Ghoul: Challenging the Category of the 'Nationalist Muslim'

Total Page:16

File Type:pdf, Size:1020Kb

Ghoul: Challenging the Category of the 'Nationalist Muslim' ISSN (Online) - 2349-8846 Ghoul: Challenging the Category of the ‘Nationalist Muslim’ AAKSHI MAGAZINE Aakshi Magazine ([email protected]) is a PhD candidate in Film Studies at the University of St Andrews where she is working on the ideological role of the film song in 1950s Hindi cinema. Vol. 53, Issue No. 45, 17 Nov, 2018 The Netflix web series Ghoul provides an alternative to the stereotypical representation of the Muslim figure in Hindi cinema through its central protagonist and her dilemmas. Ghoul is an Indian web series which was directed by Patrick Graham and set in a dystopian future. The series begins with an ominous sign that says, “Terrorists are among us. Be vigilant.” Then we are introduced to the main protagonist, Nida Rahim (Radhika Apte) along with her father Shahnawaz Rahim (S.M. Zaheer) who are travelling in a car. Nida’s hijab tells us that she is Muslim. Following the symbology of popular Hindi cinema, this warns the audience about their loyalty. But contrary to what the initial scenes suggest, the miniseries is a refreshing intervention in the current discourse around ‘anti-nationalism’. The series confronts this discourse in the first few minutes itself, as the characters mention loaded terms like desh-droh and wapasi in their conversation. Shahnawaz is angry about the way ‘his’ people are being treated: innocents are being picked up in the name of wapasi. Nida, however, is suspicious of what her father is saying. She does not believe that people who are picked up are innocent, and tells her father that their community has always been taught wrong things. “The government wants our well-being,” she says. Their conversation suggests that the two ISSN (Online) - 2349-8846 characters fit into the good Muslim–bad Muslim binary we have seen before in Hindi cinema. Nida is the ideal ‘nationalist Muslim’ while the father Shahnawaz is the traitor. Nida, in fact, is enrolled in the advanced interrogation department at the police academy, which is where they are headed to in this sequence, even as her father is carrying “seditious” books and notes in the backseat. As the series proceeds, it upturns many of the stereotypes that represent the Muslim figure in popular Hindi cinema, including the good and bad Muslim binary. In doing so, Ghoul, like the recently released films Raazi and Mulk, is a timely intervention in the current discourse on “anti-nationalism”, as it examines the dangers of such a discourse. The Muslim Stereotype in Hindi Cinema The relevance of this intervention is evident when we place it in the context of popular Hindi cinema. Scholars have written about the representation of the Muslim figure in a stereotypical manner as the terrorist figure. In an essay on the 1992 film Roja, Tejaswini Niranjana (1994) writes that even though the hegemonic definition of the nation does not overtly manifest itself as Hindu, the “claiming of the nation by the new middle class and the series of exclusions (of Dalits, of Muslims) it produces as natural, feeds into the agenda of the forces of Hindutva.” Sanjeev Kumar (2003) also argues that since the 1990s, popular Hindi cinema has worked to "validate the hegemonic designs embedded in Hindutva majoritarianism". One of the ways it does this is by portraying the Muslim figure in a pejorative and stereotypical manner as alien and distinct from the “secular, modern and progressive Hindus.” Niranjana and Kumar are focusing on the Muslim figure as a terrorist. Niranjana writes that the Kashmiri militants in Roja “always appear in clothes marked as ethnically Muslim; their ethnicity reveals them as 'anti-modern,' intolerant and fundamentalist. On the other hand, Hindus, as displayed by the chief protagonists is merely a part of the complexity of being Indian.” In this article, however, I am interested in the other side of this formulation: the figure of the Muslim as a patriotic and loyal citizen, which, while not a pejorative representation, contributes to the construction of the good Muslim–bad Muslim binary. It is a representation of what Gyanendra Pandey (1998) has called the ‘Nationalist Muslim’ category, which he traces as a legacy of partition. This category has no equivalent among the Hindus or even other religious groups in India. It rests on the premise that the Muslim figure’s nationalism is suspect, which is why it needs to be spelt out and articulated in so many words. It is in the context of the "Nationalist Muslim" that Ghoul is relevant, because it traces Nida Raheem’s transformation from a “Nationalist Muslim” to a character who realises the dangers inherent in that kind of blind loyalty. In this way, Nida’s character is a critique, and an alternative to Hindi cinema’s “Nationalist Muslim” figure, for, as the show tells us, it is a burden she need not carry. The recently released Hindi film Raazi showed a similar journey ISSN (Online) - 2349-8846 for its main character Sehmat. In Ghoul, Nida is caught between what her father wants to teach her, and the rules that the government and the nation state train in her. Significantly, the series makes it a point to tell us that her father’s only crime is that he wants people to question and think on their own. However, brainwashed by the state, Nida suspects him of being disloyal. This is how the state has trained her for at the academy: they are told that terrorists are not outside but within. In the car sequence at the beginning, Nida realises that in her case, the enemy could possibly be her father. She decides to report him to the academy so that they can begin the process of making him an ‘adarsh nagrik’ (ideal citizen). The series charts her eventual rejection of this logic as she realises the violence at the heart of the state’s ideology. The Hyphenated Citizen After having reported her father, Nida is summoned to the Meghdoot 31 detention centre where she is told that a dreaded terrorist, Ali Saeed, is going to be interrogated. Nida is to be a part of his interrogation team. At the centre, however, it is gradually revealed that the real reason she has been called there is something else. Saeed, on being caught, had taken Nida’s name. Because of this, Nida was suspected of collaborating with terrorists, since the loyalty of a Muslim citizen is always fragile. This is why the suspicious Major Das at the detention centre asks Nida if her religion will be a problem when she interrogates the inmates who are also Muslim. Nida’s nationalism—never mind her unwavering loyalty—is always suspect, for she belongs to what Pandey has called the category of the “hyphenated citizen”: the Indian Muslim (1998). The hyphenated citizen, Pandey writes, “might be allowed to be part of the nation but “never quite” (1998). Nations are constructed by establishing boundaries; and by constructing a core or mainstream in relation to which minorities are defined. This is an ongoing process where the boundaries are nebulous, which is why those who do not inhabit the core, and who constantly live “under the sign of a question mark,” have to bear the burden of proof of genuine belonging. (1998). The ‘nationalist Muslim’ category is one way of providing proof and variants of the category can be found reflected in many of the films of Hindi cinema. Even in a film like Chak De India (2007), where the protagonist Kabir Khan is a victim of this process, Khan is shown labouring to prove himself loyal. The entire premise of the plot, despite questioning the need for constant proof, constructs Khan as an example of the nationalist Muslim who takes pains to prove his loyalty. Set in a different context, Ghoul questions the dangers of that kind of labour, and that category itself. The series seems to ask: when nationalism is so dangerously defined, where can following it uncritically lead us? Nida is a topper in her course, and even passes the ultimate test of loyalty by turning against her own father. Despite this, in the detention centre, she has to constantly prove her heartlessness to the inmates to demonstrate her trustworthiness. ISSN (Online) - 2349-8846 The Supernatural as Device of Narrative Transformation While the show has such realist concerns, it uses the horror genre to make its point, by invoking the Arab folklore of the ghoul (djinn). The figure of the ghoul moves the plot by thriving on people’s guilt, working on the principle of ‘reveal their guilt, eat their flesh’. Shahnawaz had invoked the ghoul to deal with the injustice meted out to him, and to make his daughter understand her mistake. This ghoul takes the form of the terrorist Ali Saeed who has been brought to the detention centre. As the ghoul unleashes its wrath, the excesses of the state’s foot soldiers are revealed. The 11 officers of the centre live in a dark building with no natural light, originally built as a bunker in case of a nuclear attack. Each of them displays twisted characteristics and live by the rule that empathy is a sign of weakness. In fact, the head of the centre, Colonel Sunil Dacunha (Manav Kaul) tells Nida this when she arrives. Despite being on the same side, none of them trust each other, and when struck by crisis, they turn on each other. Their no-empathy worldview has made them monsters of their own kind. Dacunha, a decorated war hero otherwise, is an alcoholic struggling with a strained relationship with his wife and children. Two of the officers, Choudhury and Gupta have murdered an innocent prisoner’s wife and child right in front of him to get him to confess.
Recommended publications
  • Tokyo Ghoul Jumpchain V1.0 by Tokyoanon Welcome to Tokyo but As You May Have Guessed, There’S Some Differences to the One You’Re Familiar With
    Tokyo Ghoul Jumpchain v1.0 By TokyoAnon Welcome to Tokyo but as you may have guessed, there’s some differences to the one you’re familiar with. As you may have guessed, the main difference is the existence of Ghouls, a subspecies of humanity with a high count of Rc cells. These cells have the appearance of a curled up fetus, sometimes called “liquid muscle”, they flow like blood and can become as solid as teeth. The crucial part is that they’re what ghouls need to keep on living and these cells are only found in humans and other ghouls. The problem being is that humans are much tastier than a ghoul. Though there are prevalent rumours of ghouls gaining great power through cannibalizing each other Now to make it … worse, the tongue of a ghoul is much different than that of a human so every human food except black coffee will taste awful. It’ll even give them food poisoning too and weaken them should they try to digest it. With the only other choice being to starve, ghouls naturally prey on humanity, living among them and eating at least one human a month. Perhaps more, if the ghoul is insatiable or cruel. However, humanity is not without its claws. The Commission of Counter Ghoul, claimed to be founded 100 years ago to exterminate a powerful One-Eyed ghoul, serves as humanity’s sword and shield against ghouls. They’re headed by the venerable Washuu family whose members have hunted ghouls for well over a century, though with a heavy hand caring only for results not lives.
    [Show full text]
  • Graphic No Vels & Comics
    GRAPHIC NOVELS & COMICS SPRING 2020 TITLE Description FRONT COVER X-Men, Vol. 1 The X-Men find themselves in a whole new world of possibility…and things have never been better! Mastermind Jonathan Hickman and superstar artist Leinil Francis Yu reveal the saga of Cyclops and his hand-picked squad of mutant powerhouses. Collects #1-6. 9781302919818 | $17.99 PB Marvel Fallen Angels, Vol. 1 Psylocke finds herself in the new world of Mutantkind, unsure of her place in it. But when a face from her past returns only to be killed, she seeks vengeance. Collects Fallen Angels (2019) #1-6. 9781302919900 | $17.99 PB Marvel Wolverine: The Daughter of Wolverine Wolverine stars in a story that stretches across the decades beginning in the 1940s. Who is the young woman he’s fated to meet over and over again? Collects material from Marvel Comics Presents (2019) #1-9. 9781302918361 | $15.99 PB Marvel 4 Graphic Novels & Comics X-Force, Vol. 1 X-Force is the CIA of the mutant world—half intelligence branch, half special ops. In a perfect world, there would be no need for an X-Force. We’re not there…yet. Collects #1-6. 9781302919887 | $17.99 PB Marvel New Mutants, Vol. 1 The classic New Mutants (Sunspot, Wolfsbane, Mirage, Karma, Magik, and Cypher) join a few new friends (Chamber, Mondo) to seek out their missing member and go on a mission alongside the Starjammers! Collects #1-6. 9781302919924 | $17.99 PB Marvel Excalibur, Vol. 1 It’s a new era for mutantkind as a new Captain Britain holds the amulet, fighting for her Kingdom of Avalon with her Excalibur at her side—Rogue, Gambit, Rictor, Jubilee…and Apocalypse.
    [Show full text]
  • Recommended Books from the Teen Collection
    Recommended Books from the Teen Collection Action, Adventure, and Survival Crime, Espionage, Escape, and Heists TEEN BARDUGO Six of Crows by Leigh Bardugo (790L, series, grades 7+) TEEN CARRIGER Etiquette & Espionage by Gail Carriger (780L, series, grades 6+) TEEN CARTER Heist Society by Ally Carter (800L, series, grades 7+) TEEN CARTER I’d Tell You I Love You, But Then I’d Have to Kill You by Ally Carter (1000L, series, grades 6+) TEEN DUCIE The Rig by Joe Ducie (grades 6+) TEEN EVANS Michael Vey: the Prisoner of Cell 25 by Richard Paul Evans (500L, grades 6+) TEEN HOROWITZ Stormbreaker by Anthony Horowitz (670L, series, grades 6+) TEEN MAETANI Ink and Ashes by Valynne E. Maetani (740L, grades 7+) TEEN MCKENZIE In a Split Second by Sophie McKenzie (670L, grades 8+) TEEN SMITH Independence Hall by Roland Smith (660L, series, grades 5+) Survival TEEN BICK Ashes by Ilsa Bick (730L, series, grades 7+) TEEN CALAME Dan Versus Nature by Don Calame (660L, grades 8+) TEEN DELAPEÑA The Living by Matt De La Peña (700L, series, grades 9+) TEEN FULLER Our Endless Numbered Days by Claire Fuller (980L, grades 9+) TEEN GRIFFIN Adrift by Paul Griffin (580L, grades 9+) TEEN HAINES Girl in the Arena: a Novel Containing Intense Prolonged Sequences of Disaster and Peril by Lise Haines (grades 9+) TEEN HIRSCH Black River Falls by Jeff Hirsch (700L, grades 7+) TEEN HURWITZ The Rains by Gregg Andrew Hurwitz (770L, grades 7+) TEEN KEPHART This is the Story of You by Beth Kephart (850L, grades 7+) TEEN LEVEZ The Island by Olivia Levez (grades 7+) TEEN MALLORY
    [Show full text]
  • Military Aviation: Issues and Options for Combating Terrorism and Counterinsurgency
    Order Code RL32737 CRS Report for Congress Received through the CRS Web Military Aviation: Issues and Options for Combating Terrorism and Counterinsurgency January 27, 2006 Christopher Bolkcom Specialist in National Defense Foreign Affairs, Defense, and Trade Division Kenneth Katzman Specialist in Middle East Affairs Foreign Affairs, Defense, and Trade Division Congressional Research Service ˜ The Library of Congress Military Aviation: Issues and Options for Combating Terrorism Summary By all accounts, the U.S. military dominates state-on-state conflict. In the past, non-state actors (terrorists, guerrillas, drug traffickers) appeared to be less threatening to U.S. national security than the well funded, well organized, and potent armed forces of an enemy nation-state. The terrorist attacks of September 11, 2001 illustrate, however, that small groups of non-state actors can exploit relatively inexpensive and commercially available technology to conduct very destructive attacks over great distances. Today’s U.S. armed forces were developed principally with state-on-state conflict in mind. Combating non-state actors, however, presents a number of distinct challenges in terms of operations, cost, and mindset. Non-state actors generally strive to hide within civilian populations. While U.S. policy makers typically seek quick and decisive victories, non-state actors seek protracted war. Non-state actors often employ cheap, commercially available weapons, that often result in expensive responses by the United States. Many of the weapons and methods employed today by U.S. armed forces can be used against non-state actors. Some, however, are more directly applicable than others. U.S. experience in conducting close air support (CAS), employing special operations forces (SOF) and advising friendly governments in using aviation to defend themselves from insurgents and terrorists may form a basis for building capabilities against non-state actors.
    [Show full text]
  • Spirited Fun That's Totally Ghoul! a COMMUNITY NEWSLETTER
    THIS WESTWOOD FallIN A COMMUNITY NEWSLETTER Fall 2009 Volume 22 Number 1 Spirited Fun that’s Totally Ghoul! Even for Groan-ups! Take a Halloween Hike at Hale Reservation ave you ever come face to face with a talking bat? Would you like to be Hquizzed by a spider? Did you ever have a turtle guide you on a tour? Well, now’s your chance. On Thursday, October 22nd, Hale Reservation will open its trails for a fun and informative walking tour with friends from the forest. Hiking through the trails, visitors will come upon costumed characters who will share their stories of life in the great outdoors. You’ll learn something about the animals that call Hale their home as well as other animals beyond Hale’s borders. This annual event is always popular with kids and adults alike so you are encouraged to call Hale early for your preferred starting time, 781-326-1770. A Coyote talks to the visitors. Guided tours begin at 4:00 pm and will run every 10 minutes. The last tour of the evening will leave at 7:00 pm. Allow one hour for the walk through the trails and a little extra time for a campfire treat at the end. Arrive 15 minutes before your scheduled start and have your face painted before your tour. Admission is $8.00 per child and Adults are free. Please pre-register by October 19th as spots fill up quickly. Ms. Spider awaits her guests. For more information about Hale Reservation visit www.HaleReservation.org. ❖ Successful “Happy Halloween for Children in Need” Campaign Returns for 2009 alloween truly kicks off the holiday season in the Ouellette home.
    [Show full text]
  • Tesis Doctoral
    FACULTAD DE FILOLOGÍA PROGRAMA DE DOCTORADO EN ESTUDIOS FILOLÓGICOS LÍNEA MUJER, ESCRITURA Y COMUNICACIÓN TESIS DOCTORAL MONSTRUOSAS: ANÁLISIS DEL MITO DE LAS MUJERES TRANSGRESORAS Y SU REINTERPRETACIÓN EN LAS LITERATURAS María Burguillos Capel Directora: Dra. Mercedes Arriaga Flórez Co-directoras: Dra. Mercedes Comellas Aguirrezábal Dra. Eva María Moreno Lago Sevilla, 2019 Monstruosas: análisis del mito de las mujeres transgresoras y su reinterpretación en las literaturas 1 Monstruosas: análisis del mito de las mujeres transgresoras y su reinterpretación en las literaturas INTRODUCCIÓN ...................................................................................................... 5 CAPÍTULO 1. MITOS Y ARQUETIPOS FEMENINOS .................................... 18 1.1. La percepción de lo femenino a través del discurso mítico ......................... 21 1.1.1. El mito tradicional: la perspectiva filológico-historicista y antropológica ............................................................................................................................ 21 1.1.2. El mito desde el simbolismo y el funcionalismo ....................................... 31 1.1. 3. El estructuralismo ................................................................................ 44 1.1.4. Post-estructuralismo y feminismo ............................................................ 47 1.2. La usurpación de la Diosa Madre como primera forma de violencia simbólica ................................................................................................................
    [Show full text]
  • Hartford Public Library DVD Title List
    Hartford Public Library DVD Title List # 20 Wild Westerns: Marshals & Gunman 2 Days in the Valley (2 Discs) 2 Family Movies: Family Time: Adventures 24 Season 1 (7 Discs) of Gallant Bess & The Pied Piper of 24 Season 2 (7 Discs) Hamelin 24 Season 3 (7 Discs) 3:10 to Yuma 24 Season 4 (7 Discs) 30 Minutes or Less 24 Season 5 (7 Discs) 300 24 Season 6 (7 Discs) 3-Way 24 Season 7 (6 Discs) 4 Cult Horror Movies (2 Discs) 24 Season 8 (6 Discs) 4 Film Favorites: The Matrix Collection- 24: Redemption 2 Discs (4 Discs) 27 Dresses 4 Movies With Soul 40 Year Old Virgin, The 400 Years of the Telescope 50 Icons of Comedy 5 Action Movies 150 Cartoon Classics (4 Discs) 5 Great Movies Rated G 1917 5th Wave, The 1961 U.S. Figure Skating Championships 6 Family Movies (2 Discs) 8 Family Movies (2 Discs) A 8 Mile A.I. Artificial Intelligence (2 Discs) 10 Bible Stories for the Whole Family A.R.C.H.I.E. 10 Minute Solution: Pilates Abandon 10 Movie Adventure Pack (2 Discs) Abduction 10,000 BC About Schmidt 102 Minutes That Changed America Abraham Lincoln Vampire Hunter 10th Kingdom, The (3 Discs) Absolute Power 11:14 Accountant, The 12 Angry Men Act of Valor 12 Years a Slave Action Films (2 Discs) 13 Ghosts of Scooby-Doo, The: The Action Pack Volume 6 complete series (2 Discs) Addams Family, The 13 Hours Adventure of Sherlock Holmes’ Smarter 13 Towns of Huron County, The: A 150 Year Brother, The Heritage Adventures in Babysitting 16 Blocks Adventures in Zambezia 17th Annual Lane Automotive Car Show Adventures of Dally & Spanky 2005 Adventures of Elmo in Grouchland, The 20 Movie Star Films Adventures of Huck Finn, The Hartford Public Library DVD Title List Adventures of Ichabod and Mr.
    [Show full text]
  • {Dоwnlоаd/Rеаd PDF Bооk} Until Death Do Us Part: Vol. 13
    UNTIL DEATH DO US PART: VOL. 13 Author: Hiroshi Takashige,Double-S Number of Pages: 512 pages Published Date: 22 Nov 2016 Publisher: Little, Brown & Company Publication Country: New York, United States Language: English ISBN: 9780316547741 DOWNLOAD: UNTIL DEATH DO US PART: VOL. 13 Until Death Do Us Part: Vol. 13 PDF Book In his Principles of Human Knowledge Berkeley makes the striking claim that physical things consist of nothing but ideas, and so do not exist outside the mind. NoFailFatBurningForWomen. Now you too can color in all your favorite characters from gaming​s greatest hits. Laughs are expected but not guaranteed by this agreement. Romero's Diary of the Dead (2008) - traces the evolution of the zombie over the decades, from voodoo slave to brain-eating undead to raging infected - lays out what makes a zombie a zombie, as opposed to a ghost, ghoul, vampire, mummy, pod person, rabid sicko, or Frankenstein's monster - includes a detailed and chilling journal from the filming of Land of the Dead - lists the oddest and most gruesome things ever seen in undead cinema - covers not only mainstream American movies but also small independent productions, Spanish and Italian exploitation pictures, and bizarre offerings from Japan and Hong Kong - provides a detailed rundown of the 25 greatest zombie films ever made - features in-depth interviews with actors, directors, makeup effects wizards, and other zombie experts For serious fans and casual moviegoers alike, Zombie Movies will provide plenty of informative and entertaining brain food. She'll equip you with all the information you need to pick the right program for you and, with dozens of useful tips gleaned from her own career and contributed by her colleagues, you will be confident and set up for success the moment you enter the traditional--or virtual--classroom.
    [Show full text]
  • Scattered: a Multiversal Adventure
    Scattered: A Multiversal Adventure A socially-distanced, campaign-style multimedia freeform larp for 3-10+ players by Chance J. Feldstein and Matthew Valentine Stranded and lost in vast, unfamiliar new worlds, how will you escape and become whole again? Scattered is a game about exploration, separation from those we care about, and achieving communal ​ success despite that separation. It incorporates live video chat (with optional text chat “thought bubbles”) for group roleplay, travelogue-based world creation, and sending postal mail for mutual support. This game could be playable for many weeks or months, depending on the challenge level and cycle length chosen by your group. It will generate up to as many worlds as the number of players, worlds that will feel complex and “lived-in” by the game’s end. Perhaps you’ll later use the worlds you create together to run other games, write fiction, inspire new costume and makeup ideas, or for whatever other projects you might imagine. Supplies An electronic device capable of video chat A note card A printer, pen, or pencil (Optional) A green screen or blank wall for Paper virtual backgrounds Envelopes and stamps (Optional) Costuming, makeup, and props Safety Mechanics To set expectations, all players who are able should read at least the first 4 pages of this game before playing. The game uses this Consent Checklist (https://rb.gy/sluhay) to pre-determine what’s appropriate for video ​ ​ ​ ​ calls and letters. Use X-Card (https://rb.gy/zrqcck) for unexpected situations. You’ll need your own. ​ ​ ​ ​ If needed, players may disable their audio or video, disconnect from a video call, or leave the game entirely.
    [Show full text]
  • Cambridge University Press 978-1-108-47272-2 — the Cambridge History of the Gothic Volume 3: Gothic in the Twentieth and Twenty-First Centuries Index More Information
    Cambridge University Press 978-1-108-47272-2 — The Cambridge History of the Gothic Volume 3: Gothic in the Twentieth and Twenty-First Centuries Index More Information Index Abbott, Stacey, 3, 25–6, 29 Alt-Right movement, 299–301 Abraham, Nicolas, 254 American Horror Story: Cult (television), Absalom, Absalom (Faulkner), 65, 69 299–300 aesthetics, Modernist Gothic and, 44–9, 50 American Psycho (film), 294 African American writers. See also specific Amirpour, Ana Lily, 383, 385 writers The Anatomist (Bridie), 224 Southern Gothic literature and, after Ancuta, Katarzyna, 404–5 World War II, 74–6 And the Band Played On (Shilts), 275–6 Age of Anxiety, 369–70 Andersen, Hans Christian, 37–8, 427 Imperial Gothic and, 370 Andersen, Tryggve, 427 Agee, James, 76 Anderson, Eric, 68 Agrarians, as regional group, 71–2 Andeweg, Agnes, 233 Agrippa, Cornelius, 160 Anger, Kenneth, 215 Ahn Byung-ki, 417–18 Anil’s Ghost (Ondaatje), 356 AIDS narratives, Queer Gothic and, 264–82 Animal’s People (Sinha), 133–4 contagion and, 265–6, 268–9, 278–9 Antichrist (film), 435–6 guilt and innocence and, of affected anti-psychiatry movement, 191 individuals, 265 Anvari, Babak, 383, 385 homophobia influenced by, 265–6 apocalyptic Gothic LGBTQ+ identity and, 265–6 Cold War catastrophe, 470–4 medical timeline of AIDS discovery, 264–5 as end of history, 477–9 medication development, 275, 279–80 future in, optimism about, 480–2 moral judgement of affected rationalism in, 474–7 individuals, 265 re-enchantment in, 474–7 from 1981 to 1991, 266–75 religious history of, 465–6 The Hunger,
    [Show full text]
  • Kaneki Ken's Character Arc: a Hero's Journey Analysis
    Hafiz Priyansyah Kaneki Ken’s Character Arc: A Hero’s Journey Analysis Kaneki Ken’s Character Arc: A Hero’s Journey Analysis Hafiz Priyansyah English Language and Literature Universitas Pendidikan Indonesia ABSTRACT Literature has a trend that has grown its fame across the globe, called manga. They are similar in form with Western comic books, but with a different style and structure of the story’s presentation. One of the key elements of a manga’s story, the characters, pique the interest of the researcher. Kaneki Ken is the protagonist of the Tokyo Ghoul series that possesses this interesting characterization to look into. He goes through a journey that changes his characterization in a certain point in the story. To analyze this characterization, two analysis methods are used; Vogler’s (1996) hero’s journey theory and Sicoe’s (2013) character arc theory. The hero’ journey theory is used to gain an understanding of the events Kaneki goes through in his story, while the character arc theory is used to determine the kind of change he experiences. The result shows that Kaneki’s journey is a tragic hero’s journey, different from the traditional hero’s journey, and that he experiences the fall arc, which is, essentially, a tragedy. Furthermore, analysis of Kaneki’s unorthodox hero’s journey leads to the discovery of how an idolized character can start a serialization of literature, and how a serial literature, especially mangas, tend to be devious towards the hero’s journey theory. Keywords: Kaneki Ken, Hero’s journey, Character Arc 57 Passage2018, 6(3), 57-87 INTRODUCTION One of the methods to analyze a Manga is a growing trend in the world.
    [Show full text]
  • Iran's Support for Terrorism Worldwide Hearing
    IRAN’S SUPPORT FOR TERRORISM WORLDWIDE HEARING BEFORE THE SUBCOMMITTEE ON THE MIDDLE EAST AND NORTH AFRICA OF THE COMMITTEE ON FOREIGN AFFAIRS HOUSE OF REPRESENTATIVES ONE HUNDRED THIRTEENTH CONGRESS SECOND SESSION MARCH 4, 2014 Serial No. 113–125 Printed for the use of the Committee on Foreign Affairs ( Available via the World Wide Web: http://www.foreignaffairs.house.gov/ or http://www.gpo.gov/fdsys/ U.S. GOVERNMENT PRINTING OFFICE 86–958PDF WASHINGTON : 2014 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 VerDate 0ct 09 2002 13:33 Apr 22, 2014 Jkt 000000 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 F:\WORK\_MENA\030414\86958 SHIRL COMMITTEE ON FOREIGN AFFAIRS EDWARD R. ROYCE, California, Chairman CHRISTOPHER H. SMITH, New Jersey ELIOT L. ENGEL, New York ILEANA ROS-LEHTINEN, Florida ENI F.H. FALEOMAVAEGA, American DANA ROHRABACHER, California Samoa STEVE CHABOT, Ohio BRAD SHERMAN, California JOE WILSON, South Carolina GREGORY W. MEEKS, New York MICHAEL T. MCCAUL, Texas ALBIO SIRES, New Jersey TED POE, Texas GERALD E. CONNOLLY, Virginia MATT SALMON, Arizona THEODORE E. DEUTCH, Florida TOM MARINO, Pennsylvania BRIAN HIGGINS, New York JEFF DUNCAN, South Carolina KAREN BASS, California ADAM KINZINGER, Illinois WILLIAM KEATING, Massachusetts MO BROOKS, Alabama DAVID CICILLINE, Rhode Island TOM COTTON, Arkansas ALAN GRAYSON, Florida PAUL COOK, California JUAN VARGAS, California GEORGE HOLDING, North Carolina BRADLEY S. SCHNEIDER, Illinois RANDY K. WEBER SR., Texas JOSEPH P.
    [Show full text]