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Coldplay? 2016 CILL Season Begins 2016 Primary Election Results: So Goes City Island
Periodicals Paid at Bronx, N.Y. USPS 114-590 Volume 45 Number 4 May 2016 One Dollar Coldplay? 2016 CILL Season Begins By VIRGINIA DANNEGGER and KAREN NANI ria Piri, concession stand managers Jim and singlehandedly did the job of several and Sue Goonan, and equipment manager people. Even though his boys aged out of Lou Lomanaco. Several of these board the league, John still dedicates his time to members have served multiple terms on the help.” He presented John with a framed board. CILL jersey and a plaque in appreciation Mr. Esposito gave special thanks to for his support of the league and the City Photos by RICK DeWITT the outgoing president, John Tomsen, Island community. It was a chilly start to the 2016 Little League season on April 9, but the baseball tradi- who threw out the first pitch. “John has “As many of you know, volunteering tion dating back to 1900 is alive and warm on City Island. There are major, minor and time is a family commitment. Whether it t-ball teams competing once again this season. The ceremonial first pitch was thrown been president of the CILL since 2009 by outgoing president John Tomsen, who was also awarded a framed jersey by the Continued on page 19 new league president, Dom Esposito (right, top photo). New York State Assemblyman Michael Benedetto joined Catherine Ambrosini, Mr. Esposito and Mr. Tomsen (second photo, l. to r.) for the season opener. The American Legion color guard bearers led the teams in the “Star Spangled Banner.” As the weather warms up, head down to Ambro- 2016 Primary Election Results: sini Field next to P.S. -
Susannah Buxton - Costume Designer
SUSANNAH BUXTON - COSTUME DESIGNER THE TIME OF THEIR LIVES Director: Roger Goldby. Producer: Sarah Sulick. Starring: Joan Collins and Pauline Collins. Bright Pictures. POLDARK (Series 2) Directors: Charles Palmer and Will Sinclair. Producer: Margaret Mitchell. Starring: Aiden Turner and Eleanor Tomlinson. Mammoth Screen. LA TRAVIATA AND THE WOMEN OF LONDON Director: Tim Kirby. Producer: Tim Kirby. Starring: Gabriela Istoc, Edgaras Montvidas and Stephen Gadd. Reef Television. GALAVANT Directors: Chris Koch, John Fortenberry and James Griffiths. Producers: Chris Koch and Helen Flint. Executive Producer: Dan Fogelman. Starring: Timothy Omundson, Joshua Sasse, Mallory Jansen, Karen David Hugh Bonneville, Ricky Gervais, Rutger Hauer and Vinnie Jones. ABC Studios. LORD LUCAN Director: Adrian Shergold. Producer: Chris Clough. Starring: Christopher Ecclestone, Michael Gambon, Anna Walton and Rory Kinnear. ITV. BURTON & TAYLOR Director: Richard Laxton. Producer: Lachlan MacKinnon. Starring: Helena Bonham-Carter and Dominic West. BBC. RTS CRAFT AND DESIGN AWARD 2013 – Best Costume Design. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] DOWNTON ABBEY (Series I, Series II, Christmas Special) Directors: Brian Percival, Brian Kelly and Ben Bolt. Series Producer: Liz Trubridge. Executive Producer: Gareth Neame. Starring Hugh Bonneville, Jim Carter, Brendan Coyle, Michelle Dockery, Joanne Froggatt, Phyllis Logan, Maggie Smith and Elizabeth McGovern. Carnival Film & Television. EMMY Nomination 2012 – Outstanding Costumes for a Series. BAFTA Nomination 2012 – Best Costume Design. COSTUME DESIGNERS GUILD (USA) AWARD 2012 – Outstanding Made for TV Movie or MiniSeries. EMMY AWARD 2011 – Outstanding Costume Design. (Series 1). Emmy Award 2011 – Outstanding Mini-Series. Golden Globe Award 2012 – Best Mini Series or Motion Picture made for TV. -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Read Book « Downton Abbey
CO79FRWX1ZZ5 « Kindle » Downton Abbey - Unabridged Guide Downton A bbey - Unabridged Guide Filesize: 7.75 MB Reviews It in a of the best ebook. It is one of the most incredible pdf i actually have go through. I am just easily will get a satisfaction of looking at a composed book. (Elisha McCullough) DISCLAIMER | DMCA TDIRCZIHVUWL // Book Downton Abbey - Unabridged Guide DOWNTON ABBEY - UNABRIDGED GUIDE To download Downton Abbey - Unabridged Guide PDF, please access the web link below and save the document or gain access to additional information which are highly relevant to DOWNTON ABBEY - UNABRIDGED GUIDE book. Tebbo. Paperback. Book Condition: New. Paperback. 192 pages. Dimensions: 8.9in. x 5.9in. x 0.6in.Complete, Unabridged Guide to Downton Abbey. Get the information you need--fast! This comprehensive guide oers a thorough view of key knowledge and detailed insight. Its all you need. Heres part of the content - you would like to know it all Delve into this book today! . : It was recognized by the Guinness Book of World Records as the most critically acclaimed English television series of 2011 and only international television series to receive the most number of nominations on the history of the Primetime Emmy Awards - with twenty-seven in total. The first series was broadcast in the UK on 26 September 2010, and explored the lives of the Crawley family and their servants from the day aer the sinking of the RMS Titanic in April 1912 to the outbreak of the First World War on 4 August 1914. Michelle Dockery, Dame Maggie Smith, Brendan Coyle, Rob James-Collier, Dan Stevens, Elizabeth McGovern, Hugh Bonneville, Jessica Brown Findlay, Laura Carmichael, Joanne Froggatt, Phyllis Logan and Allen Leech all returned and Cal Macaninch, Iain Glen, Amy Nuttall, Zoe Boyle and Maria Doyle Kennedy joined the cast as the new valet Lang, Sir Richard Carlisle, the new Housemaid Ethel, Miss Lavinia Swire and John Bates wife Vera respectively. -
John Bull University of Lincoln 'We Cannot All Be Masters, Nor All Masters/Cannot Truly Be Follow'd': Joe Orton's Holida
John Bull University of Lincoln ‘We cannot all be masters, nor all masters/Cannot truly be follow’d’: Joe Orton’s Holiday Camp Bacchae – matters of class, genre and medium in The Erpingham Camp. Joe Orton is thought of largely as a writer for the theatre, and yet three of his plays first appeared on television: as many as first appeared on stage. In what follows I want to consider just one of these, The Erpingham Camp (1967) and, by looking at the way in which it evolved both before and after its first outing on television, to offer to both reposition this play in the oeuvre and to re-open the debate about what Orton was moving towards theatrically.1 Before considering its development, it will be useful first to reflect on the public perception of the young dramatist at the time he started to work on it. From a distance of some fifty years, and in a very different social and cultural climate, it is extremely hard to fully comprehend the kind of impact that Joe Orton’s plays had when first produced: and, concomitantly, it is just about impossible to understand the degree of hostility that they aroused in many quarters, and yet it is important to do so in order to understand how Orton dealt practically with the implications of this hostility. Nor was it confined to sections of the paying public and to newspaper critics, as reaction to the work that caused the greatest furore at the time, Loot (1964), will demonstrate. Examination of the Lord Chamberlain’s archive reveals that there was considerable internal pressure to refuse to grant it a licence at all: a reader’s report by Kyle Fletcher (8 December 1964) argued that the play 1 Work on this article has been greatly aided by research in the following archives: ‘Joe Orton Collection’, University of Leicester; ‘’Lord Chancellor’s Papers’ and ‘Peter Gill Archive’, British Library; ‘Lyndsay Anderson Archive’, University of Stirling; the British Film Institute archive. -
Sub-Saharan Africa
UNIVERSITY OF SOUTHERN CALIFORNIA PUBLIC MAGAZINE ISSUE 15 WINTER 2016DIPLOMACY SUB-SAHARAN AFRICA publicdiplomacymagazine.com PUBLIC DIPLOMACY IN SUB-SAHARAN AFRICA EDITORIAL POLICY EDITORIAL BOARD Authors interested in contributing to Public Diplomacy Magazine should contact PUBLIC DIPLOMACY MAGAZINE EDITOR-IN-CHIEF PRODUCTION the editorial board about their proposals. SEEKS CONTRIBUTIONS FOR Sarah Valeria Salceda Nick Salata, Chromatic. Inc Articles submitted to Public Diplomacy EACH THEMED ISSUE BASED Magazine are reviewed by the editorial SENIOR EDITORS FACULTY ADVISORY BOARD board, composed entirely of graduate ON A STRUCTURED SOLICITA- Nastasha Everheart, Managing Editor Nicholas J. Cull, Director, students enrolled in the Master of Public TION SYSTEM. SUBMISSIONS Heba Gibani, Layout & Digital Editor Master of Public Diplomacy Program, USC Diplomacy program at the University of MUST BE INVITED BY THE EDI- Erica McNamara, Marketing Editor Jian (Jay) Wang, Director, Southern California. Articles are evaluated TORIAL BOARD. UNSOLICITED Sarah Chung, Submissions Editor USC Center on Public Diplomacy based on relevance, originality, prose, and ARTICLES WILL NOT BE Philip Seib, Vice Dean, USC Annenberg argumentation. CONSIDERED OR RETURNED. STAFF EDITORS School for Communication and Journalism The Editor-in-Chief, in consultation Amanda Lester with the editorial board, holds fnal authority Bret Schafer EX-OFFICIO MEMBERS for accepting or refusing submissions for Copyright of published articles remains with Maria Lattouf Abu Atmi Robert English, Director, School of publication. Authors are responsible for Public Diplomacy Magazine. No article in its Laurence Desroches International Relations, USC ensuring accuracy of their statements. The entirety or parts thereof may be published Jung-Hwa Kang Sherine Badawi Walton, Deputy Director, editorial staf will not conduct fact checks, in any form without proper citation credit. -
Celebrity Playlists for M4d Radio’S Anniversary Week
Celebrity playlists for m4d Radio’s anniversary week Len Goodman (former ‘Strictly’ judge) Monday 28 June, 9am and 3pm; Thursday 1 July, 12 noon “I’ve put together an hour of music that you might like to dance to. I hope you enjoy the music I have chosen for you. And wherever you are listening, I hope it’s a ten from Len!” 1. Putting On The Ritz – Ella Fitzgerald 10. On Days Like These – Matt Monroe 2. Dream A Little Dream of Me – Mama 11. Anyone Who Had A Heart – Cilla Black Cass 12. Strangers On The Shore – Acker Bilk 3. A Doodlin’ Song – Peggy Lee 13. Living Doll – Cliff Richard 4. Spanish Harlem – Ben E King 14. Dreamboat – Alma Cogan 5. Lazy River – Bobby Darin 15. In The Summertime – Mungo Jerry 6. You Don’t Have To Say You Love Me – 16. Clair – Gilbert O’Sullivan Dusty Springfield 17. My Girl – The Temptations 7. When I Need You – Leo Sayer 18. A Summer Place – Percy Faith 8. Come Outside – Mike Sarne & Wendy 19. Kiss Me Honey Honey – Shirley Bassey Richard 20. I Want To Break Free – Queen 9. Downtown – Petula Clark Angela Lonsdale (Our Girl, Holby City, Coronation Street) Thursday 9am and 3pm; Friday 2 July, 12 noon Angela lost her mother to Alzheimer’s. Her playlist includes a range of songs that were meaningful to her and her mother and that evoke family memories. 1. I Love You Because – Jim Reeves (this 5. Crazy – Patsy Cline (her mother knew song reminds Angela of family Sunday every word of this song when she was lunches) in the care home, even at the point 2. -
HUGO LUCZYC-WYHOWSKI Production Designer
HUGO LUCZYC-WYHOWSKI Production Designer Feature Films Include: MONTE CARLO – 20th Century Fox – Thomas Bezucha, director I LOVE YOU PHILLIP MORRIS – LD Entertainment – John Requa & Glenn Ficarra, directors FLASH OF GENIUS – Universal Pictures – Marc Abraham, director MARRIED LIFE – Sony Pictures Classics – Ira Sachs, director MARTIAN CHILD – New Line Cinema – Menno Meyjes, director MRS. HENDERSON PRESENTS – Pathé Pictures – Stephen Frears, director DIRTY DANCING: HAVANA NIGHTS – Lions Gate Films – Guy Ferland, director DIRTY PRETTY THINGS – Miramax Films – Stephen Frears, director THE TRUTH ABOUT CHARLIE – Universal Pictures – Jonathan Demme, director SNATCH – Sony Pictures – Guy Ritchie, director BIRTHDAY GIRL – Miramax Films – Jez Butterworth, director MADELINE – TriStar Pictures – Daisy Mayer, director MOJO – Channel Four Films – Jez Butterworth, director COUSIN BETTE – 20th Century Fox – Des McAnuff, director NIL BY MOUTH – Sony Pictures Classics – Gary Oldman, director THE AFFAIR – HBO Films – Paul Seed, director WHEN SATURDAY COMES – Guild – Maria Giese, director BLACK EASTER – BBC – Ben Bolt, director UNCOVERED – CiBy 2000 – Jim McBride, director KLEPTOMANIA – Warner Bros. – Don Boyd, director THE MUSIC OF CHANCE – IRS Media – Philip Haas, director WATERLAND – Fine Line Features – Stephen Gyllenhaal, director A WOMAN AT WAR – Canal Plus – Ed Bennet, director SMACK AND THISTLE – Channel Four Films – Tunde Ikoli, director DREAM DEMON – Warner Bros. – Harley Cokeliss, director SAMMY AND ROSIE GET LAID – Cinecom Pictures – Stephen Frears, director PRICK UP YOUR EARS – MGM – Stephen Frears, director PERSONAL SERVICES – Vestron Pictures – Terry Jones, director MY BEAUTIFUL LAUNDRETTE – Orion Classics – Stephen Fears, director Commercials Include (Full List Available Upon Request): MILLER LITE – Biscuit Filmworks – Jim Hosking, director MASTERCARD – MJZ, Inc. – Lenard Dorfman, director LLOYD’S – MJZ, Inc. -
Contact: Ketki Parikh 630-964-6061 [email protected] Note: High
Contact: Ketki Parikh 630-964-6061 [email protected] Note: High-resolution photos are available to the media at www.vachikam.org/media FOR IMMEDIATE RELEASE Updated November 14, 2006 NORTH AMERICAN TOUR OF “KAIFI AUR MAIN” STARRING SHABANA AZMI AND JAVED AKHTAR TO BEGIN NOV. 4 DOWNERS GROVE, ILL.—Internationally acclaimed Indian actress Shabana Azmi and her husband, noted poet and lyricist Javed Akhtar, will bring a very personal story to theatre audiences across the United States and Canada in November and December 2006. This famous duo will be starring in “Kaifi Aur Main,” a theatrical presentation celebrating the life and artistry of progressive Urdu poet and film lyricist Kaifi Azmi as seen through the eyes of his wife, noted actress Shaukat Kaifi. Shabana Azmi, the daughter of Kaifi and Shaukat, will portray her mother on stage, while her husband takes on the role of Kaifi. — MORE — “KAIFI AUR MAIN” ADD ONE Awards Shabana Azmi and Javed Akhtar both have garnered media attention in recent days as the recipients of prestigious awards. On Oct. 26, 2006, Shabana Azmi was presented with the International Gandhi Peace Prize in London for her work as a social activist. She is the first Indian to win this award. On Oct. 31, 2006, Javed Akhtar received the 21st Indira Gandhi Award for National Integration from India’s Prime Minister Manmohan Singh. These awards honor the legacy of Kaifi Azmi and Shaukat Kaifi, who also have been recognized for their contributions to society. Kaifi was a recipient of the prestigious Sahitya Akademi Fellowship, many honorary doctorates from Indian universities, and numerous national awards. -
1 Sticky Stories: Joe Orton, Queer History, Queer Dramaturgy
Sticky Stories: Joe Orton, Queer History, Queer Dramaturgy. Stephen Farrier Royal Central School of Speech and Drama, University of London. Joe Orton, commonly thought of as a playwright of risqué farces in the 1960s, was a very present figure for a while in the gay community in the UK in the late 1980s and early 1990s (perhaps because his biography was published late in the 1970s, his diaries in 1986 and a film based on the diaries released 1987). His presence in 1980s and 1990s gay culture was in part because he met a death worthy of column inches and, importantly, he stood as emblematic of a past homosexual who refused to curb his sexuality whilst living in a conservative social context. In England and Wales, homosexuality was not criminalised in the 1980s and 1990s as it had been in the 1950s and 1960s, but there were present homophobic social values and legislation (Section 28, unequal age of consent) that resonated with the context within which Orton was writing and his work was first being produced.1 Orton’s figure as a queer and a playwright stood as both inspiration and a lesson from the past, one that reminded queers and gays in the 1980s and 1990s that the fight for equality does not end with a change in the legal status of homosexuality, or indeed in the 2010s, with equal marriage. Yet in recent years Orton’s work has fallen out of favour and does not appear as often as it once did on the queer cultural landscape. There are many reasons for this, not least of all that the kind of work that Orton makes might not register as queer or even gay now. -
Ola Balogun's Lost Classics Aiye and Orun Mooru
Jonathan Haynes Ola Balogun’s Lost Classics Aiye and Orun Mooru It is hard not to feel a poignant sense of loss when thinking about Ola Balogun, whose career as a feature flm director was cut short by the devastations of the structural adjustment era in Nigeria, which put an end to celluloid flmmaking, and whose legacy is in eclipse. In the 1970s, when African cinema was new, his tal- ent blazed. Te most prolifc director on the continent, with a movie star’s looks, sharply articulate in English and French, shooting flms in Brazil and Ghana as well as Nigeria, he was Nigeria’s ambassador to the world of international cinema. His flms passionately expressed the Pan -Africanism and revolutionary fervor of the epoch. Now if you google him, the frst things that come up are a pitifully short and incomplete Wikipedia entry and an IMDb biography that is only twen- ty -seven words long and gets his gender wrong. Within modern Nigerian cultural history, he is even more important. Nigeria produced about a hundred celluloid feature flms between 1970 and 1992.1 Most sprang from the Yoruba Travelling Teatre tradition, which guaranteed their audi- ence; the rest were various experiments that generally proved not to be commercial- ly viable. Balogun directed nearly ten percent of the total and made both types of flms. His experiments did not pay of, at least in immediate fnancial ways: Amadi (1975) was the frst and only Igbo -language celluloid flm; it was only twenty years later that the inaugural video flm Living in Bondage (1992) revealed the potential of flmmaking in Igbo.