The West Indies and the Spanish Main
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31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Across the Spanish Main, by Harry Collingwood
Harry Collingwood "Across the Spanish Main" | Chapter 1 | | Chapter 2 | | Chapter 3 | | Chapter 4 | | Chapter 5 | | Chapter 6 | | Chapter 7 | | Chapter 8 | | Chapter 9 | | Chapter 10 | | Chapter 11 | | Chapter 12 | | Chapter 13 | | Chapter 14 | | Chapter 15 | | Chapter 16 | | Chapter 17 | | Chapter 18 | | Chapter 19 | | Chapter 20 | Chapter One. How Roger Trevose and Harry Edgwyth made a certain Compact. “Now now, Roger, my lad; what are you thinking of?” These words were addressed to a tall, fair young man of about eighteen or nineteen years of age, who was standing on Plymouth Hoe, gazing earnestly at the Sound and the evolutions of certain vessels which had just entered it round Penlee Point. The speaker was a lad of about the same age, but shorter in height, sturdier in build, and altogether more robust and healthy-looking than his companion, who belonged rather to the class of dreamers than that of workers. The time was a bright summer morning in the month of June, in the year 1586; and although the great Armada—which Philip of Spain fondly believed was to crush England—was as yet undreamed of, war was even then being carried on in a somewhat desultory manner between England and Spain, very much to the disadvantage of the latter country. English gentlemen, who called themselves “gentlemen adventurers”, were fitting out merchant-vessels as warships, and sailing for the Spanish Main and the Indies in the hope of securing some of the splendid prizes that were at that time to be obtained through pluck and audacity, in the shape of Spanish galleons richly and heavily laden with spices and gold from Manila, plate from Acapulco, or costly silks and fabrics and treasure untold from the new Spanish colony of Mexico. -
Under Drake's Flag, by G
1 Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Under Drake's Flag, by G. A. Henty 2 Chapter 22 Under Drake's Flag, by G. A. Henty The Project Gutenberg EBook of Under Drake's Flag, by G. A. Henty This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Under Drake's Flag A Tale of the Spanish Main Author: G. A. Henty Illustrator: Gordon Browne Release Date: September 8, 2006 [EBook #19206] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK UNDER DRAKE'S FLAG *** Produced by Martin Robb Under Drake's Flag: A Tale of the Spanish Main by G A Henty. Contents Under Drake's Flag, by G. A. Henty 3 * Chapter 1: The Wreck on the Devon Coast. * Chapter 2: Friends and Foes. * Chapter 3: On the Spanish Main. * Chapter 4: An Unsuccessful Attack. * Chapter 5: Cast Ashore. * Chapter 6: In the Woods. * Chapter 7: An Attack in Force. * Chapter 8: The Forest Fastness. * Chapter 9: Baffled. * Chapter 10: Southward Ho! * Chapter 11: The Marvel of Fire. * Chapter 12: Across a Continent. * Chapter 13: Through the Cordilleras. * Chapter 14: On the Pacific Coast. -
1934 Firebrand
Dominican Scholar Dominican University of California Yearbooks 1930 - 1939 Yearbooks 1934 1934 Firebrand Dominican University of California Archives https://doi.org/10.33015/dominican.edu/archives.1934.firebrand Survey: Let us know how this paper benefits you. Recommended Citation Dominican University of California Archives, "1934 Firebrand" (1934). Yearbooks 1930 - 1939. 5. https://doi.org/10.33015/dominican.edu/archives.1934.firebrand Disclaimer: It is the goal of the Dominican University of California Archives to serve as a research tool that is open and available to the public. As an institution established well over a century ago, there are materials throughout our collection that are no longer acceptable and not a reflection to the University’s mission of social justice, dismantling racism, and promoting diversity. This Book is brought to you for free and open access by the Dominican University of California Yearbooks at Dominican Scholar. It has been accepted for inclusion in Yearbooks 1930 - 1939 by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. u ! dbc firebrand YERITAS FAX km. iim m mitla±u EX LIBRIS THE FIREBRAND THE DOMINICAN COLLEGE OF SAN RAFAEL MCMXXXIV I 7 / 3 Q I ■1 \Tif7 THE CONTENTS Page Editorial 11 The Classes The Seniors 14 The Juniors 58 The Sophomores 60 The Freshmen 62 University Sketches Harnihab 65 Marcus Antonius Hippianus Junior 70 Tuan Lu 74 Bertrand de Marseilles 77 Brother Thomas 82 Brother Michael 87 Pierre 91 Boodles 96 Nicholas Charitonov 99 Shizuki 103 Roman Basilicas and the Holy Year 104 On a High Feast 109 Saint Teresa 110 The Candle Ill Roosevelt 112 Sea Picture 119 Page Adolf Hitler 120 A Song of Sailing Ships 129 Horace Walpole: Dilettante 130 Phaeton 135 Sketches 137 Reminiscences The Christmas Party 143 Knitting 146 The Circus 147 Spring 149 The Dogs of Edge Hill: Yesterday and Today 152 Moon Over Edge Hill 156 Impressions Bolinas 157 Gym Suits—Hockey 158 The Rains 158 Basketball 159 Tennis 159 Golf 160 Footlights 160 The W. -
African Art at the Portuguese Court, C. 1450-1521
African Art at the Portuguese Court, c. 1450-1521 By Mario Pereira A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History of Art and Architecture at Brown University Providence, Rhode Island May 2010 © Copyright 2010 by Mario Pereira VITA Mario Pereira was born in Boston, Massachusetts in 1973. He received a B.A. in Art History from Oberlin College in 1996 and a M.A. in Art History from the University of Chicago in 1997. His master’s thesis, “The Accademia degli Oziosi: Spanish Power and Neapolitan Culture in Southern Italy, c. 1600-50,” was written under the supervision of Ingrid D. Rowland and Thomas Cummins. Before coming to Brown, Mario worked as a free-lance editor for La Rivista dei Libri and served on the editorial staff of the New York Review of Books. He also worked on the curatorial staff of the Isabella Stewart Gardner Museum where he translated the exhibition catalogue Raphael, Cellini and a Renaissance Banker: The Patronage of Bindo Altoviti (Milan: Electa, 2003) and curated the exhibition Off the Wall: New Perspectives on Early Italian Art in the Gardner Museum (2004). While at Brown, Mario has received financial support from the Graduate School, the Department of History of Art and Architecture, and the Program in Renaissance and Early Modern Studies. From 2005-2006, he worked in the Department of Prints, Drawings and Photographs at the Museum of Art, Rhode Island School of Design. In 2007-2008, he received the J. M. Stuart Fellowship from the John Carter Brown Library and was the recipient of an Andrew W. -
Yes, Virginia, Another Ballo Tragico: the National Library of Portugal’S Ballet D’Action Libretti from the First Half of the Nineteenth Century
YES, VIRGINIA, ANOTHER BALLO TRAGICO: THE NATIONAL LIBRARY OF PORTUGAL’S BALLET D’ACTION LIBRETTI FROM THE FIRST HALF OF THE NINETEENTH CENTURY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Ligia Ravenna Pinheiro, M.F.A., M.A., B.F.A. Graduate Program in Dance Studies The Ohio State University 2015 Dissertation Committee: Karen Eliot, Adviser Nena Couch Susan Petry Angelika Gerbes Copyright by Ligia Ravenna Pinheiro 2015 ABSTRACT The Real Theatro de São Carlos de Lisboa employed Italian choreographers from its inauguration in 1793 to the middle of the nineteenth century. Many libretti for the ballets produced for the S. Carlos Theater have survived and are now housed in the National Library of Portugal. This dissertation focuses on the narratives of the libretti in this collection, and their importance as documentation of ballets of the late eighteenth and early nineteenth centuries, from the inauguration of the S. Carlos Theater in 1793 to 1850. This period of dance history, which has not received much attention by dance scholars, links the earlier baroque dance era of the eighteenth century with the style of ballet of the 1830s to the 1850s. Portugal had been associated with Italian art and artists since the beginning of the eighteenth century. This artistic relationship continued through the final decades of the eighteenth and the first half of the nineteenth century. The majority of the choreographers working in Lisbon were Italian, and the works they created for the S. Carlos Theater followed the Italian style of ballet d’action. -
Book of Pirates 1
Howard Pyle's Book of Pirates 1 Chapter I Chapter II Howard Pyle's Book of Pirates Fiction, Fact & Fancy concerning the Buccaneers & Marooners of the Spanish Main: From the writing & Pictures of Howard Pyle. Compiled by Merle Johnson CONTENTS FOREWORD BY MERLE JOHNSON PREFACE I. BUCCANEERS AND MAROONERS OF THE SPANISH MAIN II. THE GHOST OF CAPTAIN BRAND III. WITH THE BUCCANEERS IV. TOM CHIST AND THE TREASURE BOX V. JACK BALLISTER'S FORTUNES Fiction, Fact & Fancy concerning the Buccaneers &Marooners of the Spanish Main: From the writing2 & Picturesof Howard Pyle. VI. BLUESKIN THE PIRATE VII. CAPTAIN SCARFIELD FOREWORD PIRATES, Buccaneers, Marooners, those cruel but picturesque sea wolves who once infested the Spanish Main, all live in present-day conceptions in great degree as drawn by the pen and pencil of Howard Pyle. Pyle, artist-author, living in the latter half of the nineteenth century and the first decade of the twentieth, had the fine faculty of transposing himself into any chosen period of history and making its people flesh and blood again--not just historical puppets. His characters were sketched with both words and picture; with both words and picture he ranks as a master, with a rich personality which makes his work individual and attractive in either medium. He was one of the founders of present-day American illustration, and his pupils and grand-pupils pervade that field to-day. While he bore no such important part in the world of letters, his stories are modern in treatment, and yet widely read. His range included historical treatises concerning his favorite Pirates (Quaker though he was); fiction, with the same Pirates as principals; Americanized version of Old World fairy tales; boy stories of the Middle Ages, still best sellers to growing lads; stories of the occult, such as In Tenebras and To the Soil of the Earth, which, if newly published, would be hailed as contributions to our latest cult. -
The Spanish Lake
The Spanish Lake The Pacific since Magellan, Volume I The Spanish Lake O. H. K. Spate ‘Let Observation with extensive View, Survey Mankind, from China to Peru ...’ Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] Web: http://epress.anu.edu.au Previously published by the Australian National University Press, Canberra National Library of Australia Cataloguing-in-Publication entry Spate, O. H. K. (Oskar Hermann Khristian), 1911–2000 The Spanish Lake Includes index ISBN 1 920942 17 3 ISBN 1 920942 16 5 (Online) 1. Explorers–Spain. 2. Pacific Area–Discovery and exploration. 3. Latin America–Economic conditions–History. 4. Latin America–Civilization–European influences. 5. Pacific Area–History. I. Title. (Series: Spate, O. H. K. [Oskar Hermann Khristian], 1911–2000. The Pacific since Magellan, Vol.1) 910.091823 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Reproduction, setting and all electronic versions by Laserwords Cover design by Brendon McKinley Printed by Digital Print Australia, Adelaide First edition 1979 O. H. K. Spate This edition 2004 O. H. K. Spate In memoriam ARMANDO CORTESAO˜ homem da Renascenc¸a renascido Figure 1. PACIFIC WINDS AND CURRENTS. 1, approx. limits of Trade Wind belts, April- September; 2, same in October-March; 3, approx. trend of main currents; 4,ofmaindrifts;5,encloses area dominated by Southeast Asian monsoons; 6, areas of high typhoon risk, especially July-October; 7, belt of calms and light airs (Doldrums). -
Download PDF Datastream
The Eruption of Insular Identities: A Comparative Study of Contemporary Azorean and Cape Verdean Prose By Brianna Medeiros B.A., Brown University, 2011. A.M., Brown University, 2015. A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of Portuguese and Brazilian Studies at Brown University. Providence, Rhode Island May, 2017 © Copyright 2017 by Brianna Medeiros This dissertation by Brianna Medeiros is accepted in its present form by the Department of Portuguese and Brazilian Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date ______________ ______________________________________________ Onésimo T. Almeida, Advisor Recommended to the Graduate Council Date ______________ ______________________________________________ Leonor Simas-Almeida, Reader Date ______________ ______________________________________________ Nelson H. Vieira, Reader Approved by the Graduate Council Date ______________ ______________________________________________ Andrew G. Campbell, Dean of the Graduate School ! iii! Curriculum Vitae Brianna Medeiros was born in Brockton, Massachusetts, where she was raised. She graduated in 2011 from Brown University, where she double concentrated in Portuguese and Brazilian Studies and International Relations. While she was an undergraduate at Brown, she spent a semester in Lisbon, Portugal, studying at the Universidade Nova de Lisboa, in 2010. In 2011 and 2012, she received funding from FLAD to travel to the Azores, with the Antero de Quental Mobilidade fund, and begin her research on Azorean literature. In September 2011, she began her graduate career in Portuguese and Brazilian Studies at Brown University. During her time at Brown, in addition to the support received from FLAD, she also received a Belda Research Fellowship to travel to Santa Catarina and Rio Grande do Sul, Brazil, to conduct research on the Azorean presence and legacy in these two states, in 2014. -
Howard Pyle's Book of Pirates Men of Iron a Modern Aladdin Pepper and Salt the Ruby of Kishmoor Stolen Treasure the Wonder Clock
i<?-4 BOSTOlSl PUBLIC LIBRARY PS267036 W^ l^as^^c^.a THE TUFTS UBRARY WEYMOUTH, MASS. Each borrower may take one seven day book, one seven day magazine, and any reasonable number of other books at the same time. With the exception of new fiction, books are is- sued for two weeks, with renewal privileges un- less reserved. New fiaion and magazines are issued for one week. They are not renewable and may not be reserved. Books may be renewed by mail or telephone by notifying the Library of the title and date due. Books not in popular demand may upon request bcJssued for one month, subject to recall after VTriS weeks if a special requesr is made for the book. A fine of two cents a day will be incurred for each day's detention of a book after it is due. 9 i Howard Fyie's 5ook of Pirates YPiratc Bold , as ima^irueo/ by a QuaketCJeni/em/an- infhc— " farm. Lands oF Penas>/lvaiu"a.» Books bt HOWARD PYLE HOWARD PYLE'S BOOK OF PIRATES MEN OF IRON A MODERN ALADDIN PEPPER AND SALT THE RUBY OF KISHMOOR STOLEN TREASURE THE WONDER CLOCK HARPER & BROTHERS PUBLISHERS Ebtabusbbd 1S17 An Attack on a Galleon Illustration from. THE FATE OF A TREASURE TOWN by Howard Pyle Oritjinally published in Harper's Magazine, December, 1903 Howard lyie's Book <f Pirates R(flion,Fa<ft S^^ Fancy concerning the Buccaneers W Marooners of the Spanish Main: From the writing S^Picftures 9;^ Howard Pyle: Compiled by Merle Johnson Harper S? Brothers Tublijhers New York S? London MCMXXI (V \ \ Q4 Pyle's Book of Pirates Copyright, 192 1, by Harper & Brothers Printed in the United States of America / / ACKNOWLEDGMENT For permission to use certain material in this book, courteous acknowledgment is made to The Northwestern Miller, through the kindness of Mr. -
2016 Annual Report and Consolidated Accounts
IBERSOL – SGPS, SA Public Listing Company Head Office: Edifício Península, Praça do Bom Sucesso, nos. 105-159 – 9th floor 4150-146 Porto Share Capital: €24,000,000 Registered in the Porto Company Registry with the single registration and tax identification number of 501669477 2016 ANNUAL REPORT AND CONSOLIDATED ACCOUNTS ((Point 2. proposal for the Annual General Meeting)) MANAGEMENT REPORT • MANAGEMENT REPORT • CORPORATE GOVERNANCE REPORT • FINANCIAL STATEMENTS AND ANNEXES 2 MANAGEMENT REPORT Annual Report and Accounts 2016 1. Introduction 2. Main Indicators 3. Message from the Chairman of the Board of Directors 4. Year 2016 4.1 Main Events 4.2 Economic Context 5. The Ibersol Group 5.1 Business Structure 5.2 Strategic Profile of the Group 5.3 Governing Bodies 6. Financial Year Activity 6.1 Restaurants 6.2 Counters 6.3 Other Businesses 7. Consolidated Financial Analysis 8. Risks and Uncertainties 9. Own Shares 10. Activity of the Non-Executive Member of the Board of Directors 11. Outlook 12. Distribution of Results 13. Subsequent Events and Statement of Responsibility 14. Acknowledgments 3 MANAGEMENT REPORT 1. Introduction In February, the Instituto Nacional de Estatística (Portuguese Statistics Institute) disclosed its estimate for 2016, which projected a growth in the Portuguese economy of 1.4%, attributing the acceleration in GDP seen in the last quarter to the increase in the contribution from domestic demand, as a result of investment recovery and a more pronounced growth in private consumption. As such, the positive trend was consolidated, with an impact on the Ibersol Group's performance, as private consumption heightened in a quarter that by nature is very important for Modern Restaurant Services. -
Press Release / Communiqué
Centre Canadien d’Architecture 1920, rue Baile Canadian Centre for Architecture Montréal, Québec Canada H3H 2S6 t 514 939 7000 f 514 939 7020 www.cca.qc.ca Press release / communiqué For immediate release THE CCA PRESENTS THE SAAL PROCESS: HOUSING IN PORTUGAL 1974–1976. An exhibition documenting the pioneering experiment that empowered architects and citizens to create housing with a place in the city. Photographer: Alexandre Alves Costa: View of popular protest for house occupation rights. Ca. 1975. Photograph courtesy of Alexandre Alves Costa © Alexandre Alves Costa Montreal, 7 May 2015 – The Canadian Centre for Architecture (CCA) presents The SAAL Process: Housing in Portugal 1974–76 from 12 May until 4 October 2015. It is the first major exhibition documenting SAAL, a pioneering political and architectural experiment designed to address extreme housing shortages and degrading living conditions. Named the Serviço Ambulatório de Apoio Local (SAAL), meaning Local Ambulatory Support Service, this government initiative deployed architects across Portugal to develop housing solutions that gave the underprivileged a place in the city. Its ambitious and idealistic character reflected the revolutionary spirit following the 1974 coup that ended the authoritarian Estado Novo regime. The newly created democratic government guaranteed financial support to enable a bottom-up social process joining architects with neighbourhood associations and citizens. The architects led technical teams (known as brigades) that designed projects with the residents rather than for them. SAAL resulted in 170 projects involving more than 40,000 families during its short period of only 26 months. Forty years after its existence, SAAL remains relevant for expanding the social and political role of the architect, for addressing housing on the scale of the neighbourhood, and for inviting the participation of the buildings’ occupants at the beginning of the process.