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Convergencias Mediáticas Y Nueva Narrativa Latinoamericana ACTAS5, 6 Y 7 De Mayo De 2016 2 Convergencias Mediáticas Y Nueva Narrativa Latinoamericana

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Convergencias Mediáticas Y Nueva Narrativa Latinoamericana ACTAS5, 6 Y 7 De Mayo De 2016 2 Convergencias Mediáticas Y Nueva Narrativa Latinoamericana I Congreso Internacional de Periodismo 1 Congreso lnternacional de Periodismo Convergencias mediáticas y nueva narrativa latinoamericana ACTAS5, 6 y 7 de mayo de 2016 2 Convergencias mediáticas y nueva narrativa latinoamericana I Congreso Internacional de Periodismo- ACTAS CIESPAL Centro Internacional de Estudios Superiores de Comunicación para América Latina Av. Diego de Almagro N32-133 y Andrade Marín • Quito, Ecuador Teléfonos: (593 2) 254 8011 www.ciespal.org http://ediciones.ciespal.org/ Quito, Ecuador - 2017 ISBN: 978-9978-55-160-8 I Congreso Internacional de Periodismo Convergencias mediáticas y nuevan narrativa latinoamericana 4 Convergencias mediáticas y nueva narrativa latinoamericana Contenido Introducción 6 Los corresponsales de guerra, precursores del periodismo narrativo moderno 10 Airton Laureano Chambi Ocaña Recepción y significación del periodismo narrativo en México 21 Ana Jazmín Fernández de Lara Calderón El ejercicio del periodismo también es político 32 Galo Vallejos Espinosa Postales desde el infierno jarocho: tácticas narrativas gráficas en la obra de Bruno Ferreira 38 Dra. Guadalupe H. Mar Vázquez Dr. Carlos Enrique Villarreal Morales Mtro. Miguel Ángel Barragán Villarreal Geografías de la crónica latinoamericana Marcela Aguilar Guzmán Universidad Finis Terrae, Chile La creación del personaje protagonista en las crónicas de Alberto Salcedo Ramos 56 Mtro. Miguel Ángel Hernández Acosta El humor como subversión: la crónica policial de Manuel Vega 65 Rodolfo Arenas Romero Narrar a los invisibles. Imaginarios y desmontajes del otro en el periodismo narrativo 80 Autor: Sergio Rodríguez Blanco, PhD A cobertura jornalística como “ato presencial” 89 Zélia Leal Adghirni Periodismo transmedia en España. Una oportunidad ante la crisis 97 Juan Pablo Arrobo Agila Javier Ruiz San Miguel Mónica Hinojosa Becerra Isidro Marín Gutiérrez La reconfiguración del periodismo de investigación ante la emergencia de nuevos actores y relaciones de poder en el panorama informativo mexicano a partir de la transición a la Democracia (2000 - 2015): Mexicoleaks, un caso de estudio 108 Elva Araceli Fabián González O sucesso dos youtubers como formadores de opinião em uma sociedade conectada: o poder da narrativa transmídia nas mídias sociais 118 Bruno Conrado Demartini Antunes Aportes de la Radio Universitaria para el logro de los objetivos misionales de la Universidad 126 Damaris Ramírez Bernate Pedro Felipe Díaz Arenas La narrativa tras el crowdfunding: el caso de “Ocupe a Pública” 136 Edson Capoano Periscope y la videorealidad periodística 141 Alexis Apablaza Campos Las transformaciones tecnológicas que proyectan e generan ubicuidad en el periodismo “transsocial-media” 154 Renato Essenfelder Paulo Rodrigo Ranieri Edson Capoano I Congreso Internacional de Periodismo 5 El periodista en la convergencia de la Radio con las Redes Sociales 161 Franca Mariana Chiafitella. Jimena María Lloveras Ferrer. Trolls sin moscas en los hocicos. Conquista del trono de fibra óptica desde la transrecepción activa 173 José Manuel Romero Tenorio Periodismo y comunicación digital 190 Mg. Lisandro Javier Catani Periodismo ante desastres: la explosión del Hospital Materno Infantil de Cuajimalpa, Ciudad de México 202 Nasheli Arellano Barrera “Aos que defendem a volta da ditadura”: reportagem da atualidade esclarece o passado 209 Christa Berger Narrativa Transmedia, como herramienta de integración en el aprendizaje colaborativo de estudiantes de Comunicación Social – Periodismo de la Universidad del Quindío en Colombia 216 Bibiana Magaly Mejía Escobar Lina María León Cárdenas Julián Enrique Páez Valdez Evolución del desarrollo mediático de Ecuador (2011-2015) 227 Dra. Ruth de Frutos Nueva tendencia en la formación de los comunicadores de la Zona 1 del Ecuador: el periodismo transmediático 251 Mgs. Armida Mariela Montenegro Cevallos Mgs. Tatiana Mabell Estévez Arias Lic. Ximena Margarita Coronado Otaval Crítica formativa y metodológica en el periodismo narrativo. ¿Es posible un nuevo contexto? 263 Msc. YalitzaTherly Ramos Gil La ciencia y tecnología en la prensa escrita ecuatoriana 274 Lcda. Delia Silvia Peña Hojas Lcda. Janeth Pilar Díaz Vera Dr. Guido Moreno Córdova 6 Convergencias mediáticas y nueva narrativa latinoamericana Introducción Los retos del periodismo en el siglo XXI. Convergencias mediáticas y nuevas narrativas Antonio López Hidalgo Francisco Javier Moreno Gálvez Es indudable que el mundo del periodismo está cambiando. De hecho, podríamos decir que nunca ha dejado de cambiar, o dándole la vuelta al argumento, que siempre ha estado en crisis. Desde el surgimiento de los primeros periódicos impresos, pasando por la prensa liberal de la que malvivían bohemios escritores y poetas revolucionarios, hasta el nuevo periodista todo-terreno producto de la convergencia multimedia y el avance tecnológico, son muchos los periodos por los que ha atravesado la profesión periodística, la (cada vez más) empresa informativa y las diferentes formas de narrar a ellas asociadas. No obstante, la crisis actual del periodismo tiene también sus especificidades. El campo periodístico está atra- vesado hoy en día por una serie de problemáticas como son la creciente precariedad laboral en la profesión, la generalizada pérdida de calidad de los contenidos informativos o los nuevos retos legislativos en un momento de creciente tensión entre mercado y Estado en el Cono Sur. Y es precisamente bajo el impacto de lo digital que se ha configurado un escenario incierto para los periodistas, marcado por una creciente tendencia global, no exenta de tensiones y contradicciones, a la desregulación, la privatización y la liberalización de los servicios públicos en general y de los de comunicación en particular. No obstante, también asistimos al surgimiento de nuevas y originales formas de prácticas periodísticas. En un escenario en el que, parafraseando al filósofo y periodista italiano Antonio Gramsci, el anterior modelo no termina de morir y el nuevo no acaba de nacer, asistimos al surgimiento de nuevas prácticas que, como el periodismo narrativo, prefiguran lo que puede ser la futura reconfiguración del campo informativo. La intención del I Congreso Internacional de Periodismo “Convergencias mediáticas y nueva narrativa lati- noamericana”, impulsado por el Centro Internacional de Estudios Superiores de Comunicación para América Latina (CIESPAL), fue precisamente en este momento de crisis y transformación atender a dichas mutaciones teniendo en cuenta la especificidad latinoamericana y su capacidad para, como ya de hecho hizo en épocas anteriores, apuntar originales formas de hacer periodismo. El llamamiento dio lugar a un espacio que sirvió para la puesta al día de la agenda académica y profesional, para el intercambio de saberes, para la reflexión compartida entre profesores, estudiantes, investigadores y profesionales del ámbito de la comunicación, es- pacio que el presente volumen pretende cristalizar, al menos parcialmente, para que pueda seguir circulando y enriqueciéndose el conocimiento generado durante tres días de intenso trabajo. La alta participación en el congreso obligó a ordenar temáticamente por mesas las aportaciones recibidas. Así, se constituyeron hasta siete grupos de trabajo que contemplaban diferentes formas de aproximarse a la problemática central acerca de los retos del periodismo frente a las convergencias mediáticas y el auge de la nueva narrativa latinoamericana, entendida esta como la forma original de periodismo narrativo que se desa- rrolla actualmente en Latinoamérica y que ya extiende su influencia a nivel internacional. De esta manera, se abordó en primer lugar el papel de la subjetividad y la conciencia social en el periodismo narrativo en América Latina, y como estas variables origionales, no siempre presentes en el texto informativo, han abierto el camino a nuevos formatos y canales en los que el periodismo no era un invitado frecuente, como los blogs de autor o el mundo de la literatura. Una segunda mesa se ocupó de la reflexión sobre la revolución de géneros y estilos que atraviesa el periodismo narrativo, en el que la pasión, la sorpresa o el compromiso ya no son rasgos proscritos sino diferenciales de una nueva forma de contar los acontecimientos. En tercer lugar, la práctica del periodismo narrativo también fue objeto de análisis, destacando la recurrencia I Congreso Internacional de Periodismo 7 a la inmersión como método de investigación privilegiado para el acceso a la noticia, con las prácticas del periodismo encubierto o el periodismo gonzo como ejemplos más representativos. De manera complementa- ria, se trataron también los riesgos y límites ético-legales de la inmersión periodística y el uso de tecnologías de registro como las cámaras fotográficas, de video o las grabadoras. Una quinta mesa estuvo dedicada a las narrativas alternativas a los modelos hegemónicos en el ámbito periodístico, que apuntan nuevos territorios e identidades que configuran significaciones alternativas. El periodismo transmediático, con lo que tiene de convergencia tecnológica e hibridación de géneros, fue objeto de una sexta mesa en la que las aportaciones se centraron en desentrañar la diversidad de formas de expresión y canales que caracterizan el periodismo narrativo. Finalmente, la séptima mesa estuvo dedicada a los retos de la formación y de la investigación en el contexto del periodismo narrativo y transmediático, articulando un espacio de intersecciones entre la aporta- ción académica y la práctica periodística sobre las dimensiones éticas, epistemológicas
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