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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Note to Users
NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D. -
FANTASY NEWS TEN CENTS the Science Fiction Weekly Newspaper Volume 4, Number 21 Sunday, May 12
NEWS PRICE: WHILE THREE IT’S ISSUES HOT! FANTASY NEWS TEN CENTS the science fiction weekly newspaper Volume 4, Number 21 Sunday, May 12. 1940 Whole Number 99 FAMOUS FANTASTIC FACTS SOCIAL TO BE GIVEN BY QUEENS SFL THE TIME STREAM The next-to-last QSFL meeting which provided that the QSFL in Fantastic Novels, long awaited The Writer’s Yearbook for 1940 of the 39-40 season saw an attend vestigate the possibilities of such an companion magazine to Famous contains several items of consider ance of close to thirty authors and idea. The motion was passed by a Fantastic Mysteries, arrived on the able interest to the science fiction fans. Among those present were majority with Oshinsky. Hoguet. newsstands early this week. This fan. There is a good size picture of Malcolm Jameson, well know stf- and Unger on investigating com new magazine presents the answer Fred Pohl, editor of Super Science author; Julius Schwartz and Sam mittee. It was pointed out that if to hundreds of stfans who wanted and Astonishing, included in a long Moskowitz, literary agents special twenty fans could be induced to pay to read the famous classics of yester pictorial review of all Popular Pub izing in science fiction; James V. ten dollars apiece it would provide year and who did not like to wait lications; there is also, the informa Taurasi. William S. Sykora. Mario two hundred dollars which might months for them to appear in serial tion that Harl Vincent has had ma Racic, Jr., Robert G. Thompson, be adequate to rent a “science fiction terial in Detective Fiction Weekly form. -
2News Summer 05 Catalog
SAV THE BEST IN COMICS & E LEGO ® PUBLICATIONS! W 15 HEN % 1994 --2013 Y ORD OU ON ER LINE FALL 2013 ! AMERICAN COMIC BOOK CHRONICLES: The 1950 s BILL SCHELLY tackles comics of the Atomic Era of Marilyn Monroe and Elvis Presley: EC’s TALES OF THE CRYPT, MAD, CARL BARKS ’ Donald Duck and Uncle Scrooge, re-tooling the FLASH in Showcase #4, return of Timely’s CAPTAIN AMERICA, HUMAN TORCH and SUB-MARINER , FREDRIC WERTHAM ’s anti-comics campaign, and more! Ships August 2013 Ambitious new series of FULL- (240-page FULL-COLOR HARDCOVER ) $40.95 COLOR HARDCOVERS (Digital Edition) $12.95 • ISBN: 9781605490540 documenting each 1965-69 decade of comic JOHN WELLS covers the transformation of MARVEL book history! COMICS into a pop phenomenon, Wally Wood’s TOWER COMICS , CHARLTON ’s Action Heroes, the BATMAN TV SHOW , Roy Thomas, Neal Adams, and Denny O’Neil lead - ing a youth wave in comics, GOLD KEY digests, the Archies and Josie & the Pussycats, and more! Ships March 2014 (224-page FULL-COLOR HARDCOVER ) $39.95 (Digital Edition) $11.95 • ISBN: 9781605490557 The 1970s ALSO AVAILABLE NOW: JASON SACKS & KEITH DALLAS detail the emerging Bronze Age of comics: Relevance with Denny O’Neil and Neal Adams’s GREEN 1960-64: (224-pages) $39.95 • (Digital Edition) $11.95 • ISBN: 978-1-60549-045-8 LANTERN , Jack Kirby’s FOURTH WORLD saga, Comics Code revisions that opens the floodgates for monsters and the supernatural, 1980s: (288-pages) $41.95 • (Digital Edition) $13.95 • ISBN: 978-1-60549-046-5 Jenette Kahn’s arrival at DC and the subsequent DC IMPLOSION , the coming of Jim Shooter and the DIRECT MARKET , and more! COMING SOON: 1940-44, 1945-49 and 1990s (240-page FULL-COLOR HARDCOVER ) $40.95 • (Digital Edition) $12.95 • ISBN: 9781605490564 • Ships July 2014 Our newest mag: Comic Book Creator! ™ A TwoMorrows Publication No. -
Mar Customer Order Form
OrdErS PREVIEWS world.com duE th 18MAR 2013 MAR COMIC THE SHOP’S PREVIEWSPREVIEWS CATALOG CUSTOMER ORDER FORM Mar Cover ROF and COF.indd 1 2/7/2013 3:35:28 PM Available only STAR WARS: “BOBA FETT CHEST from your local HOLE” BLACK T-SHIRT comic shop! Preorder now! MACHINE MAN THE WALKING DEAD: ADVENTURE TIME: CHARCOAL T-SHIRT “KEEP CALM AND CALL “ZOMBIE TIME” Preorder now! MICHONNE” BLACK T-SHIRT BLACK HOODIE Preorder now! Preorder now! 3 March 13 COF Apparel Shirt Ad.indd 1 2/7/2013 10:05:45 AM X #1 kiNG CoNaN: Dark Horse ComiCs HoUr oF THe DraGoN #1 Dark Horse ComiCs GreeN Team #1 DC ComiCs THe moVemeNT #1 DoomsDaY.1 #1 DC ComiCs iDW PUBlisHiNG THe BoUNCe #1 imaGe ComiCs TeN GraND #1 UlTimaTe ComiCs imaGe ComiCs sPiDer-maN #23 marVel ComiCs Mar13 Gem Page ROF COF.indd 1 2/7/2013 2:21:38 PM Featured Items COMIC BOOKS & GRAPHIC NOVELS Mouse Guard: Legends of the Guard Volume 2 #1 l ARCHAIA ENTERTAINMENT Uber #1 l AVATAR PRESS Suicide Risk #1 l BOOM! STUDIOS Clive Barker’s New Genesis #1 l BOOM! STUDIOS Marble Season HC l DRAWN & QUARTERLY Black Bat #1 l D. E./DYNAMITE ENTERTAINMENT 1 1 Battlestar Galactica #1 l D. E./DYNAMITE ENTERTAINMENT Grimm #1 l D. E./DYNAMITE ENTERTAINMENT Wars In Toyland HC l ONI PRESS INC. The From Hell Companion SC l TOP SHELF PRODUCTIONS Valiant Masters: Shadowman Volume 1: The Spirits Within HC l VALIANT ENTERTAINMENT Rurouni Kenshin Restoration Volume 1 GN l VIZ MEDIA Soul Eater Soul Art l YEN PRESS BOOKS & MAGAZINES 2 Doctor Who: Who-Ology Official Miscellany HC l DOCTOR WHO / TORCHWOOD Doctor Who: The Official -
2019-05-06 Catalog P
Pulp-related books and periodicals available from Mike Chomko for May and June 2019 Dianne and I had a wonderful time in Chicago, attending the Windy City Pulp & Paper Convention in April. It’s a fine show that you should try to attend. Upcoming conventions include Robert E. Howard Days in Cross Plains, Texas on June 7 – 8, and the Edgar Rice Burroughs Chain of Friendship, planned for the weekend of June 13 – 15. It will take place in Oakbrook, Illinois. Unfortunately, it doesn’t look like there will be a spring edition of Ray Walsh’s Classicon. Currently, William Patrick Maynard and I are writing about the programming that will be featured at PulpFest 2019. We’ll be posting about the panels and presentations through June 10. On June 17, we’ll write about this year’s author signings, something new we’re planning for the convention. Check things out at www.pulpfest.com. Laurie Powers biography of LOVE STORY MAGAZINE editor Daisy Bacon is currently scheduled for release around the end of 2019. I will be carrying this book. It’s entitled QUEEN OF THE PULPS. Please reserve your copy today. Recently, I was contacted about carrying the Armchair Fiction line of books. I’ve contacted the publisher and will certainly be able to stock their books. Founded in 2011, they are dedicated to the restoration of classic genre fiction. Their forté is early science fiction, but they also publish mystery, horror, and westerns. They have a strong line of lost race novels. Their books are illustrated with art from the pulps and such. -
Tarzan: the Complete Russ Manning Newspaper Strips: 1967-1969 Volume 1 Pdf
FREE TARZAN: THE COMPLETE RUSS MANNING NEWSPAPER STRIPS: 1967-1969 VOLUME 1 PDF Russ Manning | 288 pages | 18 Jun 2013 | Idea & Design Works | 9781613776940 | English | San Diego, United States Tarzan: The Complete Russ Manning Newspaper Strips - Wikipedia Bythe Tarzan: The Complete Russ Manning Newspaper Strips: 1967-1969 Volume 1 that artist and writer Russ Manning took over the Tarzan daily newspaper strip, the character had been deeply entrenched in American and world culture for well over 50 years. Through a succession of commercially successful film series as well as a massive presence in comics, novels and magazines as well as on TV, Tarzan had become one of the most popular characters in the world. But that popularity and success came with a price. The films were the main culprit. Wildly successful with plots and action that transcended the need for accurate translation, they had essentially ignored the nobility, complexity, and humanity of Tarzan as a character. A lifelong fan of Mr. He brought Tarzan right back to his beginning, filling the stories with details straight from the world of Mr. He built on that strong mythology and by staying true to it, gave the Tarzan strip new life. To read these strips today is to be reminded of the best that an action strip can be. This is comic art at its finest. A stunning artist with a deep respect for the newspaper strip work of those who preceded him such as Hal Foster and Burne HogarthMr. Manning was rebooting a franchise before Hollywood had any idea what that concept meant. -
Arthur Suydam: “Heroes Are What We Aspire to Be”
Ro yThomas’’ BXa-Ttrta ilor od usinary Comiics Fanziine DARK NIGHTS & STEEL $6.95 IN THE GOLDEN & SILVER AGES In the USA No. 59 June 2006 SUYDAM • ADAMS • MOLDOFF SIEGEL • PLASTINO PLUS: MANNING • MATERA & MORE!!! Batman TM & ©2006 DC Comics Vol. 3, No. 59 / June 2006 ™ Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder) Contents Ronn Foss, Biljo White, Mike Friedrich Writer/Editorial: Dark Nights & Steel . 2 Production Assistant Arthur Suydam: “Heroes Are What We Aspire To Be” . 3 Eric Nolen-Weathington Interview with the artist of Cholly and Flytrap and Marvel Zombies covers, by Renee Witterstaetter. Cover Painting “Maybe I Was Just Loyal” . 14 Arthur Suydam 1950s/60s Batman artist Shelly Moldoff tells Shel Dorf about Bob Kane & other phenomena. And Special Thanks to: “My Attitude Was, They’re Not Bosses, They’re Editors” . 25 Neal Adams Richard Martines Golden/Silver Age Superman artist Al Plastino talks to Jim Kealy & Eddy Zeno about his long Heidi Amash Fran Matera and illustrious career. Michael Ambrose Sheldon Moldoff Bill Bailey Frank Motler Jerry Siegel’s European Comics! . 36 Tim Barnes Brian K. Morris When Superman’s co-creator fought for truth, justice, and the European way—by Alberto Becattini. Dennis Beaulieu Karl Nelson Alberto Becattini Jerry Ordway “If You Can’t Improve Something 200%, Then Go With The Thing John Benson Jake Oster That You Have” . 40 Dominic Bongo Joe Petrilak Modern legend Neal Adams on the late 1960s at DC Comics. -
March 10 Stoprail.P65
Valley of the Sun Chapter Arizona Chapter of The American Theatre Organ Society Since 1976 Volume Thirty Five 6 Issue Three 6 March 6 Two Thousand Ten Organ Stop in March 14th Save the date - March 14th for a great luncheon and In This Issue music at Organ Stop Pizza. A great time this will be once again. Lew Williams will be entertaining us on the grand Wurlitzer. The saucer bells are playing now and 1 March Meeting they are a great addtion to the other bell sounds. Doors 1 Ella Cinders Film open at 1:15. Pizza and salad buffet is $9.00, bever- ages and ice cream are extra. Bring your guests to this spring meeting. Restaurant is west of the Walgreens 2 Circulation Man on the southwest corner of Stapley and Southern in Mesa. RSVP to Hassell Moores at 2 Membership Info 623-215-2953 or [email protected]. See you there! 2 Board Members Important note from Hassell: For our Organ Stop Meeting, we have a require- 2 March Birthdays ment to provide an advance head count to Organ Stop personnel. NO LATER THAN 3 MARCH 2010, PLEASE CONTACT HASSELL MOORES 623-694-7538 TO PLACE YOUR RESERVATION. 3 Calendar According to the info I received from Pat Rowan at Organ Stop, we must have 3 College work dates a guaranteed minimum of 50 people [we will have to pay for this number] for our 3 Upcoming Events meeting. This is why I want to stress the reservation info I provided. I have to 3 Jack Fancher contact Organ Stop personnel on 4 March 2010 with an initial head count. -
Batman in the 50S Free
FREE BATMAN IN THE 50S PDF Joe Samachson,Various,Edmond Hamilton,Bill Finger,Bob Kane,Dick Sprang,Stan Kaye,Sheldon Moldoff | 191 pages | 01 May 2002 | DC Comics | 9781563898105 | English | United States Batman in the Fifties (Collected) | DC Database | Fandom An instantly recognizable theme song, outrageous death traps, ingenious gadgets, an army of dastardly villains and femme fatales, and a pop-culture phenomenon unmatched for generations. James Bondright? When it first premiered inBatman was the most faithful adaptation of a bona fide comic book superhero ever seen on the screen. It was a nearly perfect blend of the Saturday matinee movie serials where most comic book characters had their first Hollywood break and the comics of its time. But the TV series, particularly during its genesis, was both a product of its own time, and that of an earlier era. Both Flash Gordon and Dick Tracy had made the leap to the big screen before Superman had even hit newsstands, and both saw their serial adventures get two sequels. While Flash Gordonparticularly the first one, was a faithful within the limitations of its budget translation of the Alex Raymond comic strips, Dick Tracy was less so. Years before Richard Donner and Christopher Reevethis one made audiences believe a man could fly, and featured a perfectly cast Tom Tyler in the title role, but was still rather beholden to serial storytelling conventions and the aforementioned budgetary limitations. Ad — content continues below. Batman and Robin are portrayed much as they are in the comics, despite some unfortunately cheap costumes, and less than physically convincing actors in the title roles. -
Son-Wsfa 192 Miller 1975-08-20
SON OF THE WSFA JOONAL . SF/Fantasy News/Info ’Zine '(Supplement to THE WSFA JOURNAL) — Vol,32“^ G?1927 Editor & Publisher: Don Miller----------jO^ ea,, 8/()2.00 —------------- 20 Aug, ■.197$ In This Issue — , IN THIS ISSUE; IN BRIEF (misc. notes/announcements)■ ............................... pg 1 ODDS & ENDS: THE FOREIGN SCENE; MISCELLANY .....................................................; pg 2 THE STEADY STREAM....: Of Announcements, Books, Prozines, Semi-Pro zines, -h- & Fanzines (Genzines & Personalzines) Received During July T7U.............. pp. 3-10 THE CON GAI®: Sept. 197$ ............................................... pg 16 ' In Brief — . _ ■ .: Lots of last-minute things to pass on: (1) Effo w/issue #193? SOTWJ will be no more, but will be simply ".THE JOURNAL SUPPLEMENT". And TWJ will be renamed "THE SF&F JOURNAL". There will be other changes—in scheduling, in pricing, in distri bution, in contents, and in relationships—see the attached M-PRESS Information Sheet. The retrenchment is finally complete, and our policies finalized. Please read the info sheet carefully, and let us know asap whether you want your subs under the revised Class A or B (you will be automatically under Class A unless you tell us otherwise—libraries and overseas subbers included). #}/ (2) Mark Owings just phoned in a bit of AUSSIECON news: 197 b Hugo Awards: BEST NOVEL, The Dispossessed, by Ursula K. LeGuin (Harper, 3FBC, Gollancz, Avon); BEST NOVELLA, "A Song for Lya", by George R.R. Martin (ANALOG 6/?U); BEST NOVELETTE, "Adrift Just Off the Islets of Langerhans: Latitude 38°$b’N, Longitude 77°OO '13"W", by Harlan Ellison (F&SF io/?b); BEST SHORT STORY, "The Hole Man", by Larry Niven (ANALOG l/?b); BEST DRAMATIC PRESENTATION, Young Frankenstein; BEST PROFESSIONAL EDITOR, Ben Bova; BEST. -
Forbidden Planet” (1956): Origins in Pulp Science Fiction
“Forbidden Planet” (1956): Origins in Pulp Science Fiction By Dr. John L. Flynn While most critics tend to regard “Forbidden Planet” (1956) as a futuristic retelling of William Shakespeare’s “The Tempest”—with Morbius as Prospero, Robby the Robot as Arial, and the Id monster as the evil Caliban—this very conventional approach overlooks the most obvious. “Forbidden Planet” was, in fact, pulp science fiction, a conglomeration of every cliché and melodramatic element from the pulp magazines of the 1930s and 1940s. With its mysterious setting on an alien world, its stalwart captain and blaster-toting crew, its mad scientist and his naïve yet beautiful daughter, its indispensable robot, and its invisible monster, the movie relied on a proven formula. But even though director Fred Wilcox and scenarist Cyril Hume created it on a production line to compete with the other films of its day, “Forbidden Planet” managed to transcend its pulp origins to become something truly memorable. Today, it is regarded as one of the best films of the Fifties, and is a wonderful counterpoint to Robert Wise’s “The Day the Earth Stood Still”(1951). The Golden Age of Science Fiction is generally recognized as a twenty-year period between 1926 and 1946 when a handful of writers, including Clifford Simak, Jack Williamson, Isaac Asimov, John W. Campbell, Robert Heinlein, Ray Bradbury, Frederick Pohl, and L. Ron Hubbard, were publishing highly original, science fiction stories in pulp magazines. While the form of the first pulp magazine actually dates back to 1896, when Frank A. Munsey created The Argosy, it wasn’t until 1926 when Hugo Gernsback published the first issue of Amazing Stories that science fiction had its very own forum.