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EPMD Lil Crazy
Lil Crazy EPMD Hey young world, one two, one two Check it out y'all Uhh, shadz of lingo in the house E double's in the house with def squad On the funky fresh track with shadz of lingo Mic check one two, yo you got my nerves jumpin around And _humpin' around_ like bobby brown across town I ain't with that, so don't cramp my style Step off me, I'm hyped like I had a pound of coffee Yo how could you ask what I'm doin When I'm pursuin, gettin funky with my crew and My input brings vibes unknown like e.t. Makes me phone home to my family Cling, hello mom, I'm doin it, freakin more fame Than batman played by michael keaton I crossed over, let me name someone that's black With fame, and pockets that are fat Heyyy, erick sermon, he's one Packs a gun, that's bigger than malcolm's Out the window, I look for a punk to get stupid So I can shoot his ass like cupid E 2 bingos, down with the shadz of lingo Here to bust out the funky single Ahh shit, there goes my pager I'll see you later, because yo Every now and then, I get a little crazy One two how can I do it? I guess I'll spit the real Yo I pack much dick, with the cover made of steel hoe Yes yes, never fessed or settled for less One clown stepped, and got a hole in the fuckin chest From the a.k., somebody scream mayday Took the sucker out, cause he clowned me on a payday The funk is flowin to the maximum From the e double, while I kick the facts to them Check a chill brother with class, rough enough To run up and snatch the spine out a niggaz ass Grip the steel when caps peeled, here to chill -
Gavin-Report-1999-08
AUGUST 16, 1999 ISSUE 2268 TOE MOST TRUSTED NAME IN RADIO tH.III'-1111; melissa etheridge And Now... angels would fall The Boulder Summit MUSIC TOP 40 Enrique Dances Into Top 10 HOT AIC There Goes Sixpence...Again AIC Clapton's "Blue Eyes" Wide Open COUNTRY impacting radio august 25th Chely Is Wright for #1 NEWS GAVIN Hits With HyperACTIVE Artemis Announces Promo Team From the Publishers of Music Week, MI and tono A Miller Freeman Publication www.americanradiohistory.com advantage Giving PDs the Programming Advantage Ratings Softwaiv designed dust for PDs! Know Your Listeners Better Than Ever with New Programming Software from Arbitron Developed with input from PDs nationwide, PD Advantage'" gives you an "up close and personal" look at listeners and competitors you won't find anywhere else. PD Advantage delivers the audience analysis tools most requested by program directors, including: What are diarykeepers writing about stations in my market? A mini -focus group of real diarykeepers right on your PC. See what listeners are saying in their diary about you and the competition! When listeners leave a station, what stations do they go to? See what stations your drive time audience listens to during midday. How are stations trending by specific age? Track how many diaries and quarter -hours your station has by specific age. How's my station trending hour by hour? Pinpoint your station's best and worst hours at home, at work, in car. More How often do my listeners tune in and how long do (c coue,r grad they stay? róathr..,2 ,.,, , Breaks down Time Spent Listening by occasions and TSL per occasion. -
EPMD, Chill Chill
EPMD, Chill Chill... Yeaaaa hahahaha [Erick Sermon] Equip wit the rap microchip Program aptitude one mo return oh My face in the magazines showing my eyes green (Chill...) Chill fresh new dip when I'm seen Yo dig it's the new fig for the E Double I pack a Mac 10 just in case of trouble Hot like the handle on a pot I'm steaming Fame and more glory than Morgan Freeman I'm the original my style's deformed So it can sound crazy ill when I perform Yea, check 1, 2, mic supreme EPMD, the rap American Dream Team The E-Double's definitely no joke You can't see me, even wit the microphone I'm massive dope, funky, who's deffer Yo, when I express myself like Salt 'N Pepa Erick Sermon and Parrish Smith The sickest, the wickest, crazy mad psycho, the slickest Hardcore rhymin, yea, that's the ticket Buckwhylin, ruff enuff for Long Island Chill.... Yeaaaaaa, Hahahaha.... Ruff enuff to rock New York to Long Island [PMD] Back up, boy, move easy wit the hand motion Don't even blink, kid, or I'ma start smoking The glock hammer's cocked wit the speed jock 12 shots, the bust target is the brown fox So call me smooth talk rhyme, jaywalk wit the slang talk B-boy fanatic, straight from New York The foundation, landmark of the rap scene EPMD in effect, I'm clocking mad green Like Kermit the Frog, sloppy like Boss Hog Girls runnin wild, ?paid tho' like a klondar? For mics are ready to flow in slow mo' Know the rap game just like Bo knows hoes (Yeaaaa, hahahaha)Hard, you get scarred, messing wit the Hit Squad Slide easy or catch a bullshucks charge No time to ill, stay mental or puff a pill Get the macadamians, and, oh, yea, kid, chill Chill... -
Libraryonwheels Sparksinterest
EMI Records Aligns with Erick Sermon and Def Squad Label EMI Records (EMI have always wanted for Def /Chrysalis /SBK) today Squad Records. announced a label agreement with 1 look forward to working Def Squad Records, led with Davitt by rap recording artist/producer Sigerson and the Erick whole EMI team and to having Sermon. Under this a arrangement. Sermon will very successful'relationship submit artists together." exclusively to Sermon first made his mark EMI who concentrate on devel¬ in and the rap community as half of oping producing new the classic EPMD combo. Teachers from the Bethlehem Hills ~~HFhas since Released two Happy Child Care Center brouse through the Smart Start Bookmobile. label and will continue produc¬ solo Teachers selected books for students in their class. Keith albums. No Pressure and ing Redman, Murray and Double or other established artists. Nothin' on Def Jam Def In addition to and Squad will have offices and a finding pro¬ y ducing new talent, staff based out of the EMI including On Wheels New Das EFX, Redman and Keith Library Interest York Headquarters. * By MAURICE CROCKER Sparks Murray, Sermon has also chosen for the bookmobile are Commented Davitt pro¬ Community News Reporter The first stop of the book¬ Siger- duced singles for a diverse selected by the library heads at mobile was the son, president and CEO, EMI of each Bethlehem "Erick array artists such as Super- The branch. Happy Hills Child Care Center. Records, is always cat, Blackstreet, Forsyth County Some of the books are focused or His record Shaquille Library has started a new cho¬ "I think this is a good quality. -
3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (Guest Post)*
“3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (guest post)* De La Soul For hip-hop, the late 1980’s was a tinderbox of possibility. The music had already raised its voice over tensions stemming from the “crack epidemic,” from Reagan-era politics, and an inner city community hit hard by failing policies of policing and an underfunded education system--a general energy rife with tension and desperation. From coast to coast, groundbreaking albums from Public Enemy’s “It Takes a Nation of Millions to Hold Us Back” to N.W.A.’s “Straight Outta Compton” were expressing an unprecedented line of fire into American musical and political norms. The line was drawn and now the stage was set for an unparalleled time of creativity, righteousness and possibility in hip-hop. Enter De La Soul. De La Soul didn’t just open the door to the possibility of being different. They kicked it in. If the preceding generation took hip-hop from the park jams and revolutionary commentary to lay the foundation of a burgeoning hip-hop music industry, De La Soul was going to take that foundation and flip it. The kids on the outside who were a little different, dressed different and had a sense of humor and experimentation for days. In 1987, a trio from Long Island, NY--Kelvin “Posdnous” Mercer, Dave “Trugoy the Dove” Jolicoeur, and Vincent “Maseo, P.A. Pasemaster Mase and Plug Three” Mason—were classmates at Amityville Memorial High in the “black belt” enclave of Long Island were dusting off their parents’ record collections and digging into the possibilities of rhyming over breaks like the Honey Drippers’ “Impeach the President” all the while immersing themselves in the imperfections and dust-laden loops and interludes of early funk and soul albums. -
A Hip-Hop Copying Paradigm for All of Us
Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 2011 No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson Jr. Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Horace E. Anderson, Jr., No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us, 20 Tex. Intell. Prop. L.J. 115 (2011), http://digitalcommons.pace.edu/lawfaculty/818/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. No Bitin' Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson, Jr: I. History and Purpose of Copyright Act's Regulation of Copying ..................................................................................... 119 II. Impact of Technology ................................................................... 126 A. The Act of Copying and Attitudes Toward Copying ........... 126 B. Suggestions from the Literature for Bridging the Gap ......... 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying ................................................................. 129 IV. The Hip-Hop Imitation Paradigm ............................................... -
4 Social Scene' Beats Critics
page B2 VVKIIIV November 11, 2005 MANITOU MESSENGER 4 Social scene' beats critics 17-member collective lives up to hype By April Wright before you realize Staff Writer they have started, and after the first part of "Hyped" and "heavily-produced" are not the album, these catchphrases normally associated with good tracks are necessary: records. But the heavily hyped 17-piece collective Not only do you need Broken Social Scene has delivered a strong, ambi your breath back, but tious and innovative fourth album. they help keep the The Canadian band's eponymous fourth album. album from feeling Broken Social Scene, has been one of the most antic rushed. ipated albums of the year for indie rockers. In the The tracks "Fire weeks and months before its official release, fans Eye'd Boy," clambered for leaked versions of the record and "Windsurfing Nation" pushed the band onto Amazon's Top 50 CD List. and "Swimmers" Some critics were even declaring it "album of the sound almost manic year" based on the leaks. next to each other. The And does it live up to the hype? The answer is former varies between "A History of Loneliness" an emphatic "Yes!" The album starts out with "Our being mellow and By Lisa Gulya Faces Split the Coast," which sets up the mellow, ostentatious and even Singles at St. Olaf tend to complain. We're but danceable, sound for which Broken Social tually collapses into a lonely, we say, and no one dates casually, Scene is notorious. The band incorporates brass gentle chaos. while others around us are happily hooked instruments tastefully into the song. -
EPMD, Head Banger [Redman] Negroes!!!!!!!!
EPMD, Head Banger [Redman] Negroes!!!!!!!! [x6] [Hit Squad] The head banger, WHAT? [Hit Squad] The head banger Parrish Smith gettin wreck [Hit Squad] The head banger [Verse One: Parrish Smith] Ka-rank the boombox as my sound knock from blocks as I chill, and bust grills you take snapshots of the maniac, dressed in black, carry round a strap Kid you play me too close (slow down and catch a cap, POW!!) Cause I don't play games, an outlaw like Jesse James To hell with the bitches and the so-called fame (uh-huh) Strictly biz to hard (kid yeah) as I climb charts Bustin ass daily as I compose like Mozart Just stand, say you're mad damn, why him? Z-oh-one Tonka, five-sixty Benz I'm sick and mad deep no shorts and no sleep I'm bugged like a tapped phone, hard like concrete So get a GRIP and don't SLIP or catch a CLIP from the infrared aimed at your head as I blast my TARGET The Bozack, I rip up flows that make an MC stop and chill and say HE'S ALL THAT Hardcore no R&B singer Roll with the Hit Squad... down with the head banger [x4] (Hit Squad) The head banger, WHAT? "Yeahhh, head crack, head crack" -- Grand Puba, Slow Down [x3] (Hit Squad) The head banger, WHAT? Erick Sermon break it down (Hit Squad) The head banger "Yeahhh, head crack, head crack" [Verse Two: Erick Sermon] SURPRISE, you wonder where I've been, I've been workin But sounds makin danger, and black birds chirpin A real Damian, Omen possessed by the devil You dig the rhythm, and I'll play the RUNNIN REBEL Changed my style, so I can freak the funk Yo pass the -
B-Mello Doin´ My Thing Mp3, Flac, Wma
B-Mello Doin´ My Thing mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Doin´ My Thing Country: US MP3 version RAR size: 1660 mb FLAC version RAR size: 1950 mb WMA version RAR size: 1804 mb Rating: 4.5 Votes: 229 Other Formats: MP2 VOX MIDI AC3 WAV DMF ASF Tracklist 1 Doin´ My Thing - Side - A - 2 Doin´ My Thing - Side - B - Notes Tracklist : Side A : Greg Nice - Set it off Kool Keith - Warning Make-Up GZE / Method Man - Shadowboxin´ Dramatical / B.I.G. / 2Pac - Runnin´ Sunz of Man - No Love Without Hate AZ - Gimme Yours (Erick Sermon RMX) J-Live - Braggin´ Writes Ten Thieves - Straight from the slums Das EFX / Mobb Deep - Microphone Master (RMX) Real Live (K-Def & Larry O) - Real Live Shit Lord Finesse / O.C. / KRS-One - No Gimmicks (RMX) Doog Pound - New York, New York Side B : Big Noyd / Prodigy - Recognize & Realize Redman - Funkorama (Funk Doctor RMX) Erick Sermon - Bomdigi (New RMX) Mad Skillz - Move Ya Body Smif N Wessum - Wrekonize (RMX) Bahamadia - Unknowhowwedu Prose & Concepts - W.O.T.R. (RMX) Young Zee / KRS-One / Busta Rhymes - Milk Jamal - Fades ´em all (Pete Rock RMX) LL Cool J / Keith Murray / Mobb Deep / Fat Joe - I Shot Ya (RMX) Mic Geronimo - Train Of Thought Major Stress - A Day In The Stuy Triflicts - Don´t Make Me Try Related Music albums to Doin´ My Thing by B-Mello 1. Erick Sermon - Double or Nothing 2. DJ Evil Dee - One (1 Of 3) 3. Keith Murray - The Most Beautifullest Thing In This World 4. DJ BK, DJ Ikom - Back To School Vol. -
Interconnections and Uneasy Alliances Between the Black and South Asian Diasporas: a Study of Hip Hop Videos, Film, and Literature
INTERCONNECTIONS AND UNEASY ALLIANCES BETWEEN THE BLACK AND SOUTH ASIAN DIASPORAS: A STUDY OF HIP HOP VIDEOS, FILM, AND LITERATURE VISHA GANDHI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ENGLISH YORK UNIVERSITY TORONTO, ONTARIO SEPTEMBER 2014 © Visha Gandhi, 2014 Interconnections and Uneasy Alliances Between the Black and South Asian Diasporas: A Study of Hip Hop Videos, Film, and Literature This dissertation challenges the belief that racialized communities do immediately support and identify with each other; my research on the Black and South Asian diasporas unearths the Orientalist thoughts and anti-Black racisms that exist in each respective community. Using the work of Edward Said in his text, Orientalism, and research on racial triangulation by Asian Americanist Claire Jean Kim, my work attempts to clarify the often-conflicted relations and dynamics between South Asians, Blacks, and whites. Chapter two of this dissertation looks at romantic and sexual involvement between different racial communities; I specifically look at the films Mississippi Masala and Bhaji on the Beach to delve into the cultural rarity that is the Black-South Asian romance. Chapter three discusses Black Orientalism in American hip hop videos by such artists as Truth Hurts, and Timbaland and Magoo. Finally, chapter four looks at gendered dynamics and longings for blackness in the texts Consensual Genocide, by Leah Lakshmi Piepzna-Samarasinha, and Londonstani, by Gautam Malkani. ii This dissertation is dedicated to my family, and especially to Catherine Thompson, for her unending support. And to all hip hop brown girls who practice their appreciation respectfully. -
L' Lzlv Llw S Classical
LZ_LV LLAY S L' LZLV LLW S (Continued from page 26) familiar territory with tracks like John- chised by pop radio, but not too old ny Pacheco's "Tararea Kumbayea" and for rock'n'roll. Magness did not O N S T A G E ERICK SERMON Mario Dfaz's "Corazón de Rumba" and compose any of this disc's tracks, Musk then veers into timba with "Taita Bi- but she creates an identity for her- PRODUCERS: Erick Sermon longo." There are some dips in mo- self by assembling simmering, mid - MAMMA MIA! presence whose silver hair adds a and Rockwilder mentum, including the repetitive tempo songs by such writers as Mar- Music and lyrics by Benny Andersson sexy luster to her post- hippie per- 1 Records 20023 "Déjenme Vivir." But overall, Cruz's cia Ball, Ray Charles, and James and Björn Ulvaeus sona, nailing the character's schizo- You might call it a comeback: Build- magnificent voice and overflowing Brown. She also adds a few tunes Book by Catherine Johnson phrenic turns from wistful mom and ing upon the success of his chart -top- emotion are unabated. She takes this from the popular blues lexicon, such Directed by Phyllida Lloyd scorned lover to stalwart feminist ping single, "Music," Erick Sermon straight -ahead salsa album from A to Z as the oft -covered "It's Your Voodoo Choreographed by NicholaTreherne and resuscitated disco queen. Pitre makes his triumphant return to the without resorting to ballads other Working," and sings with an expres- Sets by Jonathan Allen, Nancy Thun -or delivers some of the show's finest game with his J Records debut of the commercial ploys -for success. -
Central Mis.., Poor R.T., Shadz of Lingo, Masta Ace Inc., By
K. TOP 10: De La Soul, Souls Of Mis.., Onyx, BALTIMORE, MD(MIKE JOHNSON -RECORD MASTER) 410-358- MEMPHIS, TN(BRANDON CATRON-BOSS UGLY BOB'S) 901- Xlis.., Mad Flava. Naughty By.... Dr. Dre, Mad Flava. Leaders Of The, 1500 774-6400 Casual, Troubleneck, Prvtlnvstigtrs. TOP 10 ALBUM: De La Soul, Souls Of Mis.., TOP 10 ALBUM: Spice I, Scarface, Cypress Hill, Southwest MC Lyte, Tha Alkaholiks, ITHACA, NY(ASHAKI FENDERSON-WICB) 607-274-1040 KRS-ONE, Scarface, MC Lyte, Kris Kross, Cypress Onyx. Menace II ADDS: Tribe Called... Shaquille, Fat Joe, HanSoul Hill, Rumpletilskinz, Illegal, Jazzmatazz. Poison Clan, LordsUndergmd, Illegal. DALLAS, TX(0-ASK-0-KNON) 214-824-6893 ADDS: Shaquille, Fat Joe, Blood Of Abe, Jamal- Prjct, Del Thefunky, L.L. Cool J, Funkdoobiest, BALTIMORE, MD(VINNIE JACK/RAY G.-WEAA/FM) 410.319- LOUISVILLE, KY(JOE CRUTCHER-JOE'S MUSIC VAULT) 502- ski, Funkdoobiest, YZ. TOP 10: Mad Flava, Souls MC Lyte. TOP 10: De La Soul, Tha Alkaholiks, 3564 778-6621 KRS-ONE, Naughty By..., Ice Cube, Souls Of ADDS: No Adds. TOP 10: De La Soul, Souls Of TOP 10 ALBUM: Spice I, E-40, Scarface, 8 Ball Of Mis.., Masta Ace Inc., KRS-ONE, Poor R.T., Mis.., Dr. Dre. Poor R.T., Biz Markie. Erick Mis.., KRS-ONE. Leaders Of The, Masta Ace Inc., M.J.G, KRS-ONE, D -BONE, Gelo, Brotha Lynch, Dirt Nation, Company Flow. Troubleneck, Digital U., Casual. Sermon. Erick Sermon, Casual, The Beatnuts, Biz Markie, Digital U., Onyx. KILLEEN, TX(CANDACE MCHALE-RECORD BAR #121) 817-699- BALTIMORE, MD(RAFI JACOB -METRO STEREO TWO) 410-764- Illegal.