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FANTASY NEWS TEN CENTS the Science Fiction Weekly Newspaper Volume 4, Number 21 Sunday, May 12
NEWS PRICE: WHILE THREE IT’S ISSUES HOT! FANTASY NEWS TEN CENTS the science fiction weekly newspaper Volume 4, Number 21 Sunday, May 12. 1940 Whole Number 99 FAMOUS FANTASTIC FACTS SOCIAL TO BE GIVEN BY QUEENS SFL THE TIME STREAM The next-to-last QSFL meeting which provided that the QSFL in Fantastic Novels, long awaited The Writer’s Yearbook for 1940 of the 39-40 season saw an attend vestigate the possibilities of such an companion magazine to Famous contains several items of consider ance of close to thirty authors and idea. The motion was passed by a Fantastic Mysteries, arrived on the able interest to the science fiction fans. Among those present were majority with Oshinsky. Hoguet. newsstands early this week. This fan. There is a good size picture of Malcolm Jameson, well know stf- and Unger on investigating com new magazine presents the answer Fred Pohl, editor of Super Science author; Julius Schwartz and Sam mittee. It was pointed out that if to hundreds of stfans who wanted and Astonishing, included in a long Moskowitz, literary agents special twenty fans could be induced to pay to read the famous classics of yester pictorial review of all Popular Pub izing in science fiction; James V. ten dollars apiece it would provide year and who did not like to wait lications; there is also, the informa Taurasi. William S. Sykora. Mario two hundred dollars which might months for them to appear in serial tion that Harl Vincent has had ma Racic, Jr., Robert G. Thompson, be adequate to rent a “science fiction terial in Detective Fiction Weekly form. -
2019-05-06 Catalog P
Pulp-related books and periodicals available from Mike Chomko for May and June 2019 Dianne and I had a wonderful time in Chicago, attending the Windy City Pulp & Paper Convention in April. It’s a fine show that you should try to attend. Upcoming conventions include Robert E. Howard Days in Cross Plains, Texas on June 7 – 8, and the Edgar Rice Burroughs Chain of Friendship, planned for the weekend of June 13 – 15. It will take place in Oakbrook, Illinois. Unfortunately, it doesn’t look like there will be a spring edition of Ray Walsh’s Classicon. Currently, William Patrick Maynard and I are writing about the programming that will be featured at PulpFest 2019. We’ll be posting about the panels and presentations through June 10. On June 17, we’ll write about this year’s author signings, something new we’re planning for the convention. Check things out at www.pulpfest.com. Laurie Powers biography of LOVE STORY MAGAZINE editor Daisy Bacon is currently scheduled for release around the end of 2019. I will be carrying this book. It’s entitled QUEEN OF THE PULPS. Please reserve your copy today. Recently, I was contacted about carrying the Armchair Fiction line of books. I’ve contacted the publisher and will certainly be able to stock their books. Founded in 2011, they are dedicated to the restoration of classic genre fiction. Their forté is early science fiction, but they also publish mystery, horror, and westerns. They have a strong line of lost race novels. Their books are illustrated with art from the pulps and such. -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Eng 4936 Syllabus
ENG 4936 (Honors Seminar): Reading Science Fiction: The Pulps Professor Terry Harpold Spring 2019, Section 7449 Time: MWF, per. 5 (11:45 AM–12:35 PM) Location: Little Hall (LIT) 0117 office hours: M, 4–6 PM & by appt. (TUR 4105) email: [email protected] home page for Terry Harpold: http://users.clas.ufl.edu/tharpold/ e-Learning (Canvas) site for ENG 4936 (registered students only): http://elearning.ufl.edu Course description The “pulps” were illustrated fiction magazines published between the late 1890s and the late 1950s. Named for the inexpensive wood pulp paper on which they were printed, they varied widely as to genre, including aviation fiction, fantasy, horror and weird fiction, detective and crime fiction, railroad fiction, romance, science fiction, sports stories, war fiction, and western fiction. In the pulps’ heyday a bookshop or newsstand might offer dozens of different magazines on these subjects, often from the same publishers and featuring work by the same writers, with lurid, striking cover and interior art by the same artists. The magazines are, moreover, chock-full of period advertising targeted at an emerging readership, mostly – but not exclusively – male and subject to predictable The first issue of Amazing Stories, April 1926. Editor Hugo Gernsback worries and aspirations during the Depression and Pre- promises “a new sort of magazine,” WWII eras. (“Be a Radio Expert! Many Make $30 $50 $75 featuring the new genre of a Week!” “Get into Aviation by Training at Home!” “scientifiction.” “Listerine Ends Husband’s Dandruff in 3 Weeks!” “I’ll Prove that YOU, too, can be a NEW MAN! – Charles Atlas.”) The business end of the pulps was notoriously inconstant and sometimes shady; magazines came into and went out of publication with little fanfare; they often changed genres or titles without advance notice. -
Forbidden Planet” (1956): Origins in Pulp Science Fiction
“Forbidden Planet” (1956): Origins in Pulp Science Fiction By Dr. John L. Flynn While most critics tend to regard “Forbidden Planet” (1956) as a futuristic retelling of William Shakespeare’s “The Tempest”—with Morbius as Prospero, Robby the Robot as Arial, and the Id monster as the evil Caliban—this very conventional approach overlooks the most obvious. “Forbidden Planet” was, in fact, pulp science fiction, a conglomeration of every cliché and melodramatic element from the pulp magazines of the 1930s and 1940s. With its mysterious setting on an alien world, its stalwart captain and blaster-toting crew, its mad scientist and his naïve yet beautiful daughter, its indispensable robot, and its invisible monster, the movie relied on a proven formula. But even though director Fred Wilcox and scenarist Cyril Hume created it on a production line to compete with the other films of its day, “Forbidden Planet” managed to transcend its pulp origins to become something truly memorable. Today, it is regarded as one of the best films of the Fifties, and is a wonderful counterpoint to Robert Wise’s “The Day the Earth Stood Still”(1951). The Golden Age of Science Fiction is generally recognized as a twenty-year period between 1926 and 1946 when a handful of writers, including Clifford Simak, Jack Williamson, Isaac Asimov, John W. Campbell, Robert Heinlein, Ray Bradbury, Frederick Pohl, and L. Ron Hubbard, were publishing highly original, science fiction stories in pulp magazines. While the form of the first pulp magazine actually dates back to 1896, when Frank A. Munsey created The Argosy, it wasn’t until 1926 when Hugo Gernsback published the first issue of Amazing Stories that science fiction had its very own forum. -
Science Fiction
Science Fiction Module Convenors: Dr Caroline Edwards & Dr Joe Brooker Module Level: BA Level 6 (optional module) Time: Wednesdays 6-7.20pm, 2014-15 Module description This module introduces students to some of the key concepts and methodological approaches used in the contemporary study of science fiction (SF). SF is understood inclusively, as a capacious genre overlapping at times with fantasy, utopian/dystopian literature, Gothic, satire, speculative fiction, and the alternate mappings of literary history offered by modernism or postmodernism. Focusing on its development throughout the twentieth and into the twenty-first century, we will consider the ways in which SF has evolved: in particular in the novel and the short story, but also at times invoking other forms such as drama and film. We will be drawing on a range of critical approaches through which to explore some of the defining interests of SF literature and to reflect upon its critical reception in secondary literature. Module aims and objectives • To develop understanding of debates about genre. What is ‘genre fiction’? What distinctions or hierarchies are established between ‘literary’ and ‘genre’ texts? How have our understandings of SF as a genre changed over the last century? • To become familiar with recurring tropes such as robots, space exploration, genetic engineering, dystopian futures and (post-) apocalyptic worlds. • To explore ways that Science Fiction has acted as a social commentary on contemporary society. • To gain an understanding of how Science Fiction has explored ideas including parallel worlds, alternate histories and different models of time and reality. • To gain knowledge of diverse critical approaches to SF, including those from Marxism, structuralism, gender studies, postcolonial theory, cultural history, adaptation studies, ecocriticism and utopianism / dystopianism. -
Eddy, Lovecraft, and 'The Loved Dead'
Digital Scholarship in the Humanities Advance Access published July 29, 2015 Stylometry and Collaborative Authorship: Eddy, Lovecraft, and ‘The Loved Dead’ ............................................................................................................................................................ Alexander A. G. Gladwin, Matthew J. Lavin and Daniel M. Look St. Lawrence University, Canton, NY, USA ....................................................................................................................................... Abstract The authorship of the 1924 short story ‘The Loved Dead’ has been contested by family members of Clifford Martin Eddy, Jr. and Sunand Tryambak Joshi, a leading scholar on Howard Phillips Lovecraft. The authors of this article use stylometric methods to provide evidence for a claim about the authorship of the story and to analyze the nature of Eddy’s collaboration with Lovecraft. Correspondence: Alexander Further, we extend Rybicki, Hoover, and Kestemont’s (Collaborative authorship: A. G. Gladwin, 753 Franklin Conrad, Ford, and rolling delta. Literary and Linguistic Computing, 2014; 29, 422– Ave. Columbus, OH 43205 31) analysis of stylometry as it relates to collaborations in order to reveal the United States. necessary considerations for employing a stylometric approach to authorial E-mail: [email protected] collaboration. ................................................................................................................................................................................ -
THE MENTOR 79, July 1993
THE MENTOR AUSTRALIAN SCIENCE FICTION CONTENTS #79 ARTICLES: 8 - THE BIG BOOM by Don Boyd 40 - WHAT IS SF FOR by Sean Williams COLUMNISTS: 14 - NORTHERN FEN by Pavel A Viaznikov 17 - A SHORT HISTORY OF RUSSIAN "FANTASTICA" by Andrei Lubenski 32 - SWORDSMAN OF THE SHEPHERD'S STAR by Andrew Darlington 45 - IN DEPTH #6 by Bill Congreve COMIC SECTION: 20 - THE INITIATE Part 2 by Steve Carter DEPARTMENTS; 2 - EDITORIAL SLANT by Ron Clarke 49 - THE R&R DEPT - Reader's letters 61 - CURRENT BOOK RELEASES by Ron Clarke FICTION: 4 - PREY FOR THE PREY by B. J. Stevens 23 - THE BROOKLYN BLUES by Brent Lillie Cover Illustration by Steve Carter. Internal Illos: Steve Fox p. 7, 39 Peggy Ranson p.11, 13, 44, 48 Sheryl Birkhead p. 49 Rod Williams p. 68 Julie Vaix p. 68 THE MENTOR 79, July 1993. ISSN 0727-8462. Edited, printed and published by Ron Clarke. Mail Address: THE MENTOR, c/- 34 Tower St, Revesby, NSW 2212, Australia. THE MENTOR is published at intervals of roughly three months. It is available for published contribution (Australian fiction [science fiction or fantasy]), poetry, article, or letter of comment on a previous issue. It is not available for subscription, but is available for $5 for a sample issue (posted). Contributions, if over 5 pages, preferred to be on an IBM 51/4" or 31/2" disc (DD or HD) otherwise typed, single or double spaced, preferably a good photocopy (and if you want it returned, please type your name and address) and include an SSAE anyway, for my comments. -
Guest Editorial
Guest E ditorial Allen M. Steele WHERE WE CAME FROM IS WHERE WE’RE GOING The following essay is adapted from a speech made at the second Asian Pacific Sci - ence Fiction Convention (Apsfcon 2019) in Beijing, China, on May 26, 2019. I’m not only a science fiction writer, but also a science fiction historian, albeit of the armchair variety. The history of the SF genre fascinates me just about as much as any SF novel I’ve ever read. I’ve often used SF history as the background for my own work, such as my novel Arkwright , and lately my interest has only become stronger as I’ve explored the genre’s origins. One of the most wonderful things that’s come out of my studies is an appreciation for SF’s roots and just how truly international they are. More importantly, though, if we accept the idea that examining history can be a reliable means of forecasting the future—a major reason why it’s important to preserve the past and study it—then it’s possible that we may be able to perceive the direction where we’re headed by looking back to see where we’ve come from. Thus, a brief, and by no means complete, history of science fiction: Like science fiction’s close cousin, fantasy, SF has its roots in fables and myth-olo - gy, stories of the fantastic as opposed to realistic fiction. Much of this, particularly the imaginative literature published prior to the mid-nineteenth century, could be considered proto-SF. -
By Lee A. Breakiron ONE-SHOT WONDERS
REHeapa Autumnal Equinox 2015 By Lee A. Breakiron ONE-SHOT WONDERS By definition, fanzines are nonprofessional publications produced by fans of a particular cultural phenomenon, such as a literary or musical genre, for the pleasure of others who share their interests. Readers themselves often contribute to fanzines by submitting their own articles, reviews, letters of comment, and fan fiction. Though the term fanzine only dates from 1940 when it was popularized within science fiction and comic book fandom, the first fanzines actually date back to at least the nineteenth century when, as a uniquely American development, literary groups formed amateur press associations or APAs in order to publish collections of poetry, fiction, and commentary. Few, if any, writers have had as many fanzines, chapbooks, and other ephemera dedicated to them as has Robert E. Howard. Howard himself self-published his own typed “zine,” The Golden Caliph of four loose pages in about August, 1923 [1], as well as three issues of one entitled The Right Hook in 1925 (discussed later). Howard collaborated with his friends Tevis Clyde “Clyde” Smith, Jr., and Truett Vinson in their own zines, The All-Around Magazine and The Toreador respectively, in 1923 and 1925. (A copy of The All-Around Magazine sold for $911 in 2005.) Howard also participated in an amateur essay, commentary, and poetry journal called The Junto that ran from 1928 to 1930, contributing 10 stories and 13 poems to 10 of the issues that survive. Only one copy of this monthly “travelogue” was circulated among all the members of the group. -
Nelson Slade Bond Collection, 1920-2006
Marshall University Marshall Digital Scholar Guides to Manuscript Collections Search Our Collections 2006 0749: Nelson Slade Bond Collection, 1920-2006 Marshall University Special Collections Follow this and additional works at: https://mds.marshall.edu/sc_finding_aids Part of the Fiction Commons, Intellectual History Commons, Playwriting Commons, and the Social History Commons Recommended Citation Nelson Slade Bond Collection, 1920-2006, Accession No. 2006/04.0749, Special Collections Department, Marshall University, Huntington, WV. This Finding Aid is brought to you for free and open access by the Search Our Collections at Marshall Digital Scholar. It has been accepted for inclusion in Guides to Manuscript Collections by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. 0 REGISTER OF THE NELSON SLADE BOND COLLECTION Accession Number: 2006/04.749 Special Collections Department James E. Morrow Library Marshall University Huntington, West Virginia 2007 1 Special Collections Department James E. Morrow Library Marshall University Huntington, WV 25755-2060 Finding Aid for the Nelson Slade Bond Collection, ca.1920-2006 Accession Number: 2006/04.749 Processor: Gabe McKee Date Completed: February 2008 Location: Special Collections Department, Morrow Library, Room 217 and Nelson Bond Room Corporate Name: N/A Date: ca.1920-2006, bulk of content: 1935-1965 Extent: 54 linear ft. System of Arrangement: File arrangement is the original order imposed by Nelson Bond with small variations noted in the finding aid. The collection was a gift from Nelson S. Bond and his family in April of 2006 with other materials forwarded in May, September, and November of 2007. -
Doctoral Thesis History in Robert E. Howard's Fantastic Stories: from An
Doctoral Thesis History in Robert E. Howard’s Fantastic Stories: From an Age Undreamed of to the Era of the Old West and Texas Frontier Dierk Clemens Günther April 2019 Acknowledgements For all the generous help, advice, and support received, I would like to thank the following: Prof. Dr. Shinsuke Ohchi (University of Hiroshima) and Prof. Dr. Reiko Nitta for their all their support, their valuable advice given for this thesis, and their endless patience to bring out the best in me. Lee Breakiron has been of an immense help for having been so gracious to open his archive for me and to provide me with many articles and papers that are not publicly available anymore. Words cannot express my gratitude for this generous support. Also, for always being there, answering many of my question, thanks go out to Bobby Derie, Patrice Louinet and Jeffrey Shanks. I also want to thank the members of Project Pride of Cross Plains, Texas, the staff of the Robert E. Howard Museum, Cross Plains, Texas, and the Public Library, Cross Plains, Texas for all their help in my research for this thesis. Cross Plains is a community of wonderful and kind people, all of whom deserve my thanks but too many to name them here. Nonetheless I would like to give very special thanks for all their help with my research and their friendship to Arlene and Tom Stephenson, Cross Plains, and Ann and Kennith Beeler, Cross Plains. Finally, immense gratitude goes to all my aunts, Claudia Bollacher, Luitgard Reiter, and Barbara Ecker, who always believed in me and without whom I would not be who I am today.