DOCSLIB.ORG

Radio 3 Listings for 4 – 10 May 2019 Page 1 of 12

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Radio 3 Listings for 4 – 10 May 2019 Page 1 of 12 Radio 3 Listings for 4 – 10 May 2019 Page 1 of 12 SATURDAY 04 MAY 2019 Heiki Mätlik (guitar) https://outhere-music.com/en/albums/janacek-ligeti-quartets- alpha454 SAT 00:30 Music Planet World Mix (m0004nnt) 04:41 AM Round the globe with joyous world beats Felix Mendelssohn (1809-1847) Brahms: Violin Concerto (cadenza: Hadelich); Ligeti: Violin Capriccio in E minor, Op.81`3 Concerto (cadenza: Adès) Global beats and roots music from every corner of the world. Brussels Chamber Orchestra Augustin Hadelich (violin) Tonight a joyous non-stop sonic trip round the globe with South Norwegian radio Orchestra African jazz from Hugh Masekela and heartbreaking English 04:48 AM Miguel Harth-Bedoya (conductor) folk to Argentinean electro-rock, sparkling Madagasi music, a Antonio Vivaldi (1678-1741) Warner Classics 0190295510459 new song from Rhiannon Giddens and a stomping polka from Bassoon Concerto in E minor RV 484 http://www.warnerclassics.com/shop/5389211,0190295510459/ Denmark Aleksander Radosavljevič (bassoon), RTV Slovenia Symphony augustin-hadelich-brahms-ligeti-violin-concertos Orchestra, Günter Pichler (conductor) 9.30am Building a Library: Helen Wallace listens to and SAT 01:00 Through the Night (m0004nnw) 05:01 AM compares recordings of Beethoven's Piano Trios Op. 1 Petrushka from the 2018 BBC Proms Claude Debussy (1862-1918) Clair de lune (No.3 from Suite bergamesque for piano) Beethoven's Opus 1 is a set of three piano trios (written for The Suisse Romande Orchestra with Debussy, Ravel & Jane Coop (piano) piano, violin, and cello), first performed and published in 1795. Stravinsky. With Catriona Young. The wit, creativity and sheer energy of these works is 05:06 AM astonishing. Clearly Beethoven waited until he had three 01:01 AM Per Nørgård (b.1932) substantial works he was happy with to publish as his first Opus Claude Debussy (1862-1918) Pastorale for String Trio number. They must have made quite a splash at the time, and Jeux Trio Aristos remain infectiously vital pieces today. Orchestre de la Suisse Romande, Jonathan Nott (conductor) 05:12 AM 10.20am New Releases 01:19 AM Jean Coulthard (1908-2000), Michael Conway Baker Maurice Ravel (1875-1937), Yan Maresz (arranger) (orchestrator) ‘Offenbach – Folies Symphoniques’ – Offenbach overtures Violin Sonata in G major (orch. Yan Maresz) Four Irish Songs Brandenburgisches Staatsorchester Frankfurt Renaud Capuçon (violin), Orchestre de la Suisse Romande, Linda Maguire (soprano), CBC Vancouver Orchestra, Mario Howard Griffiths (conductor) Jonathan Nott (conductor) Bernardi (conductor) CPO 555 275-2 https://www.jpc.de/jpcng/cpo/detail/-/art/jacques-offenbach- 01:36 AM 05:22 AM ouvertueren/hnum/8921600 Jules Massenet (1842-1912) Frantisek Xaver Pokorný (1729-1794) Méditation (Thaïs) Concerto for Horn, Timpani and Strings in D major ‘Locus Iste’ – sacred choral music by Harris, Rorem, Finzi, Renaud Capuçon (violin), Orchestre de la Suisse Romande, Radek Baborák (horn), Prague Chamber Orchestra, Antonín Britten, Stanford, Tavener, Dove, Poulenc, Robinson, Woolf, Jonathan Nott (conductor) Hradil (conductor) Bruckner, Swayne, Rachmaninoff & Parry The Choir of St John’s College Cambridge 01:42 AM 05:38 AM Glen Dempsey (organ) Igor Stravinsky (1882-1971) Joaquín Turina (1882-1949) Laura van der Heijden (cello) Petrushka (1911 vers) Circulo, Op 91 Andrew Nethsingha (conductor) Orchestre de la Suisse Romande, Jonathan Nott (conductor) John Harding (violin), Stefan Metz (cello), Daniel Blumenthal Signum Classics SIGCD567 (piano) https://signumrecords.com/product/locus-iste/SIGCD567/ 02:18 AM György Ligeti (1923-2006) 05:49 AM Schumann: Dichterliebe + 3 Romanzen & others Romanian Concerto (4th movement) Leonel Power (1370-1445) Julian Prégardien (tenor) Orchestre de la Suisse Romande, Jonathan Nott (conductor) Salve Regina Sandrine Piau (soprano) Hilliard Ensemble Éric le Sage (Blüthner piano, Leipzig 1856) 02:24 AM Alpha 457 Antonín Dvořák (1841-1904) 05:57 AM https://outhere-music.com/en/albums/schumann-dichterliebe- Piano Quartet no 2 in E flat major, Op 87 Maurice Ravel (1875-1937) alpha457 Zhang Zuo (piano), Elena Urioste (violin), Lise Berthaud Le Tombeau de Couperin (viola), Guy Johnston (cello) Louis Schwizgebel (piano) ‘Welcome home, Mr. Dubourg’ – Matthew Dubourg: Concertos in A Major & D Major, Violin Sonata in A Major, Ode for 03:01 AM 06:22 AM Dublin Castle + others Antoine Dauvergne (1713-1797) Max Bruch (1838-1920) Anna Devin (soprano) Concert de simphonies à IV parties in F major, Op 3 no 2 Violin Concerto No 1 in G minor, Op 26 Rachel Kelly (mezzo-soprano) Capella Coloniensis, William Christie (director) Ion Voicu (violin), Romanian National Radio Orchestra, Edward Grint (bass) Emanuel Elenescu (conductor) Sophie Gent, Claire Duff & Huw Daniel (violins) 03:22 AM Irish Baroque Orchestra Johann Sebastian Bach (1685-1750) 06:45 AM Irish Baroque Chorus Suite for cello solo no 4 in E flat major, BWV1010 Franciszek Scigalski (1782-1846) Peter Whelan (conductor) Guy Fouquet (cello) Symphony in D major Linn CKD 532 Polish Radio Symphony Orchestra, Andrzej Mysinski https://www.linnrecords.com/recording-welcome-home-mr- 03:47 AM (conductor) dubourg Johannes Brahms (1833-1897) 6 Quartets for soprano, alto, tenor, bass and piano, Op 112 10.50am Andrew McGregor talks to Nicholas Kenyon about Danish National Radio Choir, Bengt Forsberg (piano), Stefan SAT 07:00 Breakfast (m0004s3f) the first releases of Haydn 2032, an ambitious project to record Parkman (conductor) Saturday - Martin Handley all the Haydn symphonies before the 300th anniversary of his birth in 2032. 03:59 AM Martin Handley presents Radio 3's classical breakfast show, Fryderyk Chopin (1810-1849) featuring listener requests. ‘Haydn 2032 – Vol.1 (La Passione)’ – Haydn: Symphonies Prelude for piano in C sharp minor, Op 45 Nos.1, 39 & 49; Gluck: Don Juan ou le Festin de Pierre Cedric Tiberghien (piano) Email [email protected] Il Giardino Armonico (orchestra) Giovanni Antonini (conductor) 04:04 AM Alpha 670 John Thomas (1826-1913) SAT 09:00 Record Review (m0004s3k) https://outhere-music.com/en/albums/la-passione-alpha-670 The minstrel's adieu to his native land for harp Andrew McGregor with Helen Wallace and Nicholas Kenyon Rita Costanzi (harp) ‘Haydn 2032 – Vol.3 (Solo e Pensoso)’ – Haydn: Symphonies 9.00am Nos.3, 42 & 64, L’Isola Disabitata (overture) & Solo e Pensoso 04:11 AM (Aria) Giacomo Puccini (1858-1924) ‘Mr Handel’s Dinner’ – Concertos etc. by Handel, Geminiani, Francesca Aspromonte (soprano) Aria: Sola, perduta, abbandonata - from Act IV of Manon Finger & Babell Il Giardino Armonico (orchestra) Lescaut Maurice Steger (recorder & direction) Giovanni Antonini (conductor) Charlotte Margiono (soprano), Netherlands Radio Philharmonic La Cetra (ensemble) Alpha 672 Orchestra, Kenneth Montgomery (conductor) Harmonia Mundi HMM902607 https://outhere-music.com/en/albums/haydn-2032-vol-3-solo-e- http://www.harmoniamundi.com/#!/albums/2513 pensoso-alpha-672 04:17 AM Camille Saint-Saëns (1835-1921) ‘Leonardo: Shaping the Invisible’ – Choral music by Tallis, ‘Haydn 2032 – Vol.4 (Il Distratto)’ – Haydn: Symphonies Havanaise for violin and orchestra, Op 83 Howells, Monteverdi, Jean-Yves Daniel-Lesur, Victoria, Nos.60, 70 & 12; Cimarosa: Il Maestro di Cappella Moshe Hammer (violin), Winnipeg Symphony Orchestra, Rubbra, Monteverdi, Vecchi, JS Bach, Janequin, Desprez, de Riccardo Novaro (baritone) Kazuhiro Koizumi (conductor) Rore, Janequin + Adrian Williams Il Giardino Armonico (orchestra) I Fagiolini (choir) Giovanni Antonini (conductor) 04:28 AM Robert Hollingworth (director) Alpha 674 Christoph Graupner (1683-1760) Coro COR16171 https://outhere-music.com/en/albums/haydn2032-no-4-il- Flute Concerto in F, GWV 323 https://thesixteenshop.com/collections/new- distratto-alpha-674 Bolette Roed (recorder), Arte dei Suonatori releases/products/leonardo-shaping-the-invisible ‘Haydn 2032 – Vol.5 (L’Homme de Génie)‘ – Haydn: 04:37 AM Janacek: String Quartets Nos.1 & 2; Ligeti: String Quartet No.1 Symphonies Nos.80, 81 & 19; Kraus: Symphony in C minor Bernard Piris (b.1951) Belcea Quartet Kammerorchester Basel (ensemble) Deux Preludes Alpha 454 Giovanni Antonini (conductor) Supported by bbc.co.uk/programmes/ Radio 3 Listings for 4 – 10 May 2019 Page 2 of 12 Alpha 676 SAT 15:00 Sound of Cinema (m0004s4q) Artist Susan Weinert https://outhere-music.com/en/albums/haydn-2032-vol-5-l- Academia Title Eisblume homme-de-genie-alpha-676 Composer Weinert Academia has provided a rich backdrop for cinema over the Album Beyond the Rainbow ‘Haydn 2032 – Vol.7 (Gli Impresari)’ – Haydn: Symphonies years. With the release of the biopic ‘Tolkien’ this week, based Label Tough Tone Nos,67, 65 & 9; Mozart: Thamos, King of Egypt on the life of the Oxford academic and author JRR Tolkien, Number 2308 Track 2 Kammerorchester Basel (ensemble) Matthew Sweet looks at film music written to underscore life at Duration 5.19 Giovanni Antonini (conductor) university. The programme features music by John Williams, Performers Susan Weinert, g; Sebastian Voltz, p; Martin Alpha 680 James Horner, John Dankworth among others. Weinert, b. 2019. https://outhere-music.com/en/albums/haydn-2032-vol-7-gli- impresari-alpha680 DISC 9 SAT 16:00 Jazz Record Requests (m0004s51) Artist Andrew McCormack Haydn: String Quartets Op.64/4, 20/2 & 54/2 04/05/19 Title The Calling Jubilee Quartet Composer McCormack / Nuti Rubicon RCD1039 Alyn Shipton introduces listener requests including Louis Album The Calling http://rubiconclassics.com/release/haydn-string-quartets/ Armstrong, Miles Davis and
Load more

Recommended publications
  • In Concert AUGUST–SEPTEMBER 2012
    ABOUT THE MUSIC GRIEG CONCERTO /IN CONCERT AUGUST–SEPTEMBER 2012 GRIEG CONCERTO 30 AUGUST–1 SEPTEMBER STEPHEN HOUGH PLAYS TCHAIKOVSKY 14, 15 AND 17 SEPTEMBER TCHAIKOVSKY’S PATHÉTIQUE 20–22 SEPTEMBER ENIGMA VARIATIONS 28 SEPTEMBER MEET YOUR MSO MUSICIANS: SYLVIA HOSKING AND MICHAEL PISANI PIERS LANE VISITS GRIEG’S BIRTHPLACE STEPHEN HOUGH ON TCHAIKOVSKY’S PIANO CONCERTO NO.2 SIR ANDREW DAVIS HAILS THE NEW HAMER HALL twitter.com/melbsymphony facebook.com/melbournesymphony IMAGE: SIR ANDREW Davis CONDUCTING THE MELBOURNE SYMPHONY ORCHESTRA Download our free app 1 from the MSO website. www.mso.com.au/msolearn THE SPONSORS PRINCIPAL PARTNER MSO AMBASSADOR Geoffrey Rush GOVERNMENT PARTNERS MAESTRO PARTNER CONCERTMASTER PARTNERS MSO POPS SERIES REGIONAL TOURING PRESENTING PARTNER PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS MONASH SERIES PARTNER SUPPLIERS Kent Moving and Storage Quince’s Scenicruisers Melbourne Brass and Woodwind Nose to Tail WELCOME Ashton Raggatt McDougall, has (I urge you to read his reflections been reported all over the world. on Grieg’s Concerto on page 16) and Stephen Hough, and The program of music by Grieg conductors Andrew Litton and and his friend and champion HY Christopher Seaman, the last of Percy Grainger that I have the whom will be joined by two of the privilege to conduct from August finest brass soloists in the world, otograp 29 to September 1 will be a H P Radovan Vlatkovic (horn) and wonderful opportunity for you to ta S Øystein Baadsvik (tuba), for our O experience all the richness our C special Town Hall concert at the A “new” hall has to offer.
    [Show full text]
  • Shostakovich (1906-1975)
    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No.
    [Show full text]
  • Rezension Für: Deutsches Symphonie-Orchester Berlin
    Rezension für: Deutsches Symphonie-Orchester Berlin Edition Friedrich Gulda – The early RIAS recordings Ludwig van Beethoven | Claude Debussy | Maurice Ravel | Frédéric Chopin | Sergei Prokofiev | Wolfgang Amadeus Mozart 4CD aud 21.404 Radio Stephansdom CD des Tages, 04.09.2009 ( - 2009.09.04) Aufnahmen, die zwischen 1950 und 1959 entstanden. Glasklar, "gespitzter Ton" und... Full review text restrained for copyright reasons. Neue Musikzeitung 9/2009 (Andreas Kolb - 2009.09.01) Konzertprogramm im Wandel Konzertprogramm im Wandel Full review text restrained for copyright reasons. Piano News September/Oktober 2009, 5/2009 (Carsten Dürer - 2009.09.01) Friedrich Guldas frühe RIAS-Aufnahmen Friedrich Guldas frühe RIAS-Aufnahmen Full review text restrained for copyright reasons. page 1 / 388 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de DeutschlandRadio Kultur - Radiofeuilleton CD der Woche, 14.09.2009 (Wilfried Bestehorn, Oliver Schwesig - 2009.09.14) In einem Gemeinschaftsprojekt zwischen dem Label "audite" und Deutschlandradio Kultur werden seit Jahren einmalige Aufnahmen aus den RIAS-Archiven auf CD herausgebracht. Inzwischen sind bereits 40 CD's erschienen mit Aufnahmen von Furtwängler und Fricsay, von Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau u. v. a. Die jüngste Produktion dieser Reihe "The Early RIAS-Recordings" enthält bisher unveröffentlichte Aufnahmen von Friedrich Gulda, die zwischen 1950 und 1959 entstanden. Die Einspielungen von Beethoven, Debussy, Ravel und Chopin zeigen den jungen Pianisten an der Schwelle zu internationalem Ruhm. Die Meinung unserer Musikkritiker: Eine repräsentative Auswahl bisher unveröffentlichter Aufnahmen, die aber bereits alle Namen enthält, die für Guldas späteres Repertoire bedeutend werden sollten: Mozart, Beethoven, Debussy, Ravel, Chopin.
    [Show full text]
  • FRENCH SYMPHONIES from the Nineteenth Century to the Present
    FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen.
    [Show full text]
  • 44° Cantiere Internazionale D'arte Biografie Degli Artisti Giampiero
    44° cantiere internazionale d’arte Biografie degli artisti Giampiero Allegro Diplomato in Clarinetto nel 1986 al Conservatorio " L. Cherubini di Firenze, ha frequentato corsi di perfezionamento con il M° Ciro Scarponi e all’Accademia Chigiana di Siena con il M° Giuseppe Garbarino. Ha partecipato dal 1979 a numerose edizioni del Cantiere Internazionale d’arte di Montepulciano, suonando in gruppi da camera e in orchestra anche come solista, con Direttori come Jan Latham-Koenig, Marcus Stenz, Pasquale Veleno, Roland Böer, Luciano Garosi. Ha eseguito “ prime assolute “, in Italia e all’estero alcune delle quali trasmesse dal terzo canale radiofonico della RAI e dalla radio Nazionale Svizzera. Ha studiato flauto dolce con il M° Anna Schuly, con il M° Marijke Schat e Paolo Capirci diplomandosi nel 1991 in flauto diritto ed interpretazione della musica antica a Roma. Nel 1995 e nel 1996 ha seguito corsi di musica da camera con il M° Pier Narciso Masi. Nel 2001 e 2002 ha seguito corsi di direzione d’orchestra con il M° Alessandro Pinzauti. Nel 2005 vince il 2° concorso Nazionale “ Il Corto “ di Roma come migliore musica originale del cortometraggio di Isabella Borromeo “ Bianca “. Primo Clarinetto dell’Arcadia Wind Orchestra di Abbadia S. Salvatore vincitrice del 1° premio assoluto al XIII° Concorso Nazionale “ La bacchetta d’Oro “ a Fiuggi nel maggio 2010. Naomi Berrill Naomi Berrill nasce a Galway (Irlanda) nel 1981. I suoi genitori, insegnanti di musica, hanno avuto un ruolo fondamentale nel suo percorso formativo. La madre Mairead è un punto di riferimento per l’insegnamento della musica nelle scuole irlandesi.
    [Show full text]
  • Catalogue.Pdf
    MASTER TAPE SOUND LAB sonic upstream www.MasterTapeSoundLab.com For Orders: [email protected] MASTER TAPE CATALOGUE Masterpieces on Master Tape: 64 Master Tapes, about 30 min. each Limited release on 1 generation 2 track 15 ips IEC master tape dubs: Jazz, Classical, Vocals, other. Pricing & formats: www.mastertapesoundlab.com. Samples & recording process: http://www.reel2reel.tv/transformer/recordings_intro.htm All recordings on this catalogue were licensed for limited master tape release by Master Sound Tape Lab and are hereby offered for personal use only. Any reproduction of the tapes offered here is forbidden and subject to copy right law. "I just received the samples this morning. Utterly brilliant. The finest capture of the natural acoustic I have ever heard". - Howard Popeck, SIMPLY STAX, UK "Wonderful recording - you have captured the airy and spacious acoustic perfectly, there is lovely delicacy in the treble and the mids are liquid; in short, very very analogue." - Mike Kontor, designer of NotePerfect Loudspeakers. "I do love Mercury Living Presence recordings and I thought that the sound was impossible to get again, now you did it!" - Vincenzo Fratello, SAP, Nagra Italy. "In essence, it's audio 'vanity publishing': Metaxas has issued a disc of recordings from his own archives. But the results will simply astound you". Ken Kessler, Hi Fi News & Record Review. A. Jazz: 1. Anita Hustas Trio, BMW EDGE, Melbourne 2005 2-3. Andrea Keller - Jazz Ensemble, BMW EDGE, 2005 Tapes 1&2 4-5. Aaron Choulai Trio at BENNETTS LANE, Melbourne 2005, Tapes 1&2 6-7. Aaron Choulai Trio, at BMW EDGE, 2005, Melbourne, Tapes 1&2 8-9.
    [Show full text]
  • Documents Sur Robert SCHUMANN (1810-1856)
    DOCUMENTS SUR Robert SCHUMANN (1810-1856) (Mise à jour le 21 mai 2013) Médiathèque Musicale Mahler 11 bis, rue Vézelay – F-75008 Paris – (+33) (0)1.53.89.09.10 www.mediathequemahler.org Médiathèque Musicale Mahler – Robert Schumann 2010 2 Livres et documents sur Robert SCHUMANN (1810-1856) LIVRES 3 Sur Robert Schumann 3 Schumann dans les biographies d'autres compositeurs… 10 Schumann dans les ouvrages thématiques… 13 PARTITIONS 22 ENREGISTREMENTS SONORES 34 Schumann dans les disques d'autres compositeurs 75 REVUES 99 ARCHIVES NUMÉRISÉES 100 FONDS D'ARCHIVES 101 Médiathèque Musicale Mahler – Robert Schumann 2010 3 LIVRES BIOGRAPHIES DE ROBERT SCHUMANN Clara und Robert Schumann : Zeitgenössische Porträts : Katalog zur Ausstellung des Heinrich-Heine- Instituts, Düsseldorf und des Robert-SChumann-Hauses in Zwickau (7. Juni - 24. Juli 1994, Heinrich- Heine-Institut, Düsseldorf...) / Vorwort von Joseph A. Kruse. - Düsseldorf : Droste, 1994. (BM SCHUM A5) Robert Schumann / préf. de J.C. Teboul. - Paris : Place, 2004. (BM SCHUM E4) Robert Schumann : the autograph manuscript of the piano concerto in a minor op. 54 : [catalogue de vente, Sotheby's, 22 novembre 1989]. - London : Sotheby's, 1989. (BM SCHUM G Concerto) Schumann. - Paris : Hachette, 1970. (BM SCHUM D6) Schumann à la Grange de Meslay du 10 au 19 juin 1994 : 31e Fêtes musicales en Touraine, 1994. - Tours : Fêtes Musicales en Touraine, 1994. (BM SCHUM A4) Thematisches Verzeichniss sämmtlicher im Druck erschienenen Werke Robert Schumann's. - Leipzig ; New York : Schuberth & Co, s.d.. (BM SCHUM A1) ABERT Hermann. - Robert Schumann. - Berlin : Harmonie, 1903. (BM SCHUM C ABE A1) ABRAHAM Gerald. - Schumann : a symposium. - London : Oxford University Press, 1952.
    [Show full text]
  • ITALIAN, PORTUGUESE, SPANISH and LATIN AMERICAN SYMPHONIES from the 19Th Century to the Present
    ITALIAN, PORTUGUESE, SPANISH AND LATIN AMERICAN SYMPHONIES From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman FRANCO ALFANO (1876-1960, ITALY) Born in Posillipo, Naples. After studying the piano privately with Alessandro Longo, and harmony and composition with Camillo de Nardis and Paolo Serrao at the Conservatorio di San Pietro a Majella, Naples, he attended the Leipzig Conservatory where he completed his composition studies with Salomon Jadassohn. He worked all over Europe as a touring pianist before returning to Italy where he eventually settled in San Remo. He held several academic positions: first as a teacher of composition and then director at the Liceo Musicale, Bologna, then as director of the Liceo Musicale (later Conservatory) of Turin and professor of operatic studies at the Conservatorio di San Cecilia, Rome. As a composer, he speacialized in opera but also produced ballets, orchestral, chamber, instrumental and vocal works. He is best known for having completed Puccini’s "Turandot." Symphony No. 1 in E major "Classica" (1908-10) Israel Yinon/Brandenburg State Orchestra, Frankfurt ( + Symphony No. 2) CPO 777080 (2005) Symphony No. 2 in C major (1931-2) Israel Yinon/Brandenburg State Orchestra, Frankfurt ( + Symphony No. 1) CPO 777080 (2005) ANTONIÓ VICTORINO D'ALMEIDA (b.1940, PORTUGAL) Born in Lisbon.. He was a student of Campos Coelho and graduated from the Superior Piano Course of the National Conservatory of Lisbon. He then studied composition with Karl Schiske at the Vienna Academy of Music. He had a successful international career as a concert pianist and has composed prolifically in various genres including: instrumental piano solos, chamber music, symphonic pieces and choral-symphonic music, songs, opera, cinematic and theater scores.
    [Show full text]
  • Etruscan Concerto
    476 3222 PEGGY GLANVILLE-HICKS etruscan concerto TASMANIAN SYMPHONY ORCHESTRA As a still relatively young nation, Australia could composing that they had no option but to go be considered fortunate to have collected so away. Equally true, relatively few of our few notable dead composers! For most of the composing women flourished ‘abroad’ for long, 20th century, almost every composer we could though Tasmanian Katharine Parker (Longford- claim was very much alive. Yet, sadly, this did born and Grainger protégée) did, and Melburnian not stop us from losing track of some of our Peggy Glanville-Hicks is the notable other. Peggy Glanville-Hicks 1912-1990 most talented, who went away and stayed Indeed, Edward Cole’s notes for the 1956 away, as did Percy Grainger and Arthur Benjamin American first recording of her Etruscan Etruscan Concerto [15’17] (the only Australian composer blacklisted by Concerto make the unique claim: ‘Peggy 1 I. Promenade 4’05 Goebbels), or returned too late, like Don Banks. Glanville-Hicks is the exception to the rule that 2 II. Meditation 7’26 And we are now rediscovering many other women composers do not measure up to the 3 III. Scherzo 3’46 interesting stay-aways, like George Clutsam (not standards set in the field by men.’ Caroline Almonte piano just the arranger of Lilac Time), Ernest Hutchinson, John Gough (Launceston-born, like Talented Australian women of Glanville-Hicks’ 4 Sappho – Final Scene 7’42 Peter Sculthorpe) and Hubert Clifford. generation hardly lacked precedent for going Deborah Riedel soprano Meanwhile, among those who valiantly toiled abroad, as Sutherland, Rofe and Hyde all did for away at home, we are at last realising that a while, with such exemplars as Nellie Melba 5 Tragic Celebration 15’34 names like Roy Agnew, John Antill and David and Florence Austral! Peggy Glanville-Hicks’ Letters from Morocco [14’16] Ahern might not just be of local interest, but piano teacher was former Melba accompanist 6 I.
    [Show full text]
  • Oleg Caetani , Direttore
    Oleg Caetani , direttore Oleg Caetani, cosiderato uno dei più grandi direttori della sua generazione, sia nel repertorio sinfonico che in quello operistico. Nel corso della sua carriera ha diretto in tutto il mondo dal Teatro alla Scala di Milano al Teatro Mariinsky di San Pietroburgo, dalla Royal Opera House di Londra all'Opera House di San Francisco, dal Musikverein di Vienna al Lincoln Center di New York, dalla Suntory Hall di Tokyo alla Sydney Opera House, dall'Accademia di Santa Cecilia a Roma alla Staatskapelle di Dresda, dai MuenchnerPhilharmoniker all'Orchestra del Mozarteum, dall'Orchestra Sinfonica Svetlanov all'Orchestra Yomiuri, dalla Syndey Symphony all'Orchestra Sinfonica di Montreal lavorando con alcuni dei più grandi solisti come Marta Argerich, Sviatoslav Richter, Danil Trifonov, Vadim Repin, Misha Maiisky, Gautier Capucon, Viktoria Mullova, Emmanuele Pahud e molti altri ancora. Caetani considera Nadia Boulanger la fonte ispiratrice della sua carriera che dopo aver scoperto il suo talento, l'ha iniziato allo studio della musica e gli ha trasmesso il suo approccio filosofico alla vita, legato a Montaigne, che tutt’oggi lo caratterizza. Al Conservatorio di Santa Cecilia di Roma ha frequentato la classe di direzione d'orchestra di Franco Ferrara e ha studiato composizione con Irma Ravinale. All'età di 17 anni ha debuttato come direttore in una sua produzione (da lui ideata) de Il combattimento di Tancredi e Clorinda di Monteverdi e altri madrigali. Dopo aver studiato tutte le Sinfonie di Shostakovich con Kiril Kondrashin al Conservatorio di Mosca, si è diplomato con Ilya Mussin al Conservatorio di San Pietroburgo. Vincitore del concorso RAI di Torino e del Concorso Karajan a Berlino, ha iniziato la sua carriera all'Opera di Stato di Berlino "Unter den Linden" come assistente di Otmar Suitner.
    [Show full text]
  • 6674 MSO Annual Report 06 FA.Indd
    ANNUAL REPORT the mso/artplay ensemble brings together musicians aged eight-14 years from all over melbourne to create new compositions with mso musicians. for more information see page 11. Contents 1 Chief Conductor and Artistic Director’s Report 2 Chairman’s Report 4 Managing Director’s Report 6 2006 Highlights 9 Education and Community Outreach 12 Government and Private Sector Report 13 Patrons 14 Key Performance Statistics 15 Annual Financial Report Chief Conductor and Artistic Director’s Report It was a great joy to work with the Melbourne Symphony Orchestra in my second year as Chief Conductor and Artistic Director. We achieved so much together in 2006, and I believe that the superb development in our musical relationship was evident through the quality of our performances. When I returned to Australia we began work almost immediately Towards the end of the year we began preparations for the 2007 on one of the most important events of the year, the performances European tour with performances of some of the repertoire we of Shostakovich’s Leningrad Symphony. This is a true symphonic would be performing in Spain, France and Germany. To that epic and the performances, which we presented to mark the end, the concerts with the Orchestra in November of Mahler’s centenary of the composer’s birth, were very special for me. Symphony No. 1 were among the best performances of that work It was a key example of a work requiring, if you will, a narrative I have been involved in during my career. Another highlight response from everyone on stage, and the Orchestra brought to was the wonderfully diverse Shakespeare program in September, the work the greatest sensitivity and vividness.
    [Show full text]
  • International Viola Congress
    CONNECTING CULTURES AND GENERATIONS rd 43 International Viola Congress concerts workshops| masterclasses | lectures | viola orchestra Cremona, October 4 - 8, 2016 Calendar of Events Tuesday October 4 8:30 am Competition Registration, Sala Mercanti 4:00 pm Tymendorf-Zamarra Recital, Sala Maffei 9:30 am-12:30 pm Competition Semifinal,Teatro Filo 4:00 pm Stanisławska, Guzowska, Maliszewski 10:00 am Congress Registration, Sala Mercanti Recital, Auditorium 12:30 pm Openinig Ceremony, Auditorium 5:10 pm Bruno Giuranna Lecture-Recital, Auditorium 1:00 pm Russo Rossi Opening Recital, Auditorium 6:10 pm Ettore Causa Recital, Sala Maffei 2:00 pm-5:00 pm Competition Semifinal,Teatro Filo 8:30 pm Competition Final, S.Agostino Church 2:00 pm Dalton Lecture, Sala Maffei Post-concert Café Viola, Locanda il Bissone 3:00 pm AIV General Meeting, Sala Mercanti 5:10 pm Tabea Zimmermann Master Class, Sala Maffei Friday October 7 6:10 pm Alfonso Ghedin Discuss Viola Set-Up, Sala Maffei 9:00 am ESMAE, Sala Maffei 8:30 pm Opening Concert, Auditorium 9:00 am Shore Workshop, Auditorium Post-concert Café Viola, Locanda il Bissone 10:00 am Giallombardo, Kipelainen Recital, Auditorium Wednesday October 5 11:10 am Palmizio Recital, Sala Maffei 12:10 pm Eckert Recital, Sala Maffei 9:00 am Kosmala Workshop, Sala Maffei 9:00 am Cuneo Workshop, Auditorium 12:10 pm Rotterdam/The Hague Recital, Auditorium 10:00 am Alvarez, Richman, Gerling Recital, Sala Maffei 1:00 pm Street Concerts, Various Locations 11:10 am Tabea Zimmermann Recital, Museo del Violino 2:00 pm Viola Orchestra
    [Show full text]