Various Canterburied Sounds Volume 4 Mp3, Flac, Wma
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Bibliografia Canterbury Ridotta
Presentazione La scena di Canterbury fu un movimento musicale che si sviluppò tra la fine degli anni Sessanta e la meta dei Settanta nell’omonima cittadina del Kent. Anche se furono molti i gruppi che la composero – alcuni dei quali ancora oggi leggendari come i Soft Machine, i Caravan o i Matching Mole - il numero dei musicisti coinvolti fu sempre molto ridotto, favorendo così un rapporto osmotico tra le varie band anche nelle scelte musicali intraprese. Ciò che caratterizzò la Scena fu infatti una comune idea di arte che possiamo definire – citando Marcus O’Dair, autore della recente biografia di Wyatt – come “un certo stile rock psichedelico venato di jazz, pastorale, very english… con tempi complessi, una preferenza di tastiere rispetto alle chitarre e un modo di cantare convintamente radicato nell’East Kent, là dove i cantanti dell’epoca posavano tutti da Delta bluesman”. Nata con l’album Soft Machine (1968) e conclusa da Rock Bottom (1974) – nonostante i successivi epigoni - la Scena di Canterbury fu sicuramente il momento più alto di tutto il genere Progressive e uno dei movimenti musicali più innovativi (e altrettanto ostici) di tutto il rock. Riascoltato oggi può apparire troppo contorto e scarsamente fruibile, persino nelle sue espressioni più “pop” quali i dischi di Kevin Ayers o dei Caravan, ma in realtà è ancora un’esperienza unica ed entusiasmante per tutti gli ascoltatori disposti a superare le barriere e i tabù che troppo spesso caratterizzano il mondo della musica popolare. Aprile - Maggio 2015 Discografia: Guida all’ascolto Soft machine - Soft machine (1968) Una premessa importante: la Scena di Canterbury fu per sei Soft machine – Two (1969) entusiasmanti anni il fulcro della musica d’avanguardia inglese, Soft machine – Third (1970) proponendo opere spesso di non semplice fruizione che richiedono più Soft machine – Fourth (1971) di un ascolto per essere godute pienamente. -
Caravan in the Land of Grey and Pink Mp3, Flac, Wma
Caravan In The Land Of Grey And Pink mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: In The Land Of Grey And Pink Country: Italy Released: 2015 Style: Jazz-Rock, Prog Rock MP3 version RAR size: 1616 mb FLAC version RAR size: 1766 mb WMA version RAR size: 1676 mb Rating: 4.5 Votes: 976 Other Formats: AC3 ASF AUD WAV RA MPC XM Tracklist Hide Credits Golf Girl 1 5:05 Engineer – John Punter Winter Time 2 7:46 Engineer – John PunterEngineer [Overdubbing And Re-mix] – Dave Grinsted Love To Love You (And Tonight Pigs Will Fly) 3 3:06 Engineer – John PunterEngineer [Re-mix] – Peter Rynston In The Land Of Grey And Pink 4 4:51 Engineer – John Punter Nine Feet Underground 5 Engineer [Overdubbing] – Derek VarnalsEngineer [Rhythm Track, Overdubbing, 22:40 Re-mix] – Dave Grinsted Bonus Tracks I Don't Know Its Name (Alias The World) 6 6:12 Written-By – D. Sinclair*, Hastings*, Coughlan*, R. Sinclair* Aristocracy 7 3:42 Written-By – Hastings*, Coughlan*, R. Sinclair* It's Likely To Have A Name Next Week 8 7:48 Written-By – D. Sinclair*, Hastings*, Coughlan*, R. Sinclair* Group Girl 9 5:04 Written-By – D. Sinclair*, Hastings*, Coughlan*, R. Sinclair* Dissassociation / 100% Proof 10 8:35 Written-By – D. Sinclair*, Hastings*, Coughlan*, R. Sinclair* Companies, etc. Published By – Gruppo Editoriale L'Espresso S.p.A. Credits Bass Guitar, Acoustic Guitar, Alto Vocals – Richard Sinclair Drums, Percussion – Richard Coughlan Electric Guitar [Electric Guitars], Acoustic Guitar, Vocals – Pye Hastings Flute, Tenor Saxophone, Piccolo Flute – Jimmy Hastings Organ, Piano, Mellotron, Backing Vocals [Harmony Vocals] – David Sinclair Written-By – D. -
Varsity Jazz
Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra. -
EWVA 4Th Full Proofxx.Pdf (9.446Mb)
University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Art, Design and Architecture 2019-04 Ewva European Women's Video Art in The 70sand 80s http://hdl.handle.net/10026.1/16391 JOHN LIBBEY PUBLISHING All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. EWVA EuropeanPROOF Women’s Video Art in the 70s and 80s do not distribute PROOF do not distribute Cover image: Lydia Schouten, The lone ranger, lost in the jungle of erotic desire, 1981, still from video. Courtesy of the artist. EWVA European Women’s PROOF Video Art in the 70s and 80s Edited by do Laura Leuzzi, Elaine Shemiltnot and Stephen Partridge Proofreading and copyediting by Laura Leuzzi and Alexandra Ross Photo editing by Laura Leuzzi anddistribute Adam Lockhart EWVA | European Women's Video Art in the 70s and 80s iv British Library Cataloguing in Publication Data EWVA European Women’s Video Art in the 70s and 80s A catalogue entry for this book is available from the British Library ISBN: 9780 86196 734 6 (Hardback) PROOF do not distribute Published by John Libbey Publishing Ltd, 205 Crescent Road, East Barnet, Herts EN4 8SB, United Kingdom e-mail: [email protected]; web site: www.johnlibbey.com Distributed worldwide by Indiana University Press, Herman B Wells Library – 350, 1320 E. -
ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL
Bio information: ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: ROCK “…the [Jim Hendrix] Experience let me know there was a spare bed in the house they were renting, and I could stay there with them– a spontaneous offer accepted with gratitude. They’d just hired it for a couple of months… …My goal was to make the music I’d actually like to listen to. … …I was clearly imagining life without a band at all, imagining a music I could make alone, like the painter I always wanted to be.” – Robert Wyatt, 2012 Some have called this - the complete set of Robert Wyatt's solo recordings made in the US in late 1968 - the ultimate Holy Grail. Half of the material here is not only previously unreleased - it had never been heard, even by the most dedicated collectors of Wyatt rarities. Until reappearing, seemingly out of nowhere, last year, the demo for “Rivmic Melodies”, an extended sequence of song fragments destined to form the first side of the second album by Soft Machine (the band Wyatt had helped form in 1966 as drummer and lead vocalist, and with whom he had recorded an as-yet unreleased debut album in New York the previous spring), was presumed lost forever. As for the shorter song discovered on the same acetate, “Chelsa”, it wasn't even known to exist! This music was conceived by Wyatt while off the road during and after Soft Machine's second tour of the US with the Jimi Hendrix Experience, first in New York City during the summer of 1968, then in the fall of that year while staying at the Experience's rented house in California, where he was granted free access to the TTG recording facility during studio downtime. -
Jmoriginal 2876.Pdf
THE SCENE FEB. 21-27, 1974) interplay and piano duos were her set, which included several, great melodically) gee oormg. very effective. terribly embarrassing jokes, was The concert was ·As far ~s material performed, her version of Rick Roberts' well-arranged. Mitchell's band, I wasn't able to recognize any of "Colorado." Tom Scott & The L.A. Express, the numbers from Soft Machine "Take It Easy" set the pace opened the show with half an albums. The compositions, for Jackson Browne's dynamic hour of their own fine jazz/rock. 'unfortunate1y, weren't much, set. It showed the talented David Then Mitchell emerged from the but the sensitive presentations of · Lindley (who would eventually wings to join them for a half them by the band made up for play guitar, piano, dobro and hour of her light rock tunes. their structural weakness. slide guitar) on elecqic fiddle After intermission, Mitchell Oh, yeah, guitarist Bill and Doug Haywood on bass and returned and did 50 minutes of DeArango and his trio (Skip vo'cals. Jackson's drummer, solo things (accompanying Hadden on drums and Ernie obviously not one of the herself on piano, dulcimer and Krivda on reeds) opened the musicians who were FOR· guitars) and the finale again SOFT MACHINE aadea guitar player (whose n~ e show with their music that EVERYMAN (as were Haywood featured her and the band. Smiling Dog Saloon I didn't catch) who supplied the DeArango claims no one will and Lindley), fell behind on a together. February 18 show. Both Marshall and understand for awhile. -
Beneath the World, a Sea
BENEATH THE WORLD, A SEA BTWOR pages v5s01.indd 1 26/10/2018 14:50 also by chris beckett Novels The Holy Machine Marcher Dark Eden Mother of Eden Daughter of Eden America City Short Stories The Turing Test The Peacock Clock Spring Tide BTWOR pages v5s01.indd 2 26/10/2018 14:50 BENEATH THE WORLD, A SEA Chris Beckett BTWOR pages v5s01.indd 3 26/10/2018 14:50 Published in hardback in Great Britain in 2019 by Corvus, an imprint of Atlantic Books Ltd. Copyright © Chris Beckett, 2019 The moral right of Chris Beckett to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act of 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of both the copyright owner and the above publisher of this book. This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities, is entirely coincidental. P. 241, reproduced with permission from the song ‘In the Land of Grey and Pink’ performed by Caravan: written by Pye Hastings, Richard Coughlan, David Sinclair and Richard Sinclair; Published by Aristocrat Music Ltd. 10 9 8 7 6 5 4 3 2 1 A CIP catalogue record for this book is available from the British Library. -
The Soft Machine the Soft Machine Mp3, Flac, Wma
The Soft Machine The Soft Machine mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: The Soft Machine Country: US Released: 2010 Style: Jazz-Rock, Psychedelic Rock, Experimental, Prog Rock MP3 version RAR size: 1791 mb FLAC version RAR size: 1639 mb WMA version RAR size: 1582 mb Rating: 4.9 Votes: 391 Other Formats: TTA MIDI AUD AAC WAV APE DTS Tracklist Hide Credits Hope For Happiness 1 4:20 Written-By – Brian Hopper, Kevin Ayers, Mike Ratledge Joy Of A Toy 2 2:49 Written-By – Kevin Ayers, Mike Ratledge Hope For Happiness (Reprise) 3 1:37 Written-By – Brian Hopper, Kevin Ayers, Mike Ratledge Why Am I So Short? 4 1:38 Written-By – Hugh Hopper, Kevin Ayers, Mike Ratledge So Boot If At All 5 7:22 Written-By – Kevin Ayers, Mike Ratledge, Robert Wyatt A Certain Kind 6 4:10 Written-By – Hugh Hopper Save Yourself 7 2:25 Written-By – Robert Wyatt Priscilla 8 1:05 Written-By – Kevin Ayers, Mike Ratledge, Robert Wyatt Lullabye Letter 9 4:37 Written-By – Kevin Ayers We Did It Again 10 3:46 Written-By – Kevin Ayers Plus Belle Qu'une Poubelle 11 1:01 Written-By – Kevin Ayers Why Are We Sleeping? 12 5:31 Written-By – Kevin Ayers, Mike Ratledge, Robert Wyatt Box 25 / 4 Lid 13 0:47 Written-By – Hugh Hopper, Mike Ratledge Bonus Tracks Love Makes Sweet Music 14 2:27 Producer [Produced By] – Chas ChandlerWritten-By – Kevin Ayers Feelin' Reelin' Squeelin' 15 2:50 Producer [Produced By] – Kim FowleyWritten-By – Kevin Ayers Companies, etc. -
Fasanojazz 2015 26 Maggio Al 12 Giugno
MERCOLEDì 22 APRILE 2015 Diciotto anni di Fasano Jazz! Il popolare festival di Fasano (BR) compie la maggiore età e per la diciottesima edizione propone il consueto e apprezzato programma di lusso, un cartellone ricco di novità in scena dal FasanoJazz 2015 26 maggio al 12 giugno. Quella del 2015 è un'edizione attesissima, che conferma le scelte coinvolgenti e appassionate della direzione artistica XVIII Edizione dal 26 maggio-12 giugno 2015. Il di Domenico De Mola: musica di qualità, ingressi gratuiti e prezzi festival compie la maggiore età! popolari, location affascinanti in una vera e propria cittadella del jazz e del rock. Quest'anno poi, oltre al sito www.fasanojazz.it, il festival si avvale anche della App per Android 'FasanoJazz': gratuita, creata con gli studenti dell'IISS Salvemini di Fasano e reperibile su Play Store di Google, CRISTIAN PEDRAZZINI con informazioni, immagini e un simpatico giochino per appassionati jazz e prog. L'evento di punta dell'edizione n. 18 è l'unica data estiva al centrosud dei leggendari Caravan. Da anni Fasano Jazz ha lanciato un autentico gemellaggio musicale con la città di Canterbury: le varie incarnazioni dei Soft Machine, gli Hatfield and The North, Richard Sinclair, Jimmy [email protected] Hastings e i Gong del compianto Daevid Allen (al quale il festival è SPETTACOLINEWS.IT dedicato) sono alcuni dei nomi provenienti dalla scena di Canterbury che hanno partecipato con successo al festival, ma mancavano all'appello i fondamentali Caravan. Inarrestabili dal 1968, emblematici in quell'abbraccio tra jazz e rock tipico del Canterbury Sound e tanto amato a Fasano, si esibiranno al Teatro Kennedy lunedì 1 giugno nella formazione del 2015, capitanata come sempre dal carismatico Pye Hastings e dal violinista Geoffrey Richardson. -
The Bulletin of Southwestern at Memphis/1984-85
CORRESPONDENCE DIRECTORY For information on the topics listed below write The legal to the person indicated: Southwe1 Academic Program Gerald Duff, Vice President and Dean of the College I gix, Academic Records, Transcripts, Registration the and Matriculation as fc Glenn W. Munson, Registrar Admissions and Transfers David J. Wottle, Dean of Admissions Alumni Association In additior Jennifer Prascher, Director of Alumni Programs gifts. Sorn coming to Athletics of years, George Lapides, Director of Athletics children c Dormitories and Student Housing C. V. Scarborough, Dean of Students Business Matters Thomas R. Kepple, Jr., Dean of Administrative Services Financial Aid Ray M. Allen, Dean of Financial Aid and Government Relations General Information Loyd C. Templeton, Jr., Assistant to the President for College Relations Gifts or Bequests Donald J. Lineback, Dean of College Resources Summer Session Robert R. Llewellyn, Associate Dean of the College and Director of the Summer Session THE BULLETIN OF SOUTHWESTERN AT MEMPHIS (Pub. No. 554-280) Is Published Quarterly By Southwestern At Memphis, 2000 N. Parkway, Memphis, Tennessee 38112. Second-class postage paid at Memphis, Tennessee Volume 71 • No. 2 — April 1984 f, The Bulletin of Southwestern At Memphis/1984-85 THE COLLEGE OF LIBERAL ARTS AND SCIENCES FOUNDED IN 1848 TABLE OF CONTENTS (For more detailed references see the Index) General Information Purpose, 8 Admissions, 10 Expenses, 14 Scholarships and Student Aid, 16 Student Life, 22 Student Services, 27 Campus Regulations, 29 The Educational Program Planning a Degree, 34 Special Study Opportunities, 42 Foreign Study, 44 Academic Regulations, 46 Courses of Instruction, 50 Center for Continuing Education, 156 The Burrow Library, 157 The Computer Center, 159 Matters of Record Board of Trustees, 162 Emeriti, 164 Administration, 167 Sponsored Programs, 170 Prizes, Endowments and Memorials, 171 The Physical Plant, 179 Annual Commencement, 1983, 181 Southwestern At Memphis is a fully accred- COLLEGE CALENDAR ited four-year college of liberal arts and sciences. -
Robby Valentine Topper Tobt Epica Gothic Met Goddelijke Tik
TIJDSCHRIFT OVER PROGRESSIEVE ROCKMUZIEK verschijnt 7 keer per jaar, 12e jaargang december 2007, losse exemplaren 5 io pa g e s 7 7 RITUAL EN KAIPA PATRIK LUNDSTRÖM ZINGT ROBBY VALENTINE TOPPER TOBT EPICA GOTHIC MET GODDELIJKE TIK ‘REMSLAAP’ ONTWAAKT RIVERSIDE VERDER: NOVEMBRE, ISOPODA, KRAMER, RUSH 'IN CONCERT' COLOFON 3 UITGEVER Stichting iO Postbus 67 Paradoxale slaap 2678 ZH De Lier (tevens adres abonnementen administratie) fax: 0174-511213 e-mail: [email protected] website: www.iopages.nl ABONNEMENTEN Iedereen kent tijdens de slaap Lundström tot het schrijven van Een jaarabonnement kost per nacht gemiddeld vier of het prachtige nieuwe album The 31,00 binnen Nederland, resp. 39,00 voor de rest van Europa en vijf zogenoemde ‘remperiodes’. Die Hemulic Voluntary Band. De Zweed 49,50 buiten Europa. duren ongeveer twintig minuten per keer is zowel in de formatie Ritual als Kaipa het Nieuwe abonnees ontvangen de en het zijn de tijden dat je meestal behoor- gezicht van de band. Sprookjesachtige prog- uitgave van de maand volgend lijk droomt. ‘Rem’ staat voor Rapid Eye gy folkrock zoals we dat graag horen. Deze op de maand van aanmelding. Movement (snelle oogbeweging) en wordt klanken stimuleren tot wegdromen, even Adreswijzigingen dienen 4 weken ook wel paradoxale slaap genoemd. Die uit de heksenketel van het dagelijkse leven. tevoren te worden doorgegeven. (naar bovenstaand adres van uit- schijnbare tegenstelling heeft te maken met Tegelijkertijd zijn er diepere boodschappen gever of via e-mail). Vermeld altijd een grote hersenactiviteit en een maximale verborgen. Doet het toch weer een beroep je volledige naam en adres. ontspanning van de spieren. -
An Introduction to Canterburied Sounds Mp3, Flac, Wma
Various An Introduction To Canterburied Sounds mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock / Pop Album: An Introduction To Canterburied Sounds Country: UK Released: 1998 Style: Blues Rock, Acoustic, Folk Rock MP3 version RAR size: 1972 mb FLAC version RAR size: 1601 mb WMA version RAR size: 1144 mb Rating: 4.7 Votes: 560 Other Formats: WAV MP3 ASF MOD DXD AC3 MMF Tracklist 1 –Brian* & Hugh* That's Alright Mama 1:12 2 –Brian Hopper, Hugh Hopper, Pye Hastings Comments 2:20 3 –Brian*, Hugh* & Robert Wyatt Tanglewood Tails 1:58 4 –Brian Hopper, Hugh Hopper, Pye Hastings Comments 1:37 5 –The Wild Flowers* Thinking Of You 1:37 6 –Brian Hopper, Hugh Hopper, Pye Hastings Comments 1:57 7 –Mike Ratledge, Robert*, Brian* & Hugh* Man In A Deaf Corner 1:10 8 –Brian Hopper, Hugh Hopper, Pye Hastings Comments 0:25 9 –Mike* & Robert* Summertime 1:35 10 –Caravan Summertime 1:41 11 –Brian Hopper, Hugh Hopper, Pye Hastings Comments 1:37 12 –Soft Machine Esther's Nose Job 2:28 13 –Brian Hopper, Hugh Hopper, Pye Hastings Comments 0:26 14 –Caravan Feelin', Reelin', Squealin' 1:45 15 –Brian Hopper, Hugh Hopper, Pye Hastings Comments 2:13 16 –Caravan Austin Cambridge 1:21 Companies, etc. Recorded At – T.L.C.S. Studios Marketed By – Voiceprint Group Of Companies Distributed By – Voiceprint Group Of Companies Credits Coordinator – Robin Ayling Engineer – Julian Hastings*, Pye Hastings Mastered By – Chris Thorpe Painting [Cover Painting] – Leslie Hopper Producer – Brian Hopper Notes Excerpts from Canterburied Sounds Volume 1, Canterburied Sounds Volume 2, Canterburied Sounds Volume 3, Canterburied Sounds Volume 4, with comments from Brian Hopper, Hugh Hopper and Pye Hastings.