London Metropolitan Archives Public Sculpture
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Artists' Lives
National Life Stories The British Library 96 Euston Road London NW1 2DB Tel: 020 7412 7404 Email: [email protected] Artists’ Lives C466: Interviews complete and in-progress (at January 2019) Please note: access to each recording is determined by a signed Recording Agreement, agreed by the artist and National Life Stories at the British Library. Some of the recordings are closed – either in full or in part – for a number of years at the request of the artist. For full information on the access to each recording, and to review a detailed summary of a recording’s content, see each individual catalogue entry on the Sound and Moving Image catalogue: http://sami.bl.uk . EILEEN AGAR PATRICK BOURNE ELISABETH COLLINS IVOR ABRAHAMS DENIS BOWEN MICHAEL COMPTON NORMAN ACKROYD FRANK BOWLING ANGELA CONNER NORMAN ADAMS ALAN BOWNESS MILEIN COSMAN ANNA ADAMS SARAH BOWNESS STEPHEN COX CRAIGIE AITCHISON IAN BREAKWELL TONY CRAGG EDWARD ALLINGTON GUY BRETT MICHAEL CRAIG-MARTIN ALEXANDER ANTRIM STUART BRISLEY JOHN CRAXTON RASHEED ARAEEN RALPH BROWN DENNIS CREFFIELD EDWARD ARDIZZONE ANNE BUCHANAN CROSBY KEITH CRITCHLOW DIANA ARMFIELD STEPHEN BUCKLEY VICTORIA CROWE KENNETH ARMITAGE ROD BUGG KEN CURRIE MARIT ASCHAN LAURENCE BURT PENELOPE CURTIS ROY ASCOTT ROSEMARY BUTLER SIMON CUTTS FRANK AVRAY WILSON JOHN BYRNE ALAN DAVIE GILLIAN AYRES SHIRLEY CAMERON DINORA DAVIES-REES WILLIAM BAILLIE KEN CAMPBELL AILIAN DAY PHYLLIDA BARLOW STEVEN CAMPBELL PETER DE FRANCIA WILHELMINA BARNS- CHARLES CAREY ROGER DE GREY GRAHAM NANCY CARLINE JOSEFINA DE WENDY BARON ANTHONY CARO VASCONCELLOS -
THE ART of LIVING Marianka Swain Shares Her Capital Cultural Highlights
THE ART OF LIVING MARIANKA SWAIN SHARES HER CAPITAL CULTURAL HIGHLIGHTS PICK OF THE MONTH DON’T MISS PUBLIC DISPLAY MODERN MASTER How often do you walk past a piece of art without Historic England has taken action by listing 40 giving it a second glance? A new Historic England pieces, which should demonstrate the value of such exhibition at Somerset House aims to change that by art to councils and developers. “There are sculptors highlighting exceptional public work created between like Anthony Gormley who would love more public 1945 and 1985 by artists like Barbara Hepworth, platforms if the commissions were there,” notes Sarah. Henry Moore, Geoffrey Clarke and Elisabeth Frink – much of which has since disappeared, explains She hopes the exhibition, which features drawings, curator Sarah Gaventa. maquettes, letters and photographs as well as large- scale pieces, opens our eyes to such art. “There’s “We’re desperately trying to track these pieces down, a Barbara Hepworth Winged Figure off Oxford and leads are still coming in. There’s actually a wall Street ignored by a million people every day. Let’s in the exhibition with descriptions of lost art, like the appreciate how much this work enriches our lives, missing cat posters stuck on trees. This is our – the because it might not be there if we don’t.” nation’s – collection, but unless we all get involved, we’re in danger of losing even more of it.” OUT THERE: OUR POST-WAR PUBLIC ART The post-war period was extraordinarily democratic, TO APRIL 10 notes Sarah, with local authorities regularly commissioning art to go with new structures like hospitals. -
University of Huddersfield Repository
University of Huddersfield Repository Gaffney, Sheila Elizabeth Embodied Dreaming as a sculptural practice informed by an idea in the psychoanalytical writings of Christopher Bollas. Original Citation Gaffney, Sheila Elizabeth (2019) Embodied Dreaming as a sculptural practice informed by an idea in the psychoanalytical writings of Christopher Bollas. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/35260/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Embodied Dreaming as a sculptural practice informed by an idea in the psychoanalytical writings of Christopher Bollas. SHEILA ELIZABETH GAFFNEY A thesis submitted to the University of Huddersfield in partial fulfilment -
Perceptions of an Irish Dimension
PERCEPTIONS OF AN IRISH DIMENSION AND ITS SIGNIFICANCE FOR THE ENGLISH HISTORY CURRICULUM by PAUL EDWARD BRACEY A thesis submitted to The University of Birmingham For the degree of DOCTOR OF PHILOSOPHY School of Education The University of Birmingham December 2007 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis asserts that an Irish dimension reflects approaches towards diversity within the English History Curriculum. An Irish dimension is explored within the context of Multicultural Britain, debates over ways in which the past has been constructed and changes in the history curriculum. A series of ‘fuzzy generalisations’ of an Irish dimension in the curriculum emerge from questionnaire and interview case studies. This approach is based on Bassey’s (2001) premise that case studies can lead to tentative generalisations, which are subject to being challenged by findings drawn from different contexts. This study explores the perceptions of primary and secondary teachers, together with participants in Irish related projects and key ‘movers and shakers’ working outside the classroom. The research findings suggest that a respondent’s perceptions of the importance of an Irish dimension in the curriculum reflect a range of influences including values, pragmatism, subject knowledge and expertise. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETH-CENTURY ART COLLECTION SCIIEMES AND TIIEIR IMPACT ON LOCAL AUTHORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISH ART IN BRITAIN VOLUME If Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA.CT.................................................................................. ii ACKNOWLEDGEMENTS •........••.••....••........•.•.•....•••.......•....•...• xi CHAPTER 1:INTRODUCTION................................................. 1 SECTION 1 THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS.......................................................................... -
Lambeth Archives Department Guide: Contents, Cont
A Guide to Lambeth Archives: by Sue Mckenzie A Guide to Lambeth Archives CONTENTS OPENING HOURS...............................................................................................................................................4 GENERAL INTRODUCTION ............................................................................................................................5 ADMINISTRATIVE HISTORY....................................................................................................................................5 POOR LAW UNIONS ................................................................................................................................................5 COLLECTION POLICY.............................................................................................................................................6 SCOPE OF THE COLLECTION ..................................................................................................................................6 ACCESS ...................................................................................................................................................................7 BOOKS AND PAMPHLETS...............................................................................................................................8 PERIODICALS.....................................................................................................................................................9 NEWSPAPERS…………………………………………………………………………………………………15 CUTTINGS -
Schedule of Tree Preservation Orders (TPO) in Lambeth
Schedule of Tree Preservation Orders (TPO) in Lambeth September 2021 Address TPO Tree Species No. No. Guidance on using the schedule of Tree Preservation Orders 1. This is a list of Tree Preservation Orders in Lambeth Council, listed alphabetically by road. 2. “Address” is road name, house number / or description of the site, “TPO No.” is the Lambeth Tree Preservation Order reference number, “Tree No.” is a number prefixed by a letter T, G, A or W. T denotes an individual tree, G denotes a Group of trees, A denotes an Area of trees; and W denotes Woodland. “Species” is species of the protected tree / trees. 3. Please note that this list does not include trees in Conservation Areas which are Conservation Areas are protected under separate legislation. To check if a property is in a conservation area or to double check a TPO please do a property search using the Council’s online planning database. The conservation area designation, and any TPO’s at the address will come up in the ‘constraint’ tab in the search results. 4. New Tree Preservation Orders are made from time to time and we endeavour to keep this schedule up-to-date. If you are unsure as to whether your property is affected by a Tree Preservation Order, would like confirmation as to which trees on your property are affected, or require a copy of a Tree Preservation Order please contact Ian Leonard, Planning Arboricultural Officer via email at [email protected] or [email protected] Lambeth Planning, September 2021 TPO Schedule 03/09/21 Page 1 of 117 Address TPO Tree Species No. -
For the Discussion of New Trends in Education
SPRING 1961 VOLUME 3 NUMBER 2 PRICE: TWO SHILLINGS FORUM AND SIXPENCE Who is for Crowther ? L. F. W. White A Challenge to the Minister FOR THE /. L. Dixon The Beloe Report and After : a Symposium DISCUSSION A. D. Heeley, M. Holmes, G. W. Cutts, J. Vincent Chapman An Experiment in Applied Education OF NEW Ray Gosling Discussion TRENDS IN G. Freeland, J. E. Brown, K. Portman, D. Rubinstein, 'Senior English Master' Drama in the Secondary School EDUCATION Alan Garrard Reserves of Ability Jean Floud Teaching and Discrimination Paddy Whannel Mixing in the Comprehensive School G. V. Pape Book Reviews G. Richardson, V. Mallinson, S. S. Segal ANNUAL SUBSCRIPTION: SEVEN SHILLINGS AND SIXPENCE (POST FREE) EDITORIAL BOARD CHEMISTRY EDWARD BLISHEN FOR JUNIOR FORMS MARJORIE COOKE SECOND EDITION Headmistress, Priory Girls' Secondary Modern School, Middlesex A. C. Cavell S. FISHER For the second edition of this well-known book Senior History Master, Woodberry Down a number of significant changes have been made School, London to the text. The aim of the book remains as be fore—to provide a simple introduction to prac G. C. FREELAND tical and theoretical chemistry for the young Headmaster, Mowmacre Junior School, Leicester beginner, and take him or her up to the standard of General Science of the G.C.E., or to the E. HARVEY year before the final preparation is made for the Headmaster, Weston Lane County Junior full chemistry paper of this examination. School, Otley, Yorkshire Illustrated 10J. B. F. HOBBY Senior French Master, Yardley Grammar School, Birmingham Scholar's Library H. E. -
Out There: Our Post-War Public Art Elisabeth Frink, Boar, 1970, Harlow
CONTENTS 6 28—29 Foreword SOS – Save Our Sculpture 8—11 30—31 Brave Art For A Brave New World Out There Now 12—15 32—33 Harlow Sculpture Town Get Involved 16—17 34 Art For The People Acknowledgements 18—19 Private Public Art 20—21 City Sculpture Project All images and text are protected by copyright. No part of this book may be reprinted or reproduced 22—23 in any form or by any electronic means, without written permission of the publisher. © Historic England. Sculpitecture All images © Historic England except where stated. Inside covers: Nicholas Monro, King Kong for 24—27 the City Sculpture Project, 1972, the Bull Ring, Our Post-War Public Art Birmingham. © Arnolfini Archive 4 Out There: Our Post-War Public Art Elisabeth Frink, Boar, 1970, Harlow Out There: Our Post-War Public Art 5 FOREWORD Winston Churchill said: “We shape our buildings and afterwards our buildings shape us”. The generation that went to war against the Nazis lost a great many of their buildings – their homes and workplaces, as well as their monuments, sculptures and works of art. They had to rebuild and reshape their England. They did a remarkable job. They rebuilt ravaged cities and towns, and they built new institutions. From the National Health Service to the Arts Council, they wanted access-for-all to fundamental aspects of modern human life. And part of their vision was to create new public spaces that would raise the spirits. The wave of public art that emerged has shaped the England we live in, and it has shaped us. -
Download Artist's CV
NIGEL HALL RA 1943 Born Bristol Lives and works in London Education 1960-64 West of England College of Art, Bristol 1964-67 Royal College of Art, London Fellowships, Awards and Posts 1967-69 Harkness Fellowship, USA 1971-74 Tutor, Royal College of Art, London 1974-81 Principal Lecturer, Head of MA Sculpture, Chelsea School of Art, London 1977-79 External Examiner, Royal College of Art, London 1979-83 Faculty Member of British School at Rome 1992-94 External Examiner, Royal College of Art, London 1995 Pollock-Krasner Award 2001 Residency at Chretzeturm, Stein Am Rhein, Switzerland 2002 Jack Goldhill Sculpture Prize, Royal Academy 2003 Elected to Royal Academy 2017 Awarded Honorary Doctorate from the University of the Arts, London Selected Solo Exhibitions 2020 12 Images 12 Poems, (1 each month for the year), Wren Library, Trinity College, Cambridge Tangled up in Blue, Annely Juda Fine Art 2019 Una Individual, Galería Álvaro Alcázar, Madrid Call and Response, Galerie Scheffel, Bad Homburg 12 Images 12 Poems, Yorkshire Sculpture Park 2018 From Memory, Galerie Andres Thalmann, Zurich Drawings and Small Sculpture, Zuleika Gallery, London 2017 Sculpture in Steel and Bronze, Heidelberg Sculpture Park, Germany Drawings and Smaller Works, Isaac Newton Institute, Cambridge 2016 Here and Now, There and Then, Annely Juda Fine Art, London Orbits and Ellipses, One Canada Square, London 2015 Curved Spaces, Galerie Alvaro Alcazar, Madrid Plus ça change, plus c’est la même chose, Galerie Scheffel, Bad Homburg 2014 Galerie Andres Thalmann, Zurich (with Manijeh Yadegar) 2013 Jock Colville Hall, Churchill College, Cambridge 2012 Southern Shade, Galerie Andres Thalmann, Zurich 2011 The Spaces Between, Annely Juda Fine Art, London Artists Laboratory, Royal Academy, London 2010 Carbon Handprints, City Arts Center, Oklahoma City, USA Chinese Whispers, Galerie Andres Thalmann, Zurich Galerie Scheffel, Bad Homburg, Germany 2009 Sala Pelaires, Palma de Mallorca Galeri C. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETII-CENTURY ART COLLECTION SCIIEMES AND THEIR IMPACT ON LOCAL AUTIIORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISII ART IN BRITAIN VOLUME III Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA eT...........................•.•........•........................................... ii ACKNOWLEDGEMENTS ......................................................... xi CHAPTER l:INTRODUCTION................................................. 1 SECTION J THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS.......................................................................... -
The Smart Museum of Art BULLETIN 1998-1999
The Smart Museum of Art BULLETIN 1998-1999 CONTENTS Board and Committee Members 4 Report of the Chair and Director 5 Mission Statement 7 Volume 10, 1998-1999 Front cover: Three Kingdoms period, Silla King Studies in the Permanent Collection Copyright © 2000 by The David and Alfred Smart dom (57 B.c.E-935 C-E-) Pedestalledjar, 5th—6th Museum of Art, The University of Chicago, 5550 century stoneware with impressed and combed Metaphors and Metaphorphosis: The Sculpture of Bernard Meadows South Greenwood Avenue, Chicago, Illinois, decoration and natural ash glaze deposits, h. 16 in the Early 1960s 9 60637. All rights reserved. inches (40.6 cm), Gift of Brooks McCormick Jr., RICHARD A. BORN 1999.13. ISSN: 1099-2413 Back cover: The Smart Museum's Vera and A.D. Black and White and Red All Over: Continuity and Transition in Elden Sculpture Garden, recently re-landscaped Editor: Stephanie P. Smith with a gift from Joel and Carole Bernstein. Robert Colescott's Paintings of the Late 1980s 17 Design: Joan Sommers Design STEPHANIE P. SMITH Printing: M&G Commercial Printing Photography credits: Pages 8-13, 16, 18, 24-40, Tom van Eynde. Page 20, Stephen Fleming. Pages Activities and Support 41 —43» 4 6> 48> 51. Lloyd de Grane. Pages 44, 45, 49, Rose Grayson. Page 5, Jim Newberry. Page 53, Acquisitions to the Permanent Collection 25 Jim Ziv. Front and back covers, Tom van Eynde. Loans from the Permanent Collection 36 The images on pages 18-22 are reproduced courtesy of Robert Colescott. The work by Imre Kinszki illustrated on page 24 and 31 is reproduced Exhibitions 39 courtesy of Howard Greenberg Gallery, New York.