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Varsity Jazz
Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra. -
EWVA 4Th Full Proofxx.Pdf (9.446Mb)
University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Art, Design and Architecture 2019-04 Ewva European Women's Video Art in The 70sand 80s http://hdl.handle.net/10026.1/16391 JOHN LIBBEY PUBLISHING All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. EWVA EuropeanPROOF Women’s Video Art in the 70s and 80s do not distribute PROOF do not distribute Cover image: Lydia Schouten, The lone ranger, lost in the jungle of erotic desire, 1981, still from video. Courtesy of the artist. EWVA European Women’s PROOF Video Art in the 70s and 80s Edited by do Laura Leuzzi, Elaine Shemiltnot and Stephen Partridge Proofreading and copyediting by Laura Leuzzi and Alexandra Ross Photo editing by Laura Leuzzi anddistribute Adam Lockhart EWVA | European Women's Video Art in the 70s and 80s iv British Library Cataloguing in Publication Data EWVA European Women’s Video Art in the 70s and 80s A catalogue entry for this book is available from the British Library ISBN: 9780 86196 734 6 (Hardback) PROOF do not distribute Published by John Libbey Publishing Ltd, 205 Crescent Road, East Barnet, Herts EN4 8SB, United Kingdom e-mail: [email protected]; web site: www.johnlibbey.com Distributed worldwide by Indiana University Press, Herman B Wells Library – 350, 1320 E. -
ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL
Bio information: ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: ROCK “…the [Jim Hendrix] Experience let me know there was a spare bed in the house they were renting, and I could stay there with them– a spontaneous offer accepted with gratitude. They’d just hired it for a couple of months… …My goal was to make the music I’d actually like to listen to. … …I was clearly imagining life without a band at all, imagining a music I could make alone, like the painter I always wanted to be.” – Robert Wyatt, 2012 Some have called this - the complete set of Robert Wyatt's solo recordings made in the US in late 1968 - the ultimate Holy Grail. Half of the material here is not only previously unreleased - it had never been heard, even by the most dedicated collectors of Wyatt rarities. Until reappearing, seemingly out of nowhere, last year, the demo for “Rivmic Melodies”, an extended sequence of song fragments destined to form the first side of the second album by Soft Machine (the band Wyatt had helped form in 1966 as drummer and lead vocalist, and with whom he had recorded an as-yet unreleased debut album in New York the previous spring), was presumed lost forever. As for the shorter song discovered on the same acetate, “Chelsa”, it wasn't even known to exist! This music was conceived by Wyatt while off the road during and after Soft Machine's second tour of the US with the Jimi Hendrix Experience, first in New York City during the summer of 1968, then in the fall of that year while staying at the Experience's rented house in California, where he was granted free access to the TTG recording facility during studio downtime. -
Jmoriginal 2876.Pdf
THE SCENE FEB. 21-27, 1974) interplay and piano duos were her set, which included several, great melodically) gee oormg. very effective. terribly embarrassing jokes, was The concert was ·As far ~s material performed, her version of Rick Roberts' well-arranged. Mitchell's band, I wasn't able to recognize any of "Colorado." Tom Scott & The L.A. Express, the numbers from Soft Machine "Take It Easy" set the pace opened the show with half an albums. The compositions, for Jackson Browne's dynamic hour of their own fine jazz/rock. 'unfortunate1y, weren't much, set. It showed the talented David Then Mitchell emerged from the but the sensitive presentations of · Lindley (who would eventually wings to join them for a half them by the band made up for play guitar, piano, dobro and hour of her light rock tunes. their structural weakness. slide guitar) on elecqic fiddle After intermission, Mitchell Oh, yeah, guitarist Bill and Doug Haywood on bass and returned and did 50 minutes of DeArango and his trio (Skip vo'cals. Jackson's drummer, solo things (accompanying Hadden on drums and Ernie obviously not one of the herself on piano, dulcimer and Krivda on reeds) opened the musicians who were FOR· guitars) and the finale again SOFT MACHINE aadea guitar player (whose n~ e show with their music that EVERYMAN (as were Haywood featured her and the band. Smiling Dog Saloon I didn't catch) who supplied the DeArango claims no one will and Lindley), fell behind on a together. February 18 show. Both Marshall and understand for awhile. -
February 2012
The Park Press Winter Park | Baldwin Park | College Park | M a i t l a n d F E b R u a R y 2 0 1 2 FREE Duck Derby a Makeover Technology Winner allows Creativity 10 15 18 It’s Great To be Grand! – by Tricia Cable Teachers, in general, are some of the the doctor’s visits, helping to pay for med- most thoughtful human beings on the icine, paying for children with impaired planet. They certainly don’t become vision to get glasses, and on occasion, pay- teachers because of the pay, and many of ing their rent to avoid eviction. the professional educators in my circle But the team of five woman who take spend a great deal of their hard-earned on the responsibility to educate the 88 5 wages on classroom supplies and oth- and 6-year-olds who attend kindergarten er items in an effort to be the very best there are not only incredibly dedicated and teachers for our children. John F. Ken- competent, but also a very compassionate nedy once said “Our progress as a nation and caring group. “Students here are such can be no swifter than our progress in sweet and inquisitive boys and girls,” ex- education. The human mind is our fun- plains team leader Sarah Schneider. “They damental resource.” tend to lack the knowledge of the world The kindergarten team at Grand Av- beyond their own neighborhood, and that enue Primary Learning Center takes that Kindergarten Team Leader Sarah Schneider with a group of her is where we come in,” she continues. -
Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
The Soft Machine the Soft Machine Mp3, Flac, Wma
The Soft Machine The Soft Machine mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: The Soft Machine Country: US Released: 2010 Style: Jazz-Rock, Psychedelic Rock, Experimental, Prog Rock MP3 version RAR size: 1791 mb FLAC version RAR size: 1639 mb WMA version RAR size: 1582 mb Rating: 4.9 Votes: 391 Other Formats: TTA MIDI AUD AAC WAV APE DTS Tracklist Hide Credits Hope For Happiness 1 4:20 Written-By – Brian Hopper, Kevin Ayers, Mike Ratledge Joy Of A Toy 2 2:49 Written-By – Kevin Ayers, Mike Ratledge Hope For Happiness (Reprise) 3 1:37 Written-By – Brian Hopper, Kevin Ayers, Mike Ratledge Why Am I So Short? 4 1:38 Written-By – Hugh Hopper, Kevin Ayers, Mike Ratledge So Boot If At All 5 7:22 Written-By – Kevin Ayers, Mike Ratledge, Robert Wyatt A Certain Kind 6 4:10 Written-By – Hugh Hopper Save Yourself 7 2:25 Written-By – Robert Wyatt Priscilla 8 1:05 Written-By – Kevin Ayers, Mike Ratledge, Robert Wyatt Lullabye Letter 9 4:37 Written-By – Kevin Ayers We Did It Again 10 3:46 Written-By – Kevin Ayers Plus Belle Qu'une Poubelle 11 1:01 Written-By – Kevin Ayers Why Are We Sleeping? 12 5:31 Written-By – Kevin Ayers, Mike Ratledge, Robert Wyatt Box 25 / 4 Lid 13 0:47 Written-By – Hugh Hopper, Mike Ratledge Bonus Tracks Love Makes Sweet Music 14 2:27 Producer [Produced By] – Chas ChandlerWritten-By – Kevin Ayers Feelin' Reelin' Squeelin' 15 2:50 Producer [Produced By] – Kim FowleyWritten-By – Kevin Ayers Companies, etc. -
Obama Signs LGBT Hospital Access Memo President Calls Lesbian Denied Access to Partner Page 8 by Tracy Baim
THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 April 21, 2010 • vol 25 no 29 www.WindyCityMediaGroup.com Gender JUST rally Obama signs LGBT hospital access memo President calls lesbian denied access to partner page 8 BY TRacY Baim “I’m sorry.” Those two little words are what Janice Lang- behn has been waiting to hear since February 2007, when her partner of 18 years, Lisa Pond, just 39 years old, died separated from Langbehn and their children. But the apology did not come from Jack- son Memorial Hospital in Florida, where Pond lay dying from a brain aneurysm suffered Feb. 18, 2007, hours after the family boarded the R Family Cruise. Instead, President Barack Obama said those words to Langbehn in a phone call April 15, 2010, when he phoned her in Olym- pia, Wash., from Air Force One, ironically while it circled over Miami, where Jackson Memorial is Chicago located. Obama called Langbehn to explain a memo he Red Stars page 22 had signed that day to address discrimination LGBT families face from healthcare facilities. The Obama memo directs the Secretary of Health and Human Services (HHS), Kathleen Sebelius, to move forward on steps to address hospital visitation and other related LGBT healthcare access issues. The resulting regula- tion is expected to require hospitals that receive Turn to page 6 Janice Langbehn (left) and Lisa Pond in 1996. Dan Choi sounds off at Boston gala BY CHUCK COLBERT What should the president do? Choi insists that the president include repeal language in the Mario In the nearly six weeks since his arrest for civil Defense Authorization Act of 2010. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Resenv Research Update 4/16 Joe Paradiso an Introduction to Prog Rock Prof
ResEnv Research Update 4/16 Joe Paradiso An Introduction to Prog Rock Prof. J. Paradiso – MIT Media Lab Session 1: Intro - Things your dad should have told you about Prog Session 2; Canterbury Session 3: Rock in Opposition Session 4: Zeuhl Session 5: Space Rock and Neopsychedelia Session 6: French & Quebecois Prog Session 7: Rock Progressivo Italiano Session 8: Germany, Berlin, and Krautrock (perhaps some Scandavania too) Session 9: Japanese Prog Lecture 1 – Introduction, Roots of Prog, Classic Prog ResEnv Research Update 4/16 Joe Paradiso 1/10/2018 IAP 2018 Books on Prog…. And books on many bands – e.g., Soft Machine, Hawkwind… 4/08 JAP Resources ‘Romantic Warriors’ DVD set by Adele Schmidt & José Zegarra Holder In MIT’s Music Library Krautrock documentary in progress – Italian prog and perhaps space rock, etc. coming…. 4 4/08 JAP Magazines In Lewis Music Library! 5 4/08 JAP Some Websites & Resources http://www.progarchives.com http://www.proggnosis.com http://www.expose.org Chris Cutler’s Podcasts: http://ccutler.co.uk/ccpodcast.htm Many Facebook Groups: Avant Progressive, Canterbury, etc., etc. 7 4/08 JAP Vendors… http://synphonicmusic.com/ https://www.lasercd.com/ http://www.waysidemusic.com 7 More Vendors (UK) http://home.btconnect.com/ultimathule/index.html https://burningshed.com/ http://www.rermegacorp.com/ http://www.progrock.co.uk/ Prog Festivals! https://burgherzberg-festival.de/ http://rockinopposition.rocktime.org/ https://www.progday.net/ https://proglodytes.com/2017/12/07/exhaustive-prog-festival-list-2018/ http://www.gaudela.net/gar/ 4/08 JAP A Historical Perspective 10 ~14K Albums – most on CD! 4/08 JAP Music <> Exploration - I seek out music everywhere! 12 4/08 JAP • WMFO, WMBR, WZBC Radio Shows • 1974 – 1994 • Still sporadically – e.g. -
The Science of Sound/Audio
22 - The Science of Sound/Audio . Leveraging Sound Branding Posted on August 22, 2013 by admin ―I should have known, sound branding! Sound Branding is common sense. Quite simply, we are wired to go. It is said that the human ear reacts to certain sounds more than others. This is sound branding. Sound, most notably music, triggers emotions, auditory pleasures, memories and associations. Sound branding is a multi-sensory form of communication and a holistic corporate model, which drives perception. It also creates attention with familiar associations. It also differentiates from the dross of typical advertising media. The benefit of this auditory effect is that it enhances brand identity, loyalty, and thus increases sales. Take the memorable Intel or Coca-Cola jingles as key examples. Harley Davidson‘s distinctive and trademarked motorcycle exhaust sound, and Kellogg‘s investment in the power of auditory stimulus with its cereal crunching demonstrates strategic marketing through sound branding. Firms of this sort understand sound branding delivers personality. The advent of digital media and devices increases the communication of the sound branding experience. Sampling of sound branding through audio identity should be appreciated by listening to the following examples:can be viewed and heard here. • Bentley Motor Cars developed ―The new sound of Bentley‖ — a stirring and thunderous soundtrack and the prelude to a potent new Bentley driving experience. • Hip boutique hotels such as Puro Hotel in Mallorca, whose beach bar has been voted one of the world‘s 50 best by CNN Travel, surrounds you everywhere with lounge/chill-out genre of music compiled by its in-house DJ ‒ whether you open their website, choose to listen to their on-line steaming player, purchase a CD, relax by the pool sipping a passion fruit mojito or come nightfall, gather around to dance to their house tunes. -
Agency and the Docile Body in the Hunger Games And
“MORE THAN JUST A PIECE IN THEIR GAMES”: AGENCY AND THE DOCILE BODY IN THE HUNGER GAMES AND REALITY TELEVISION by KATHLEEN DENISON Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN ENGLISH THE UNIVERSITY OF TEXAS AT ARLINGTON December 2014 Copyright © by Kathleen Denison 2014 All Rights Reserved ii Acknowledgements My deepest gratitude goes out to the chair of my committee, Penny Ingram, for being an incredible person and an incredible professor. She selflessly saved me from my initial thesis “crisis” and constantly believed in me when I wasn’t sure I could believe in myself. Dr. Ingram’s patience, humor, knowledge and stories have been an incredible gift throughout this process. I don’t know if this thesis would have been possible without the shared laughs and compassionate words of understanding that introduced light into some occasionally dark times. I am also grateful to Ashley Miller for her kindness and patience throughout this process. And to Jackie Stodnick for ensuring that my writing best represents my abilities and knowledge. Finally, thank you to my family and friends. This thesis would have never materialized without the many wonderful people that listened to my often incomprehensible ramblings, that let me vent and cry and stress aloud, that offered comfort and accountability during the actual writing, and that always helped me see the light at the end of the tunnel. A special thank you to my mom for listening to me talk about The Hunger Games for hours and for helping me focus when clarity seemed like the least obtainable thing possible.