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Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Hollywood Theology: the Commodification of Religion in Twentieth-Century Films Author(S): Jeffery A
Center for the Study of Religion and American Culture Hollywood Theology: The Commodification of Religion in Twentieth-Century Films Author(s): Jeffery A. Smith Reviewed work(s): Source: Religion and American Culture: A Journal of Interpretation, Vol. 11, No. 2 (Summer 2001), pp. 191-231 Published by: University of California Press on behalf of the Center for the Study of Religion and American Culture Stable URL: http://www.jstor.org/stable/10.1525/rac.2001.11.2.191 . Accessed: 29/01/2013 11:41 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press and Center for the Study of Religion and American Culture are collaborating with JSTOR to digitize, preserve and extend access to Religion and American Culture: A Journal of Interpretation. http://www.jstor.org This content downloaded on Tue, 29 Jan 2013 11:41:14 AM All use subject to JSTOR Terms and Conditions Hollywood Theology: The Commodication of Religion in Twentieth-Century Films Jeffery A. Smith A motion picture is a product formed by the intricate inter- play of lm industry forces and cultural expectations. Hollywood must attract audiences and audiences crave gratication or, perhaps, edication. -
The Contributions of James F. Neill to the Development of the Modern Ameri Can Theatrical Stock Company
This dissertation has been 65—1234 microfilmed exactly as received ZUCCHERO, William Henry, 1930- THE CONTRIBUTIONS OF JAMES F. NEILL TO THE DEVELOPMENT OF THE MODERN AMERI CAN THEATRICAL STOCK COMPANY. The Ohio State University, Ph.D., 1964 Speech—Theater University Microfilms, Inc., Ann Arbor, Michigan Copyright by William Henry Zucchero 1965 THE CONTRIBUTIONS OF JAMES F. NEILL TO THE DEVELOPMENT OF THE MODERN AMERICAN THEATRICAL STOCK COMPANY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By William Henry Zucchero, B.S., M.A. * * * * * $ The Ohio State University 1964 Approved by PLEASE NOTE: Plates are not original copy. Some are blurred and indistinct. Filmed as received. UNIVERSITY MICROFILMS, INC. PREFACE Appreciation is extended to the individuals, named below, for the aid each has given in the research, prepara tion, and execution of this study. The gathering of pertinent information on James F. Neill, his family, and his early life, was made possible through the efforts of Mrs. Eugene A. Stanley of the Georgia Historical Society, Mr. C. Robert Jones (Director, the Little Theatre of Savannah, Inc.), Miss Margaret Godley of the Savannah Public Library, Mr. Frank Rossiter (columnist, The Savannah Morning News). Mrs. Gae Decker (Savannah Chamber of Commerce), Mr. W. M. Crane (University of Georgia Alumni Association), Mr. Don Williams (member of Sigma Alpha Epsilon— Neill’s college fraternity), and Mr. Alfred Kent Mordecai of Savannah, Georgia. For basic research on the operation of the Neill company, and information on stock companies, in general, aid was provided by Mrs. -
What Women Wrote: Scenarios, 1912-1929
A Guide to the Microfilm Edition of WHAT WOMEN WROTE: SCENARIOS, 1912-1929 UNIVERSITY PUBLICATIONS OF AMERICA Jeanie MacPherson in her office at the De Mille Studio, where she is a special scenarist for Cecil B. De Mille (undated) Photo courtesy of Museum of Modem Art/Film Stills Archive A Guide to the Microfilm Edition of CINEMA HISTORY MICROFILM SERIES Series Editor: Ann Martin WHAT WOMEN WROTE: SCENARIOS, 1912-1929 Edited by Ann Martin and Virginia M. Clark A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA 44 North Market Street • Frederick, MD 21701 Library of Congress Cataloging-in-Publicatioo Data What women wrote [microform] scenarios, 1912-1929/edited by Ann Martin and Virginia M. Clark. microfilm reels. -(Cinema history microfilm series) Scenarios are part of the deposits of the Copyright Office. Accompanied by a printed reel guide. Bibliography: p. x Includes index. ISBN 0-89093-988-8 (microfilm) 1. Motion picture plays-Women authors. 2. American drama-Women authors. 3. American drama-20th century. I. Martin, Ann. II. Clark, Virginia M. (Virginia Martha) III. Schlesinger, Maria, 1965- . IV. University Publications of America. V. Library of Congress. Copyright Office. VI. Series. [PN1997.A1] 812,.03,089287-dcl9 88-17191 CIP Copyright ® 1987 by University Publications of America. All rights reserved. ISBN 0-89093-988-8. TABLE OF CONTENTS Introduction v Selected Bibliography x Reel Index Reel 1, 1912-1920 1 Reel 2, 1920 cont.-1924 10 1927-1929 15 Scenarist Index 19 Title Index 29 INTRODUCTION "Mrs. Beranger [having been selected for a screen test] sought out Jesse Lasky and waved the little notice at him: 'What would you say if I became a movie star?' 'That's out,' Jesse replied. -
Albuquerque Daily Citizen, 02-24-1903 Hughes & Mccreight
University of New Mexico UNM Digital Repository Albuquerque Citizen, 1891-1906 New Mexico Historical Newspapers 2-24-1903 Albuquerque Daily Citizen, 02-24-1903 Hughes & McCreight Follow this and additional works at: https://digitalrepository.unm.edu/abq_citizen_news Recommended Citation Hughes & McCreight. "Albuquerque Daily Citizen, 02-24-1903." (1903). https://digitalrepository.unm.edu/abq_citizen_news/778 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Albuquerque Citizen, 1891-1906 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. n r VOLUME If. ALBUQUERQUE, NEW MEXICO, TUESDAY AFTERNOON, FEBRUARY 24, 1903 NUMBER 388 from the Catholic churches throughout of the Albuquerque Eastern for con- Vcw UTovlon ami mnnl frnm iplynna I MISS IRMA CODY sideration. He will recommend the IT LOOKS DARK will be present at thin grand function. east site and it Is safe to say that it TERRITORIAL Prominent members of the church will be the site selected. from has Vegas. Santa Fe, Gallup anil Mrs. Hopewell and children arrived FOR STA TEHOOD Wlnslow will be initiated into the Married to Lieu!. Clarence here this morning from K.llsboro and LAWMAKERS lodge, besides the twenty-eigh- t from accompanied her husband on his trip this city. Armstrong Today. to Pennsylvania. They will be absent The Knights of Columbus will have from the territory about ten days. about 114 members after the degrees Twenty Day's Do- RiderAmendment Is Passed have been exemplified on next Sunday. -
SPENCER the FOUNTAIN Ptns UNO PANAMA SIGNS
T WEATHER FORECAST FOR TODAY- .-I SU0AR-9- 60 Centrifugals. Moderate trades and fair weather with 3.695 f t valley showers. cents. ESTABLISHED JULY S, 1856. HDL. XXXVIII. NO. 6655 HONOLULU, HAWAII TERRITORY, SATURDAY, DECEMBER 5, 1903. PRICE FIVE CENT SPENCER THE FOUNTAIN PtNS UNO PANAMA SIGNS PHILOSOPHER KNIVES HAVE DISAPPEARED AND RETURNS PASSING AWAY CANAL TREATY House Members Had Enough Pens at Thirty Dollars a Dozen to Go Around Twice. One of the Few Remaining Great Presents the Completed Instrument Expensive Knives to Give Away. x Literary Names of the to the Consul of the Victorian Era. Five dozen fountain pens for which the Territory of Hawaii United States. paid from $2.50 to $3.00 apiece are missing. They were bought by Si the House during the last session enough to go around the mem- bers twice and they have never been turned into the Secretary The Life and Works of a Man Who Has Made a of the Territory, the proper custodian of ajl such property. There Great Ceremony Observed by the Panamans. are also about four dozen fine pen knives which also went the way Wide and Deep Impress Upon the of the fountain pens. The Territory still has the desks used in the Treaty Wrapped in American and Cuban House of Representatives during the last session, but about every History of His Times. other piece of movable property has disappeared. Flags When Handed Over. No one knows what became of the fountain pens, although some of the native members could put their hands on some of them, without having to leave their firesides. -
Andree Was Near Pole, Notes State
. , r r " T B i o w a t h e b ; " '■ '■ ;/■ NET PRESS BUN Forecast by O. iS.'Weather BoraiW' ^YIIRAOE DAILY C1BG17LAI10N ■ l^rtford. _ ' fbr the Month of J ^ y . 1980 B^n this afternoon and toniffat. Fair and eomev^hst wurmer ^miday. 5,416 Cbnh.;Sta||^ Library-—CJomp. Members of the A«4lt Bvxean of Clrcnlatleos *o<j^***»'------ ------- -'■***' ■— FOURTEEN P^^BS PRICE tHREE CENl'S (Oaselfled Adverting on Page 12) SOUTH MANCHESTER, CONN^ SATURDAY, AUGUST 23, 1930. VOL. XLIV., NO. 277. ■ - - i ------ —— ANDREE WAS NEAR Held as Plotters Against Florida Governor’s Life POLE, NOTES STATE A Was Within 500 Maes of Ob- 0VER2MIUI0N Four Aviators Thought to be Peru Is Threatened jecdTe When Blown Back; IHPLOYEDIN Retammg to Germany, Was On Way Back to Civ- With Serious Revolt Fly m Opposite Direction; i ilization When Frozen. U r o S T A T E S Landing Arrangements Lima, Peru, Aug. 23— (AP) —A A An official pronouncement by the Oslo, Aug. 23.— (AP.)—Salomon- serious military revolt in Southern government said: Have Been Made in Cana* Augnste Andree, Sweedish balloon F ipres Show Five Per Cent “Troops forming the Arequipa Peru, threatened the administration garrison, incited by Lieut. Colonel ist explorer who in 1897 tried to lly' of President Leguia. Cerro, revoltedvthis morning at da, Report From Plane to the North Pole in a balloon, was of Normally Employed The garrison at Arequipa, third about 1 1 ^ m.> .The i'evolt was bas believed here today to have reached city of the republic, was at the helm ed on a fcfrged army ordinance say ing that tl^e government had decid a point less than 500 miles from his of the movement. -
4 Enter the Lesbian 1
4 ▶ ENTER THE LESBIAN Cosmopolitanism, Trousers, and Lesbians in the 1920s [F]eminine stars now soliloquize— breathlessly— “to pant or not to pant.” — “New Films Find Feminine Stars in Male Garb,” New York American, September 9, 1923 In the 1920s, the American fashion world embraced female trou- sers for the first time. Perhaps surprisingly, the film industry released fewer films featuring cross- dressed women than it had in past years, but they were longer, more expensive, and received more attention. During this same period, lesbians and inverts appeared in a succession of high- profile movies, plays, and novels, including the infamous play The Captive and the novel The Well of Loneliness. Around the United States, newspapers and magazines avidly discussed these works, spreading awareness of lesbianism and inversion, the codes to recognize them, and the terms to name them. Reading strategies that had been the purview of “sophisticated” elites became available to anyone who read the daily paper. Journalists, gossip columnists, and fan magazine writers invited general readers to be part of the in- crowd by spreading the “lowdown” on lesbians far and wide. Hollywood’s first representations of lesbians and inverts coincided with a sec- ond wave of cross- dressed women, but the two trends were largely kept apart during this period. Part II of this book investigates how American cinema helped make lesbi- anism legible to American audiences and how this process related to women’s © RUTGERS UNIVERSITY PRESS 2016 121 http://rutgerspress.rutgers.edu/product/Girls-Will-Be-Boys,5637.aspx 122 The Emergence of Lesbian Legibility cross- dressing. -
4586.Pdf (6.636Mb)
UNIVERSIDADE FEDERAL DE SÃO CARLOS CENTRO DE EDUCAÇÃO E CIÊNCIAS HUMANAS PROGRAMA DE PÓS-GRADUAÇÃO EM IMAGEM E SOM JOÃO MIGUEL VALENCISE A CHEGADA DO SOM NOS CINEMAS DE SÃO PAULO SEGUNDO A FOLHA DA MANHÃ (1928-1933) SÃO CARLOS 2012 UNIVERSIDADE FEDERAL DE SÃO CARLOS CENTRO DE EDUCAÇÃO E CIÊNCIAS HUMANAS PROGRAMA DE PÓS-GRADUAÇÃO EM IMAGEM E SOM JOÃO MIGUEL VALENCISE A CHEGADA DO SOM NOS CINEMAS DE SÃO PAULO SEGUNDO A FOLHA DA MANHÃ (1928-1933) Dissertação apresentada ao Programa de Pós-Graduação em Imagem e Som, na Área de Concentração Imagem e Som, como requisito parcial para a obtenção de grau de mestre em Imagem e Som. Orientação: Prof. Dr. Arthur Autran Franco de Sá Neto SÃO CARLOS 2012 Ficha catalográfica elaborada pelo DePT da Biblioteca Comunitária da UFSCar Valencise, João Miguel. V152cs A chegada do som nos cinemas de São Paulo segundo a Folha da Manhã (1928-1933) / João Miguel Valencise. -- São Carlos : UFSCar, 2012. 197 f. Dissertação (Mestrado) -- Universidade Federal de São Carlos, 2012. 1. Cinema - história. 2. Som. 3. Cinema sonoro. 4. Cinema brasileiro. 5. Mercado cinematográfico. I. Título. CDD: 791.4309 (20a) Dedico este trabalho a Simone Aparecida Andrade, companheira que me incentivou e me permitiu vivenciar os dois anos desta experiência e à memória de meu pai, Antonio Angelo Valencise, presente em parte do percurso. AGRADECIMENTOS Agradeço ao meu orientador Prof. Dr. Arthur Autran Franco de Sá Neto, pela orientação e, principalmente, pela dedicação dispensada à minha formação nesta nova área de conhecimento. Aos participantes da minha banca de qualificação, Prof. -
DOCUMENT RESUME Proceedings of the Annual Meeting of The
DOCUMENT RESUME ED 433 552 CS 510 133 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (82nd, New Orleans, Louisiana, August 3-8, 1999). Religion and Media Interest Group. INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE 1999-08-00 NOTE 113p.; For other sections of this proceedings, see CS 510 132-153. PUB TYPE Collected Works - Proceedings (021) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS *Films; Higher Education; Journalism Education; *Lobbying; *Newspapers; Political Influences; *Religion; *Religious Factors IDENTIFIERS *Environmental Reporting; *Media Coverage ABSTRACT The Religion and Media Interest Group section of the Proceedings contains the following 4 papers: "Not Alone in a Crowd: Religion, Media and Community Connectedness at the Dawn of the Twenty-First Century" (Michael A. Longinow); "Hollywood's God: The Problem of Divine Providence" (Jeffery A. Smith); "The Press and the 'Greening of Religion': Themes, Sources, and Conflict in Newspaper Coverage of Faith-Based Environmentalism" (Rick Clifton Moore); and "Communication in Religious Lobbying: Making Meaning Through Journalism" (Kyle Huckins). (RS) ******************************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * ******************************************************************************** Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (82nd, New Orleans, Louisiana, August 3-8, 1999): Religion and Media Interest Group. Association for Education in Journalism and Mass Communication. 1999-08 AND U.S. DEPARTMENT OF EDUCATION PERMISSION TO REPRODUCE Off ice of Educational Research and Improvement DISSEMINATE THIS MATERIALHAS EDUCATIONAL RESOURCES INFORMATION BEEN GRANTED BY Cvl CENTER (ERIC) I-1 fil4his document has been reproduced as BEST COPY BLE -- received from the person or organization Mc Go( originating it. -
Papéis Normativos E Práticas Sociais
A DAMA DAS CAMÉLIAS (Camille) - 1917, Fox Film Corp., EUA; Romance (1848) de Alexandre Dumas Filho; Cenário Adrian Johnson, Apresentação William Fox, Fotografia Rial Schellinger; Diretor: J. Gordon Edwards; Com Theda Bara (Camille Gauthier), Albert Roscoe (Armand Duval), Walter Law, Glen White, Alice Gale, Claire Whitney. Theda Bara como Camillle Gauthier em “A dama das camélias”. 1 O PÁSSARO AZUL (The Blue Bird) - 1918, Famous Players-Lasky Corp./Artcraft Film; Adaptação da peça: "L'Oiseau Bleu" (1890) de Maurice Maeterlinck; Cenário: Charles Maigne; Apresentação: Adolph Zukor, Décors: Ben Carré, Fotografia: John van den Boeck, Diretor: Maurice Tourneur, Com Tulla Belle, Robin MacDougall, Gertrude McCoy, Edwin E. Reed, Emma Lowry, William J. Gross, Florence Anderson, Edward Elkas, Katherine Bianchi, Lillian Cook, Gertrude McCoy, Lyn Donelson, Charles Ascot, Tom Corless, Mary Kennedy, Eleanor Masters, Charles Craig, Sam Blum, S. E. Potapovich, Rose Rolanda . Robin MacDougall e Tula Belle em ”The Blue Bird” (1918). 2 CARMEN (Carmen) - 1918, 72 min, da Projektions-A. G. Union, Alemanha; Novela (1845) de Prosper Mérimée, Cenário Hans Kraly, Décors Paul Richter, Costumes: Ali Hubert, fotografia Alfred Hansen, Partitura de Arthur Vieregg baseada em motivos de Georges Bizet, Diretor Ernst Lubitsch, Com Pola Negri (Carmen), Harry Liedtke, Leopold von Ledebur, Grete Diercs, Wilhelm Diegelmann, Heinrich Peer, Margaret Kupfer, Sophie Pagay, Paul Conradi, Max Kronert, Paul Biensfeldt, Victor Janson, Magnus Stifter, Albert Venohr. Cartaz da época. 3 MADAME DuBARRY - 1919, 120 min, da Projektions- A. G. Union, de Berlim, Alemanha; Argumento: Fred Orbing e Hans Kräly, Décors: Hurt Richter, Diretor de fotografia: Carl Moos, Fotografia: Theodor Sparkuhl, Vestuário: Ali Hubert, Direto:Ernst Lubitsch; Com Pola Negri, Emil Jannings, Reinhold Schünzel, Eduard von Winterstein, Karl Platen, Paul Biensfeldt, Magnus Stifter, Willy Kaiser-Heyl, Else Berna, Fred Immler, Gustav Czimeg, Alexander Ekert, Marga Köhler.