Humor Analysis of Monty Python and the Holy Grail (1975)

Total Page:16

File Type:pdf, Size:1020Kb

Humor Analysis of Monty Python and the Holy Grail (1975) Passage2020, 8(3), 73-88 Humor analysis of Monty Python and the Holy Grail (1975) Fauzan Romdhoni Kusnandi, Isti Siti Saleha Gandana, Nia Nafisah English Language and Literature Universitas Pendidikan Indonesia ABSTRACT This study entitled Humor analysis of Monty Python and the Holy Grail (1975) aims to analyzes humor that exists in a British comedy film Monty Python and the Holy Grail (1975), which is directed by Terry Gilliam and Terry Jones, to understand the humor and what the humor implied. Employing textual analysis, this study uses Vandaele's (2002) humor mechanism and film form proposed by Bordwell, Thompson, and Smith (2017) as the tools of analysis. The study indicates that the humor is constructed based on the four contexts as described by Vandaele (2002): (1) (De-) normalization, (2) solution, (3) conditioning, and (4) evaluation. Furthermore, the humor signifies the film author’s credibility to deliver humor that is enjoyable to many people, especially those who have been exposed to western culture. Keywords: film, humor, humor mechanism, incongruity, Monty Python and The Holy Grail. 73 INTRODUCTION & Smith, 2017). In just a century, film has exploded into something big and Every day, people from all over the sought after by a lot of people that it globe are exposed to humor in their turns itself into one of modern day’s lives, whether at school, in their source of entertainment. Humor and workplaces, their social activities, and film often go hand-in-hand, and this is even on the internet. Humor is proven with many genres of film that universally recognized by many integrates humor, as a part of its cultures, as humor is a universal narrative. To name a few, take action- phenomenon that occurred almost comedy, romantic-comedy, sitcom, everywhere (Sen, 2012). Humor itself parody movie, and satirical movies. is one of the topics that is widely Humor in films is quite popular, one discussed in many fields of study example of this statement is Thor: across the history of mankind. As Ragnarok (Waititi, 2017). This Billig (2005) describes, humor has action-adventure comedy film has a been discussed since the time of total revenue of USD 853,977,126 Aristotle and beyond until the present worldwide, according to Internet day; humor also has a lot of important Movie Database (n.d) with an roles in society. One such example is estimated film budget of USD described by Meyer (2000) who said 180,000,000. Through this film that humor is a powerful revenue, one can assume that the film communication tool, especially for has achieved some degree of success. politicians who can use humor as a Humor in this film is one of the tool for rallying people into reasons why this film is commercially supporting their cause, Nevertheless, successful. The humor of this film is humor can have a ‘double-edged described by one reviewer as sword’ because if it is used too much “sublimely silly, saucy, and refuse to and too aggressive, it may drive take themselves seriously.” people away from joining a cause (O'Sullivan, 2017). Humor in film is (Meyer, 2000). Furthermore, Meyer also nothing new. Thousands of also believes that humor can also be comedy films have emerged into used as a form of attack against social cinema for generations. From misbehavior to drive society back to L'arroseur arrosé (1895) to Jojo what it considers itself ‘normal’ Rabbit (2019), humor in film has been which Billig (2005) also believed in. around for a long time. Along with Humor also has its uses in the health time, the classics of comedy films sector, workplaces, and even start to appear, one such case is a film education (Raskin, 2008). However, made by Monty Python. people often overlook the deeper According to their official meaning and the use of humor, and website, Monty python is a comedy consider it merely as a form of troupe originated from England. They amusement, especially if the humor are famous for their unique style of lies within a form of entertainment, comedy. Their style of comedy often namely, a film. deconstructs its viewers’ perception Film, also known as motion of everything and anything, even how pictures, is one of the youngest forms comedy sketches work (Gent, 2014). of art medium (Bordwell, Thompson Monty Python is known for its TV series, Monty Python’s Flying Circus theory violates the common (1969-1974) which is popular in assumption that people have in their England. Monty python also won mind to provoke humor (Meyer, several awards such as BAFTA 2000). However, the problem with awards for Outstanding British humor studies is that there is no Contribution to Cinema (1988), AFI agreement between researchers about star award (1998), and European Film which theories that is viable as the Award Lifetime Achievement Award answer for humor theory as most of (2001). these theories proponent believed that However, studying humor is not their theory could explain all forms of as simple as assuming a film's success humor (Buijzen & Valkenburg, through its revenue, award, and 2004). Although many researchers prestige. Humor is an agree that these theories are interdisciplinary theory that spans complementary, researchers believe across multiple bodies of academics, that both theories can complement such as psychology, anthropology, each other to explain humorous philosophy, medicine, occurrences (Veatch, 1998; Meyer, communication, education, 2000; Buijzen & Valkenburg, 2004). linguistics, literature, and so on Vandaele (2002) combines both (Veatch, 1998). Three theories always incongruity and superiority theory, to emerge in many articles regarding constructs a framework called Humor humor, which are Superiority theory, Mechanism, and this framework will incongruity theory, and relief theory be used to answer the research (Berger, 1993 Buijzen & Valkenburg, questions in this study. 2004; Meyer, 2000). According to Previous studies on humor in film are Superiority theory, people laugh quite plentiful these days. One of the because they feel some kind of Studies of film and humor is triumph over others or feel superior to conducted by Fink (2013). In his them (Meyer, 2000 as cited by study, Fink made a case study on an Buijzen & Valkenburg, 2004). The American animated sitcom The theory suggests that people are Simpson (1989-present) and analyzed amused and joyous when they see the film based on its comic approach. themselves as superior to others Similarly, Juckel, Bellman, and Varan (Buijzen & Valkenburg, 2004). Then, (2016) analyzed other US-based relief theory theorizes that humor and sitcoms to find an approach to laughter are evoked because of the identify its style of humor using a reduction of stress and the release of topology of humor. Coincidentally, nervous energy (Meyer, 2000). This the framework of the study also uses reduction of stress may reveal film as a subject of analysis. repressed desire and the overcome of However, most of the studies social inhibitors (Buijzen & mentioned before mainly focus on the Valkenburg, 2004). narrative aspect of a film as its Lastly, incongruity theory primary source of humor analysis. suggests that people are laughing at Thus, studies that incorporate film things they find surprising or elements and humor theories remain unexpected (Berger, 1976; Deckers & scarce. Divine, 1981; McGhee, 1979 as cited This study aims to investigate by Meyer, 2000). Moreover, the how humor operates in one of Monty Passage2020, 8(3), 73-88 python’s feature films, Monty Python and since the Monty Python group and the Holy Grail (1975) using the directly directs, writes, and acts on framework of Vandaele's (2002) this film themselves. Monty python’s humor mechanism, and Bordwell, works are chosen specifically due to Thompson, and Smith Film Form the troupe's tendency to write and act (2017). This particular film is selected their sketches themselves and also due to the humorous content this film due to their cult-like popularity. provides, the absurdity of the humor, narrative aspects consist of the remark METHODOLOGY of the sequences, which explained what happened in the sequence and This study is a text-based what does made the sequence analysis. According to McKee humorous. Then the humor aspects (2002), textual analysis is a method include a listing of contexts of humor that is used when researchers want to in each sequence and its make sense of a text by making an superiority/incongruity stimuli. “educated guess” (p. 1) to make After the data was collected, the meaning to the said text. In this study, collected data were interpreted and a textual analysis was used to analyzed using Vandaele’s Humor examine the humor that exists in the Mechanism Framework (2002) to film’s narrative and cinematographic categorize the context of humor in aspects to uncover how humor each sequence and its stimuli, and operates in the film. Bordwell, Thompson, and Smith’s Film Form (2017) to elaborate the The data in this study is film aspect in each sequence. collected in the form of a humorous Furthermore, both theories were used scene represented with screenshots, to uncover the relationship between which include humor that presents the film elements and the narrative from both narrative aspects and elements with humor. cinematic aspects. The film itself, Monty Python and the Holy Grail FINDINGS AND DISCUSSION (1975) is specifically chosen as this film is one of Monty Python's works Based on the analysis, it is found that received the most positive that the context of (De-) response among people. In collecting normalization appears the most the data, the film was first watched often in comparison to any other closely to understand the film humor contexts, appearing fifteen thoroughly and to provide a better times. The second most frequent contextual understanding of the film context that appeared is itself.
Recommended publications
  • The Beatles on Film
    Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964
    [Show full text]
  • MONTY PYTHON at 50 , a Month-Long Season Celebra
    Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • Production Guide
    www.townofcary.org PRODUCTION GUIDE Applause! Cary Youth Theatre 20th ANNIVERSARY SEASON: May 17-19, 2019 “…Who has never read, heard or seen a tale of Robin Hood? Answer: No one.” J.C. Holt, author, Robin Hood Our not-so-humble hero Robin Hood swaggers his way through Sherwood Forest accompanied by his spoon- armed and trustworthy band of mindless Merry Men. This time around, the emerald archer, in his ever-present quest to rob from the rich and give to the poor, encounters the lovely Marian who is anything but a damsel-in- distress. Robin, of course, has a run-in with the scheming sheriff, the greedy and clueless Prince, and even a good-natured 'Town's Guy' who pops up in almost every scene. This Pythonesque version is no ordinary retelling of the classic Robin Hood story. You just might cry – with laughter! The Somewhat True Tale of Robin Hood draws from surreal (or absurdist) humor. This genre ignores conventional cause and effect to produce situations that are completely illogical. In other words, it’s funny because it’s unpredictable and ridiculous. Surreal humor incorporates absurd situations, non sequiturs, and expressions of nonsense (like “Bazinga!”). A non sequitur is a conclusion or reply that doesn't follow logically from the previous statement. You've probably heard an example of a non sequitur before, therefore bunny rabbits are way cuter than chipmunks. Monty Python are a British surreal comedy group that created the sketch comedy series Monty Python's Flying Circus (1969-1974), which used a stream-of-consciousness approach to push the boundaries of acceptable form and content.
    [Show full text]
  • Absurdity and Irony in the Work of Monty Python
    Univerzita Hradec Králové Pedagogická fakulta Katedra anglického jazyka a literatury Absurdity and Irony in the Work of Monty Python Bakalářská práce Autor: Barbora Štěpánová Studijní program: B 7310 Filologie Studijní obor: P-AJCRB Cizí jazyky pro cestovní ruch – anglický jazyk P-NJCRB Cizí jazyky pro cestovní ruch – německý jazyk Vedoucí práce: Mgr. Jan Suk Hradec Králové 2016 Prohlášení Prohlašuji, že jsem tuto bakalářskou práci vypracovala (pod vedením vedoucího bakalářské práce) samostatně a uvedla jsem všechny pouţité prameny a literaturu. V Hradci Králové dne … Poděkování Ráda bych touto cestou vyjádřila poděkování Mgr. Janu Sukovi za jeho vstřícnost, trpělivost a za cenné rady při vedení bakalářské práce. Anotace ŠTĚPÁNOVÁ, Barbora. Absurdita a ironie v díle skupiny Monty Python. Hradec Králové: Pedagogická fakulta Univerzity Hradec Králové, 2016. 46 s. Bakalářská práce. Cílem bakalářské práce je poukázat na prvky absurdity a ironie v díle britské humoristické skupiny Monty Python. Tyto elementy budou nastíněny analýzou jejich televizní a filmové tvorby. Dále předkládaná studie podtrhuje elementy "montypythonovského" humoru v kontextu tradičního pojetí humoru. V neposlední řadě bakalářská práce představuje jednotlivé členy této skupiny, seznamuje s jejich dílem jako takovým a všímá si jejich vlivu na další vývoj britské komedie. Klíčová slova: absurdita, ironie, britský humor, Monty Python. Annotation ŠTĚPÁNOVÁ, Barbora. Absurdity and Irony in the Work of Monty Python. Hradec Králové: Pedagogická fakulta Univerzity Hradec Králové, 2016. 46 p. Bachelor Degree Thesis. The goal of the bachelor's thesis is to point out the elements of absurdity and irony in the work of the British comedy group Monty Python. These elements will be demonstrated by the analysis of the television and film production of the group.
    [Show full text]
  • Surrealism and Satire in the 'Pythonesque'
    Very silly party politics : surrealism and satire in the ‘Pythonesque’ Wilkie, I http://dx.doi.org/10.1080/2040610X.2019.1623506 Title Very silly party politics : surrealism and satire in the ‘Pythonesque’ Authors Wilkie, I Type Article URL This version is available at: http://usir.salford.ac.uk/id/eprint/51354/ Published Date 2019 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Very Silly Party Politics: Surrealism and Satire in the ‘Pythonesque’ Abstract 2019 sees the 50th anniversary of the iconic British television comedy series Monty Python’s Flying Circus (BBC: 1969-74). This article focuses on the concept of ‘Pythonesque’, placing the broadly political satirical content that is evident within the Pythons’ mainstream TV work and in selected subsequent film work at the centre of the notion of ‘Pythonesque’. It will be suggested, moreover, that the Pythons’ socio-cultural critical position is embedded in a long established British literary satirical tradition. Further, this article will aim to show that ‘Pythonesque’ incongruity, whilst adopting the aesthetic of the nihilistic cabaret of the Dadaists, was further influenced by the contemporary strain of British vernacular surrealism that permeated twentieth century popular performance through Music Hall, Variety comedy and The Goons, and also borrows Surrealist satirical perspectives.
    [Show full text]
  • Terry Jones & Terry Gilliam: MONTY PYTHON's the MEANING of LIFE
    April 16, 2019 (XXXVIII:11) Terry Jones & Terry Gilliam: MONTY PYTHON’S THE MEANING OF LIFE (1983, 107m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. DIRECTOR Terry Jones, Terry Gilliam (animation and special sequence) WRITING Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin PRODUCED BY John Goldstone CINEMATOGRAPHY Peter Hannan, Roger Pratt (segment "The Crimson Permanent Assurance") MUSIC John Du Prez EDITING Julian Doyle The film won the Grand Prize of the Jury and was nominated for the Palme d’Or at the 1983 Cannes Film Festival. CAST Graham Chapman of Life (1983), which won the Grand Prize of the Jury and was John Cleese nominated for the Palme d’Or at Cannes. In The Meaning of Life, Terry Gilliam he wrote and performed the song “Every Sperm is Sacred” and Eric Idle wrote the song “Christmas in Heaven.” He has also directed such Terry Jones films as: Personal Services (1987), Erik the Viking (1989), Mr. Michael Palin Toad's Wild Ride (1996), Python Night: 30 Years of Monty Terry Gilliam Python (TV Movie documentary) (1999), and Absolutely Carol Cleveland Anything (2015). He has also acted in television series and films, Simon Jones such as: And Now for Something Completely Different (1971), Monty Python's Fliegender Zirkus (TV Series) (1972), TERRY JONES (b. February 1, 1942 in Colwyn Bay, Wales, Jabberwocky (1977), The Great Muppet Caper (1981), Monty UK) is a Welsh actor (54 credits), writer, comedian, screenwriter Python Live at the Hollywood Bowl (Documentary) (1982), Erik (51 credits), film director (18 credits) and historian, best known the Viking (1989), L.A.
    [Show full text]
  • Ironic Faith in Monty Python's Life of Brian
    Journal of Religion & Film Volume 16 Article 6 Issue 1 April 2012 5-25-2012 Ironic Faith in Monty Python’s Life of Brian Steven A. Benko Meredith College, Raleigh, North Carolina, [email protected] Recommended Citation Benko, Steven A. (2012) "Ironic Faith in Monty Python’s Life of Brian," Journal of Religion & Film: Vol. 16 : Iss. 1 , Article 6. Available at: https://digitalcommons.unomaha.edu/jrf/vol16/iss1/6 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Ironic Faith in Monty Python’s Life of Brian Abstract Monty Python’s Life of Brian tells the story of Brian, a contemporary of Jesus whose life becomes chaotic when he is mistaken for a messiah. Standard comedic devices are used to mock and ridicule those who use their authority or office to claim that they are more than human. In this case, laughter humbles those individuals and brings them back to the human community. Second, an ironic faith perspective allows the Pythons to assert that it is up to each individual to define the meaning of his/her own life. While some interpretations of ironic faith suggest the possibility of an ethical response to the perception of the gap between what is and what ought to be, the vision of the absurd in Life of Brian is focused more on the individual than on the community. The nde result of an ironic faith is not a call to change the world but inclusion in a community of people who share the same ironic vision.
    [Show full text]
  • Skyfall: the "Aliens Sequence" in Monty Python's Life of Brian
    Journal of Religion & Film Volume 24 Issue 1 April 2020 Article 54 March 2020 Skyfall: The "Aliens Sequence" in Monty Python's Life of Brian Robert Cousland University of British Columbia, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Part of the Film and Media Studies Commons, and the Religion Commons Recommended Citation Cousland, Robert (2020) "Skyfall: The "Aliens Sequence" in Monty Python's Life of Brian," Journal of Religion & Film: Vol. 24 : Iss. 1 , Article 54. Available at: https://digitalcommons.unomaha.edu/jrf/vol24/iss1/54 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Skyfall: The "Aliens Sequence" in Monty Python's Life of Brian Abstract Despite its brevity and science fiction genre, Terry Gilliam's "aliens sequence" in Monty Python's Life of Brian functions in at least three ways: It is a brilliant parody of Star Wars and other space epics. It addresses concerns that were of profound significance for the eligionr of Jesus' day and, finally, and it significantly challenges the Christian premise of a divinely ordained purpose underlying Jesus' life. In Memoriam Terry Jones (1942-2020) Keywords Life of Brian, aliens in film, parody, Star Wars Author Notes Dr. J.R.C. Cousland is Associate Professor of Christian, Greek Religion and Mythology at the Department of Classical, Near Eastern and Religious Studies at the University of British Columbia.
    [Show full text]
  • Terry Jones, a Very Naughty Boy, a Python Like No Other
    4C • The Daily Sentinel • Sunday, January 26, 2020 DailySentinel.com IN MEMORIAM Terry Jones, a very naughty boy, a Python like no other BY CHRIS JONES Jones, of course, had a famous Chicago Tribune fondness for appearing in drag, which included playing Brian’s The Pythons — the living ones, mother, Mandy Cohen, in “Life of anyway — can be funny about Brian,” hence the famous mater- death. The point of this column is nal line, “He’s not the Messiah. to say surrealists like these guys He’s a very naughty boy.” should be funny about death. In the 1960s, of course, Jones Some of us could use the help. played a succession of female “Two down, four to go,” tweeted authority figures on the BBC’s John Cleese Wednesday, react- “Monty Python’s Flying Circus,” ing with affection to the death many withering in their potency. of Terry Jones, maybe the least He did so with a confidence atyp- Pythonesque of the Monty Python ical for the era, even in the world comedy team, maybe the most. of the Pythons. And somehow Cleese’s kicker, referencing the when Jones appeared in a sketch death of Graham Chapman way you didn’t so much think funny as back in 1989, was consistent with surrealistic. a man who has in his Twitter pro- Jones was their reason they file, “Yes, I am still alive, contrary were not just another all-male to rumor.” comedy troop of upper-class “HE WAS A VERY NAUGHTY Oxbridge graduates who had used BOY!!” Tweeted Terry Gilliam, their intellect for silliness.
    [Show full text]
  • T H E a T R E B U Z Z 4 8 T H E a T R E B U Z Z
    THEATRE ON THE BAY The Next 48hOURS • #THEATREBUZZ48 # # ‘Stage By Stage’ PIETER TOERIEN PRODUCTIONS T March 16 to March 21 Everyone has a favourite song from a musical somewhere. This is a show FULL initially started ‘Stage By Stage’ with of those. a few backing tracks and anecdotes H in Pretoria a few years back and I was Your biggest inspiration in life... I taken aback at how much people love Underdogs that get on top. this material. It seems that people relate to this ‘traditional’ material so much The most nervous you’ve ever been on E more as time goes by and we become so stage... embroiled in the big bad world just over The second preview of The Phantom of the horizon. the Opera in Cape Town in 2011. A That said, I wasn’t interested in just singing songs from the musicals. I Jonathan Roxmouth “Last night a show changed my life.” worked on the show in a few more out Which show? of town runs until it really became clear Peter and the Starcatcher on Broadway. T that backing tracks - no matter how rehearsing ‘The Phantom of the Opera’ a as we explored the range of theatre good - shatter the illusion of intimate few years back I met a répétiteur named music. Everything from the expected If you could be anyone else for 24 musical theatre like this. I went to seen Jessica De Koker and we clicked imme- like ‘The Music of the Night’ from ‘The hours... Bryn Terfel in Johannesburg and this diately after I cracked during the high Phantom of the Opera’ and ‘Bring Him Stephen Fry.
    [Show full text]