Allan Jones (Actor) Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​

Total Page:16

File Type:pdf, Size:1020Kb

Allan Jones (Actor) Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ Allan Jones (actor) Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ Senorita from the West https://bg.listvote.com/lists/film/movies/senorita-from-the-west-42048951/actors A Day at the Races https://bg.listvote.com/lists/film/movies/a-day-at-the-races-1214749/actors The Firefly https://bg.listvote.com/lists/film/movies/the-firefly-3822863/actors The Boys from https://bg.listvote.com/lists/film/movies/the-boys-from-syracuse-1345912/actors Syracuse The Great Victor https://bg.listvote.com/lists/film/movies/the-great-victor-herbert-3956817/actors Herbert A Man Called Sledge https://bg.listvote.com/lists/film/movies/a-man-called-sledge-1193091/actors One Night in the https://bg.listvote.com/lists/film/movies/one-night-in-the-tropics-2053989/actors Tropics Crazy House https://bg.listvote.com/lists/film/movies/crazy-house-5183173/actors The Hard-Boiled https://bg.listvote.com/lists/film/movies/the-hard-boiled-canary-21527703/actors Canary Stage to Thunder https://bg.listvote.com/lists/film/movies/stage-to-thunder-rock-19868059/actors Rock Rose Marie https://bg.listvote.com/lists/film/movies/rose-marie-3522827/actors Reckless https://bg.listvote.com/lists/film/movies/reckless-687825/actors When Johnny Comes https://bg.listvote.com/lists/film/movies/when-johnny-comes-marching-home-7992635/actors Marching Home Everybody Sing https://bg.listvote.com/lists/film/movies/everybody-sing-1911365/actors Show Boat https://bg.listvote.com/lists/film/movies/show-boat-2019366/actors https://bg.listvote.com/lists/film/movies/4275797/actors https://bg.listvote.com/lists/film/movies/%D0%B5%D0%B4%D0%BD%D0%B0- Една нощ %D0%BD%D0%BE%D1%89-%D0%B2- в операта %D0%BE%D0%BF%D0%B5%D1%80%D0%B0%D1%82%D0%B0-943992/actors.
Recommended publications
  • 1937-11-26 [P C-4]
    ' ——RKOWflfmu/Q — “The at Palace It in “Met” Where and When ■ ■■ ® 8**0 Firefly” Say Song Depicts N Q | ^ Is Current Theater Attractions Stately Operetta Big Prison and Time of Showing. • Ton will mo HEPBtThr, Pace of National—“To Be Continued,“ a new Lavish Spectacle Is Slow, “Politics” comedy with Luella Gear: 8:30 p.m. an* ROGER8 togothor, But Its Music Is Sweet and Palace—“The Firefly,” Jeanette Mac- la tho Broadway atago Litel Performance Donald in the Friml operetta: 11 a.m., •aoeoas that haa bo* Settings Imposing. 1:35, 4:15, 6:55 and B:35 p.m. eomo tho highlight of _• Is “Alcatraz” Keith's—“Stage Door,” Hepburn, all tho ocTOOB’a bow big By JAY CARMODY. Rogers, a story of Broadway called bet- picture*, I don’t expect a story as tightly written as if Clifford Odets were its Feature. ter than that of the play: 11:15 a.m., author when you go to see Rudolph Friml’s “The Firefly," which 1:21, 3:27, 5:37, 7:39 and 9:45 p.m. opened yesterday at Loew’s Palace. Nor do you get it. What you do U'T'HE ROCK” is the subject of Capitol—"Double Honeymoon,” ro- YOUget is a big colorful musical of the turn-of-the-century type in which the current screen attrac- mance in two doses: 11:05 a.m., 1:45, Alan Jones and Jeanette MacDonald | sing charmingly and fall charmingly in § tlon at the Metropolitan. 4:30, 7:15 and 9:55 p.m.
    [Show full text]
  • The Sam Eskin Collection, 1939-1969, AFC 1999/004
    The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.
    [Show full text]
  • Theater Playbills and Programs Collection, 1875-1972
    Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items.
    [Show full text]
  • The Collection of Nelson Eddy and Jeanette Macdonald Memorabilia, 1901-1967 an Inventory of Holdings at the American Music Research Center
    The collection of Nelson Eddy and Jeanette MacDonald memorabilia, 1901-1967 An inventory of holdings at the American Music Research Center American Music Research Center, University of Colorado at Boulder The collection of Nelson Eddy and Jeanette MacDonald memorabilia, 1901-1967 Descriptive summary Title collection of Nelson Eddy and Jeanette MacDonald memorabilia Date(s) 1901-1967 Identification COU-AMRC-34 Creator(s) Repository The American Music Research Center University of Colorado at Boulder 288 UCB Boulder, CO 80309 Location Housed in the American Music Research Center Physical Description 5 Linear feet 11 boxes Scope and Contents Memorabilia related to Nelson Eddy (1901-1967) and Jeanette MacDonald (1901-1965), screen actors and musicians, collected by multiple collectors. Administrative Information Arrangement Arranged by topic and movie title. Access The collection is open for research. Usage Restrictions Copyright is not held by the American Music Research Center. Requests to publish materials should be directed to the copyright holder. Acquisition history Donated by multiple Eddy/MacDonald collectors Preferred Citation [Identification of item], collection of Nelson Eddy and Jeanette MacDonald memorabilia, University of Colorado, Boulder - Page 2 - The collection of Nelson Eddy and Jeanette MacDonald memorabilia, 1901-1967 Index Terms Access points related to this collection: Personal names MacDonald, Jeanette, 1903-1965 -- Archives Eddy, Nelson, 1901-1967 -- Archives Corporate names American Music Research Center Subject headings
    [Show full text]
  • P-26 Motion Picture Collection Repository: Seaver Center For
    P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.
    [Show full text]
  • THE ARTS Volume I, Issue 1 September/November 1986
    BI-MONTHLY PUBLICATION OF THE ARTS Volume I, Issue 1 September/November 1986 Interview with Lenore Jones The Milwaukee Ballet Drama and Trauma in Milwaukee Women's Caucus for Art conies to Wisconsin News Reviews Calendar Letter Home Ear Muscle • •• and more Art Muscle Editors: Debra Brehmer Kathy Keller Frank C. Lewis From the Publishers Managing Editor: The body has come to be seen as the locus of both desire and action and it is the body's materiality which Michal Carley informs many contemporary theories of production. The name Art Muscle situates our endeavor in the material world. The world of art production, acquisition and the act of performance needs to be seen in relation to an earlier, historically romanticized artistic spirit or the physically inactive realm of pure concept and its often tenuous claim to objectivity and uncorrupted idea. Business Manager: We live in a world of matter and for us to allow ourselves to be placed solely into a nether world of the spirit, or the fictitious realm of pure aesthetic form is to assure our own disengagment from a world which should be Bob Friedman equally ours as much as anyone's. The muscle is the physical agent of our action. At times dormant, at other times contracted. Coaxed into sculptural beauty or rather more often allowed to atrophy, it remains the aching, flexing, lifting and moving Art Director: agent of our corporal form. Our art too, must accept its physicality. Even our theory and critique is dependent on the material manifestation of text and word.
    [Show full text]
  • Screen Guild Players Recordings Collection, 1942-1948
    http://oac.cdlib.org/findaid/ark:/13030/tf5779p13c No online items Guide to the Screen Guild Players Recordings Collection, 1942-1948 Project archivist: Caitlin Hunter; machine-readable finding aid created by David Seubert Department of Special Collections Davidson Library University of California, Santa Barbara Santa Barbara, CA 93106 Phone: (805) 893-3062 Fax: (805) 893-5749 Email: [email protected] URL: http://www.library.ucsb.edu/speccoll/speccoll.html © 1999 The Regents of the University of California. All rights reserved. Guide to the Screen Guild Players PA Mss 28 1 Recordings Collection, 1942-1948 Guide to the Screen Guild Players Recordings Collection, 1942-1948 Collection number: PA Mss 28 Department of Special Collections Davidson Library University of California, Santa Barbara Contact Information: Department of Special Collections Davidson Library University of California, Santa Barbara Santa Barbara, CA 93106 Phone: (805) 893-3062 Fax: (805) 893-5749 Email: [email protected] URL: http://www.library.ucsb.edu/speccoll/speccoll.html Project Archivist: Caitlin Hunter Date Completed: September 28, 1999 Encoded by: David Seubert © 1999 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Screen Guild Players Recordings Collection, Date (inclusive): 1942-1948 Collection number: PA Mss 28 Creator: Motion Picture Relief Fund Extent: 97 disc recordings Repository: University of California, Santa Barbara. Library. Dept. of Special Collections Santa Barbara, CA 93106 Shelf location: For current information on the location of these materials, please consult the library's online catalog. Abstract: Recordings of Screen Guild Players radio programs used as a fundraising effort for the Motion Picture Relief Fund, sponsored by the Lady Esther Corporation and Camel Cigarettes.
    [Show full text]
  • The Exponent
    The Exponent Volume XXXVI, Number 23 NORTHERN STATE TEACHERS COLLEGE, ABERDEEN, SOUTH DAKOTA April 7, 1938 1937 Prize Play To Boys ! Wear a Tuxedo Says Resolution 1938 Pasque to Meet Hearty Approval Be Given at As an assignment, members sons attending spring proms of Of Student Body; Many New Features of the Parliamentary Law Class 1938 at Northern State Teachers Northern submitted resolutions concerning College be required to appear in formal dress on the campus. We Editor Will Leave For formal attire. Formal dress Elmer Moe Installed . By Malcolm Solberg offer one for your reaction. May As President of L. S. A. Minneapolis ; Book To we have your opinion pro and shall be defined as a complete Northern's dramatic department con, in not more than twenty- tuxedo costume for men; ankle Lutheran students of Ellendale, Be Ready May 10 proudly announces the selection of five words ? length gowns (not dinner North Dakota, witnessed the in- "The. Pasque, I believe, will meet Maxwell Anderson's prize play of The Resolution— dresses) and formal wraps for stallation of Elmer Moe, prominent hearty approval of the student 1937, High Tor, for its last pro- Be it resolved that:—all per- women. 0 Aberdeen sophomore, as president body this year because of the many duction this year. It is proud, of the local L. S. A.; Orval Westby, new and unusual features," said first, to follow its tradition of vice-president; Sylvia Stange, sec- Bernice Madsen, editor of the 1938 bringing to Northern play-goers retary; and Gerald Grotbeck, treas- edition of the yearbook.
    [Show full text]
  • Show Boat by Phil Hall
    Show Boat By Phil Hall When one considers the films of James Whale, the gothic horror classics like “Frankenstein” or “The Old Dark House” inevitably come to mind. But what might be Whale’s ultimate triumph did not in- volve monsters or chills or Boris Karloff in elaborate make-up. Instead, Whale’s finest achievement came in his least characteristic work: the 1936 film version of the Jerome Kern-Oscar Hammerstein II musical “Show Boat.” Actually, “Show Boat” was an aberration on many levels. Besides being Whale’s only musical, it was also the rare big budget musical extravaganza for Universal Pictures, a studio that made its bread and butter with horror, Westerns and lowbrow comedy. The film also offered rarities on screen: Irene Dunne in a musical starring role, Allan Jones show- ing he was capable of acting, and elusive Hollywood performances by Paul Robeson and Helen Morgan. It was also a relative- ly rare instance of a studio remaking a musical film – Universal produced a part- talkie version of “Show Boat” that was widely viewed as unsatisfactory. “Show Boat” was the rare film of Holly- wood’s Golden Era that dared to show This advertisement appeared in the May 1936 edition of Hollywood the uglier side of the late 19th century Dixie fan magazine. Courtesy Media History Digital Library. environment surrounding the Mississippi River communities. Racial segregation, nor- mally a taboo subject for Hollywood, was clearly pre- between mixed-race Julie Laverne and her white lead- sented by Whale in “Show Boat.” Scenes where ing man, broke a major taboo in the rigid Production white and black audience members enter and exit Code that governed Hollywood’s screenplay.
    [Show full text]
  • Quality Inn South
    A/4/j St. Edwards University .,, ~ presents ~ ~ Book by James Lee Barrett Music by Lyrics by Gary Geld Peter Udell Lighting Design and Stage Management Brian T. Stuart Musical Direction Costumes Bernie Siben Susan Loughran Choreography Susan Shofner Staged by Edward Mangum Quality Inn South • Attractive Guest rooms and Suites in a garden-type setting • Plenty of parking-and so much more! 2200 S. Interregional Hwy. 800-228-5151 444-0561 PRODUCTION STAFF Scenic Designer Seamstress Brian T. Stuart Mary Scheitinger Asst. Shop Foreman Box Office C. P. Glennon Connie Campbell Cindy Schmidt Lighting Technician James Corcoran Prop Head Patricia D' Angelo Sound Technician Salvador Margin Prop Crew DeDe Wallace Costume Constructor Brenda Finch Andy Pelegreen CREDITS The Red River Rat Antiques, Little Bits of Junk and Antiques, The American Sampler, Woodlawn Baptist Church. Cars provided by A. J. Leasing Com­ pany. While in Austin our guest stars stay exclusively at the Quality Inn South. SHENANDOAH is produced through special arrangements with Samuel French Inc. New Yark, New Yark. At Franklin Savings, the past houses the future. Franklin thinks what our rescuing the past in houses, community is roday can be Franklin wants to ensure the understood , at least a bit, by future of peopl e here, because seeing what we've been. So we see our cusrom ers as indi­ we've saved the Radkey House vidua ls . So we make our in­ tO be our West Branch and vestments locally, with people th e Tips House as our South like you, to circu late funds Congress Office. The peopl e within our own commun ity 's of Austin have shown their econo my .
    [Show full text]
  • Short Report
    COLLECTION FINDING AID Tivoli Theatres Performing Arts Programs and Ephemera (PROMPT) Australian Collection Development The Tivoli was established by English music hall comedian Harry Rickards in 1893, following the success of his "New Tivoli Minstrel and Grand Specialty Company"(Sydney, 1892), and grew to be the major outlet for variety theatre and vaudeville in Australia for over 70 years. “The Tiv” operated under a range of names with the shows managed and produced variously by Harry Rickards, H.D. McIntosh, H.G. Musgrove, Connors & Paul, Frank Neil, Wallace R. Parnell, Bruce Carroll and David N. Martin. The Tivoli Circuit grew to include Melbourne, Adelaide, Brisbane and Perth by the turn of the century, promoting a broad spectrum of both local and international vaudeville acts including comedians, dancers, acrobats, ventriloquists, and scantily-clad chorus girls who where colloquially known as the “Tivoli Tappers”. This list includes Tivoli vaudeville circuit shows as well as performances at the Tivoli theatres (i.e. venue hire arrangements). Content Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance. The list is based on imperfect holdings, and is updated as gaps in the Library’s holdings are filled. Unless otherwise stated, all entries are based on published programs in the PROMPT collection. Access The Tivoli PROMPT files may be accessed through the Library’s Petherick Reading Room by eCallslip request: http://nla.gov.au/nla.cat-vn3531752 www.nla.gov.au Creative Commons Attribution-NonCommercial-ShareAlike 2.1 Australia February 2012 PROMPT COLLECTION FINDING AID Tivoli Theatres Arrangement Programs in the National Library’ PROMPT collection are arranged by entrepreneur and/or management company name.
    [Show full text]
  • Printed Music Collection (Single Sheet Music) Title Composer Publisher
    Printed Music Collection (Single Sheet Music) Copyright / Publication Title Composer Publisher Date Physical description Other information lyrics by Arthur Gillespie; music by 10.5" x 13.5", 2 pages (cover sung with immense success by the favorite Absence Makes The Heart Grow Fonder Herbert Dillea M. Witmark & Sons 1900 only) vocalist Harry Talley Arranged by Celius Dougherty; "In memory of my brother Ralph"; part of series "Five Sea Chanties Arranged for Voice and Piano Across the Western Ocean Sea Chanty G. Schirmer, Inc 1948 9" x 12", 4 pages by Celius Dougherty" "Dedicated to Lieut. Fred I. Clayton, Adjutant Clayton March Jean M. Missud F. Trifet, Publisher February 2, 1898 10.5" x 14", 3 pages Adjutant of the A. & H. A. Co. in 1893-94" Adoration Felix Borowski Theo. Presser Co. 1903 10.5" x 13.5", 6 pages "Compositions For Violin, For Piano" ft. Ed Holtsworth and the Versatile Melodians (including the melody "Dream After All I Adore You Lou Herscher and Art Coogan Joe Morris Music Co. 1923 9" x 12", 6 pages Daddy" by Louis Hershcer & George Keefer lyrics by Dorcas Cochran; music by Again Lionel Newman Robbins Music Corporation 1948 9" x 12", 4 pages (detached) featured in Road House words by V. Russo; music by Edi Ah Marie, Ah Marie (Maria Mari) Capua Chas H. Roth Music Co. 1914 10.5" x 13", 6 pages english translation by Carlotta Montello Ah! I Have Sigh'd to Rest Me (Ah! Che La Morte Ognora) Verdi McKinley Music Co. 10.5" x 13.5", 4 pages "Songs the People Love" Ah! Sweet Mystery of Life (The Dream lyrics by Rida Johnson Young; music Melody) by Victor Herbert M.
    [Show full text]