Critical Analysis of Ethnocentric Bias in English Language Textbooks
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Research Programme Les Nouvelles Frontières De La
Council for the Development of Social Science Research in Africa Conseil pour le développement de la recherche en sciences sociales en Afrique CODESRIA RESEARCH PROGRAMME LES NOUVELLES FRONTIÈRES DE LA RECHERCHE SUR L’ENFANCE ET LA JEUNESSE EN AFRIQUE Douala, Cameroun, 25 – 26 / 08 / 2009 NEW FRONTIERS OF CHILD AND YOUTH RESEARCH IN AFRICA TITRE / TITLE: RISK AND PLEASURE IN ROMANTIC DISCOURSES : PROBLEMATIZING THE PHENOMENON OF GLOBAL YOUTH MARKETING IN KENYA AUTEUR / AUTHOR : MITENGA PETER OTIENO The youth sexual relationships in urban Africa are being socially constructed as an appropriate expression of intimacy, but also as a statement about a particular kind of modern identity. Kenya burgeoning commercial and the public sector have been embraced by global changes and today have reached the highest point of capitalism and has became a preserve or marketplace of sexual information, enticing eager audiences with expert radio programs, newspaper gossip columns, foreign romance novels. Western pornographic films and bikini-clad cover girls staring the soap operas on television and smuggled DVDs tend to expand the sexual marketplace which in turn serves to further codify the category of youth, as development agents and commercial advertisement seek to appeal and to shape its young audience. I argue that the new shape of social and economic cohesion emerging in Africa now must be understood within the context of the consumer culture and trends moderated by technology based on commodities rather than physical ventures. New forms of romance mediated by the internet and global economy tend to emerge and alter non-heteronormative sexualities in diverse locales; short-change the diasporic cultures and intimacies; triggered commoditized sex and romance in tourist circuits; and transformed and transgressed family relationships. -
FY13 MCSA Annual Financial Statements
MULTICHOICE SOUTH AFRICA HOLDINGS PROPRIETARY LIMITED GROUP ANNUAL FINANCIAL STATEMENTS for the year ended 31 March 2013 MULTICHOICE SOUTH AFRICA HOLDINGS PROPRIETARY LIMITED GROUP ANNUAL FINANCIAL STATEMENTS for the year ended 31 March 2013 PROMINENT NOTICE These annual financial statements have been audited by our external auditors PricewaterhouseCoopers Inc. in compliance with the applicable requirements of the Companies Act, 2008. Tim Jacobs (Chief Financial Officer) supervised the preparation of the annual financial statements. COMPANY INFORMATION Registration number: 2006/015293/07 Registered address: 251 Oak Avenue Randburg 2194 Postal address: P O Box 1502 Randburg 2125 CONTENTS Page Directors' statement of responsibility 2 Report of the audit committee 3 - 4 Directors' report 5 - 6 Certificate by the company secretary 6 Report of the independent auditors 7 Group statement of financial position 8 Group statement of profit or loss 9 Group statement of comprehensive income 10 Group statement of changes in equity 11 Group statement of cash flows 12 Notes to the group annual financial statements 13 - 68 Analysis of subsidiaries, joint ventures and associates 69 - 70 Company statement of financial position 71 Company statement of comprehensive income 72 Company statement of changes in equity 73 Company statement of cash flows 74 Notes to the company annual financial statements 75 - 1 - MULTICHOICE SOUTH AFRICA HOLDINGS PROPRIETARY LIMITED DIRECTORS' STATEMENT OF RESPONSIBILITY for the year ended 31 March 2013 The directors are responsible for the preparation, integrity and fair presentation of the group and separate financial statements of MultiChoice South Africa Holdings Proprietary Limited. The financial statements presented on pages 8 to 75 have been prepared in accordance with International Financial Reporting Standards (IFRS) and the Companies Act of South Africa, and include amounts based on judgements and estimates made by management. -
Africa's Soft Power : Philosophies, Political Values, Foreign Policies and Cultural Exports / Oluwaseun Tella
“This seven-chapter book is a powerful testimonial to consummate African scholarship. Its analysis is rigorous, insightful, lucid and authoritative, providing fresh perspectives on selected uniquely African philosophies, and the potential ities, deployment and limitations of soft power in Africa’s international relations. The author rigorously Africanises the concept, broadening its analytic scope from its biased Western methodology, thus brilliantly fulfilling that great African pro verb made famous by the inimitable Chinua Achebe: ‘that until the lions have their own historians, the history of the hunt will always glorify the hunter’. This is truly an intellectual tour de force.” W. Alade Fawole, Professor of International Relations, Obafemi Awolowo University, Ile-Ife, Nigeria. “This book addresses an important tool in the arsenal of foreign policy from an African perspective. African states have significant soft power capacities, although soft power is not always appreciated as a lever of influence, or fully integrated into countries’ foreign policy strategies. Tella takes Nye’s original concept and Africanises it, discussing Egypt, Kenya, Nigeria and South Africa via their respective philosophies of Pharaonism, Harambee, Omolúwàbí and Ubuntu. This study is a critical contribution to the literature on African foreign policies and how to use soft power to greater effect in building African agency on the global stage.” Elizabeth Sidiropoulos, Chief Executive, South African Institute of International Affairs, Johannesburg, South Africa. “Soft power is seldom associated with African states, given decades bedevilled by coup d’états, brazen dictatorships and misrule. This ground-breaking book is certainly a tour de force in conceptualising soft power in the African context. -
The Reimagined Paradise: African Immigrants in the United States, Nollywood Film, and the Digital Remediation of 'Home'
THE REIMAGINED PARADISE: AFRICAN IMMIGRANTS IN THE UNITED STATES, NOLLYWOOD FILM, AND THE DIGITAL REMEDIATION OF 'HOME' Tori O. Arthur A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2016 Committee: Radhika Gajjala, Advisor Patricia Sharp Graduate Faculty Representative Vibha Bhalla Lara Lengel © 2016 Tori O. Arthur All Rights Reserved iii ABSTRACT Radhika Gajjala, Advisor This dissertation analyzes how African immigrants from nations south of the Sahara become affective citizens of a universal Africa through the consumption of Nigerian cinema, known as Nollywood, in digital spaces. Employing a phenomenological approach to examine lived experience, this study explores: 1) how American media aids African pre-migrants in constructing the United States as a paradise rooted in the American Dream; 2) immigrants’ responses when the ‘imagined paradise’ does not match their American realities; 3) the ways Nigerian films articulate a distinctly African cultural experience that enables immigrants from various nations to identify with the stories reflected on screen; and, 4) how viewing Nollywood films in social media platforms creates a digital sub-diaspora that enables a reconnection with African culture when life in the United States causes intellectual and emotional dissonance. Using voices of members from the African immigrant communities currently living in the United States and analysis of their online media consumption, this study ultimately argues that the Nigerian film industry, a transnational cinema with consumers across the African diaspora, continuously creates a fantastical affective world that offers immigrants tools to connect with their African cultural values. -
BUNMI OROGUN SAMUEL - Poems
Poetry Series BUNMI OROGUN SAMUEL - poems - Publication Date: 2014 Publisher: Poemhunter.com - The World's Poetry Archive BUNMI OROGUN SAMUEL(3 OF MARCH 1976.) ...Mr Bunmi Orogun Samuel a.k.a Yaro alias 'reality' was from a meretricious shoals and petrified polygamist and bigamist subterranean miscegenation ethos avid bibliophile background and was made Lazarus and a servile perch. He was born a street bliss booming runner sesquipedalian struggle optimists blogger and was also betrayed and treated with dared enviousness and jealousy of land acts use regardless his mission and vision to life art called. He concupiscence and married to a diverse matriarch belligerent misalliance and malignant religious philter-ed politician woman who was from linage of a confused culture and made him lovelorn and not a misogynist respectively. He was a Polytechnic graduate from Ogun State and now was renowned Moshood Abiola polytechnic (MAPOLY) Ojere Abeokuta ogun state Nigeria. He was a Diaspora student in and at yaba college of technology, Lagos, Nigeria and a scholarly member of a distance learning institute (DLI) university of Lagos, Akoka, Lagos state, Nigeria, Africa. He hails from superlative auriferous city of Ikare Akoko in Ondo State sunshine city of Nigeria Africa and was proudly propped, mirror and grew beautifully at a Queen's mega glasss cycles fluent marina city Nolly-wood bustling centre Lagos state - Lagos State, Nigeria respectively. He attended saint Thomas Aquinas primary school Akinbaruwa Street Surulere Lagos, Nigeria and also, Atunrase Boys high school Owodele street off Ishaga road surulere, Lagos, Nigeria, and was latter transferred to Eko Boys high school Mushin, Lagos, Nigeria. -
Special Working Document for the National Constitutional Conference
SPECIAL WORKING DOCUMENT FOR THE NATIONAL CONSTITUTIONAL CONFERENCE REPORT ON CULTURE PREPARED BY THE COMMISSION AND APPROVED FOR ISSUE AT A STEERING COMMITTEE MEETING HELD ON 19TH AUGUST, 2003 TABLE OF CONTENTS TABLE OF CONTENTS .............................................................................................................. 1 FOREWORD ............................................................................................................................. 4 EXECUTIVE SUMMARY AND RECOMMENDATIONS........................................................ 7 PART I: THE CONCEPT OF CULTURE AND ITS APPLICATION ...................................... 22 1.0 MANDATE ....................................................................................................................... 22 2.0 THE CONCEPT OF CULTURE AND ITS APPLICATION..................................... 22 2.1 Definition of Culture................................................................................................ 22 2.2 What Culture is not.................................................................................................. 23 2.3 Culture As Applied To Development...................................................................... 23 2.4 Culture, Policy And Development Planning ........................................................... 26 2.5 Culture, Linguistic Diversity And Language Policy ............................................... 31 2.6 Globalizations and Culture ..................................................................................... -
October 2003
We’re all going on a summer holiday, we’re going where the sun shines brightly, we’re going where the sea is blue, we’ve seen it in the movies, now let’s see if it’s true. HAPPY HOLIDAYS! Circom Report CIRCOM Regional NewsmonthlylCR is the European Association of 380 Public Regional TV Stations in 38 countriesl Aug 2003/No 46 SEE Satellite TV Channel BSEC Public Broadcasters South East Europe conf. in Varna under the spotlight Centre for minority It seems that the spotlight during the coming months is on South East Europe, where the CIRCOM Report correspondents inform us of important newsworthy stories breaking all the time. First of all a SEE Satellite TV Channel is to be launched by the end of 2003. The 3rd media in Croatia conference of the Public Broadcasters from B SEC takes place in Varna, Bulgaria, Sept. 3- 7. A centre for minority media will open by SEEMO in Croatia. The 28th Golden Chest th Festival is to be held in Plovdiv, Bulgaria, Oct. 19-27. The 36th meeting of the Balkan TV The 4 PRIX Circom Magazine consortium members will be hosted by ERT3 in an Olympus mountain resort. The 2003 PRIX Circom Programs Festival returns for the 4 th consecutive year early October in Thessaloniki. Festival in Greece Former CR President Harald Boe The 28th Golden passes away Harald Boe, former CIRCOM Regional President, passed away, August 1. He was very Chest Festival ill for the last weeks, “but nearly up to the end he was the good old Harald” writes Grethe Haaland. -
Goiânia 2011 Personagens Emolduradas: Os Discursos De Gênero E Sexualidade No Big Brother Brasil 10
UNIVERSIDADE FEDERAL DE GOIÁS FACULDADE DE CIÊNCIAS SOCIAIS PROGRAMA DE PÓS-GRADUAÇÃO STRICTU SENSU ANTROPOLOGIA SOCIAL LINHA DE PESQUISA: Corpo, representações e marcadores sociais da diferença KATIANNE DE SOUSA ALMEIDA PERSONAGENS EMOLDURADAS: OS DISCURSOS DE GÊNERO E SEXUALIDADE NO BIG BROTHER BRASIL 10 Orientador: Prof. Dr. Alecsandro José Prudêncio Ratts GOIÂNIA 2011 UNIVERSIDADE FEDERAL DE GOIÁS FACULDADE DE CIÊNCIAS SOCIAIS PROGRAMA DE PÓS-GRADUAÇÃO STRICTU SENSU ANTROPOLOGIA SOCIAL Katianne de Sousa Almeida PERSONAGENS EMOLDURADAS: OS DISCURSOS DE GÊNERO E SEXUALIDADE NO BIG BROTHER BRASIL 10 Dissertação apresentada à Faculdade de Ciências Sociais da Universidade Federal de Goiás como parte dos requisitos para a obtenção do título de Mestre em Antropologia Social. Linha de Pesquisa: Corpo, representações e marcadores sociais da diferença Orientador: Prof. Dr. Alecsandro José Prudêncio Ratts GOIÂNIA 2011 FICHA CATALOGRÁFICA (Elaborada por Diule Queiroz CRB 2491) Almeida, Katianne de Sousa C364p Personagens emolduradas: os discursos de gênero e sexualidade no Big Brother Brasil 10 / Katianne de Sousa Almeida. - - Goiânia: UFG / Faculdade de Ciências Sociais, 2011. 163f. ; 29 cm. Orientador: Alecsandro José Prudêncio Ratts Dissertação ± Universidade Federal de Goiás, Faculdade de Ciências Sociais, Programa de Pós-Graduação Strictu Sensu / Antropologia Social, 2011. 1.Big Brother Brasil 2.Discurso 3.Gênero e Sexualidade I. Ratts, Alecsandro José Prudêncio. II. Universidade Federal de Goiás, Faculdade de Ciências Sociais. III. Personagens emolduradas: os discursos de gênero e sexualidade no Big Brother Brasil. IV. Título CDU 392:654.197 UNIVERSIDADE FEDERAL DE GOIÁS FACULDADE DE CIÊNCIAS SOCIAIS Programa de Pós-Graduação em Antropologia Social - PGAS Aluna: KATIANNE DE SOUSA ALMEIDA Número da matrícula: 2009247 Linha de Pesquisa: Corpo, representações e marcadores sociais da diferença Título da dissertação: PERSONAGENS EMOLDURADAS: OS DISCURSOS DE GÊNERO E SEXUALIDADE NO BIG BROTHER BRASIL 10 Orientador: Prof. -
Book Review Justice Segomotso Motlhabani, Why I Didn’T Kiss Tatiana: 21 Days in the Big Brother Africa House
PULA: Botswana Journal of African Studies Vol. 29, No. 2, 2015. Book review Justice Segomotso Motlhabani, Why I Didn’t Kiss Tatiana: 21 Days in the Big Brother Africa House. Gaborone: Motlhabani, 2013. Soft cover, xii+168 pages. ISBN: 978-99968-0-009-2. The author, Justice Motlhabani was a contestant in the popular but morally compromised Big Brother Africa reality show in 2007. His book is a manual that provides tips to those aspiring to become housemates at the Big Brother competition but ‘African theatre and performance’ researchers can also glean important insights from it. The show draws its participants from urban middle-class youths in 10 or so sub-Saharan African countries. According to Motlhabani, the show is nothing but three months of vice in the form of drunkenness, smoking, occasional risky causal sex, betrayal, swear words, hypocritical double-standards, and general decadence. He describes the Big Brother facility in Johannesburg as ‘a modern-day Sodom-and-Gomorrah house’ (p. 9). More pointedly, Motlhabani also claims that while fans from countries represented by housemates in the show are made to believe that their votes are critical in terms of who gets evicted from the house, those managing the show manipulate the votes to ensure that their favourite housemates remain in the house. There is also an allegation that Nigerians, in addition to their numerical superiority manipulate the internet voting system to the advantage of Nigerian housemates (p. 58-59). Motlhabani tells the reader that whereas he wanted to leave the show after the first 21 days there was a possibility that he could have remained had it not been for the show organisers tampering with the voting method. -
Reality Television, User-Generated Content and Quality Assurance
Journal of Humanities and Cultural Studies (JHUCS) Vol. 2, 2017 https://journals.unizik.edu.ng/index.php/jhucs/index Reality Television, User-Generated Content and Quality Assurance Adaora Nwando Arah Department of Theatre and Film Studies Nnamdi Azikiwe University, Awka Abstract The proliferation of new media with its on-demand access to content anytime, anywhere, and on any digital devise, facilitates quick and easy access to information, but also poses new threats to any consuming society in its real-time generation of new and unregulated content. Hence, while this may allow for greater diversification of the creative experience, the question of quality assurance looms large and begs for attention, especially amongst the theatre artists. This paper, through an examination of the prevailing trends in the practice of this genre of television programming world-wide, underlines a dire need for the Nigerian theatre artist to give attention to the possibilities and potential of the new media. It also highlights the issues of morality and ethics that bedevil the Reality TV genre as it is known today and investigates possibilities of quality control and assurance. The conclusion is that there is a need for the theatre practitioner to align with appropriate authorities to make relevant inputs for regulation, promotion and sustenance of quality assurance. 1. Introduction Communication media are evolving in such an unprecedented and definitive manner that the common description “super-highway” seems inadequate to capture the ramifications and -
International Journal of Social Sciences and Humanities Reviews Vol.6 No.2, May, 2016; P.131 – 139, (ISSN: 2276-8645)
International Journal of Social Sciences and Humanities Reviews Vol.6 No.2, May, 2016; p.131 – 139, (ISSN: 2276-8645) EFFECTS OF BIG BROTHER AFRICA REALITY SHOW ON THE SOCIAL BEHAVIOUR OF THE LAGOS STATE UNIVERSITY STUDENTS OLARINMOYE, ADEYINKA W. Department of Sociology Lagos State University [email protected] & ODUNAIKE, BOLAWALE Department of Sociology Lagos State University [email protected] Abstract What one sees influence his/her beliefs and behavior. One of the mediums that aids these views is media like television and the internet. Big Brother Africa (BBA) came as a reality show and drew large audience across Africa and beyond with several critics that hold much negative opinions about it. Considering the mixed feelings that the audience has about BBA, this study examines its effects on the socio-cultural values of undergraduates in the Lagos State University. It surveyed 183 valid respondents from LASU, using purposive sampling technique. T-test was used to test hypotheses and it was found that there is significant differences between the sexual behavior of LASU students that watch BBA and those that do not. The study also reveals that BBA does not influence xenophobia and subordination to authority. Therefore, script writer and film producers should develop the habit of writing quality films that can add values to the culture of the viewers. They should see shows as a medium for cultural exchange, where messages should be reasonable and positive. INTRODUCTION The media affects the society both negatively and positively. It is a powerful tool that is capable of shaping cultural values. If not used positively, it may lead to many undesirable results such as domestic violence, psychological disturbances, juvenile delinquencies and many more (Ekhayeme, 2011). -
Big Brother Africa’
Journal of Social Sciences and Education, Volume 1, Issue Number 1, June, 2018 Role of Mediated Communication in the Emergence of Popular Culture among Youths in Africa: A Study of ‘Big Brother Africa’ Wogu, Joseph Oluchukwu Ph.D. Department of Mass Communication, University of Nigeria, Nsukka. Email: [email protected] ABSTRACT This research studied the Big Brother Africa (BBA) and its role in the emergence of popular culture in Africa. It sought also to find out the influence or role of mediated communication the BBA programmes impact on its consumers and subsequent emergence of popular culture in the continent. The study adopted survey method of data gathering, wherein a sample size of 356 respondents was chosen. Descriptive statistics was used as method of analysis. The survey results showed that most of the respondents are consumers of BBA shows. The study equally observed that the BBA shows are characteristically sensual, promotes nakedness and immorality while trying to promote a western lifestyle in an African context. The study observed that BBA consumers who are mostly youths are influenced by the BBA Reality Television show, and consequently tend to entrench an alien culture as a popular culture among them. Implications of the study were drawn from the findings and amongst other, the study therefore recommended that the African Union and other sub-regional bodies should make bold to sponsor, and moderate BBA through the integration of basic African identities into their show. Key Words: Big Brother Africa (BBA), Computer-Mediated Communication, Popular Culture, Uses and Gratifications Theory, Youths INTRODUCTION There have been important shifts in the uses of the media particularly television in the Africa public sphere from been government initiative tied to the project of national development and identity to broadcasting entertainment programmes and advertisements (Bourgault, 1995).