Feature-Documentary-Guide-2021
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For Release: on Approval Motion Picture Sound Editors to Honor
For Release: On Approval Motion Picture Sound Editors to Honor George Miller with Filmmaker Award 68th MPSE Golden Reel Awards to be held as a global, virtual event on April 16th Studio City, California – February 10, 2021 – The Motion Picture Sound Editors (MPSE) will honor Academy Award-winner George Miller with its annual Filmmaker Award. The Australian writer, director and producer is responsible for some of the most successful and beloved films of recent decades including Mad Max, Mad Max 2: Road Warrior, Mad Max Beyond Thunderdome and Mad Max: Fury Road. In 2007, he won the Academy Award for Best Animated Feature for the smash hit Happy Feet. He also earned Oscar nominations for Babe and Lorenzo’s Oil. Miller will be presented with the MPSE FilmmaKer Award at the 68th MPSE Golden Reel Awards, set for April 16th as an international virtual event. Miller is being honored for a career noteworthy for its incredibly broad scope and consistent excellence. “George Miller redefined the action genre through his Mad Max films, and he has been just as successful in bringing us such wonderfully different films as The Witches of Eastwick, Lorenzo’s Oil, Babe and Happy Feet,” said MPSE President MarK Lanza. “He represents the art of filmmaking at its best. We are proud to present him with MPSE’s highest honor.” Miller called the award “a lovely thing,” adding, “It’s a big pat on the back. I was originally drawn to film through the visual sense, but I learned to recognize sound, emphatically, as integral to the apprehension of the story. -
Official Program
OFFICIAL PROGRAM FILM FESTIVAL COORDINATOR: Jon Mercurio Knight (aka The Merc or Mercurio Filmblaster) SPONSORED BY: Wasteland Weekend SPECIAL THANKS TO: Jared & Adam, whose boundless support has allowed me to put this program together each year. OPENING MORSELS BLOCK (7:35 PM) POST APOC NEAR AND FAR BLOCK 7:34 - The Arithmetic Of Survival (subtitled) (9:29) 11:39 - Cities in the Air - Episode 1: Deep Water (19:18) 7:44 - Agent Smith (12:32) 11:58 - Rusted Blood (14:32) 7:57 - The Limb (subtitled) (11:55) 12:13 - “Not Quarantined” (2:58) 12:18 - Edifice II (animated) (10:22) INTERNAL APOCALYPSES BLOCK 8:09 - Lonely Woods (animated) (7:12) 12:26 - Special Max Scheller Program (14:53) 8:16 - Muggy (5:06) 8:21 - Cracked (5:00) 12:40 - Skynut (music video, animated) (4:20) 8:26 - Help (9:47) 8:36 - Life Without Food (6:54) ENDING TIME: 12:44 AM 8:43 - Be Named (8:32) 8:51 - En-Trap (3:15) 8:54 - Uncle (50:36) SURREALIST TRANSFORMATIONS BLOCK 9:44 - Stendhal Syndrome (4:36) 9:49 - Help Me (6:24) 9:56 - The Transfiguration Of Saint Mike (subtitled) (10:09) 10:06 - Ripe Motive (animated) (2:49) 10:09 - Life in the XXI Century (41:31) 10:50 - Dashing strings shimmer at the bottom of the blackened (6:30) 10:57 - Seer of Time (37:50) 11:35 - Low Rez - When Love Takes The Wheel feat. Julia Taubic (music video) (3:49) THURSDAY OFFICIAL PROGRAM FILM FESTIVAL COORDINATOR: Jon Mercurio Knight (aka The Merc or Mercurio Filmblaster) SPONSORED BY: Wasteland Weekend SPECIAL THANKS TO: Jared & Adam, whose boundless support has allowed me to put this program together each year. -
Mad Max, Reaganism and the Road Warrior
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Waterloo Library Journal Publishing Service (University of Waterloo, Canada) Mad Max, Reaganism and The Road Warrior By J. Emmett Winn Fall 1997 Issue of KINEMA IN 1981 THE AUSTRALIAN-MADE FILM The Road Warrior drove into the US film market.(1) The film was well received and quickly became, at that time, the most popular Australian movie ever releasedin the US, and since its debut has played regularly on US cable television.(2) Much has been written about the international success of this film and its predecessor, Mad Max, and the last in the trilogy Mad Max Beyond Thunderdome.(3) Contributing to that body of research, this paper addresses the American success of this Australian film within the cultural/political context of the US at the time of its North American release,and discusses its resonance with Reaganism. The fundamental goal of this examination is to situate the films in the larger context of cultural hegemony. The importance of this study lies in the critique of these films as they aid us in understanding the hegemonic process and the American box office triumph of The Road Warrior. I investigate how the trilogy in general, and The Road Warrior specifically, resonates with the social field of its time. These films entered the US during a period of renewed nationalistic interest and conservatism linked with the Reagan/Bush administrations. As Stuart Hall explains, the meanings of cultural products are partially provided by their time. In his article ”Notes on Deconstructing ’The Popular’” he states: The meaning of a cultural symbol is given in part by the social field into which it is incorporated, the practices which it articulates and is made to resonate. -
The Limits of Our Imagination: Design Fiction As a Strategy for Engaging
The Limits of Our Imagination: Design Fiction as a Strategy for Engaging with Dystopian Futures Joshua Tanenbaum, Marcel Pufal and Karen Tanenbaum UC Irvine Department of Informatics [email protected]; [email protected]; [email protected] ABSTRACT who stands in still silhouette. Cautiously it approaches him. We see In this paper we explore how design fiction – an increasingly some sort of tank on his back, that catches the light with a metallic common and relevant strategy within HCI and the Digital glint. With a swift, sudden crack, the man snaps his left heel down Humanities – can be used to get purchase on the future. In on the lizard, then sweeps its body into his right hand with a particular, we address how design fictional methods allow practiced kick. researchers to construct arguments about feared or dystopian CLOSE EXT: Over Max’s shoulder futures within the context of collapse informatics. Fiction, as a research tool, allows us to do several important things with Max has a tube of some sort running over one shoulder, and a black proximal futures: it allows us to adopt a range of different fabric headpiece to keep off the blistering sun. A lock of hair peeks intellectual commitments and values about the future and explore out from under a pair of reflective goggles that he has pushed up the consequences of those commitments; it allows us to articulate onto his forehead beneath his hood. He turns in profile, revealing these consequences to a broader public in a format that is more that he is chewing: the tail and hind legs of the lizard wriggle as he readily consumed and understood than a research paper; and it slowly masticates the poor creature. -
Mad Max 11 Music Credits
Music Composed and Conducted by Brian May Music Mixed & recorded at A.A.V. Australia by Roger Savage Mad Max 2 probably represented the apogee of composer Brian May's work with director George Miller, and consequently his work for the film has been given any number of releases on LP and CD, under the film's Australian and US titles, and his score remains widely available: LP Thatʼs Entertainment (UK). TER 1016 1982 SIDE 1: Opening Titles/Montage Confrontation * Marauderʼs Massacre Max Enters Compound Feral Boy Strikes * Gyro Saves Max SIDE 2: Gyro Flight * Break Out The Chase Continues Break Out * Finale/Largo End Title Music * Includes sound effects from the film LP Milan (France) A 120 163 1982 Distribution: Suisse MTB AG France RCA Belgique Inelco SIDE 1: Montage - Main Title Confrontation Marauders Massacre Max Enters Compound Gyro Saves Max SIDE 2: Breakout Finale / Largo End Title SFX Suite LP (ST) Varese Sarabande (USA) STV 81155 1982 (CD VAR 47262) Producer for Varese Sarabande Records: Tom Null, Chris Kuchler Executive Producers: Scot W. Holton, John Sievers Mastering Engineer: Bruce Leek, Automated Media Manufactured at KM Records. KM Production Coordination: Mike Malan, Karen Stone SIDE 1: Montage / Main Title Confrontation Maraudersʼ Massacre Max Enters Compound Gyro Saves Max SIDE 2: Break Out Finale And Largo End Title SFX Suite: a. Boomerang Attack. b. Gyro Flight / The Big Rig Starts. c. Break Out / The Refinery Explodes / Reprise. UMGD/Varese Saraband VCD 47262, November 1988 1. Montage (Main Title from the Road Warrior (Mad Max 2) (5'53") 2. Confrontation (3'32") 3. -
EMS System Annual Report 2019
EMS System Annual Report 2019 Kern County Emergency Medical Services Program 1800 Mount Vernon Ave Bakersfield, CA 93306 Tel: 661-321-3000 Website: https://www.kernpublichealth.com Email: [email protected] 1 2019 HIGHLIGHTS 3. A Message From Our EMS Manager 4. Our Mission and Services 5. Our EMS System 6. Kern County Call Volume Increase 7. Kern County STEMI Treatment and Times 8. Kern County Notification and Times 9. Core Measures 10. Ambulance Patient Offload Times (APOT-1) 11. Ambulance Patient Offload Times (APOT-2) 12. Special Events in Kern County 13. Ridgecrest Earthquake 14. Mental Health Symposium 15. EMS Expanding 16. Community Outreach 2 Since its inception, the Kern County Emergency Medical Services Program’s mission has been to assure the safety and health of all Kern County residents. Our aim is to provide the best care possible for every patient by working collaboratively with public safety agencies, BLS and ALS providers, hospitals, educational partners, and our community members. Our team recognizes that, like all areas of health care, pre-hospital emergency medicine is a constantly changing industry. In 2019, we continued the work we began in 2018. We created new protocols and procedures to assist our field providers, further developed our capacity for vigorous quality improvement, and forged stronger partnerships with all EMS stakeholders to provide life-saving educational campaigns for our communities. We purchased an emergency response vehicle to provide assurance to our stakeholders and the community that EMS can respond and provide leadership in any situation. But we know our work doesn’t end there. -
Projections Gratuites Free En Ligne Online Présentielles on Site
screeningsprojections gratuites free en ligne online présentielles on site © Diego Ibarra Sánchez for The New York Times projections screenings LES PROJECTIONS SERONT DIFFUSÉES TO BE BROADCAST > SUR LE SITE INTERNET > ONLINE WWW.VISAPOURLIMAGE.COM/PROJECTIONS WWW.VISAPOURLIMAGE.COM/SCREENINGS DU LUNDI 31 AOÛT MONDAY, AUGUST 31 TO AU SAMEDI 6 SEPTEMBRE SATURDAY, SEPTEMBER 6 > IN PERPIGNAN, > À PERPIGNAN, CAMPO SANTO FUNERARY CHAPEL À LA CHAPELLE DE LA FUNERARIA (ENTRY VIA PLACE GAMBETTA) DU CAMPO SANTO NON-STOP SCREENING (ACCÈS PAR LA PLACE GAMBETTA) • MONDAy, AUgUST 31 TO DIFFUSION EN BOUCLE DES PROJECTIONS SUNDAy, SEPTEMBER 6, • DU LUNDI 31 AOÛT 10 am TO 11 pm AU DIMANCHE 6 SEPTEMBRE, • MONDAy, SEPTEMBER 7 TO DE 10H À 23H SUNDAy SEPTEMBER 13 • DU LUNDI 7 10 AM TO 8 PM AU DIMANCHE 13 SEPTEMBRE, DE 10H À 20H MAXIMUM SEATING FOR 100 MASKS MANDATORY FREE ADMISSION ENTRÉE LIBRE INFORMATION - [email protected] 100 PLACES MAXIMUM PORT DU MASQUE OBLIGATOIRE INFORMATIONS - [email protected] CHRONO CHRONOLOGICAL NEWS REVIEW programme SEPTEMBRE - OCTOBRE 2019 SEPTEMBER-OCTOBER 2019 lundi 31 août n°1 program HOMMAGE À - TRIBUTE TO ARNAUD FINISTRE DIDIER BIZET Monday, August 31 JACQUES CHIRAC (1932-2019) Une vie de moine Make Cruises Great Again Président de la République française Le quotidien des moines bénédictins Voyage à bord du paquebot géant de la de 1995 à 2007 de l’abbaye Saint-Pierre de Solesmes, Royal Caribbean, Symphony of the Seas. President of France (1995-2007) en France. On board the Royal Caribbean cruise ship, ONLINE A Monk’s Life the Symphony of the Seas. -
Wandering Into the Wasteland: White American Masculinities in the Apocalyptic Science Fiction Road Narrative
Wandering into the Wasteland: White American Masculinities in the Apocalyptic Science Fiction Road Narrative Heather Wintle Submitted for the degree of PhD University of East Anglia School of Film, Television and Media Studies Date of submission: 9th October 2013 Word count: 99 939 words This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Wandering into the Wasteland: White American Masculinities in the Apocalyptic Science Fiction Road Narrative This thesis examines the portrayal of American white male subjects within the apocalyptic science fiction road narrative, focusing on two visual media in which this genre hybrid features prominently: film and comics. The study builds upon an embryonic body of scholarship addressing several structural, iconographic and thematic connections between the road genre and apocalyptic science fiction. In responding to the call for further research into the road genre’s spread across media, the study observes that apocalyptic road films and comics complicate the dominant critical narrative regarding the road movie’s increasing emphasis upon racially and sexually diverse travellers. Interrogating this discrepancy with an awareness of its ramifications for female, black and queer secondary characters’ representation, the thesis demonstrates how the apocalyptic science fiction road narrative has been persistently and primarily used as a forum for examining, indulging and critiquing various conceptualisations of American white masculinity and associated desires and anxieties. -
Surviving the End
Surviving The End A study of encounters with post-apocalyptic evil and survival strategies in Matheson’s I am Legend, McCarthy’s The Road, and Kirkman’s The Walking Dead: Compendium One ENG-3992 Kristian Bø Master’s Thesis in English Literature Faculty of Humanities, Social Studies and Education University of Tromsø Spring 2013 “Whoever fights monsters should see to it that in the process he does not become a monster. And when you look into an abyss, the abyss looks back into you” --Friedrich Nietzsche, Beyond Good and Evil ii Acknowledgements I would like to thank my tutor professor dr.philos. Gerd Karin Bjørhovde. Thank you for your patience, knowledge and your constructive criticism. To Henriette, thank you for your support and tips regarding my thesis. When writing such a paper it is always good to have someone to talk to. Thank you for being there. To my parents and family, thank you for your support and the interest you have shown in my thesis. You have repeatedly asked me the simple question: “What are you writing about?” which prompted me to think: “What Am I writing about?”. iii Abstract In this thesis the aim is to explore the dichotomy/duality of man in three post-apocalyptic texts and discuss how and why survivors react to the post-apocalyptic setting. Since a majority of post- apocalyptic fictional texts focus on the destruction of the world set to contemporary issues, this thesis will explore how the post-apocalyptic setting will force survivors into making difficult survival choices and discuss how the survivors cope with living in a devastated place. -
Universidade Federal Do Ceará Instituto De Cultura E Arte Curso De Design- Moda Shayara Shih Do Nascimento O Figurino Da Person
UNIVERSIDADE FEDERAL DO CEARÁ INSTITUTO DE CULTURA E ARTE CURSO DE DESIGN- MODA SHAYARA SHIH DO NASCIMENTO O FIGURINO DA PERSONAGEM IMPERATRIZ FURIOSA NO FILME “MAD MAX: ESTRADA DA FÚRIA” E AS INFLUÊNCIAS DA FICÇÃO CIENTÍFICA COMO DIFUSORES DE TENDÊNCIAS NA MODA ATUAL FORTALEZA 2018.2 1 SHAYARA SHIH DO NASCIMENTO O FIGURINO DA PERSONAGEM IMPERATRIZ FURIOSA NO FILME “MAD MAX: ESTRADA DA FÚRIA” E AS INFLUÊNCIAS DA FICÇÃO CIENTÍFICA COMO DIFUSORES DE TENDÊNCIAS NA MODA ATUAL Artigo científico apresentado ao Programa Graduação em Design-Moda da Universidade Federal do Ceará, como requisito parcial à obtenção do título de Bacharel em Design-Moda. Área de concentração: Design. Orientadora: Profa. Dra. Francisca R. N. Mendes FORTALEZA 2018.2 2 Dados Internacionais de Catalogação na Publicação Universidade Federal do Ceará Biblioteca Universitária Gerada automaticamente pelo módulo Catalog, mediante os dados fornecidos pelo(a) autor(a) N198f Nascimento, Shayara Shih do. O Figurino da personagem imperatriz furiosa no filme " Mad max: estrada da fúria" e as influências da ficção científica como difusores de tendências na moda atual / Shayara Shih do Nascimento. – 2018. 29 f. : il. color. Trabalho de Conclusão de Curso (graduação) – Universidade Federal do Ceará, Instituto de cultura e Arte, Curso de Design de Moda, Fortaleza, 2018. Orientação: Profa. Dra. Francisca Raimunda Nogueira Mendes. 1. Figurino. 2. Cinema. 3. Moda. 4. Ficção científica. I. Título. CDD 391 O FIGURINO DA PERSONAGEM IMPERATRIZ FURIOSA NO FILME “MAD MAX: ESTRADA DA FÚRIA” E AS INFLUÊNCIAS DA FICÇÃO CIENTÍFICA COMO DIFUSORES DE TENDÊNCIAS NA MODA ATUAL Shayara Shih do Nascimento Universidade Federal do Ceará Orientadora: Profa. -
George Miller, MAD MAX (1979, 88 Minutes)
24 March 2015 (Series 30:8) George Miller, MAD MAX (1979, 88 minutes) Directed by George Miller Written by James McCausland, George Miller, and Byron Kennedy Produced by Byron Kennedy and Bill Miller Music by Brian May Cinematography by David Eggby Film Editing by Cliff Hayes and Tony Paterson Art Direction by Jon Dowding Costume Design by Clare Griffin Stunts by Chris Anderson, Dale Bensch, David Bracks, Phil Brock, Michael Daniels, Gerry Gauslaa, Terry Gibson, George Novak, and Grant Page Mel Gibson ... Max Joanne Samuel ... Jessie Hugh Keays-Byrne ... Toecutter Steve Bisley ... Jim Goose Tim Burns ... Johnny the Boy Roger Ward ... Fifi Brendan Heath ... Sprog Lisa Aldenhoven ... Nurse Paul Johnstone ... Cundalini David Bracks ... Mudguts Nick Lathouris ... Grease Rat Bertrand Cadart ... Clunk John Ley ... Charlie David Cameron ... Underground Mechanic Steve Millichamp ... Roop Robina Chaffey ... Singer Phil Motherwell ... Junior Doctor Stephen Clark ... Sarse George Novak ... Scuttle Mathew Constantine ... Toddler Geoff Parry ... Bubba Zanetti Jerry Day ... Ziggy Lulu Pinkus ... Nightrider's Girl Reg Evans ... Station Master Neil Thompson ... TV Newsreader Howard Eynon ... Diabando Billy Tisdall ... Midge Max Fairchild ... Benno Gil Tucker ... People's Observer John Farndale ... Grinner Kim Sullivan ... Girl in Chevvy Peter Felmingham ... Senior Doctor John Arnold Sheila Florance ... May Swaisey Tom Broadbridge Nic Gazzana ... Starbuck Peter Culpan Hunter Gibb ... Lair Peter Ford Vincent Gil ... Nightrider Clive Hearne Andrew Gilmore -
Colson Whitehead : Vers Une Esthétique Postraciale? Souleymane Ba
Colson Whitehead : vers une esthétique postraciale? Souleymane Ba To cite this version: Souleymane Ba. Colson Whitehead : vers une esthétique postraciale?. Littératures. Université Paul Valéry - Montpellier III, 2015. Français. NNT : 2015MON30077. tel-01333272 HAL Id: tel-01333272 https://tel.archives-ouvertes.fr/tel-01333272 Submitted on 17 Jun 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Délivré par 4’"63D1@A3BF+(C4R#(4F@EI+76B814431@+a! Préparée au sein de l’école doctorale : Langues, Littératures, Cultures et Civilisations Et de l’unité de recherche : Etudes Montpelliéraines du Monde Anglophone Spécialité : Littérature des Pays anglophones Présentée par 7C41E5(61+9: ! ;74A76+$23B121(0+P+D1@A+C61+1AB2FB39C1+ 87AB@()3(41+S! Soutenue le 30 novembre 2015 devant le jury composé de : Mme Claudine RAYNAUD, Professeur, Université Paul-Valéry, Directrice Mme Kathie BIRAT, Professeur émérite, Université de Lorraine, Rapporteur Mme Corinne DUBOIN, Professeur, Université de la Réunion, Rapporteur Mme Monica MICHLIN, Professeur, Université Paul-Valéry,