwavering conviction whilst displaying the power and physicality of an Olympic athlete. Once the “young lioness of Africa” gets on your radar, whether you like it or not, she will prey on your senses until you are left breathless and begging for more. The Beginning Born in Wa, the capital town of the Upper West Region of Ghana, Wiyaala is the second of four sisters. Her mother was a chorister and her father a local government health official. Her childhood was spent in Funsi, a small West African village. At a very young age, Wiyaala attracted attention as an entertainer, artist and athlete. Her Madonna/Michael Jackson inspired performances always providing much notoriety in the village. -
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Established 1961 Friday ISSUE NO: 17378 SAFAR 21, 1439 AH FRIDAY, NOVEMBER 10, 2017 Sabah Al-Ahmad Sea Macron suggests France could join Celtics roll past Lakers 4 City: A photo feature 11new fronts against Islamic State 44 for 10th straight win TRIPOLI: A poster of Saudi Arabia’s Crown Prince Mohammed bin Salman with a phrase reading in Arabic, “God protect you” is seen on a highway in the northern Lebanese port city of Tripoli yes- terday. — AFP Saudi calls on its citizens to leave Lebanon: Minister Page 10 2 Friday Local Friday, November 10, 2017 PHOTO OF THE DAY Samson Kuwait Local Spotlight By Muna Al-Fuzai [email protected] hile Saudi Arabia has been actively arresting a number of people accused of corruption and Wstealing millions in public funds, newspapers in Kuwait published reports that became a subject of com- parison and comments among Kuwaitis. “Samson”, a mafia leader in Jleeb Al-Shuyoukh, was arrested by police, end- ing a chapter of fear and theft against Bangladeshi and other Asian street vendors selling vegetables and used clothes. He is not a minister, official or even a citizen. He is a Bangladeshi expatriate who had a chance to get rich and powerful without any restrictions or fear. We have all read about and saw Samson in several movies and cartoons. He was introduced to us as a man of superhuman strength who nonetheless could not escape tragedy. Samson is the biblical Hercules and he was the last of the judges of the ancient Israelites mentioned in the Book of Judges in the Hebrew Bible. -
No. 369, June 2018
Pour la version française cliquez ici. Observatory of Cultural Policies in Africa The Observatory is a Pan African international NGO created in 2002 with the support of African Union, the Ford Foundation, and UNESCO. Its aim is to monitor cultural trends and national cultural policies in the region and to enhance their integration in human development strategies through advocacy, information, research, capacity building, networking, co-ordination, and co-operation at the regional and international levels. OCPA NEWS No 369 26 June 2018 OCPA News aims to promote interactive information exchange within Africa and between Africa and the other regions. Please send us information for dissemination about new initiatives, meetings, research projects and publications of interest for cultural policies for development in Africa. Thank you for your co-operation. *** Contact: OCPA Secretariat, Avenida Patrice Lumumba No. 850, Primeiro Andar, Caixa Postal 1207, Maputo, Mozambique Tel.: + 258 21306138 / Fax: +258 21320304 / E-mail: [email protected] Executive Director: Lupwishi Mbuyamba, [email protected] Editor of OCPA News: Máté Kovács, [email protected] 1 OCPA WEB SITE - www.ocpanet.org OCPA FACEBOOK - www.facebook.com/pages/OCPA-Observatory-of-Cultural-Policies-in- Africa/100962769953248?v=info You can subscribe or unsubscribe to OCPA News via the online form at http://www.ocpanet.org/activities/newsletter/mailinglist/subscribe-en.html or http://www.ocpanet.org/activities/newsletter/mailinglist/unsubscribe-en.html Previous issues of OCPA News at http://ocpa.irmo.hr/activities/newsletter/index-en.html * OCPA is an official partner of UNESCO (associate status) *** We express our thanks to our main partners whose support has permitted the development of our activities: ENCATC CBAAC FORD FOUNDATION *** *** 2 In this issue A. -
Designfreebies Indesign Brochure Template
Page1 www.karibumusic.org Page3 Bagamoyo Until the middle of the 18th century, Bagamoyo was a small, rather insignificant trading center. Trade items were fish, salt and gum among other things. Most of the population consisted of fishermen and farmers. 19th century: The arrival of the Arabs. Bagamoyo became a central point for the East African slave trade In 1868 Muslims presented the “Fathers of the Holy Ghost” with land to build a mission north of Bagamoyo - the first mission in East Africa. 19th century: A starting point for the expeditions of Livingstone and others. 1874: The body of Livingstone is laid-in-state in Bagamoyo. 1880: Bagamoyo is a multi-cultural town with about 1,000 inhabitants. 1888: Bagamoyo becomes the capital of German-East Africa. Welcome Note KARIBU MUSIC FESTIVAL 2014 Content Festival Overview ............................... Page 7 Karibu Cultural Promotions................ Page 8 Technical partner ............................... Page 9 Partners............................................... Page 10 Festival Artists .................................... Page 11 - 31 Music Workshops & Seminars ........... Page 32 Performance Schedule.......................... Page 36 Festival Map..........................................Page 37 7 Festival Overview aribu Music Festival is an annual, Three-days International Music Festival created by Karibu KCultural Promotions, a nonprofit making organization and the Legendary Music Entertainment & Promotion of Dar es Salaam Tanzania. This is the second edition of the Karibu Music Festival to be held at Bagamoyo, the College of Arts and Culture (TASUBA) and on Mwanakalenge grounds. Karibu Festival is composed of various genres of art such as music, dance and cultural exposure; where by artists from different parts of the world are invited to share the stage with the local artists of Tanzania. -
FY13 MCSA Annual Financial Statements
MULTICHOICE SOUTH AFRICA HOLDINGS PROPRIETARY LIMITED GROUP ANNUAL FINANCIAL STATEMENTS for the year ended 31 March 2013 MULTICHOICE SOUTH AFRICA HOLDINGS PROPRIETARY LIMITED GROUP ANNUAL FINANCIAL STATEMENTS for the year ended 31 March 2013 PROMINENT NOTICE These annual financial statements have been audited by our external auditors PricewaterhouseCoopers Inc. in compliance with the applicable requirements of the Companies Act, 2008. Tim Jacobs (Chief Financial Officer) supervised the preparation of the annual financial statements. COMPANY INFORMATION Registration number: 2006/015293/07 Registered address: 251 Oak Avenue Randburg 2194 Postal address: P O Box 1502 Randburg 2125 CONTENTS Page Directors' statement of responsibility 2 Report of the audit committee 3 - 4 Directors' report 5 - 6 Certificate by the company secretary 6 Report of the independent auditors 7 Group statement of financial position 8 Group statement of profit or loss 9 Group statement of comprehensive income 10 Group statement of changes in equity 11 Group statement of cash flows 12 Notes to the group annual financial statements 13 - 68 Analysis of subsidiaries, joint ventures and associates 69 - 70 Company statement of financial position 71 Company statement of comprehensive income 72 Company statement of changes in equity 73 Company statement of cash flows 74 Notes to the company annual financial statements 75 - 1 - MULTICHOICE SOUTH AFRICA HOLDINGS PROPRIETARY LIMITED DIRECTORS' STATEMENT OF RESPONSIBILITY for the year ended 31 March 2013 The directors are responsible for the preparation, integrity and fair presentation of the group and separate financial statements of MultiChoice South Africa Holdings Proprietary Limited. The financial statements presented on pages 8 to 75 have been prepared in accordance with International Financial Reporting Standards (IFRS) and the Companies Act of South Africa, and include amounts based on judgements and estimates made by management. -
General Presentation Note
23/06/2021 2nd edition 2021 Strengthening the Pan-African Movement for a Culture of Peace and Non- Violence: Towards a Global Partnership General presentation note 1 23/06/2021 INTRODUCTION The Biennale of Luanda - Pan-African Forum for the Culture of Peace is a joint initiative of the United Nations Educational, Scientific and Cultural Organization (UNESCO), the African Union (AU) and the Government of Angola, which is part of the implementation of the "Plan of Action for a Culture of Peace in Africa/Let's Move for Peace" adopted in March 2013 in Luanda, Angola, at the Pan-African Forum "Sources and Resources for a Culture of Peace". The Biennale was established by Decision 558/XXIV, adopted in 2015 at the 24th Session of the Assembly of Heads of State and Government of the African Union, requesting the African Union Commission (AUC) to work towards its organization, in consultation with UNESCO and the Government of the Republic of Angola. This initiative reinforces the implementation of Goals 16 and 17 of the United Nations 2030 Agenda for Sustainable Development and the 7 Aspirations of the African Union's Agenda 2063, in particular its "Silence the Guns by 2020" initiative, which has been extended for ten years (2030) and the implementation of the Charter for African Cultural Renaissance. The Biennale also contributes to the implementation of UNESCO's "Operational Strategy for Priority Africa (2014-2021)", aimed at providing African responses to the transformations affecting the continent's economies and societies. The African Union has always placed culture and culture of peace at the top of its agenda which affirms the commitment of the African Union Member States to ensure the coordination and harmonization of their policies to strengthen the African cultural identity and shared values. -
Africa's Soft Power : Philosophies, Political Values, Foreign Policies and Cultural Exports / Oluwaseun Tella
“This seven-chapter book is a powerful testimonial to consummate African scholarship. Its analysis is rigorous, insightful, lucid and authoritative, providing fresh perspectives on selected uniquely African philosophies, and the potential ities, deployment and limitations of soft power in Africa’s international relations. The author rigorously Africanises the concept, broadening its analytic scope from its biased Western methodology, thus brilliantly fulfilling that great African pro verb made famous by the inimitable Chinua Achebe: ‘that until the lions have their own historians, the history of the hunt will always glorify the hunter’. This is truly an intellectual tour de force.” W. Alade Fawole, Professor of International Relations, Obafemi Awolowo University, Ile-Ife, Nigeria. “This book addresses an important tool in the arsenal of foreign policy from an African perspective. African states have significant soft power capacities, although soft power is not always appreciated as a lever of influence, or fully integrated into countries’ foreign policy strategies. Tella takes Nye’s original concept and Africanises it, discussing Egypt, Kenya, Nigeria and South Africa via their respective philosophies of Pharaonism, Harambee, Omolúwàbí and Ubuntu. This study is a critical contribution to the literature on African foreign policies and how to use soft power to greater effect in building African agency on the global stage.” Elizabeth Sidiropoulos, Chief Executive, South African Institute of International Affairs, Johannesburg, South Africa. “Soft power is seldom associated with African states, given decades bedevilled by coup d’états, brazen dictatorships and misrule. This ground-breaking book is certainly a tour de force in conceptualising soft power in the African context. -
The Reimagined Paradise: African Immigrants in the United States, Nollywood Film, and the Digital Remediation of 'Home'
THE REIMAGINED PARADISE: AFRICAN IMMIGRANTS IN THE UNITED STATES, NOLLYWOOD FILM, AND THE DIGITAL REMEDIATION OF 'HOME' Tori O. Arthur A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2016 Committee: Radhika Gajjala, Advisor Patricia Sharp Graduate Faculty Representative Vibha Bhalla Lara Lengel © 2016 Tori O. Arthur All Rights Reserved iii ABSTRACT Radhika Gajjala, Advisor This dissertation analyzes how African immigrants from nations south of the Sahara become affective citizens of a universal Africa through the consumption of Nigerian cinema, known as Nollywood, in digital spaces. Employing a phenomenological approach to examine lived experience, this study explores: 1) how American media aids African pre-migrants in constructing the United States as a paradise rooted in the American Dream; 2) immigrants’ responses when the ‘imagined paradise’ does not match their American realities; 3) the ways Nigerian films articulate a distinctly African cultural experience that enables immigrants from various nations to identify with the stories reflected on screen; and, 4) how viewing Nollywood films in social media platforms creates a digital sub-diaspora that enables a reconnection with African culture when life in the United States causes intellectual and emotional dissonance. Using voices of members from the African immigrant communities currently living in the United States and analysis of their online media consumption, this study ultimately argues that the Nigerian film industry, a transnational cinema with consumers across the African diaspora, continuously creates a fantastical affective world that offers immigrants tools to connect with their African cultural values. -
BUNMI OROGUN SAMUEL - Poems
Poetry Series BUNMI OROGUN SAMUEL - poems - Publication Date: 2014 Publisher: Poemhunter.com - The World's Poetry Archive BUNMI OROGUN SAMUEL(3 OF MARCH 1976.) ...Mr Bunmi Orogun Samuel a.k.a Yaro alias 'reality' was from a meretricious shoals and petrified polygamist and bigamist subterranean miscegenation ethos avid bibliophile background and was made Lazarus and a servile perch. He was born a street bliss booming runner sesquipedalian struggle optimists blogger and was also betrayed and treated with dared enviousness and jealousy of land acts use regardless his mission and vision to life art called. He concupiscence and married to a diverse matriarch belligerent misalliance and malignant religious philter-ed politician woman who was from linage of a confused culture and made him lovelorn and not a misogynist respectively. He was a Polytechnic graduate from Ogun State and now was renowned Moshood Abiola polytechnic (MAPOLY) Ojere Abeokuta ogun state Nigeria. He was a Diaspora student in and at yaba college of technology, Lagos, Nigeria and a scholarly member of a distance learning institute (DLI) university of Lagos, Akoka, Lagos state, Nigeria, Africa. He hails from superlative auriferous city of Ikare Akoko in Ondo State sunshine city of Nigeria Africa and was proudly propped, mirror and grew beautifully at a Queen's mega glasss cycles fluent marina city Nolly-wood bustling centre Lagos state - Lagos State, Nigeria respectively. He attended saint Thomas Aquinas primary school Akinbaruwa Street Surulere Lagos, Nigeria and also, Atunrase Boys high school Owodele street off Ishaga road surulere, Lagos, Nigeria, and was latter transferred to Eko Boys high school Mushin, Lagos, Nigeria.