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Solaris (Solyaris). Andrei Tarkovski (1972)

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Solaris (Solyaris). Andrei Tarkovski (1972) GUÍAS PVY PARA VER Y A ANALIZAR Solaris (Solyaris) Andrei Tarkovski (1972) * * * * * Olga Osorio Colección "Guías para ver y analizar" nº53 Directores: Dr. Javier Marzal Felici. Catedrático de Comunicación Audiovisual y Publicidad. Universitat Jaume I. Dr. Salvador Rubio Marco. Profesor titular de Estética y Teoría de las Artes. Universidad de Murcia. Comité Científico: Dr. Josep Maria Català Domènech. Catedrático de Comunicación Audiovisual y Publicidad. Universitat Autònoma de Barcelona. Dr. José Luis Castro de Paz. Catedrático de Comunicación Audiovisual y Publicidad. Universidad de Santiago de Compostela. Dr. José Manuel Palacio Arranz. Catedrático de Comunicación Audiovisual y Publicidad. Universidad Carlos III. Dr. Eduardo Rodríguez Merchán. Catedrático de Comunicación Audiovisual y Publicidad. Universidad Complutense de Madrid. Dr. Santos Zunzunegui Díez. Catedrático de Comunicación Audiovisual y Publicidad. Universidad del País Vasco. Coordinador técnico: Concha Roncal Sánchez. Editora de Nau Llibres. Comité Editorial: Dr. Iván Bort Gual. Profesor de Comunicación Audiovisual y Publicidad. Centre d'Ensenyament Superior Alberta Giménez. D. Rafael Cherta Puig. Profesor de Lengua y Literatura y Comunicación Audiovisual. IES Henri Matisse Paterna. Dr. Juan Miguel Company Ramón. Profesor titular de Comunicación Audiovisual y Publicidad. Universitat de València Dra. Shaila García Catalán. Profesora ayudante de Comunicación Audiovisual y Publicidad. Universitat Jaume I Dr. Francisco Javier Gómez Tarín. Profesor titular de Comunicación Audiovisual y Publicidad. Universitat Jaume I D. José María Monzó García. Crítico y ensayista de cine. Dra. Marta Martín Núñez. Profesora ayudante de Comunicación Audiovisual y Publicidad. Universitat Jaume I Dr. Agustín Rubio Alcover. Profesor colaborador de Comunicación Audiovisual y Publicidad. Universitat Jaume I. © Olga Osorio, 2013 © De esta edición: Nau Llibres. Periodista Badía 10. 46010 - València Tel.: 96 360 33 36. Fax: 96 332 55 82 E-mail: [email protected] web: www.naullibres.com Diseño de cubierta y maquetación: Pablo Navarro, Nerina Navarrete y Artes Digitales Nau Llibres ISBN_papel: 978-84-7642-922-8 ISBN_ePub: 978-84-7642-923-5 Depósito Legal: V-3.096-2013 ISBN_mobi: 978-84-7642-924-2 ISBN_PDF: 978-84-7642-925-9 Impresión: Ulzama Quedan rigurosamente prohibidas, sin la autorización por escrito de los titulares del «Copyright», bajo las sanciones establecidas por las leyes, la reproducción total o parcial de esta obra por cualquier medio o procedimiento, comprendidas la reprografía y el tratamiento informático. Índice 1. Ficha técnica y artística ............................................................................. 7 2. Introducción .................................................................................................. 8 2.1. Solaris �������������������������������������������������������������������������������������������� 8 2.2. El cine de Andrei Tarkovski .................................................... 10 2.3. La producción de Solaris ....................................................... 13 3. Sinopsis argumental ............................................................................... 15 4. Estructura narrativa ................................................................................. 16 5. Análisis secuencial: Primera parte ..................................................... 19 5.1. Títulos de crédito ..................................................................... 19 5.2. Despedida del planeta Tierra ............................................... 19 5.2.1. Un paseo ......................................................................... 19 5.2.2. La visita de Berton ........................................................ 24 5.2.3. Lluvia de verano ............................................................ 27 5.3. El vídeo de Berton ................................................................... 28 5.4. El conocimiento científico ..................................................... 33 5.4.1. El caballo ......................................................................... 33 5.4.2. La ciencia ......................................................................... 34 5.5. La ciudad del futuro ................................................................ 36 5.5.1. Aclaraciones telefónicas de Berton .......................... 36 5.5.2. La ciudad del futuro ..................................................... 36 5.6. La despedida de Kris ............................................................... 38 5.7. El viaje ���������������������������������������������������������������������������������������� 41 5.8. Llegada a la estación .............................................................. 43 5.8.1. Una estación semi-abandonada ............................... 43 5.8.2. Conversación con Snawt ��������������������������������������������� 47 5.8.3. El vídeo de Guibarián ��������������������������������������������������� 48 5.8.4. Conversación con Sartorius ........................................ 52 5.8.5. La visitante de Guibarián �������������������������������������������� 55 5.8.6. Aclaraciones con Snawt ����������������������������������������������� 56 5.9. Primera aparición de Hary .................................................... 57 5.9.1. El suicidio de Guibarián ............................................... 57 5.9.2. Hary visita a Kelvin ........................................................ 60 4 Guía para ver y analizar 6. Segunda parte........................................................................................... 62 6.1. Rótulo segunda parte ............................................................ 62 6.2. Los visitantes ............................................................................ 62 6.2.1. Kelvin se deshace de Hary ������������������������������������������ 62 6.2.2. Snawt instruye a Kelvin ����������������������������������������������� 63 6.3. Hary �������������������������������������������������������������������������������������������� 65 6.3.1. Segunda aparición de Hary ���������������������������������������� 65 6.3.2. La naturaleza de Hary �������������������������������������������������� 66 6.3.3. Hary según Sartorius .................................................... 67 6.3.4. Recuerdos de la infancia de Kelvin ........................... 69 6.3.5. Hary ante el espejo ....................................................... 72 6.3.6. La propuesta de Sartorius ������������������������������������������� 73 6.3.7. La “otra” Hary .................................................................. 76 6.4. La biblioteca ............................................................................. 77 6.5. El suicidio de Hary ................................................................... 83 6.6. El delirio de Kris ....................................................................... 85 6.6.1. Kelvin y Hary en el dormitorio: presencias y ausencias ......................................................................... 86 6.6.2. Kelvin vaga por la nave: el amor ............................... 87 6.6.3. Camino a la luz ............................................................... 89 6.6.4. Multiplicaciones ............................................................ 89 6.6.5. Kelvin y su madre .......................................................... 91 6.6.6. La despedida de Hary �������������������������������������������������� 94 6.7. Recapitulaciones ..................................................................... 97 6.7.1. El destino de Kelvin ...................................................... 97 6.7.2. Una esperanza: la planta ............................................. 99 6.8. El regreso a la Tierra .............................................................. 100 7. Análisis de los elementos narrativos .............................................. 103 7.1. Construcción dramática ....................................................... 103 7.2. El tiempo esculpido .............................................................. 105 7.3. Ambigüedad espacial en Solaris ....................................... 108 7.4. Narración y punto de vista .................................................. 111 8. Recursos estilísticos............................................................................... 113 8.1. Puesta en escena ................................................................... 113 Solaris 5 8.1.1. Agua, tierra, aire y fuego ������������������������������������������� 113 8.1.2. Los símbolos de la infancia ��������������������������������������� 116 8.1.3. Referencias pictóricas ������������������������������������������������ 117 8.1.4. Un futuro de bajo presupuesto; puertas, espejos y ventanas ..................................................................... 122 8.1.5. El uso del color ............................................................. 125 8.1.6. Posición y movimiento de las figuras ..................... 125 8.2. Fotografía y efectos especiales .......................................... 127 8.3. Montaje ����������������������������������������������������������������������������������� 131 8.4. Sonido �������������������������������������������������������������������������������������� 132 9. Interpretaciones del film ..................................................................... 133 9.1. Culpa, razón y emoción ....................................................... 134 9.2. Realidad,
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