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Direct-82.Pdf
82 LE PROPOSTE DI J-POP & EDIZIONI BD SOMATO PAG 3 PAG SHADOWS HOUSE 5 il nuovo seinen dalle tinte violence action di Shin Sawada, gotiche degli autori di Kuro! Renji Asai SHADOW HOUSE © 2018 by Somato 2018/SHUEISHA Inc. | VIOLENCE ACTION ©2017 Renji ASAI, Shin SAWADA/SHOGAKUKAN. COPIA GRATUITA - VIETATA LA VENDITA DIRECT 82 DAISY JEALOUSY© 2020 Ogeretsu Tanaka/Libre Inc. 82 CHECKLIST! SPOTLIGHT ON DIRECT è una pubblicazione di Edizioni BD S.r.l. Viale Coni Zugna, 7 - 20144 - Milano tel +39 02 84800751 - fax +39 02 89545727 www.edizionibd.it www.j-pop.it Coordinamento Georgia Cocchi Pontalti Art Director Giovanni Marinovich Hanno collaborato Davide Bertaina, Jacopo Costa TITOLO ISBN PREZZO DATA DI USCITA Buranelli, Giorgio Cantù, Ilenia Cerillo, Francesco INDICATIVA Paolo Cusano, Matteo de Marzo, Andrea Ferrari, 86 - EIGHTY SIX 1 9788834906170 € 6,50 MAGGIO Valentina Ghidini, Fabio Graziano, Eleonora 86 - EIGHTY SIX 2 9788834906545 € 6,50 GIUGNO Moscarini, Lucia Palombi, Valentina Andrea Sala, Federico Salvan, Marco Schiavone, Fabrizio Sesana DAISY JEALOUSY 9788834906507 € 7,50 GIUGNO DANMACHI - SWORD ORATORIA 17 9788834906552 € 5,90 GIUGNO UFFICIO COMMERCIALE DEATH STRANDING 1 9788834915455 € 12,50 GIUGNO tel. +39 02 36530450 DEATH STRANDING BOX VOL. 1-2 9788834915448 € 25,00 GIUGNO [email protected] DUNGEON FOOD 9 9788834906569 € 6,90 GIUGNO [email protected] GOBLIN SLAYER 10 9788834906576 € 6,50 GIUGNO [email protected] GOLDEN KAMUI 23 9788834906583 € 6,90 GIUGNO DISTRIBUZIONE IN FUMETTERIE GUNDAM UNICORN 15 9788834906590 € 6,90 GIUGNO Manicomix Distribuzione HANAKO KUN 8 9788834906606 € 5,90 GIUGNO Via IV Novembre, 14 - 25010 - San Zeno Naviglio (BS) JUJIN OMEGAVERSE: REMNANT 2 9788834906682 € 6,90 GIUGNO www.manicomixdistribuzione.it KAKEGURUI 14 9788834906613 € 6,90 GIUGNO DISTRIBUZIONE IN LIBRERIE KASANE 7 9788834906620 € 6,90 GIUGNO A.L.I. -
Innovation Management Entrepreneurship and Corporate Sustainability 2016
Sborník INNOVATION MANAGEMENT ENTREPRENEURSHIP AND CORPORATE SUSTAINABILITY 2016 Proceedings of the 4th International Conference Proceedings of the 4th International Conference Innovation Management, Entrepreneurship and Corporate Sustainability 26 – 27 May, 2016, Prague Organized by: University of Economics, Prague Proceedings of the 4th International Conference Innovation Management, Entrepreneurship and Corporate Sustainability, 2016 International Scientific Committee Chairman: Doc. Ing. Mgr. Martin Lukeš, Ph.D., Members: Doc. Ing. Jitka Srpová, Ph.D. Doc. Ing. Miroslav Špaček, Ph.D., MBA Prof. Ing. Anna Pilková, Ph.D., MBA Doc. Ing. Galina Ostapenko, Ph.D. International Organizational and Program Committee Chairman: Doc. Ing. Jitka Srpová, Ph.D. Members: Ing. Blanka Habrmanová, Ph.D. Doc. Ing. Galina Ostapenko, Ph.D. Ing. Ivana Svobodová, Ph.D. Ing. Jana Müllerová Ing. Ladislav Hartman Ing. Jan Mareš Ing. Jan Mísař Ing. Michal Ander Ing. Ondřej Dvouletý 2 Proceedings of the 4th International Conference Innovation Management, Entrepreneurship and Corporate Sustainability, 2016 This conference proceedings contain contributions of the conference participants presented during both days of the conference. All these contributions have successfully passed the double- blind peer-review process. All rights of the authors are reserved. The copyright of materials incl. quotations used remains with the authors. Unauthorised copying is prohibited. No responsibility is assumed by the publisher for the linguistic and technical accuracy of their contributions -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
A Case Study of Anime Fansubbing
King’s Research Portal DOI: 10.1177/0163443711418271 Link to publication record in King's Research Portal Citation for published version (APA): Lee, H. K. (2011). Participatory media fandom: a case study of anime fansubbing. Media Culture & Society, 33(8), 1131-1147. https://doi.org/10.1177/0163443711418271 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Futurism-Anthology.Pdf
FUTURISM FUTURISM AN ANTHOLOGY Edited by Lawrence Rainey Christine Poggi Laura Wittman Yale University Press New Haven & London Disclaimer: Some images in the printed version of this book are not available for inclusion in the eBook. Published with assistance from the Kingsley Trust Association Publication Fund established by the Scroll and Key Society of Yale College. Frontispiece on page ii is a detail of fig. 35. Copyright © 2009 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Nancy Ovedovitz and set in Scala type by Tseng Information Systems, Inc. Printed in the United States of America by Sheridan Books. Library of Congress Cataloging-in-Publication Data Futurism : an anthology / edited by Lawrence Rainey, Christine Poggi, and Laura Wittman. p. cm. Includes bibliographical references and index. ISBN 978-0-300-08875-5 (cloth : alk. paper) 1. Futurism (Art) 2. Futurism (Literary movement) 3. Arts, Modern—20th century. I. Rainey, Lawrence S. II. Poggi, Christine, 1953– III. Wittman, Laura. NX456.5.F8F87 2009 700'.4114—dc22 2009007811 A catalogue record for this book is available from the British Library. This paper meets the requirements of ANSI/NISO Z39.48–1992 (Permanence of Paper). 10 9 8 7 6 5 4 3 2 1 CONTENTS Acknowledgments xiii Introduction: F. T. Marinetti and the Development of Futurism Lawrence Rainey 1 Part One Manifestos and Theoretical Writings Introduction to Part One Lawrence Rainey 43 The Founding and Manifesto of Futurism (1909) F. -
Animation and Videogames: Creativity and Market Failures in Japan's Content Industries
Animation and Videogames: Creativity and Market Failures in Japan’s Content Industries Andrei Hagiu Harvard Business School Temple University Japan March 20th 2007 Anime: a very creative Japanese industry… “To define anime simply as Japanese cartoons gives no sense of the depth and variety that make up the medium. Essentially, anime works include everything that Western audiences are accustomed to seeing in live-action films—romance, comedy, tragedy, adventure, even psychological probing of a kind seldom attempted in recent mass-culture Western film or television.” Susan J. Napier, Anime From Akira to Howl’s Moving Castle Japanese anime: 60% of TV anime series worldwide Pokemon example: 68 countries and 25 languages; aggregate size of Pokémon-related markets estimated at $200 billion …stuck in a suboptimal equilibrium Anime in Japan: ¥234 billion ($2.0 billion) in 2005 Fragmented industry (430 animation production companies) dominated by distributors (copyrights and financing) Lack of business and financial strength of animation production companies In 2005, Disney Co. had $32 billion revenues; Toei Animation had ¥21 billion ($175 million) revenues Disney and Pixar spend over ¥10 billion to produce one anime movie; Japanese anime production companies usually spent ¥0.2-0.3 billion (Studio Ghibli: ¥1-3 billion) Why? How can that be changed? The production committee system: financing and copyrights problems Investment Distribution Right Completed Anime for Video Distribute Video P. C. Member A: Anime Production Production Video Distribution Video Market Company Committee Video Sale Proceeds Company Fixed Payment (Less COGS and fees) Sales Proceeds Distribution of Profits P. C. Member B: TV Station P. -
Cheburashkadp.Pdf
Presse / Monica Donati Marionnettes animées * Réalisation Makoto Nakamura 55 rue Traversière 75012 Paris D’après le livre d’Edouard Upsensky * Et d’après les films deRoman Kachanov T. 01 43 07 55 22 Japon / 1h20 / 2010 / visa en cours DISTRIBUTION / Gebeka Films 13 avenue Berthelot 69007 Lyon T. 04 72 71 62 27 [email protected] Sortie le 5 octobre 2011 www.gebekafilms.com www.cheb-project.com © 2010 Cheburashka Movie Partners / Cheburashka Project Toujours prêts à s'amuser, Cheburashka et le crocodile Gena, sont entourés d’amis auprès de qui la vie s’écoule paisiblement, même si une vieille dame leur joue parfois des tours… L’arrivée du cirque dans la petite ville va bouleverser leur tranquillité !! Découvert par un épicier dans une caisse d’oranges, Cheburashka débarque en Russie. Mais le zoo ne veut pas le garder car personne n’est capable de dire à quelle espèce animale il appartient. Au même moment, Gena, crocodile au zoo, cherche désespérément un ami en affichant partout sur les murs de la ville des petites annonces… Heureusement, le hasard les fait se rencontrer et ils se lient d’amitié. C’est alors qu’ils décident de construire "La Maison des amis"… Un cirque s’installe en ville ! Gena et Cheburashka courent assister au spectacle et se présentent pour faire partie de la troupe, mais ni l’un ni l’autre ne sait jongler et encore moins marcher sur une corde… Déçus, ils rentrent chez eux et rencontrent Masha, une fillette qui elle aussi veut devenir artiste de cirque. Ils l’aideront à perfectionner son talent et à devenir funambule… Un jour, un ex-magicien arrive à la gare à la recherche de sa petite-fille. -
… … Mushi Production
1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod. -
Catalogo Catalogue 2019.Pdf
IN UN MONDO CHE CAMBIA, PUOI AMARE IL CINEMA FESTA DEL CINEMA DI ROMA DA UN’ALTRA PROSPETTIVA. 17-27 Ottobre 2019 PRODOTTO DA MAIN PARTNER Promosso da Partner Istituzionali Messaggio pubblicitario con finalità promozionale. WE LOVE CINEMA In collaborazione con BNL Main Partner della Festa del Cinema di Roma, dal 17 al 27 ottobre. Seguila da un altro punto di vista, su welovecinema.it e con la nostra app. by BNL - BNP PARIBAS welovecinema.it Sponsor Uffi ciali Auto Uffi ciale La banca per un mondo che cambia Partner Partner Tecnico Main Media Partner TV Uffi ciale Media Partner Sponsor FOOD PROMOTION & EVENTS MANAGEMENT Sponsor Tecnici PRODUZIONI E ALLESTIMENTI L'APP DELLA REGIONE LAZIO CON SCONTI E PROMOZIONI PER I GIOVANI DAI 14 AI 29 ANNI su cinema, eventi, libri, concerti, teatro, sport, turismo, pub e ristoranti SCARICA L’APP DAGLI STORE SCOPRI DI PIÙ NELLO SPAZIO DELLA REGIONE LAZIO ALLA FESTA AUDITORIUM PARCO DELLA MUSICA VIVILE STAGIONI DELLE ARTI CONCERTI FESTIVAL RASSEGNE VIALE PIETRO DE COUBERTIN • 00196 ROMA INFO: 06 8024 1281 • BIGLIETTERIA: 892 101 (SERVIZIO A PAGAMENTO) PROGRAMMAZIONE E BIGLIETTI SU AUDITORIUM.COM Siamo con il CINEMA ITALIANO ovunque voglia arrivare. cinecittaluce.it festadelcinema_165 X240 .indd 1 18/09/19 09:20 esecutivo-pagina-cinema.pdf 1 17/09/2019 09:47:37 C M Y CM MY CY CMY K Lavoriamo ogni giorno per valorizzare il set più bello del mondo. Mazda CX-30 Cat FestaCinema 165x240.indd 1 01/10/19 10:13 SIAE_per_FestaCinemaRoma_2019_165x240.pdf 1 10/09/19 11:47 SOGNI IDEE ARTE EeMOZIONI 14A EDIZIONE | 14TH EDITION -
Net Marketing / 6175
R Net Marketing / 6175 COVERAGE INITIATED ON: 2019.11.20 LAST UPDATE: 2021.08.06 Shared Research Inc. has produced this report by request from the company discussed in the report. The aim is to provide an “owner’s manual” to investors. We at Shared Research Inc. make every effort to provide an accurate, objective, and neutral analysis. In order to highlight any biases, we clearly attribute our data and findings. We will always present opinions from company management as such. Our views are ours where stated. We do not try to convince or influence, only inform. We appreciate your suggestions and feedback. Write to us at [email protected] or find us on Bloomberg. Research Coverage Report by Shared Research Inc. Net Marketing / 6175 R LAST UPDATE: 2021.08.06 Research Coverage Report by Shared Research Inc. | https://sharedresearch.jp Coverage INDEX How to read a Shared Research report: This report begins with the trends and outlook section, which discusses the company’s most recent earnings. First-time readers should start at the business section later in the report. Executive summary ----------------------------------------------------------------------------------------------------------------------------------- 3 Key financial data ------------------------------------------------------------------------------------------------------------------------------------- 5 Recent updates ---------------------------------------------------------------------------------------------------------------------------------------- 6 Highlights -
Gonzo Autoethnography: the Story of Monkey
Gonzo autoethnography: The story of Monkey By: Justin Harmon and Rudy Dunlap Harmon, J., & Dunlap, R. (2018). Gonzo autoethnography: The story of Monkey. Leisure Sciences. doi: 10.1080/01490400.2018.1499057. This is an Accepted Manuscript of an article published by Taylor & Francis in Leisure Sciences on 10 November 2018, available online: http://www.tandfonline.com/10.1080/01490400.2018.1499057. ***© 2018 Taylor & Francis Group, LLC. Reprinted with permission. No further reproduction is authorized without written permission from Taylor & Francis. This version of the document is not the version of record. *** Abstract: The present study explores the norms of community that are re/produced in the liminal leisure space of a formerly fan-organized music festival. Guided by the concept of communitas, we examined the manner in which fans attempted to exercise their agency in the construction of the weekend against the structure imposed by the promoters. To do this, we developed a creative analytic practice we call gonzo autoethnography, which draws inspiration from Hunter S. Thompson’s gonzo journalism and sheds any claim to objectivity to blend social critique and satire to tell the story of the phenomenon of interest. To do this, we rely on a totem from the music scene to embody the connections, concerns, and frustrations of the devoted fanbase. As such, this particular case offers leisure scholars an opportunity to explore the limitations of fans’ agency in affecting participation in meaningful leisure activities through a nontraditional lens. Keywords: creative analytic practices | leisure | gonzo | music Article: The story of monkey1 “It never got weird enough for me.” – Hunter S. -
Product Guide
AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver