Thomas Carlyle
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Virginia Woolf's Portraits of Russian Writers
Virginia Woolf’s Portraits of Russian Writers Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Darya Protopopova All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2753-0 ISBN (13): 978-1-5275-2753-9 TABLE OF CONTENTS Note on the Text ........................................................................................ vi Preface ...................................................................................................... vii Introduction ................................................................................................ 1 Russia and the British Search for the Cultural ‘Other’ Chapter One .............................................................................................. 32 Woolf’s Real and Fictional Russians Chapter Two ............................................................................................. 58 Woolf and Dostoevsky: Verbalising the Soul Chapter Three ........................................................................................ -
The Essays of Elia
KU ScholarWorks | The University of Kansas Pre-1923 Dissertations and Theses Collection http://kuscholarworks.ku.edu The Essays of Elia by Helen Beach Smith January, 1909 Submitted to the Department of English of the University of Kansas in partial fulfillment of the requirements for the Degree of Master of Arts This work was digitized by the Scholarly Communications program staff in the KU Libraries’ Center for Digital Scholarship. Master Thesis Smith,Helen Beach 1909 The"Essays of Elia". The "Essays of Elia.tt Thesis presented to the department of* English Literature of the University of Kansas, for the degree of Master of Arts, January, 1909. Helen Beach Smith, BIBLIOGRAPHY. Lamb, Charles. "Works," ed. by William Macdonald. Vol. I. New York, E. P. Button & Co., 1903. Lamb, Charles and Mary. "Works," ed. by E. V. Lucas. Vol. II. London, Methuen & Co., 1903. Ainger, Alfred. "Life of Charles Lamb," in "English Men of Letters" Series. New York, Harper Bros., 188?. Dobell, Bertram. "Sidelights on Charles Lamb." Lucas, E. V. "Life of Charles Lamb," Vol. I. London, Methuen & Co. Adams, W. H. "Lamb's Essays of Ella," in Famous Books. BIBLIOGRAPHY, (continued.) Cornwall, Barry. "Charles Lamb, a Memoir." London, Edward Moxon ft Co., 1806. Rhys, Ernest. introduction in "Essays of Elia." London, Walter Scott ed. and pub. INDEX,, Introduction pp. 1- 3 Chief Characteristics of Lamb pp. 3- 6 His Family pp. 6-8 Tho Personal in his Essays • PP* 8-10 List of the "Essays of Elia" pp. 10-11 Publication of the Essays PP» 11-1? Discussion of the "Essays of Elia" PP. -
WILLIAM BLAKE, [April
198 WILLIAM BLAKE, [April, William Blake. By HUBERT J. NORMAN, M.B., Ch.B., D.P.H.Edin., Assistant Medical Officer,Camberwell House, S.E. I. THE association between the artistic temperament and eccen tricity has frequently been noted, and in the lives of Turner, Vanclyck, Michael Angelo, Benvenuto Cellini, Morland, Romney, Maclise, Landseer, Haydon, Cosway, and many others there is much to support Nisbet's contention that " nerve-disorder is a fundamental element of genius in relation to colour and form." To the list already given, the name of William Blake may fittingly be added, for, just as some of those named at times passed the boundary which separates sanity from insanity, so most certainly did Blake also cross the borderland. It does not, of course, follow that because those attributes which are usually associated with the term genius are so fre quently found in conjunction with unsound mental action that they, therefore, arise from the nerve-disorder ; rather is it that they both proceed from a nervous system in a condition of unstable equilibrium, which may either exhibit complex reactions in the production of some work of high intellectual grade, or tend at other times to display those irregular functionings which are termed eccentric or insane. That conduct'of an eccentric or even of an insane nature has been observed in many artists is undoubted ; indeed, so frequently has such conduct been noted that some writers have inferred that eccentricity is an invariable concomitant of the artistic temperament. The tendency to caricature is, however, very widespread ; that which is a prominent trait in such writers as Dickens, Swift, Cervantes, or Heine, or of such artists as Hogarth, Jan Steen, Cruickshank, or Teniers, is no less notice able a feature of all but a few—avery few—people. -
A Handlist to the Charles Lamb Society Collection at Guildhall Library
A Handlist to the Charles Lamb Society Collection at Guildhall Library A Handlist to the Charles Lamb Society Collection at Guildhall Library DEBORAH K. HEDGECOCK THE CHARLES LAMB SOCIETY 1995 A Handlist to the Charles Lamb Society Collection at Guildhall Library Copyright Deborah Hedgecock 1995 All rights reserved The Charles Lamb Society 1a Royston Road Richmond Surrey TW10 6LT Registered Charity number 803222: a company limited by guarantee ISSN 0308-0951 Printed by the Stanhope Press, London NW5 (071 387 0041) A Handlist to the Charles Lamb Society Collection at Guildhall Library Contents Preface and Acknowledgements 4 Abbreviations 4 Information on Guildhall Library 4 1. Introduction 5 2. Printed Books 6 2.1 Access conditions 6 2.2 Charles Lamb Society Collection: Printed Books 7 2.2.1 The CLS Pamphlet and Large Pamphlet Collection 8 2.2.2 The CLS Lecture Collection 8 2.2.3 Charles Lamb Society Publications 8 2.2.3.1 Charles Lamb Bulletins 8 2.2.3.2 Indexes to Bulletin 9 2.2.3.3 List of supplements to Bulletin 9 2.2.3.4 Charles Lamb Society Annual Reports and Financial Statements 9 3. Manuscripts 9 3.1 Access conditions 9 3.2.1 18th- and 19th-century autograph letters and manuscripts 10 3.2.2 Facsimiles and reproductions of Lamb's letters 18 3.2.3 20th-century Individuals and Collections 20 3.2.4 The Elian (Society) 25 3.2.5 The Charles Lamb Society Archive 26 4. Prints, Maps and drawings 35 4.1 Access Conditions 35 4.2.1 Framed Pictures 36 4.2.2 Pictures and Ephemera Collection 37 4.2.3 Collections of Pictures 58 4.2.4 Ephemera Cuttings Collection 59 4.2.5 Maps 61 4.2.6 Printing Blocks 61 4.2.7 Glass Slides 61 5. -
Marilyn S-.Indd
BEARS IN BLOOMSBURY: JANE ELLEN HARRISON AND RUSSIA 117 Afternoon 118 MARILYN SCHWINN-SMITH BEARS IN BLOOMSBURY: JANE ELLEN HARRISON AND RUSSIA 119 BEARS IN BLOOMSBURY: JANE ELLEN HARRISON AND RUSSIA Marilyn Schwinn-Smith – Five Colleges [I]t is no longer within the power of the English mind - the gift may be enjoyed perhaps in Russia - to see fur grow upon smooth ears and cloven hoofs where there are ten separate toes. Virginia Woolf October 1924, the first English translation of The Life of the Archpriest Avvakum, a 17th century Russian text, was published to good reviews as the 41st imprint of The Hogarth Press.1 Avvakum joined an already impressive list of Russian titles at Hogarth, the press founded and managed by Leonard and Virginia Woolf.2 November 1926, the young publishing firm - The Nonesuch Press - issued its 35th publication, The Book of the Bear.3 Nonesuch shared neither Hogarth’s interest in Russian texts nor new authors.4 The Book of the Bear is the only translation from the Russian and one of only three children’s books among Nonesuch’s first hundred titles. Avvakum and The Book of the Bear were anomalous ventures for both these private Presses, differing though their practices and objectives were. This essay charts the course of their translator - classical archeologist turned historical anthropologist - Jane Ellen Harrison (1850-1928), and her role in facilitating a connection between the worlds of privileged Bloomsbury and impoverished Russian refugees.5 The story of how these charming, diminutive books came into the world offers a glimpse into the stark divergence between the social reality of Britain - sometimes viewed as relatively unchanged after the horrors of the Great War 6 - and that of the Russian intellectuals living in what they still believed to be a temporary exile after the cataclysmic events of revolution and civil war. -
The Second Edition of Edward Fitzgerald's Rubá'iyyát of 'Umar
llttidUi THE SECOND EDITION OF EDWARD FITZGERALD'S RUBA'IYYAT OF 'UMAR KHAYYAM THE SECOND EDITION OF EDWARD FITZGERALD'S rubA'iyyat of 'umar khayyam (LONDON : 1868 : B. QUARITCH) EDITED, WITH AN INTRODUCTION AND NOTES, BY EDWARD HERON-ALLEN LONDON DUCKWORTH AND CO. 1908 A II rights reserved BetJtcation iL/o " ji^ Jl^ ^:S ^ iuU> ^5 j*l-3 ij :Nrour-i-iitaij O Name of Thine, the best heading of a commencement, Without Thy Name how shall I begin my book ? Nizam'i—Leila and Majnun Ion 536^7 Kal 6 fiev rau noLrirav e^ ciWris Movarjs, 6 8e i^ nWrjs e^TjpTrjrai— ovofid^ofiev 8e dvro KarexfraL, to 8i fan rrapaTrXrjcriov e'jj^erai yap— fK 8e TovTuiv Twv TTpoiTOiv daKTvXiwv, T(bv TTOtJ/raJj', aXXoi e^ oXXou ail r]pTr]p.ivoi (ia\ Koi ivdovcria^ovai, ol fi€i> e^ Op(f}ia)s, ol de (k Movddiov 61 di TToXXtii e^ 'Op,r]pov Karexovrdi re koi e'xovrai. Ion 536 * 4-536 «^ 3: 2)1/ av, ft) "lo)v, eis ei Kal KarixTH ^$ 'Ofirjpov, koI eneiSav p-iv ris aXKov Tov TTOirjTov aBr), Kadivdeis re kcL aTTopfls brt, X4yi]s, eireidav Se TovTov TOV TTOirjTov (pdey^yjTaL tis p,f\os, evdvs eypijyopas koX opxeiTai fj '^"' f^'^opels ort Xtyrjs' ov ovS' eiri(rTrjp,T} crov V^'^'X') yap Tixyu TrepX 'Op,fjpov Xeytis a Xiyeis, dXXa diia p.6ipa koi KaTOKaxf], Stfrtrep ol KopvjBavTiS)VTes fKcivov p^ovov alaOdvovTai. tov p,iXovs o^ecos o &i> rj TOV deov i^OTOv tiv KaT€X(>>vTai, Kal els eicetvo to p^eXos Kal crx^paTuiv Kal pt]p,dT(ov eviropovaif tu)v fie hXXwi' ov (j)povTi^ov(riv ovtco Kal(rv, 0) "lav, Trepl pev 'Oprjpov oTav tis p,vrja6fj, (VTropeis, vrepi de tS)v (iXXoJV aTTopeis' tovtov S' e'crrt to uitiou, 6 p epcuTas, 81 on cri) nepl pev 'Op,7]pov eviroptis, wepl 8e tcov (iXX<ov ov, on ov Texv;/ dXXd Oiia pLOipa 'Opijpov 8eiv6s et enaipeTtjs. -
Bernstein Final For
Reading Room Geographies of Late-Victorian London: The British Museum, Bloomsbury and the People’s Palace, Mile End Susan David Bernstein In her 1889 article, ‘Readers at the British Museum’, Amy Levy fashions the Reading Room as an egalitarian space with ‘wonderful accessibility’ for a wide spectrum of visitors, traversing boundaries of class, nation, gender, and occupation: ‘For some it is a workshop, for others a lounge; there are those who put it to the highest uses, while in many cases it serves as a shelter, — a refuge, in more senses than one, for the destitute.’1 Levy’s essay on the environment of the British Museum Reading Room envisions it as a multipurpose sphere, a knowledge factory, a club, an asylum, thus melding together public and private, working and middle classes, scholarship and commercial production with social exchange. Levy’s notebook, an unpublished booklet with ‘British Museum Notes’ written in her hand on the cover, gives us a preview of the work she accomplished in Bloomsbury’s large circular Reading Room including reading notes for her essay, ‘The Poetry of Christina Rossetti’ and passages later folded into her short story, ‘Eldorado at Islington’.2 Levy was only one of a throng of women who regularly inhabited the Reading Room of the British Museum almost as an office of many, rather than a ‘room of one’s own’. I challenge an assessment of the Reading Room of the British Museum as a bastion of class and gender privilege, an image firmly established by Virginia Woolf’s A Room of One’s Own (1929) and the legions of feminist scholarship that uphold this spatial conceit.3 I argue not only that the British Museum Reading Room facilitated women’s literary work, but I also question the overdetermined value of privacy and autonomy in constructions of authorship. -
{PDF EPUB} the Life of Thomas Carlyle by Richard Garnett Life of Thomas Carlyle [Garnett, Richard] on Amazon.Com
Read Ebook {PDF EPUB} The Life Of Thomas Carlyle by Richard Garnett Life of Thomas Carlyle [Garnett, Richard] on Amazon.com. *FREE* shipping on qualifying offers. Life of Thomas Carlyle Jul 01, 2006 · The Life Of Thomas Carlyle book. Read reviews from world’s largest community for readers. This scarce antiquarian book is a facsimile reprint of the orig...4.7/5(3)Life of Thomas Carlyle by Garnett Richard, Paperback ...https://www.barnesandnoble.com/w/life-of- thomas...Life of Thomas Carlyle. This book, "Life of Thomas Carlyle", by Garnett Richard, is a replication of a book originally published before 1887. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. Jan 11, 2008 · Life of Thomas Carlyle by Garnett, Richard, 1835-1906; Anderson, John Parker, 1841-Pages: 236Life of Thomas Carlyle : Garnett, Richard, 1835-1906 ...https://archive.org/details/lifethomascarly00andegoogLife of Thomas Carlyle by Garnett, Richard, 1835-1906; Anderson, John Parker, b. 1841Pages: 233Life of Thomas Carlyle - Richard Garnett - Google Bookshttps://books.google.com/books/about/Life_of...Life of Thomas Carlyle. Richard Garnett. Scott, 1887 - Authors, Scottish - 186 pages. 0 Reviews . Preview this book ... AbeBooks.com: Life of Thomas Carlyle (9780649185849) by Garnett, Richard and a great selection of similar New, Used and Collectible Books available now at great prices. AbeBooks.com: The Life Of Thomas Carlyle: Blue cloth hardback with gilt lettering to the spine. Boards are in good condition with little to no markings or scuffing though spine ends and corners are bumped and worn. -
'The Guttural Sorrow of the Refugees'1 – Constance Garnett and Felix
‘The guttural sorrow of the refugees’1 – Constance Garnett and Felix Volkhovsky in the British Museum Colin Higgins, St Catharine’s College, University of Cambridge Introduction On the last day of 1893, Constance Clara Garnett set sail on a seven-week tour of Russia. She arrived in St Petersburg, then travelled to Tver, Moscow and Nizhniy Novgorod. She spoke some broken Russian, and lots of excellent French. And she dined with Tolstoy who, characteristically, ate only porridge. Garnett seems an unlikely translator of Tolstoy, so their meeting has always been imbued with significance by literary historians. Firstly, take her knowledge of Russian. Since the mid-twentieth century, many critics (though relatively few translators) have disparaged her literary and linguistic talents.2 A month into her trip, Garnett herself confessed: ‘It is disappointing that I still cannot follow a conversation in Russian.’3 Secondly, she was a lifelong atheist, yet the first of Tolstoy’s works she translated was «Царство Божие внутри вас».4 And thirdly, though she had learned French, Latin and Greek early in life, she didn’t start learning Russian until her early thirties. But it is simply too neat to imagine the meeting as a turning point in Garnett’s life, laying the seeds for her versions of «Война и мир» and «Анна Каренина.» This narrative overlooks the formative professional activity which preceded her translation work. Tolstoy was one of the only translatees whom Garnett ever met, but she knew his work hardly at all: she didn’t read «Анна Каренина» in Russian until 1896 (her translation was published in 1901). -
4.2 Percy Bysshe Shelley's Poems
I TAL What is Authorial Philology? I A PAOLA ITALIA, GIULIA RABONI, ET AL. R , ABON A stark departure from traditional philology, What is Authorial Philology? is the first comprehensive treatment of authorial philology as a discipline in its I , , own right. It provides readers with an excellent introduction to the theory ET and practice of editing ‘authorial texts’ alongside an exploration of authorial AL philology in its cultural and conceptual architecture. The originality and . distinction of this work lies in its clear systematization of a discipline whose W autonomous status has only recently been recognised. What is Authorial This pioneering volume offers both a methodical set of instructions on how to read critical editions, and a wide range of practical examples, expanding Philology? upon the conceptual and methodological apparatus laid out in the first two chapters. By presenting a thorough account of the historical and theoretical framework through which authorial philology developed, Paola Italia, Giulia HAT Raboni and their co-authors successfully reconceptualize the authorial text as I S an ever-changing organism, subject to alteration and modification. A UTHO What is Authorial Philology? will be of great didactic value to students and researchers alike, providing readers with a fuller understanding of the rationale behind different editing practices, and addressing both traditional and newer RI AL methods such as the use of the digital medium and its implications. Spanning P PAOLA ITALIA, GIULIA RABONI, ET AL. the whole Italian tradition from Petrarch to Carlo Emilio Gadda, and with H I examples from key works of European literature, this ground-breaking volume LOLO provokes us to consider important questions concerning a text’s dynamism, the extent to which an author is ‘agentive’, and, most crucially, about the very G Y nature of what we read. -
Downloading of Data, Etc
The Worldbuilder’s Journey: a Sourcebook and Roadmap for Courses on Worldbuilding Douglass S. Parker August 29, 2019 This is a ‘hyperbook’ — a PDF ebook with hyperlinks that query web resources. PDF Readers — and Browsers — handle Links differently PDF readers handle links differently — not all show URLs when mousing over links. In Firefox and Chrome, the PDF readers display link content; in Safari, the current PDF reader does not. PDF reader apps: Acrobat and recent versions of Preview display link content. In Safari: Command-click opens links in a new Tab; Command-Option-click opens links in a new Window. For use of information in the links, select a browser and PDF reader accordingly. If not satisfactory, consider configuring your browser to use a different PDF reader. For example, an Acrobat plugin can be used as a plugin PDF reader in most browsers. Please check periodically whether this is the most recent version of this document. Send questions, corrections, suggestions, etc. to: [email protected] mentioning: Worldbuilder’s Journey version of 2019–08–29. Please help us improve! Attribution License: this book is distributed under Creative Commons License CC-BY: this means you can copy, distribute, and display this work in any medium/format, or make derivative works based on it, provided you credit this work. Douglass Parker, Worldbuilder’s Journey 2019, douglassparker.org/worldbuilders-journey August 29, 2019 2 feedback . The Worldbuilder’s Journey: a Sourcebook and Roadmap for Courses on Worldbuilding Douglass S. Parker Imaginary Worlds are fictional places like Middle-earth, Narnia, and the Land of Oz — sometimes also called fantasy worlds or fictional worlds. -
Maryland Historical Magazine, 1921, Volume 16, Issue No. 1
MARYLAND HISTORICAL MAGAZINE PUBLISHED UNDEK THE AUTHOBITY OF THE MARYLAND HISTORICAL SOCIETY VOLUME XVI BALTIMORE 1921 CONTENTS OF VOLUME XVI PAGE COLONEL GEEAED FOWKE. Gerard Fowke, 1 SOME EABLY COLONIAL MABYLANDEBS. McEenry Howard, - 19, 179 EXTBACTS FROM THE CABBOLL PAPEBS, 29 EXTRACTS FEOM THE DULANY PAPEBS, 43 THE CALVEBT FAMILY. John Bailey Calvert Nicklin, 50, 189, 313, 389 CASE OF THE "GOOD INTENT," 60 PEOCEEDINGS OF THE SOCIETY, 63, 394 LIST OF MEMBEBS OF THE SOCIETY, 80 BALTIMORE COUNTY " GABEISON " AND THE OLD GABEISON ROADS. William B. Marye, 105, 207 COBEESPONDENCE OF JAMES ALFEED PEAECE. Edited by Bernard C. Steiner, 150 EXTBACTS FEOM THE ANNUAL EEPOBT OF THE GALLERY COMMITTEE OF THE MAEYLAND HlSTOBICAL SOCIETY, - - - - 204 THE LIFE OF THOMAS JOHNSON. Edward 8. Delaplaine, - 260, 340 NOTES FEOM THE EABLY EEOOEDS OF MAEYLAND. Jane Baldwin Cotton, 279, 369 CATONSVILLE BIOGEAPHIES. George C. Keidel, - - - - 299 JAMES ALFEED PEAECE, Bernard C. Steiner, . 319 UNPUBLISHED PBOVINCIAL EEOOEDS, 354 THE CALVEBT FAMILY MEMOEABILIA, 386 NOTES, BOOKS RECEIVED, ETC., 403 MARYLAND HISTORICAL MAGAZINE VOL. XVI. MARCH, 1921. No. 1 COLONEL aERARD FOWKE OF VIKGINIA AND MARYLAND., FBOM 1651. GEEAED FOWKE, St. Louis, Mo. Eamily tradition, usually unreliable, asserts that the Fowkes are descended from Fulk, Count of Anjou, France, in the ninth century. This belief is probably based on similarity of name, and the occurrence of the fleur-de-lis on the coat of arms. It is also believed that the first of tbe name came to England with Ricbard Cceur de Lion. But the name appears on the Battle Abbey roll, so tbey were bere as early as William the Con- queror.