Harming Others : Universal Subjectivism and the Expanding Moral Circle Berg, F
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Soul-Hypothesis
Thomas Metzinger The pre-scientific concept of a “soul”: A neurophenomenological hypothesis about its origin 1 In this contribution I will argue that our traditional, folk-phenomenological concept of a “soul” may have its origins in accurate and truthful first-person reports about the experiential content of a specific neurophenomenological state-class. This class of phenomenal states is called the “Out-of-body experience” (OBE hereafter), and I will offer a detailed description in section 3 of this paper. The relevant type of conscious experience seems to possess a culturally invariant cluster of functional and phenomenal core properties: it is a specific kind of conscious experience, which can in principle be undergone by every human being. I propose that it probably is one of the most central semantic roots of our everyday, folk-phenomenological idea of what a soul actually is. Interestingly, from a historical perspective, present day philosophical and scientific discussions of mind have developed from a proto-concept of “mind” that bears great similarity to the folk-phenomenological notion of a “soul” just mentioned. This proto- concept of mind is a mythical, traditionalistic, animistic and quasi-sensory theory about what it means to have a mind. Just like the folk-phenomenological notion of a “soul” it can be found in many different cultures. It has a semantic core, which corresponds to the 1 I want to thank Sue Blackmore and Peter Brugger for critical comments on earlier versions of this paper; and Ernst Waelti for the permission to use his figures and many stimulating discussions. 2 functional and phenomenological profile of the naïve notion of a “soul”. -
The Branded Muslim Woman a Qualitative Study Into the Symbolic Boundaries Negotiated Around the Portrayal of Muslim Women in Brand Cultures
Media and Communications Media@LSE Working Paper Series Editors: Bart Cammaerts, Nick Anstead and Richard Stupart The Branded Muslim Woman A Qualitative Study into the Symbolic Boundaries Negotiated around the Portrayal of Muslim Women in Brand Cultures Nuha Fayaz Published by Media@LSE, London School of Economics and Political Science ("LSE"), Houghton Street, London WC2A 2AE. The LSE is a School of the University of London. It is a Charity and is incorporated in England as a company limited by guarantee under the Companies Act (Reg number 70527). Copyright, NuHA FAYAZ © 2020. The author has asserted their moral rights. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means without the prior permission in writing of the publisher nor be issued to the public or circulated in any form of binding or cover other than that in which it is published. In the interests of providing a free flow of debate, views expressed in this paper are not necessarily those of the compilers or the LSE. 1 ABSTRACT Traditionally, Muslim women in media have been framed as oppressed by the burdens of the hijab and their religion. However, Muslim women have been countering this narrative through the emergence of alternative Muslim media content circulating within the Islamic cultural industry. The growing consumer segment of Muslim women have resulted in mainstream brands targeting this demographic. Likewise, female Muslim bloggers are gradually entering the influencer market of social media. There is an emerging visibility of Muslim women within these brand cultures: through the branding of Muslim women in advertisements and the self-branding of Muslim women on social media. -
The Meme Machine
spring books dimensions — the four dimensions of rela- zero) has always provoked the question of properties of replication, variation and tivistic space–time and six others of which whether spin is a property of particles or of competition is a “selfish replicator” that can we are unaware. Thus there is room for space. The materialization of particles from spread through populations by an analogue ample orthogonality to generate selection apparently empty space is similarly provok- of natural selection. Memes qualify as repli- rules that prevent bizarre happenings ing. String theory neatly answers them all. cators because bits of culture can be copied between particles. So what lies ahead? Not even Greene is by imitation and compete with other units The most persuasive part of Greene’s sure. String theory may not turn out to be for human attention. Thus, despite the dif- excellent book is that in which he persuades the cat’s whiskers he hopes. There are alter- ferences between memes and genes (genes, the reader that the problem of the six hidden natives, such as Roger Penrose’s twistor the- for example, are almost never passed to dimensions is not a problem but a matter of ory (which Greene reckons may say the same unrelated individuals), those memes most perspective. A garden hose seen from a great as strings). The most imaginative suggestion easily replicated and mimicked could prolif- distance looks like a one-dimensional object, in this imaginative book is that the time has erate, causing swift and important cultural but close up it is plainly a two-dimensional come to solve problems of quantum gravity change. -
Routledge Handbook of Indian Cinemas the Indian New Wave
This article was downloaded by: 10.3.98.104 On: 28 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK Routledge Handbook of Indian Cinemas K. Moti Gokulsing, Wimal Dissanayake, Rohit K. Dasgupta The Indian New Wave Publication details https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 Ira Bhaskar Published online on: 09 Apr 2013 How to cite :- Ira Bhaskar. 09 Apr 2013, The Indian New Wave from: Routledge Handbook of Indian Cinemas Routledge Accessed on: 28 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 3 THE INDIAN NEW WAVE Ira Bhaskar At a rare screening of Mani Kaul’s Ashad ka ek Din (1971), as the limpid, luminescent images of K.K. Mahajan’s camera unfolded and flowed past on the screen, and the grave tones of Mallika’s monologue communicated not only her deep pain and the emptiness of her life, but a weighing down of the self,1 a sense of the excitement that in the 1970s had been associated with a new cinematic practice communicated itself very strongly to some in the auditorium. -
Manufacturing Muslim Image Through Bollywood Cinema
Muslim South Asia Conference 28 Oct, 2013 Shiraz Sheikh Green on Silver: Manufacturing Muslim Image through Bollywood Cinema ABSTRACT: During the last decade, a series of Bollywood movies were produced which caricatured the Muslim image in a certain way. The biased portrayal grew in time when numbers of Muslim youths were framed and fabricated with false terror charges. The accumulated angst against the partisan communal profiling of Muslims outburst was protest against the movie Vishwaroopam. This has regenerated media debate about the artistic freedom and the freedom of expression. In this context, the paper focuses to analyse the portrayal of Muslims in Bollywood Cinema since 9/11. It seeks to examine the pattern of portrayal that negatively reinforces the bias against the community and also how with positive portrayal a balance is sought. For this purpose two clusters of movies are selected. One set of films produces loaded narrative that reinforces notion that ‘evil community’ is required to be contained whereas the second set producing a counter narrative. On theoretical plane the paper seeks to theorsie the prevailing phenomenon by applying two general theories. The first theory is of profitability – that is to exploit a burning issue which is easily sellable. Second, an assumption that there is politics entrenched with ideology that helped manufacture Muslim image as an enemy within to contain the bellicose threat of spread of Islam. Finally the paper tries to analyse the debates generating within the educated Muslim youths. Key Words: Bollywood Cinema, Muslim Image, Hindutava, Hindu Nationalism, Muslim Youth, Freedom of Expression, Social Media. Introduction In February of 2013 movie Vishwaroopam was in news due to protest against it by Tamilnadu Muslim Munnetra Kazhagam and Tamil Nadu Thowheed Jamath. -
How Post 9/11 Pakistani English Literature Speaks to the World
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 11-17-2017 2:00 PM Terrorism, Islamization, and Human Rights: How Post 9/11 Pakistani English Literature Speaks to the World Shazia Sadaf The University of Western Ontario Supervisor Nandi Bhatia The University of Western Ontario Joint Supervisor Julia Emberley The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Shazia Sadaf 2017 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Literature in English, Anglophone outside British Isles and North America Commons Recommended Citation Sadaf, Shazia, "Terrorism, Islamization, and Human Rights: How Post 9/11 Pakistani English Literature Speaks to the World" (2017). Electronic Thesis and Dissertation Repository. 5055. https://ir.lib.uwo.ca/etd/5055 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Terrorism, Islamization, and Human Rights: How Post 9/11 Pakistani English Literature Speaks to the World Abstract The start of the twenty-first century has witnessed a simultaneous rise of three areas of scholarly interest: 9/11 literature, human rights discourse, and War on Terror studies. The resulting intersections between literature and human rights, foregrounded by an overarching narrative of terror, have led to a new area of interdisciplinary enquiry broadly classed under human rights literature, at the point of the convergence of which lies the idea of human empathy. -
Looking at Popular Muslim Films Through the Lens of Genre
Rupkatha Journal on Interdisciplinary Studies in Humanities, Vol. IX, No. 1, 2017 0975-2935 DOI: https://dx.doi.org/10.21659/rupkatha.v9n1.17 Full Text: http://rupkatha.com/V9/n1/v9n117.pdf Is Islamicate a Genre? Looking at Popular Muslim Films through the Lens of Genre Asmita Das Department of Film Studies, Jadavpur University, Kolkata. ORCID: 0000-0002-7307-5818. Email: [email protected] Received February 25, 2017; Revised April 9, 2017; Accepted April 10, 2017; Published May 7, 2017. Abstract This essay engages with genre as a theory and how it can be used as a framework to determine whether Islamicate or the Muslim films can be called a genre by themselves, simply by their engagement with and representation of the Muslim culture or practice. This has been done drawing upon the influence of Hollywood in genre theory and arguments surrounding the feasibility / possibility of categorizing Hindi cinema in similar terms. The essay engages with films representing Muslim culture, and how they feed into the audience’s desires to be offered a window into another world (whether it is the past or the inner world behind the purdah). It will conclude by trying to ascertain whether the Islamicate films fall outside the categories of melodrama (which is the most prominent and an umbrella genre that is represented in Indian cinema) and forms a genre by itself or does the Islamicate form a sub-category within melodrama. Keywords: genre, Muslim socials, socials, Islamicate films, Hindi cinema, melodrama. 1. Introduction The close association between genre and popular culture (in this case cinema) ensured generic categories (structured by mass demands) to develop within cinema for its influence as a popular art. -
Film Genres, the Muslim Social, and Discourses of Identity C. 1935–1945
Article BioScope Film Genres, the Muslim Social, and 6(1) 27–43 © 2015 Screen South Asia Trust Discourses of Identity c. 1935–1945 SAGE Publications sagepub.in/home.nav DOI: 10.1177/0974927615586930 http://bioscope.sagepub.com Ravi S. Vasudevan1 Abstract This article explores the phenomenon of the Muslim social film and “Islamicate” cinema of pre-Partition India to suggest a significant background to cinema’s function in the emergence of new states. In particu- lar, it seeks to provide an account of how discussions of genre and generic difference framed issues of audience and identity in the studio period of Indian film, broadly between the mid-1930s and mid-1940s. Rather than focus too narrowly on identity discourses in the cinema, I try to move among amorphous and dispersed senses of audience, more calibrated understandings related to a trade discourse of who films would appeal to, and finally, an agenda of social representation and audience address that sought to develop in step with a secular nationalist imagining of the Muslim community and its transformation. Keywords Muslim social, Mehboob, K.A. Abbas, Islamicate, oriental, Lahore This article explores the phenomenon of the Muslim social film and “Islamicate” cinema of pre-Partition India to suggest a significant background to cinema’s function in the emergence of new states. In particu- lar, it seeks to provide an account of how discussions of genre and generic difference framed issues of audience and identity in the studio period of Indian film, broadly between the mid-1930s and mid-1940s. Rather than focus too narrowly on identity discourses in the cinema, I try to move among amorphous and dispersed senses of audience, more calibrated understandings related to a trade discourse of who films would appeal to, and finally, an agenda of social representation and audience address that sought to develop in step with a secular nationalist imagining of the Muslim community and its transformation. -
Dennett's Theory of the Folk Theory of Consciousness
CORE Metadata, citation and similar papers at core.ac.uk Provided by Philsci-Archive Dennett’s Theory of the Folk Theory of Consciousness1 Justin Sytsma Abstract: It is not uncommon to find assumptions being made about folk psychology in the discussions of phenomenal consciousness in philosophy of mind. In this article I consider one example, focusing on what Dan Dennett says about the “folk theory of consciousness.” I show that he holds that the folk believe that qualities like colors that we are acquainted with in ordinary perception are phenomenal qualities. Nonetheless, the shape of the folk theory is an empirical matter and in the absence of empirical investigation there is ample room for doubt. Fortunately, experimental evidence on the topic is now being produced by experimental philosophers and psychologists. This article contributes to this growing literature, presenting the results of six new studies on the folk view of colors and pains. I argue that the results indicate against Dennett’s theory of the folk theory of consciousness. The existence of phenomenal consciousness is often taken for granted in the philosophical and scientific literature on the topic. Sometimes, this attitude is supported by claims that phenomenal consciousness is in some way evident in our ordinary experience itself.2 The prevalence of this attitude can also be seen in the way that some skeptics about phenomenal consciousness discuss the supposed phenomenon. For example, the qualia eliminativist Dan Dennett seems to accept that belief in qualia is part of our “folk theory of consciousness” (2005, 31). In contrast, I have argued that phenomenal consciousness is not evident in ordinary experience alone—that it is not phenomenologically obvious—and that this can be drawn out by 1 To appear in the Journal of Consciousness Studies. -
PHIL 306: Philosophy of Mind Introduction: Course Requirements: Materials
PHIL 306: Philosophy of Mind Fall 2016, MWF, 8:35—9:25, Currie 408/9 (Note: Conferences will replace the Friday lecture starting the week of Sep 12-16) Instructor: Robert Stephens Email: [email protected] Office: LEA916 Office hrs: Fridays 13:00-15:00, or by appointment Teaching assistants: Karina Vold Andre Martin [email protected] [email protected] Introduction: In this course, we will examine some of the major questions concerning the nature and functioning of the mind, as discussed in contemporary philosophy and cognitive science. What exactly is a mind? Where is it located? What is it composed of? How is it organized? How does it work? What are its limitations? We will look at a number of theories that attempt to answer various aspects of these questions, and we will zero in on a number of current philosophical debates that have grown out of and intertwined with these discussions. Some of the specific issues we will encounter include: o Is the mind something physical or not? Is my mind simply my brain? Or is it a product of my brain? Or is it something more than my physical brain? o Where does the mind fit into our scientific understanding of ourselves and our world? o What is the relationship between mind and behavior? How does mental causation work? o Do minds require brains? Or could there be many different sorts of minds? Artificial minds? o What is required for thinking? Language? Perception? Memory? Sensation? o Is the mind like a sort of computer? Or is that a misleading metaphor? o What are the different sorts of mental states? What characterizes and/or constitutes them? o What are concepts? How are they formed? How are they stored? How are they accessed? o How do we explain consciousness? Is consciousness necessarily subjective? o What role does the body play in the composition of mind? What about the environment? o What can delusions and other pathological mental states teach us about the nature of mind? Course Requirements: The reading load in this course is fairly demanding. -
Religion & Philosophy
Religion & Philosophy Books – General The Ego and the Id, Sigmund Freud Conscience: A Very Short Introduction, Paul Strohm On Liberty, J S Mill The Body and Society, Peter Brown Letters and Papers from Prison, Dietrich Bonhoeffer The Autobiography of Saint Teresa, Allison Peers Consciousness: An Introduction, Susan Blackmore The City of God, St Augustine The Concept of Mind, Gilbert Ryle Summa Theologiae, Aquinas The Blind Watchmaker, Richard Dawkins Natural Theology, Paley The Major Works, Anselm of Canterbury Books – Religion Dialogues Concerning Natural Religion, David Christian Theology, Alister McGrath Hume A Theology: The Basics, Alister McGrath The Cost of Discipleship, Dietrich Bonhoeffer Books - Philosophy Jesus Through the Centuries, Jaroslav Pelikan An Introduction to Plato’s Republic, Julia Annas The Shadow of the Galilean, Gerd Theissen The Republic, Plato Humanae Vitae, Pope Paul VI Physics, Aristotle Issues in Human Sexuality, Church of England House of Bishops Metaphysics, Aristotle De Concordia, Anselm of Canterbury Principles of Philosophy, Rene Descartes The Coherence of Theism, Richard Swinburne Language, Truth and Logic, A J Ayer Principles of Christian Theology, John Macquarrie Philosophical Investigations, Wittgenstein Dynamics of Faith, Paul Tillich A Critique of Pure Reason, Kant Catechism of the Catholic Church Varieties of Religious Experience, William James Books – Philosophy of Religion Philosophy of Religion: A Guide and Anthology, Brian Davies God Talk is Evidently Nonsense, A J Ayer Consolation of Philosophy, -
The Muslim Emperor of China: Everyday Politics in Colonial Xinjiang, 1877-1933
The Muslim Emperor of China: Everyday Politics in Colonial Xinjiang, 1877-1933 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Schluessel, Eric T. 2016. The Muslim Emperor of China: Everyday Politics in Colonial Xinjiang, 1877-1933. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493602 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Muslim Emperor of China: Everyday Politics in Colonial Xinjiang, 1877-1933 A dissertation presented by Eric Tanner Schluessel to The Committee on History and East Asian Languages in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History and East Asian Languages Harvard University Cambridge, Massachusetts April, 2016 © 2016 – Eric Schluessel All rights reserved. Dissertation Advisor: Mark C. Elliott Eric Tanner Schluessel The Muslim Emperor of China: Everyday Politics in Colonial Xinjiang, 1877-1933 Abstract This dissertation concerns the ways in which a Chinese civilizing project intervened powerfully in cultural and social change in the Muslim-majority region of Xinjiang from the 1870s through the 1930s. I demonstrate that the efforts of officials following an ideology of domination and transformation rooted in the Chinese Classics changed the ways that people associated with each other and defined themselves and how Muslims understood their place in history and in global space.