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African Art at the Portuguese Court, C. 1450-1521
African Art at the Portuguese Court, c. 1450-1521 By Mario Pereira A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History of Art and Architecture at Brown University Providence, Rhode Island May 2010 © Copyright 2010 by Mario Pereira VITA Mario Pereira was born in Boston, Massachusetts in 1973. He received a B.A. in Art History from Oberlin College in 1996 and a M.A. in Art History from the University of Chicago in 1997. His master’s thesis, “The Accademia degli Oziosi: Spanish Power and Neapolitan Culture in Southern Italy, c. 1600-50,” was written under the supervision of Ingrid D. Rowland and Thomas Cummins. Before coming to Brown, Mario worked as a free-lance editor for La Rivista dei Libri and served on the editorial staff of the New York Review of Books. He also worked on the curatorial staff of the Isabella Stewart Gardner Museum where he translated the exhibition catalogue Raphael, Cellini and a Renaissance Banker: The Patronage of Bindo Altoviti (Milan: Electa, 2003) and curated the exhibition Off the Wall: New Perspectives on Early Italian Art in the Gardner Museum (2004). While at Brown, Mario has received financial support from the Graduate School, the Department of History of Art and Architecture, and the Program in Renaissance and Early Modern Studies. From 2005-2006, he worked in the Department of Prints, Drawings and Photographs at the Museum of Art, Rhode Island School of Design. In 2007-2008, he received the J. M. Stuart Fellowship from the John Carter Brown Library and was the recipient of an Andrew W. -
Yes, Virginia, Another Ballo Tragico: the National Library of Portugal’S Ballet D’Action Libretti from the First Half of the Nineteenth Century
YES, VIRGINIA, ANOTHER BALLO TRAGICO: THE NATIONAL LIBRARY OF PORTUGAL’S BALLET D’ACTION LIBRETTI FROM THE FIRST HALF OF THE NINETEENTH CENTURY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Ligia Ravenna Pinheiro, M.F.A., M.A., B.F.A. Graduate Program in Dance Studies The Ohio State University 2015 Dissertation Committee: Karen Eliot, Adviser Nena Couch Susan Petry Angelika Gerbes Copyright by Ligia Ravenna Pinheiro 2015 ABSTRACT The Real Theatro de São Carlos de Lisboa employed Italian choreographers from its inauguration in 1793 to the middle of the nineteenth century. Many libretti for the ballets produced for the S. Carlos Theater have survived and are now housed in the National Library of Portugal. This dissertation focuses on the narratives of the libretti in this collection, and their importance as documentation of ballets of the late eighteenth and early nineteenth centuries, from the inauguration of the S. Carlos Theater in 1793 to 1850. This period of dance history, which has not received much attention by dance scholars, links the earlier baroque dance era of the eighteenth century with the style of ballet of the 1830s to the 1850s. Portugal had been associated with Italian art and artists since the beginning of the eighteenth century. This artistic relationship continued through the final decades of the eighteenth and the first half of the nineteenth century. The majority of the choreographers working in Lisbon were Italian, and the works they created for the S. Carlos Theater followed the Italian style of ballet d’action. -
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The Eruption of Insular Identities: A Comparative Study of Contemporary Azorean and Cape Verdean Prose By Brianna Medeiros B.A., Brown University, 2011. A.M., Brown University, 2015. A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of Portuguese and Brazilian Studies at Brown University. Providence, Rhode Island May, 2017 © Copyright 2017 by Brianna Medeiros This dissertation by Brianna Medeiros is accepted in its present form by the Department of Portuguese and Brazilian Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date ______________ ______________________________________________ Onésimo T. Almeida, Advisor Recommended to the Graduate Council Date ______________ ______________________________________________ Leonor Simas-Almeida, Reader Date ______________ ______________________________________________ Nelson H. Vieira, Reader Approved by the Graduate Council Date ______________ ______________________________________________ Andrew G. Campbell, Dean of the Graduate School ! iii! Curriculum Vitae Brianna Medeiros was born in Brockton, Massachusetts, where she was raised. She graduated in 2011 from Brown University, where she double concentrated in Portuguese and Brazilian Studies and International Relations. While she was an undergraduate at Brown, she spent a semester in Lisbon, Portugal, studying at the Universidade Nova de Lisboa, in 2010. In 2011 and 2012, she received funding from FLAD to travel to the Azores, with the Antero de Quental Mobilidade fund, and begin her research on Azorean literature. In September 2011, she began her graduate career in Portuguese and Brazilian Studies at Brown University. During her time at Brown, in addition to the support received from FLAD, she also received a Belda Research Fellowship to travel to Santa Catarina and Rio Grande do Sul, Brazil, to conduct research on the Azorean presence and legacy in these two states, in 2014. -
2016 Annual Report and Consolidated Accounts
IBERSOL – SGPS, SA Public Listing Company Head Office: Edifício Península, Praça do Bom Sucesso, nos. 105-159 – 9th floor 4150-146 Porto Share Capital: €24,000,000 Registered in the Porto Company Registry with the single registration and tax identification number of 501669477 2016 ANNUAL REPORT AND CONSOLIDATED ACCOUNTS ((Point 2. proposal for the Annual General Meeting)) MANAGEMENT REPORT • MANAGEMENT REPORT • CORPORATE GOVERNANCE REPORT • FINANCIAL STATEMENTS AND ANNEXES 2 MANAGEMENT REPORT Annual Report and Accounts 2016 1. Introduction 2. Main Indicators 3. Message from the Chairman of the Board of Directors 4. Year 2016 4.1 Main Events 4.2 Economic Context 5. The Ibersol Group 5.1 Business Structure 5.2 Strategic Profile of the Group 5.3 Governing Bodies 6. Financial Year Activity 6.1 Restaurants 6.2 Counters 6.3 Other Businesses 7. Consolidated Financial Analysis 8. Risks and Uncertainties 9. Own Shares 10. Activity of the Non-Executive Member of the Board of Directors 11. Outlook 12. Distribution of Results 13. Subsequent Events and Statement of Responsibility 14. Acknowledgments 3 MANAGEMENT REPORT 1. Introduction In February, the Instituto Nacional de Estatística (Portuguese Statistics Institute) disclosed its estimate for 2016, which projected a growth in the Portuguese economy of 1.4%, attributing the acceleration in GDP seen in the last quarter to the increase in the contribution from domestic demand, as a result of investment recovery and a more pronounced growth in private consumption. As such, the positive trend was consolidated, with an impact on the Ibersol Group's performance, as private consumption heightened in a quarter that by nature is very important for Modern Restaurant Services. -
Press Release / Communiqué
Centre Canadien d’Architecture 1920, rue Baile Canadian Centre for Architecture Montréal, Québec Canada H3H 2S6 t 514 939 7000 f 514 939 7020 www.cca.qc.ca Press release / communiqué For immediate release THE CCA PRESENTS THE SAAL PROCESS: HOUSING IN PORTUGAL 1974–1976. An exhibition documenting the pioneering experiment that empowered architects and citizens to create housing with a place in the city. Photographer: Alexandre Alves Costa: View of popular protest for house occupation rights. Ca. 1975. Photograph courtesy of Alexandre Alves Costa © Alexandre Alves Costa Montreal, 7 May 2015 – The Canadian Centre for Architecture (CCA) presents The SAAL Process: Housing in Portugal 1974–76 from 12 May until 4 October 2015. It is the first major exhibition documenting SAAL, a pioneering political and architectural experiment designed to address extreme housing shortages and degrading living conditions. Named the Serviço Ambulatório de Apoio Local (SAAL), meaning Local Ambulatory Support Service, this government initiative deployed architects across Portugal to develop housing solutions that gave the underprivileged a place in the city. Its ambitious and idealistic character reflected the revolutionary spirit following the 1974 coup that ended the authoritarian Estado Novo regime. The newly created democratic government guaranteed financial support to enable a bottom-up social process joining architects with neighbourhood associations and citizens. The architects led technical teams (known as brigades) that designed projects with the residents rather than for them. SAAL resulted in 170 projects involving more than 40,000 families during its short period of only 26 months. Forty years after its existence, SAAL remains relevant for expanding the social and political role of the architect, for addressing housing on the scale of the neighbourhood, and for inviting the participation of the buildings’ occupants at the beginning of the process. -
The West Indies and the Spanish Main
The West Indies And The Spanish Main By James Rodway The West Indies And The Spanish Main I THE SPANIARDS AND THEIR VICTIMS When the early writers spoke of America as the new world, mundus novus, they could hardly have appreciated the full meaning of the name. True, it was a new world to them, with new animals, new plants, and a new race of mankind; but the absolute distinctness of everything, especially in the tropical regions, was not understood. With our fuller knowledge the ideas of strangeness and novelty are more and more impressed, and we are ready to exclaim, Yes! it is indeed a new world. Unlike those of the eastern hemisphere, the peoples of the West are of one race. Apart from every other, the development of the American Indian has gone on different lines, the result being a people self-contained, as it were, and unmodified until the arrival of the European. The American is perhaps the nearest to the natural man, and his character is the result of nature's own moulding. When compared with the European or Asiatic he seems to be far behind, yet the civilisation of Peru and Mexico was in some respects in advance of that of their conquerors. This was brought about by a dense population which forced men into collision with each other—in other parts of the continent and on the islands they were more isolated and therefore less civilised. In the forest region of the Spanish Main, and on the West Indian islands, the communities were, as a rule, very small and isolated one from another. -
Portuguese Cartography in the Renaissance Maria Fernanda Alegria, Suzanne Daveau, João Carlos Garcia, and Francesc Relaño
38 • Portuguese Cartography in the Renaissance Maria Fernanda Alegria, Suzanne Daveau, João Carlos Garcia, and Francesc Relaño Introduction the fifteenth century to the end of the seventeenth and the most comprehensive guide to any country’s cartographic The study of Portuguese cartography has focused in large resources in the Renaissance. After dominating the histo- part on Portugal’s contribution to nautical charting, as- riography of Portuguese cartography for forty years, tronomical navigation at sea, and mapping in support of some of its interpretations are now being modified, but it its vast overseas expansion in the fifteenth and sixteenth still forms the starting point for any detailed work on the centuries. The factors contributing to Portugal’s impor- subject, and its influence is clearly seen throughout this tance in those activities during that period are complex.1 chapter.4 Portugal’s geographical position as the westernmost part of continental Europe facing the North Atlantic, for ex- Abbreviations used in this chapter include: Bartolomeu Dias for Con- ample, cannot account entirely for its success. Other gresso Internacional Bartolomeu Dias e a sua Época: Actas, 5 vols. countries had more and better harbors and a larger pro- (Porto: Universidade do Porto, CNCDP, 1989); IAN/TT for Instituto portion of their population engaged in the sea. But Por- dos Arquivos Nacionais / Torre do Tombo, Lisbon; PMC for Armando tugal’s political unity from the thirteenth century; the sup- Cortesão and A. Teixeira da Mota, Portugaliae monumenta carto- port it received from a series of Papal bulls that gave it a graphica, 6 vols. (Lisbon, 1960; reprint, with an introduction and sup- plement by Alfredo Pinheiro Marques, Lisbon: Imprensa Nacional– monopoly in discovery, conquest, and commerce, as well Casa da Moeda, 1987); and Publicações for Publicações (Congresso do as gold and slaves from West Africa to pay for these ac- Mundo Português), 19 vols. -
American Jewish Archives
Volume XLIV Spring/Summer, 1992 Number I American Jewish Archives A Journal Devoted to the Presmation and Study of the American Jewish Experience Jacob Rader Marcus, Ph.D., Editor Abraham J. Peck, Ph.M., Managing Editor Ruth L. Kreimer, Editorial Associate Tammy Topper, Editorial Assistant Published by The American Jewish Archives on the Cincinnati Campus of the Hebrew Union College - Jewish Institute of Religion Dr. Alfred Gottschalk, President American JewishArchives is indexed in The Index to Jewish Periodicals, Current Contents, The American Historical Review, United States Political Science Documents, and The ]oumal of American History Informntionfor Contributors: American JewishArchivesfollows generally the University of Chicago Press "Manual of Style" (12th revised edition) and "Words into Type" (3 rd edition),but issues its own style sheet which may be obtained by writing to: The Managing Editor, American JewishArchives 3101 Clipon Avenue Cincinnati, Ohio 45220 Patron 1992: The Neumann Memorial Publication Fund Published by The American 1ewik.h Archives on the Cincinnati campus of the Hebrew Union College-wish Institute of Religion ISSN 002-905X O 1992 by the Ametican Jewish Archives CONTENTS Acknowledgements Introduction: Sephardim in the Americas Part I Families and Futures: The Early Sephardic Phenomenon The Sephardic Phenomenon: A Reappraisal Martin A. Cohen Stones of Memory: Revelations From a Cemetery in Cura~ao 81 Rochelle Weinstein Portuguese Sephardim in the Americas Malcolm H. Stern The Fidanques: Symbols of the Continuity of the Sephardic Tradition in America 179 Emma Fidanque Levy Part II The Sephardic Experience in Latin America "Those of the Hebrew Nation ..." The Sephardic Experience in Colonial Latin America Allan Metz Sephardim in Latin America after Independence Victor C. -
British Piracy Policy in Jamaica Aaron Goins Master's Thesis May 7, 2020
British Piracy Policy in Jamaica Aaron Goins Master’s Thesis May 7, 2020 1 Table of Contents 1 The Origins of Jamaican Piracy: The Start of the Golden Age 3 2 The Adventures of the Jamaican Pirates: Building Blocks of Empire 24 3. The Best Pirate I’ve Ever Seen: A Case Study of the Life of Sir Henry Morgan 41 4. The Decline of Jamaican Piracy: The Hunters Become the Hunted 59 Works Cited 74 2 The Origins of Jamaican Piracy: The Start of the Golden Age The image of a pirate conjures up an adventuring ship raiding on the high seas preparing to take their next prize and then bury the treasure and continue on for another adventure. Piracy in reality was regulated by colonial powers. Even the most successful pirates of all time had to answer to authority if they were going to make money long term. Piracy worked much better if it was a part of the local economy. If a pirate wanted to spend the spoils of their expedition they had to report it to a governing body. Henry Morgan, arguably the most successful pirate of all time, had a contract regulating the division of plunder and what part went to the crown, parliament, and other governing bodies. The contract stated after initial taxes the admiralty court would take one fourth of all prizes taken at sea but plunder taken on land was divided evenly among the crew as agreed upon.1 This would not only drive how the crew interacted with the local economy but would also drive the targets that the pirates would attempt to capture. -
Soraia Ferreira Thesis Final
Location Based Transmedia Storytelling: Enhancing the Tourism Experience Soraia Alexandra Mesquita Ferreira Tese de Doutoramento apresentada à Faculdade de Engenharia da Universidade do Porto em Media Digitais Orientador: Artur Pimenta Alves PhD, Professor Catedrático Aposentado da Faculdade de Engenharia da Universidade do Porto Co-orientadora: Célia Maria Silvério Quico PhD, Professora Auxiliar e Investigadora da Universidade Lusófona de Humanidade e Tecnologias Porto, Fevereiro 2015 Este trabalho foi desenvolvido com o apoio financeiro da Fundação para a Ciência e Tecnologia (FCT), no âmbito do Programa UT Austin-Portugal (SFRH/BD/51741/2011). i ACKNOWLEDGEMENTS Joseph Campbell once said in an interview to Bill Moyers to follow our bliss and the universe will open doors for us where there were only walls. This was certainly the case with this research. Thank you to Professor Artur Pimenta Alves for always supporting me, for always being a source of inspiration and for being the first to believe in this investigation and TravelPlot Porto. Thank you to Professor Célia Quico for all her input, support and guidance in this adventure. This thesis wouldn’t be possible without my family. Thank you to my dad, my mum and my brother for always going above and beyond in supporting me and for their unbelievable encouragement. I owe everything to them. Thank you to my professors, collegues and staff at University of Porto; and to the professors and collegues at the International Federation for Information Technologies and Travel & Tourism for all their input and help. Thank you to all of those who shared their knowledge and practice with me, particularly Robert Prattern, Luis Costa, Professor Carlos Costa, Professor Drew Davindson, Professor Steffen Walz, Melchior Moreira, Isabel Castro, Maria João Nunes, Teresa Resende, Célia Lima, José Loureiro, António Tavares, Professor António Coelho, Professor Nuno Fazenda and Professor Haemoon Oh. -
Ângela Ferreira ÂNGELA FERREIRA Miriam Makeba
Blanca de Navarra, 12. 28010, Madrid www.nfgaleria.com Ângela Ferreira Ângela Ferreira Maputo, 1958. Lives and works in Lisbon. Ângela Ferreira, was born in Maputo, Mozambique, grew up in South Africa and earned her Master of Fine Arts from the Michaelis School of Fine Arts at the University of Cape Town. Ferreira’s work is concerned with the continuing impact of colonialism and postcolonialism in contemporary society, an investigation that she carries out in depth with the materialization of ideas in a concise and resonant formalization. She represented Portugal at the 52nd Venice Biennale in 2007 with a continuation of her research on the mechanisms through which European modernism has tried to adapt, failing on numerous occasions, to the realities of the African continent, with a project that was conceived stemming from the story of the “Maison Tropicale” by Jean Prouvé. ÂNGELA FERREIRA The architecture also serves as a starting point to delve into her long investigation of the erasure --- of colonial memory and the rejection of repair. On the other hand, her sculptural, sound and video Ângela Ferreira tributes make constant reference to the economic, political and cultural history of the African Has had solo and group exhibitions at MAAT, Lisbon; CGAC, Santiago continent, while recovering the work and the image of unexpected figures such as Peter Blum, de Compostela; Haus der Kulturen der Welt, Berlin; Culturgest, Lisbon; The Glasgow School of Art, Glasgow; Museo de Arte Contemporáneo Carlos Cardoso, Ingrid Jonker, Jimi Hendrix, Jorge Ben Jor, Jorge dos Santos, Diego Rivera or de Barcelona (MACBA), Barcelona; Bildmuseet, Umeå; Museu de Miriam Makeba. -
Music, Theatre and the Nation: the Entertainment Market in Lisbon (1865–1908)
Newcastle University School of Arts and Cultures Music, theatre and the nation: The entertainment market in Lisbon (1865–1908) João Luís Meireles Santos Leitão da Silva Submitted in fulfilment of the degree of Doctor of Philosophy September 2011 Abstract My thesis concentrates on the study of the symbolic construction of the Portuguese nation and the field of popular entertainment between 1865 and 1908, concentrating on various musical practices and their association with a changing theatrical panorama. It addresses the emergence of new forms of music theatre (the operetta and the revista) played a key role in creating a privileged space for the display and representation of modernity, a process in which the notion of the cultural nation-state was embedded. The establishment of a bourgeois public sphere induced relevant changes in the cultural market in Portugal during the period of this thesis, when several journalistic typologies that relied on industrial mechanised processes of production and focused on the actual narration of facts emerged. Moreover, this thesis examines the theatrical life in Lisbon in a period when the processes of urban expansion were closely associated with paradigms of modernity as it was perceived at the time, producing new spaces in the urban fabric. This theses also addresses the presence of an articulated system for the dissemination of musical commodities (such as postcards, sheet music or sound recordings) and the role the commodity form played in that system, striving to portray that phenomenon as a process in which aspects such as technology, class, and gender were embedded. Furthermore, my thesis examines the development of a heterogeneous network of approaches and disciplines that were being established with scientific intents that contributed to the reshaping the coeval perspectives of Portugal as a symbolic nation-state, in which the collection and publication of music from predominantly rural contexts was integrated.