India, Australia and the Asian Century
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China-Southeast Asia Relations: Trends, Issues, and Implications for the United States
Order Code RL32688 CRS Report for Congress Received through the CRS Web China-Southeast Asia Relations: Trends, Issues, and Implications for the United States Updated April 4, 2006 Bruce Vaughn (Coordinator) Analyst in Southeast and South Asian Affairs Foreign Affairs, Defense, and Trade Division Wayne M. Morrison Specialist in International Trade and Finance Foreign Affairs, Defense, and Trade Division Congressional Research Service ˜ The Library of Congress China-Southeast Asia Relations: Trends, Issues, and Implications for the United States Summary Southeast Asia has been considered by some to be a region of relatively low priority in U.S. foreign and security policy. The war against terror has changed that and brought renewed U.S. attention to Southeast Asia, especially to countries afflicted by Islamic radicalism. To some, this renewed focus, driven by the war against terror, has come at the expense of attention to other key regional issues such as China’s rapidly expanding engagement with the region. Some fear that rising Chinese influence in Southeast Asia has come at the expense of U.S. ties with the region, while others view Beijing’s increasing regional influence as largely a natural consequence of China’s economic dynamism. China’s developing relationship with Southeast Asia is undergoing a significant shift. This will likely have implications for United States’ interests in the region. While the United States has been focused on Iraq and Afghanistan, China has been evolving its external engagement with its neighbors, particularly in Southeast Asia. In the 1990s, China was perceived as a threat to its Southeast Asian neighbors in part due to its conflicting territorial claims over the South China Sea and past support of communist insurgency. -
Contributors
Contributors Robert Ayson is Professor of Strategic Studies and directs the Centre for Strategic Studies: New Zealand. He has held academic positions with The Australian National University, Massey University and the University of Waikato, and official positions in Wellington with the Foreign Affairs, Defence and Trade Select Committee and the External (now National) Assessments Bureau. He has written books on two of the twentieth century's leading thinkers in strategic studies and international relations, Hedley Bull and Thomas Schelling, and is a frequent media commentator on Asia-Pacific security, nuclear issues and New Zealand and Australian defence policy. Robert is also Honorary Professor at the New Zealand Defence Force Command and Staff College. Desmond Ball is Emeritus Professor at The Australian National University’s Strategic and Defence Studies Centre having been Head of the Centre from 1984 to 1991. Professor Ball is the author of more than 40 books or monographs on technical intelligence subjects, nuclear strategy, Australian defence, and security in the Asia-Pacific region. His publications includeThe Boys in Black: The Thahan Phran (Rangers), Thailand’s Para-military Border Guards; Burma’s Military Secrets: Signals Intelligence (SIGINT) from the Second World War to Civil War and Cyber Warfare, Signals Intelligence in the Post-Cold War Era: Developments in the Asia-Pacific Region; Presumptive Engagement: Australia’s Asia-Pacific Security Policy in the 1990s(with Pauline Kerr), Breaking the Codes: Australia’s KGB Network, 1944-50 (with David Horner); Death in Balibo, Lies in Canberra (with Hamish McDonald); and Australia and Cyber-Warfare (with Gary Waters and Ian Dudgeon). -
Media Relea Se
UNDER EMBARGO UNTIL 30 A WAR OF WORDS: APRIL 2014 The Man Who Talked 4000 Japanese into Surrender non-fiction Hamish McDonald Biography/Military History | ISBN: 978 0 7022 5317 1 | May 2014 | Paperback | C format | 344 pp + B&W pics | $32.95 ‘He told her about his struggle in Melbourne to turn himself into a British- style officer for the Australian Army . the nights in tents by the Pyramids, the terror of the landing under sniper fire and the scramble up the heights of Gallipoli, the filth and danger of the trenches at Lone Pine. He showed her the scar above his right eye … There was a lot he didn’t tell her.’ A War of Words traces the extraordinary life of Charles Bavier. Raised Japanese in a European skin at the turn of the 20th century, fate and circumstance would ensure that Charles Bavier spent his life caught between SE two cultures, yet claimed by neither. A McDonald, one of Australia’s best-known commentators on foreign affairs and defence, with a focus on Asia, embarked on his quest after a box of Bavier’s papers were left on his desk in Tokyo in 1983. The trail was cold as Bavier had already been dead for six years, but McDonald was determined. The illegitimate son of a Swiss businessman, Charles was brought up by his father’s Japanese mistress. His life took many twists and turns including involvement in China’s republican revolution against the Manchus, enlisting as a soldier in Australia and joining the ANZAC assault on Gallipoli, then becoming involved with the British Secret Service in Singapore. -
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ArtConnect corrected_Layout 3 6/24/2013 5:29 PM Page 43 The poster of Zabak (1961) directed by Homi Wadia. Out of Sight: Archiving Hidden Histories of Practice Debashree Mukherjee All photographs courtesy Priya Paul Our understanding of Indian cinema would remain incomplete until we acknowledged its supporting cast of hairdressers, poster painters, costume designers, still photographers, makeup artists and numerous other specialists invisible to the public eye. In January 2013, Debashree Mukherjee curated an exhibition of Hindi film memorabilia titled ‘Maya Mahal’, which featured artefacts from the private collection of Priya Paul, Chairperson of Apeejay Surrendra Park Hotels. In this essay, Mukherjee uses examples from the collection to point to hidden histories of work and practice, and to give us a fragmented view of low-budget films, lost genres and the wage-workers who mark each film with their individual skills. ArtConnect corrected_Layout 3 6/24/2013 5:29 PM Page 44 ArtConnect: The IFA Magazine, Volume 7, Number 1 eterodox in its scope and the elemental contract of cinema range, Priya Paul’s itself: to deliver sensory excitement, Hcollection of film voyeuristic delight and magical memorabilia represents an eccentric worlds. Thus, the exhibition mix of films. There are archives larger showcased genres, practitioners and than this, there are archives that are aesthetics that are often forgotten in more systematic, but the pleasure of a bid to celebrate auteurs and ‘classics’. serendipity springs from This is an alternative history of juxtaposition, not from order and Hindi cinema—one that is decidedly expanse. Comprising approximately excessive, melodramatic, even 5,000 paper artefacts, the Priya Paul utopian. -
Film Genres, the Muslim Social, and Discourses of Identity C. 1935–1945
Article BioScope Film Genres, the Muslim Social, and 6(1) 27–43 © 2015 Screen South Asia Trust Discourses of Identity c. 1935–1945 SAGE Publications sagepub.in/home.nav DOI: 10.1177/0974927615586930 http://bioscope.sagepub.com Ravi S. Vasudevan1 Abstract This article explores the phenomenon of the Muslim social film and “Islamicate” cinema of pre-Partition India to suggest a significant background to cinema’s function in the emergence of new states. In particu- lar, it seeks to provide an account of how discussions of genre and generic difference framed issues of audience and identity in the studio period of Indian film, broadly between the mid-1930s and mid-1940s. Rather than focus too narrowly on identity discourses in the cinema, I try to move among amorphous and dispersed senses of audience, more calibrated understandings related to a trade discourse of who films would appeal to, and finally, an agenda of social representation and audience address that sought to develop in step with a secular nationalist imagining of the Muslim community and its transformation. Keywords Muslim social, Mehboob, K.A. Abbas, Islamicate, oriental, Lahore This article explores the phenomenon of the Muslim social film and “Islamicate” cinema of pre-Partition India to suggest a significant background to cinema’s function in the emergence of new states. In particu- lar, it seeks to provide an account of how discussions of genre and generic difference framed issues of audience and identity in the studio period of Indian film, broadly between the mid-1930s and mid-1940s. Rather than focus too narrowly on identity discourses in the cinema, I try to move among amorphous and dispersed senses of audience, more calibrated understandings related to a trade discourse of who films would appeal to, and finally, an agenda of social representation and audience address that sought to develop in step with a secular nationalist imagining of the Muslim community and its transformation. -
AUSTRALIAN and INDONESIAN NEWS COVERAGE of the Dili MASSACRE
AUSTRALIAN AND INDONESIAN NEWS COVERAGE OF THE DILi MASSACRE ( A Content Analysis of Australian and Indonesian Newspapers from 1 July 1991 to 31 March 1992) ' Yuventius Agustinus Nunung Prajarto A thesis submitted in fulfillment of the requirements for the degree of Master of Arts SCHOOL OF POLITICAL SCIENCE FACULTY OF ARTS AND SOCIAL SCIENCES UNIVERSITY OF NEW SOUTH WALES SYDNEY - AUSTRALIA 1994 iv AUSTRALIAlf ARD IImOHBSIAN IIEWS COVERAGE OP TBB DILI IIASSACRB (A content Analysis of Australian and Indonesian Newspapers frOII 1 July 1991 to 31 Karch 1992) SCHOOL OP POLITICAL SCIENCE FACULTY OP AR'l' ARD SOCIAL SCIENCES THE UNIVERSITY OP REif SOUTH WALES 1994 V AUSTRALIAN AIID IRDONBSIAN NEWS COVERAGE OF TIIB DILI MASSACRE (A Content Analysis of Australian and Indonesian Newspapers fr0111 July 1991 to 31 Karch 1992) Yuventius Agustinus Hunung Prajarto Thesis POLITICAL SCIENCE 1994 STATEMENT Name : Yuventius Agustinus Nunung Prajarto student No.: 2114322 School of Political science Faculty of Arts and social Sciences University of New south Wales I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of a university or other institute of higher learning, except where due acknowledgement is made in the text. Date : 8 Febr~y 1994 Signatu ACKNOWLEDGEMENTS There are a number of people whom I can thank by name. I am particularly grateful to Rodney Smith, my supervisor. His help was invaluable in guiding the process of this research till its finishing touch. -
Stardom: Industry of Desire 1
STARDOM What makes a star? Why do we have stars? Do we want or need them? Newspapers, magazines, TV chat shows, record sleeves—all display a proliferation of film star images. In the past, we have tended to see stars as cogs in a mass entertainment industry selling desires and ideologies. But since the 1970s, new approaches have explored the active role of the star in producing meanings, pleasures and identities for a diversity of audiences. Stardom brings together some of the best recent writing which represents these new approaches. Drawn from film history, sociology, textual analysis, audience research, psychoanalysis and cultural politics, the essays raise important questions for the politics of representation, the impact of stars on society and the cultural limitations and possibilities of stars. STARDOM Industry of Desire Edited by Christine Gledhill LONDON AND NEW YORK First published 1991 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge a division of Routledge, Chapman and Hall, Inc. 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 1991 editorial matter, Christine Gledhill; individual articles © respective contributors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
Directions in China's Foreign Relations-Implications for East Asia
Parliament of Australia Department of Parliamentary Services Parliamentary Library RESEARCH BRIEF Information analysis and advice for the Parliament 5 December 2005, no. 9, 2005–06, ISSN 1832-2883 Directions in China’s foreign relations—implications for East Asia and Australia China’s economic dynamism and rising international influence constitute one of the most important elements of international relations in the early 21st century. This paper provides a survey of major issues in China’s foreign relations, with a special emphasis on China’s relations with and role in East Asia. After a brief overview of economic developments and political issues, the paper discusses China’s overall approaches in foreign policy and its relations with the United States, Japan, the Korean Peninsula, Southeast Asia and the Southwest Pacific. The paper’s final section reviews issues and challenges in Australia’s relations with China. Dr Frank Frost Foreign Affairs, Defence and Trade Section Contents Maps Executive Summary................................................... 1 Acknowledgements ................................................... 4 Introduction ........................................................ 5 The domestic setting: economic dynamism and political authoritarianism ............ 6 Continuing economic growth .......................................... 6 Is high growth sustainable? Issues and challenges ......................... 8 The political context: President Hu Jintao and ‘authoritarian populism’ .......... 10 Socio-economic change and -
Westminsterresearch Bombay Before Bollywood
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Bombay before Bollywood: the history and significance of fantasy and stunt film genres in Bombay cinema of the pre- Bollywood era Thomas, K. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Prof Katharine Thomas, 2016. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] BOMBAY BEFORE BOLLYWOOD: THE HISTORY AND SIGNIFICANCE OF FANTASY AND STUNT FILM GENRES IN BOMBAY CINEMA OF THE PRE-BOLLYWOOD ERA KATHARINE ROSEMARY CLIFTON THOMAS A thesis submitted in partial fulfilment of the requirements of the University Of Westminster for the degree of Doctor of Philosophy by Published Work September 2016 Abstract This PhD by Published Work comprises nine essays and a 10,000-word commentary. Eight of these essays were published (or republished) as chapters within my monograph Bombay Before Bollywood: Film City Fantasies, which aimed to outline the contours of an alternative history of twentieth-century Bombay cinema. The ninth, which complements these, was published in an annual reader. This project eschews the conventional focus on India’s more respectable genres, the so-called ‘socials’ and ‘mythologicals’, and foregrounds instead the ‘magic and fighting films’ – the fantasy and stunt genres – of the B- and C-circuits in the decades before and immediately after India’s independence. -
Australia and Indonesia Current Problems, Future Prospects Jamie Mackie Lowy Institute Paper 19
Lowy Institute Paper 19 Australia and Indonesia CURRENT PROBLEMS, FUTURE PROSPECTS Jamie Mackie Lowy Institute Paper 19 Australia and Indonesia CURRENT PROBLEMS, FUTURE PROSPECTS Jamie Mackie First published for Lowy Institute for International Policy 2007 PO Box 102 Double Bay New South Wales 2028 Australia www.longmedia.com.au [email protected] Tel. (+61 2) 9362 8441 Lowy Institute for International Policy © 2007 All rights reserved. Without limiting the rights under copyright reserved above, no part Jamie Mackie was one of the first wave of Australians of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted in any form or by any means (including but not limited to electronic, to work in Indonesia during the 1950s. He was employed mechanical, photocopying, or recording), without the prior written permission of the as an economist in the State Planning Bureau under copyright owner. the auspices of the Colombo Plan. Since then he has been involved in teaching and learning about Indonesia Cover design by Holy Cow! Design & Advertising at the University of Melbourne, the Monash Centre of Printed and bound in Australia Typeset by Longueville Media in Esprit Book 10/13 Southeast Asian Studies, and the ANU’s Research School of Pacific and Asian Studies. After retiring in 1989 he National Library of Australia became Professor Emeritus and a Visiting Fellow in the Cataloguing-in-Publication data Indonesia Project at ANU. He was also Visiting Lecturer in the Melbourne Business School from 1996-2000. His Mackie, J. A. C. (James Austin Copland), 1924- . publications include Konfrontasi: the Indonesia-Malaysia Australia and Indonesia : current problems, future prospects. -
Blurring the Binaries, Blending the Gender: a Transition from Male Masculinity to Emale Androgyny in Hindi Cinema
© Media Watch 8 (2) 287-294, 2017 ISSN 0976-0911 e-ISSN 2249-8818 DOI: 10.15655/mw/2017/v8i2/49019 Blurring the Binaries, Blending the Gender: A Transition from Male Masculinity to emale Androgyny in Hindi Cinema SIMRAN PREET KAUR & VANDANA SHARMA Shri Mata Vaishno Devi University, India The notion of gender identity as immutable has prompted a renewed focus on the rethinking of issues pertaining to the representation of women in Hindi cinema. The most pronounced effect of reconfiguring gender can be seen through the transformation of women identity in the recent decades because of the restructuring of gender relations that it has arguably initiated. Renewed forms of autonomy and reflexivity as critical awareness of oneself have emerged which no longer take into consideration the dichotomy between male domination and female subordination. Drawing upon the insights of Halberstam and Butler, the paper is an attempt to analyze the deconstruction of gender binaries and re-visioning of female masculinity in the portrayal of celluloid females in the action movies Gunday and Mardaani. Emerging with all the outstanding traits, the contemporary portrayal of androgynous females is no doubt nuanced and distinctive but the analysis is based on as to whether such exceptional platform provides better representation, and moreover, whether such representations offer inherent multiplicity within the homogeneous classification of femininity with respect to Indian cinema. Keywords: Gender, autonomy, androgynous, multiplicity The notion of gender identity as immutable has prompted a renewed focus on the rethinking of issues pertaining to the representation of women in Hindi cinema. Since its inception, Hindi cinema has portrayed women as marginalized identities defined within the domain of patriarchal socio-cultural frameworks, struggling to break free from the shackles of ideological stereotypes which denied their self-hood and identity. -
The Tropic Trapeze: Circus in Colonial India
The Tropic Trapeze: Circus in Colonial India Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophie an der Ludwig- Maximilians-Universität München vorgelegt von Anirban Ghosh Kolkata, India 2014 1 Erstgutachter: Prof. Dr. Christopher Balme Zweitgutachter: Prof. Dr. Tobias Döring Datum der mündlichen Prüfung: 24.01.2014 2 Acknowledgements No labour of love is achieved single-handedly and this dissertation needed a lot of blessings from a lot of wonderful (if not exotic) people. Firstly, I would like to thank my supervisor Prof. Dr. Christopher Balme for his immense patience and generosity in handling my requests. His written suggestions were invaluable along with the conversations we had over these three years. Nic, the Co-ordinator for our project, was a genie for all of us. I would also like to thank Gero for innumerable evenings of serious discussions. Lisa, who is going to be the one of the best performance studies scholars, I thank for being my soul sister among other things. This dissertation is truly transnational because of its constant travels to Munich including the final stages of writing and no amount of gratitude can alleviate my debt towards Louisa in this regard. Atig, Anirban, Amitava and Neha and Priyanka were my pillars of strength (despite their cynicism). I would like to thank the numerous curators in the archives and museums where I worked. Special mention should also be made of Dr. William Rodenhuis who helped me navigate the labyrinths of Haartman’s Circus Collection in Amsterdam. Mr. Gille, from the Hagenbeck archive, was very helpful in locating exact Indian themes in the archive.