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The Clean House 41st Season • 396th Production SEGERSTROM STAGE / JANUARY 21 - FEBRUARY 27, 2005 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents the West Coast premiere of THE CLEAN HOUSE BY Sarah Ruhl SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC and SOUND DESIGN Rachel Hauck Joyce Kim Lee Scott Zielinski Rob Milburn and Michael Bodeen CHOREOGRAPHY PRODUCTION MANAGER STAGE MANAGER Randy Duncan Jeff Gifford *Jamie A. Tucker DIRECTED BY Kate Whoriskey HONORARY PRODUCERS Jean and Tim Weiss World Premiere produced by Yale Repertory Theatre, New Haven, Connecticut James Bundy, Artistic Director; Victoria Nolan, Managing Director First Act commissioned by McCarter Theatre The Clean House • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Matilde .................................................................................... Adriana Sevan* Lane ..................................................................................... Mary Beth Fisher* Virginia ................................................................................. Mary Lou Rosato* A Man/Charles .................................................................. Timothy Landfield* A Woman/Ana .............................................................................. Ivonne Coll* SETTING A Metaphysical Connecticut. The present. LENGTH Approximately two hours and 15 minutes, including one 15-minute intermission. PRODUCTION STAFF Assistant Stage Manager ................................................... Scott Harrison* Casting .............................................................................. Joanne DeNaut Dramaturg ........................................................................... Jennifer Kiger Dialect Consultant .......................................................... Claudine Barros Assistant to the Director ................................................. Magdalena Zira Production Assistant .......................................................... Jennifer Butler Assistant to the Lighting Designer ............................... Christina Munich Assistants to the Scenic Designer ........... Cameron Roberts,Tracy Otwell Matt Downs McAdon, Shaun Fillion Deck Crew ............................................................................ Bobby Weeks ACKNOWLEDGEMENTS Special thanks to Ana Fluck-Dos Anjos and Roberto Dos Anjos, Dori and Jamie Caillouette and Dr. Alice Police. Please refrain from unwrapping candy or making other noises that may disturb surrounding patrons. The use of cameras and recorders in the theatre is prohibited. Smoking is not permitted anywhere in the theatre. Cellular phones, beepers and watch alarms should be turned off or set to non-audible mode during the performance. * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers. Official Airline Media Partner P2 SOUTH COAST REPERTORY • The Clean House The Anatomy of Love In The Clean House, the controlled world of a doctor falls into chaos when life and all its messes come crashing into her perfect home. A successful doctor married to a surgeon, Lane excels at maintaining her ordered exis- tence. That is until her maid (who prefers telling jokes to cleaning), sister, husband and his patient all challenge what she knows about love, death and the perfect joke. I like for you to be still: it is as though you were absent, and you hear me from far away and my voice does not touch you. “The only honest art It seems as though your eyes had flown away form is laughter, and it seems that a kiss had sealed your mouth. comedy. You can't fake it…try to fake As all things are filled with my soul three laughs in an you emerge from the things, filled with my soul. hour—ha ha ha ha You are like my soul, a butterfly of a dream, ha—they'll take you and you are like the word Melancholy. away, man. You can't.” I like for you to be still, and you seem far away. -Lenny Bruce It sounds as though you were lamenting, a butterfly cooing like a dove. And you hear me from far away, and my voice does not reach you: Let me come to be still in your silence. And let me talk to you with your silence that is bright as a lamp, simple as a ring. “In a well run mental You are like the night, with its stillness and constellations. household there ought Your silence is that of a star, as remote and candid. to be a thorough cleaning at the I like for you to be still: it is as though you were absent, threshold of distant and full of sorrow as though you had died. consciousness a few One word then, one smile is enough. times a year.” And I am happy, happy that it's not true. -Karl Kraus, “Half-Truths and -Pablo Neruda, poem XV from One-and-a-Half Truths” “Twenty Love Poems and a Song of Despair” “Jokes are unanswerable objections.” Death or life or life or death -Mason Cooley Death is life and life is death I gotta use words when I talk to you But if you understand or you don't That's nothing to me and nothing to you “I should prefer to die laughing, and, on more We all gotta do what we gotta do than one occasion, thought I might.” –T.S. Eliot, –Joseph Epstein, “Sweeney Agonistes” “Jokes and their Relation to the Conscious” The Clean House •SOUTH COAST REPERTORY P3 IVONNE COLL MARY BETH FISHER TIMOTHY LANDFIELD A Woman/Ana Lane A Man/Charles Artist Biographies Slapped), Cast Theatre (The Boiler *IVONNE COLL (A Woman/Ana) ap- Seagull. Broadway and Off-Broad- Room) and Marilyn Monroe Theatre, peared at SCR previously in the Pa- way credits include Boy Gets Girl Hollywood (world premiere of Ten cific Playwrights Festival readings of (Drama League Award for Outstand- Tiny Love Stories). Broadway credits The Clean House and Illuminating ing Artist and Drama Desk and Lu- include Gabriel Garcia Marquez’s Veronica. She marked her Chicago cille Lortel Nominee), By the Sea, By Chronicles of a Death Foretold di- theatre debut at the Goodman The- the Sea, By the Beautiful Sea; The rected by Graciela Danielle, pro- atre with a Jeff Award Nomination Night of the Iguana; The Radical duced by Lincoln Center; Joseph for outstanding supporting role in Mystique; Extremities (with Farrah Papp’s Shakespeare on Broadway the world premiere of Luis Alfaro’s Fawcett); and Are You Now or Have (director Estelle Parsons); and Electricidad. She is also the recipi- You Ever Been. Regional theatre Goodbye Fidel (director Ed Sherin). ent of a Craig Noel Award for Best credits include The Importance of This season’s television credits in- Female lead in José Rivera’s Adora- Being Earnest at the Court Theatre; clude a guest starring appearance tion of the Old Woman at La Jolla The Dresser and The Memory of on “Without a Trace” and recurring Playhouse. She also appeared at La Water at Steppenwolf; Heartbreak roles in “American Family,” “Joan of Jolla in Blood Wedding, Arms and House, Dinner with Friends, The Arcadia” and “Nip/Tuck.” A dozen- the Man and The Hairy Ape. Other Rose Tattoo, The Guys, Boy Gets Girl, plus features later, she prides herself regional theatre work includes San Spinning into Butter, Design for Liv- for making her film debut in Godfa- Diego Repertory (A.C.E. Best Ac- ing, Light up the Sky, The Night of ther II. A native of Puerto Rico, Ms. tress/NYC), Arizona Theatre Compa- the Iguana and Marvin’s Room at Coll resides in Hollywood where ny, McCarter Theatre Center (world the Goodman Theatre; My Own she is a private acting coach. She’s premiere of Pulitzer Prize-winner Stranger at Writer’s Theatre; Arca- extremely pleased to be working at Nilo Cruz’ Two Sisters and a Piano), dia at Indiana Repertory; Indian Ink SCR. Mark Taper Forum (world premiere at Missouri Repertory; Buffalo Gal at of Widows), LATC for Playwrights the Studio Arena Theatre; The Wa- Arena (Bitter Homes and Gardens), *MARY BETH FISHER (Lane) ap- verly Gallery at the Long Wharf The- Hudson Theatre (He Who Gets peared at SCR previously in The atre; and The Merry Wives of Wind- P4 SOUTH COAST REPERTORY • The Clean House ding Banquet, Two Bits and Illumi- nata. Television credits include “Titus” and “Caroline in the City.” Ms. Rosato is a founding member of The Acting Company and a member of the first graduating class of the Drama Division of the Juilliard School. She is on the faculty of Cal- ifornia Institute of the Arts and a member of Center for New Theatre. *ADRIANA SEVAN (Matilde) is de- lighted to return to SCR where she was last seen as Conchita in Anna in the Tropics and at the 2004 His- panic Playwrights Project, where she MARY LOU ROSATO ADRIANA SEVAN developed and performed her solo Virginia Matilde piece Taking Off (now titled Flight), directed by Tony Plana. She has just returned from Miami, where she sor, On the Verge and The Seagull at Cooler with William H. Macy and recreated the role of Conchita in the Guthrie Theater. Film and tele- Alec Baldwin. Mr. Landfield has Anna in the Tropics at the Coconut vision credits include Dragonfly, played major roles in regional the- Grove Playhouse under the direc- Jungle Juice, Safe Storage, Trauma, atres across the country including tion of Nilo Cruz. Other credits in- “NYPD Blue,” “Profiler,” “To Have Phileas Fogg in 80 Days at La Jolla clude; Norca in Our Lady Of 121st and to Hold,” “Turks,” “Early Edi- Playhouse in San Diego. He is on (LA Theatre Works), Maria Celia in tion,” “One Life to Live” and “Guid- the faculty at The American Acade- Two Sisters and a Piano (The Public ing Light.” my of Dramatic Arts in Hollywood. Theater, SCR), Helen of Troy in While in Africa filming Disney’s Derek Walcott’s The Odyssey (Wil- *TIMOTHY LANDFIELD (A Man/ Cheetah, Mr. Landfield met his wife, low Cabin Theater Co.), Amelia in Charles) is delighted to return to actress Breon Gorman. They have Another Part of the House (Classic SCR, where he was previously seen two angels, Miranda and Bianca. Stage Co.), Alice/Orleans in Henry in A Christmas Carol, The Norman V (Shakespeare & Co.), Lady Mac- Conquests: Round and Round the *MARY LOU ROSATO (Virginia)ap- beth in Macbeth (HERE), Marie An- Garden and Hay Fever. He recently peared at SCR previously in the Pa- toinette in A Royal Affair and Ixqiux appeared in A Midsummer Night’s cific Playwrights Festival reading of in A Popol Vuh Story (Intar).
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