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Diplomarbeit View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Inszenierungen der Clubkultur Rituelle Performance und (Selbst-) Darstellung in der Clubszene Verfasserin Christina Steinscherer angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, Dezember 2012 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuer: Univ.-Prof. Dr. habil. Michael Gissenwehrer 2 Inhaltsverzeichnis 1. Einleitung ....................................................................................................................... 11 1.1. Theaterwissenschaftlicher Aspekt ....................................................................... 12 1.1.1. Erika Fischer-Lichte: A-X-S ................................................................................ 14 1.1.2. Andreas Kotte: Szenischer Vorgang .................................................................. 15 2. Ein historischer Überblick – Von den Anfängen bis zur aktuellen Clubkultur ........ 19 2.1. Einführung .............................................................................................................. 19 2.1.1. Zum Terminus Diskothek bzw. Club ................................................................... 20 2.1.2. Technik ............................................................................................................... 21 2.2. Anfänge ................................................................................................................... 22 2.2.1. Vorgeschichte ..................................................................................................... 23 2.2.2. Swing-Bewegung ............................................................................................... 23 2.2.3. Erste Diskotheken .............................................................................................. 25 2.2.4. Hops, American-Bandstand und Rock ’n’ Roll ................................................... 26 2.2.5. DJ-Battles auf Jamaika ...................................................................................... 27 2.3. Aufstieg ................................................................................................................... 28 2.3.1. Erste Disco Hype ................................................................................................ 28 2.3.2. Afroamerikanische und homosexuelle Szene .................................................... 29 2.3.3. Saturday Night Fever ......................................................................................... 30 2.3.4. Exkurs: Musikstile ............................................................................................... 31 2.3.5. „Künstlicher Ort mit überteuerten Drinks!“ .......................................................... 31 2.3.6. Studio 54 ............................................................................................................ 32 2.3.7. „Disco Sucks“ ..................................................................................................... 34 2.4. Techno ..................................................................................................................... 34 2.4.1. Anfänge .............................................................................................................. 34 2.4.2. „Call it Techno“ oder Jack .................................................................................. 36 2.4.3. Paradise Garage und Warehouse ...................................................................... 36 2.4.4. „Fight for your right to Party!“ ............................................................................. 38 2.4.5. Explosion von Techno ........................................................................................ 39 2.4.6. Minimal bringt Sicherheit .................................................................................... 40 2.4.7. Aktuelle Clubszene ............................................................................................. 41 3. Strukturen und Mechanismen der Clubkultur ............................................................ 43 3.1. Proxemik – Verhalten der Akteure im Raum ........................................................ 43 3.2. Akteure .................................................................................................................... 45 3.2.1. Türsteher ............................................................................................................ 45 3.2.2. DJ ....................................................................................................................... 46 3 4 3.2.3. Clubber ............................................................................................................... 47 3.3. Kommunikation und Interaktion ........................................................................... 48 3.3.1. Kommunikation über Symbole ........................................................................... 49 3.3.2. Körpersprache .................................................................................................... 50 3.3.3. Kleidung ............................................................................................................. 52 3.4. Raum und Situation ................................................................................................ 54 3.4.1. Standort .............................................................................................................. 54 3.4.2. Raumgestaltung ................................................................................................. 56 3.4.3. Visuals ................................................................................................................ 57 3.4.4. Räume im Club ................................................................................................... 58 3.4.5. Tanzraum ........................................................................................................... 59 3.4.6. DJ Kanzel ........................................................................................................... 60 3.4.7. Backstage ........................................................................................................... 61 3.4.8. Bar ...................................................................................................................... 61 3.4.9. Toiletten .............................................................................................................. 62 4. Die rituelle Inszenierung der Clubkultur ..................................................................... 63 4.1. Einführung .............................................................................................................. 63 4.2. Definition von Ritual ............................................................................................... 63 4.2.1. „Das Ritual in pluralistischen Gesellschaften“ – Jan Platvoet ............................ 63 4.2.2. „Eine performative Theorie des Rituals“ – Stanley Tambiah .............................. 64 4.2.3. Etymologie des Wortes Ritual ............................................................................ 66 4.2.4. Meine Definition .................................................................................................. 66 4.3. Definition Inszenierung .......................................................................................... 67 4.3.1. Performance bzw. Aufführung ............................................................................ 67 4.3.2. Inszenierung ....................................................................................................... 67 4.4. Inszenierung im Club – Zusammenhang Ritual und Inszenierung .................... 68 4.5. Ablauf im Club ........................................................................................................ 73 4.5.1. Störende Faktoren .............................................................................................. 78 4.6. Hinterfragung des Rituals ...................................................................................... 80 5. Abschluss ...................................................................................................................... 83 6. Anhang ........................................................................................................................... 87 6.1. Bibliografie .............................................................................................................. 87 6.2. Abstract Deutsch .................................................................................................... 91 6.3. Abstract Englisch ................................................................................................... 91 6.4. Curriculum Vitae ..................................................................................................... 92 5 6 Vorwort Um eine gute Lesbarkeit meiner Diplomarbeit, die nach den Regeln der neuen Rechtschreibung verfasst ist, zu gewährleisten, sind im Folgenden Zitate, die sich auf die alte Rechtschreibung beziehen, nicht mit [sic!] gekennzeichnet. Weiters verwende ich in meiner Diplomarbeit aufgrund der besseren Lesbarkeit die männliche Form von Begriffen wie: Clubber, Besucher, Teilnehmer etc. 7 8 Chris, Danke! 9 10 1. Einleitung „Unsere Gäste kommen zu keiner Show, sie sind die Show.“1 (Steve Rubell, 1980) „Die Discotheken
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