2017 Summer Festival

Total Page:16

File Type:pdf, Size:1020Kb

2017 Summer Festival METHOW VALLEY Chausson Brahms Gershwin Celebrate the Muses Kevin Krentz, Artistic Director Winthrop, WA July 27−August 5 2017 Signal Hill Ranch grounds open at 6:00 pm concerts at 7:30 pm Program www.methowmusicfestival.org 2017 Festival at a Glance Free Events Ticketed Events Thu 7/27 6:30 pm Pre-concert presentation by Lynette Westendorf 7:30 pm Centerstage Concert hosted by Verne Windham, featuring the Haydn “Gypsy” Piano Trio 10:00 pm Gaze at the stars on a clear night with Dave Ward Sat 7/29 6:30 pm Pre-concert Interview with Chinese premier traditional instrument virtuoso, Hu Jianbing 7:30 pm Centerstage Concert hosted by Verne Windham, featuring the Beethoven String Quartet No. 16 10:00 pm Gaze at the stars on a clear night with Dave Ward Sun 7/30 12:00 pm Fellowship Quartet Performance at Shafer Museum 2:30 pm Fellowship Quartet Performance at Mazama Store Tue 8/1 6:30 pm Pre-concert Interview with Artistic Director Kevin Krentz 7:30 pm Centerstage Concert hosted by Verne Windham, featuring the Smetana String Quartet, “From My Life” Thu 8/3 6:30 pm Pre-concert presentation by WA State Poet Laureate Tod Marshall 7:30 pm Centerstage Concert hosted by Dave Beck, featuring the Chausson Concert for Piano, Violin, and String Quartet, Op. 21 Fri 8/4 6:00 pm Fellowship Quartet Performance at Ciderhouse Sat 8/5 6:30 pm Pre-concert performance by the Baylor University 2017 Fellowship Quartet 7:30 pm Centerstage Concert hosted by Dave Beck, featuring the Brahms Piano Quartet No. 2 in A major Each Centerstage Concert Day 9:30 am Open rehearsals at Signal Hill Ranch are a great place to introduce children to classical music 9:30 am Wall of art open for public viewing 6:00 pm Grounds open at Signal Hill Ranch with food and drink available for purchase 6:30 pm Pre-concert presentation 7:30 pm Centerstage Concert 10:00 pm Meet-the-artists Afterglow party around the fire pit Welcome It is my pleasure and honor to welcome you to our 2017 Festival! The Festival brings exciting musicians and high-flying programs to the Methow Valley using a mere fraction of the budget employed by our sister festivals. We do this by challenging our artists to perform to the highest standards alongside like-minded peers and by multiplying the efforts of our staff with scores of volunteers and supporters. That combination cre- ates a stable of artists who are excited to be here and who enjoy playing for a very involved, very responsive audience. Year after year artists re- port to me what a joy it is to play at this Festival. By expecting greatness and listening for every nuance, you inspire them. You inspire me. Audience members often comment that they enjoy the variety of our programs. That variety derives in part from my efforts to include great works by less well-known compos- ers. By analogy, if you watched only movies produced by the most famous directors, you would miss many great photo: Marcy Stamper experiences. The works I have selected by Krasa, Schnittke, Smetana, Suk, Glazunov, Chausson, and Boccherini are won- derful and I picked them all with the belief that you will love them when they are brought to life this summer. The program includes a touch of bluegrass from international classical star violinist Tessa Lark and, direct from Yo Yo Ma’s Silk Road Project, we bring you Hu Jianbing, one of the world’s foremost players of the ancient and revered Chinese sheng. Add to that some great cello quartet music, the debut of our first aerialist, an American pop song set, and two original works written by our own performers and I hope that this year’s Festival will delight you and keep you coming back with high expecta- tions year after year. Artistic Director A Family owned company in the Methow for 26 years. Thursday signal hill ranch 7/27 6:30 pm Pre-concert presentation by Lynette Westendorf 7:30 pm Centerstage Concert hosted by Verne Windham with Festival Prologue read by Carolanne Steinebach 10:00 pm Gaze at the stars on a clear night with Dave Ward 3 Romances for Violin and Piano, Op. 22 Clara Schumann (1819–1896) Andante molto Allegretto Leidenschaftlich schnell Michelle Ross, violin | Tanya Gabrielian, piano Piano Trio No. 39 in G major, “Gypsy”, Hob. XV:25 Joseph Haydn (1732–1809) Andante Poco adagio Rondo a l’Ongarese (Rondo in the Gypsy style). Presto Emilie-Anne Gendron, violin | Haeyoon Shin, cello Tanya Gabrielian, piano Cello Quartet, T.B.A. Nathan Chan, cello | Kevin Krentz, cello | Haeyoon Shin, cello Paul Wiancko, cello INTERMISSION Tenebrae, for String Quartet Osvaldo Golijov (1960– ) Emilie-Anne Gendron, violin | Brittany Boulding, violin Ayane Kozasa, viola | Nathan Chan, cello Passacaglia and Fugue for String Trio Hans Krása (1899–1944) Emilie-Anne Gendron, violin | Ayane Kozasa, viola Nathan Chan, cello Scene Andalouse! Viola solo and Piano Quintet, Op. 7 Joaquín Turina (1882–1949) Mara Gearman, viola | Brittany Boulding, violin Emilie-Anne Gendron, violin | Ayane Kozasa, viola Paul Wiancko, cello | Tanya Gabrielian, piano 5 KPBX 91.1 . KSFC 91.9 . KPBZ 90.3 Saturday signal hill ranch 7/29 6:30 pm Pre-concert Interview with Hu Jianbing 7:30 pm Centerstage Concert hosted by Verne Windham with Festival Prologue read by Kevin Krentz 10:00 pm Gaze at the stars on a clear night with Dave Ward Improvisation on the Chinese Sheng Hu Jianbing Hu Jianbing, sheng Duo for Sheng and Cello Hu Jianbing Paul Wiancko, cello | Hu Jianbing, sheng String Quartet No. 16, Op. 135 Ludwig van Beethoven (1770–1827) Allegretto Vivace Assai lento, cantante e tranquillo Allegro Emilie-Anne Gendron, violin | Brittany Boulding, violin Mara Gearman, viola | Nathan Chan, cello INTERMISSION Cello Sonata No. 1, 2nd mvmt. Alfred Schnittke (1934–1998) Nathan Chan, cello | Tanya Gabrielian, piano Sarah Prochnau, aerialist Piano Trio in G minor, Op.15 Bedřich Smetana (1824–1884) Composed on the death of his daughter Bedřiška Moderato assai Allegro, ma non agitato Finale. Presto Michelle Ross, violin | Kevin Krentz, cello Tanya Gabrielian, piano 7 Tuesday signal hill ranch 8/1 6:30 pm Pre-concert Interview with Kevin Krentz 7:30 pm Centerstage Concert hosted by Verne Windham with Festival Prologue read by Carolanne Steinebach 3 Short Pieces for Violin Fritz Kreisler (1875–1962) Preghiera Songs My Mother Taught Me (original by A. Dvorak) Midnight Bells (original by R. Heuberger) Elena Urioste, violin | Tom Poster, piano Piano Quartet Op. 1 Josef Suk (1874–1935) Allegro Appassionato Adagio Allegro con fuoco Elena Urioste, violin | Caitlin Lynch, viola Matthew Zalkind, cello | Tom Poster, piano American Music Song Suite arr. by Tom Poster Gershwin - Love Walked In Young - When I Fall in Love Arlen - Over the Rainbow Elena Urioste, violin | Michelle Ross, violin Brittany Boulding, violin | Caitlin Lynch, viola Ayane Kozasa, viola | Haeyoon Shin, cello | Matthew Zalkind, cello INTERMISSION Nadja, for Violin and Electronics Michelle Ross (1987– ) Michelle Ross, violin String Quartet No.1, “From My Life” Bedřich Smetana (1824–1884) Allegro vivo appassionato Allegro moderato à la Polka Largo sostenuto Vivace. Meno presto Brittany Boulding, violin | Michelle Ross, violin Ayane Kozasa, viola | Kevin Krentz, cello 9 “What GRAY magazine does better than anyone is give an interesting cross section of design, art, and craft across the Northwest— from B.C. to Oregon. It has a sense of immediacy and a level of sophistication that no other magazine from the Northwest has.” —GEORGE SUYAMA, SUYAMA PETERSON DEGUCHI ARCHITECTS “We are so lucky to have a magazine representing our region in such an engaging, informative and artistic way. GRAY is a real treasure!” —JIM OLSON, FAIA, OLSON KUNDIG PACIFIC NORTHWEST DESIGN Visit us at GRAYMAG.COM and GRAYAWARDS.COM PHOTOGRAPHS: ANDREW VANASSE; GIBEON PHOTOGRAPHY; NEW RAVENNA MOSAICS; DOUGLAS FRIEDMAN Thursday signal hill ranch 8/3 6:30 pm Pre-concert presentation by Tod Marshall 7:30 pm Centerstage Concert hosted by Dave Beck with Festival Prologue read by Tod Marshall Six Pieces in Canon Form, Op. 56 Robert Schumann (1810–1856) Tessa Lark, violin | Matthew Zalkind, cello | Tom Poster, piano American Haiku for Viola and Cello Paul Wiancko (1982– ) Ayane Kozasa, viola | Paul Wiancko, cello 5 Novelettes for String Quartet, Op. 15, Mvmts. 1, 2, 5 Alexander Glazunov (1865–1936) Alla Spagnuola Orientale All’ungherese Mikhail Shmidt, violin | Tessa Lark, violin | Caitlin Lynch, viola Kevin Krentz, cello INTERMISSION Concert for Violin, Piano, and String Quartet, Op. 21 Ernest Chausson (1855–1899) Elena Urioste, violin | Tessa Lark, violin | Mikhail Shmidt, violin Caitlin Lynch, viola | Haeyoon Shin, cello | Tom Poster, piano 11 Featuring the Moonshine Bar Visit Freestone Inn for a relaxing getaway and enjoy the surrounding beauty and outdoor experiences that make Mazama what it is. Biking, hiking, or simply relaxing in the hot tub, it’s all waiting for you right here in the Methow Valley. 509-996-3906 | 31 Early Winters Drive Mazama, WA | Freestoneinn.com Saturday signal hill ranch 8/5 6:30 pm Pre-concert performance by 2017 Fellowship Quartet 7:30 pm Centerstage Concert hosted by Dave Beck with Festival Prologue read by Ross Hauck Cello Sonata No. 6 in A major, G.4 Luigi Boccherini (1743–1805) Adagio Allegro Matthew Zalkind, cello | Kevin Krentz, cello Appalachian Fantasy arr. by Tessa Lark Tessa Lark, violin On Wenlock Edge Ralph Vaughan Williams (1872–1958) On Wenlock Edge From Far, from Eve and Morning Is My Team Ploughing? Oh, When I Was in Love with You Bredon Hill Clun Elena Urioste, violin | Mikhail Shmidt, violin Ayane Kozasa, viola | Paul Wiancko, cello | Ross Hauck, tenor INTERMISSION Piano Quartet No.
Recommended publications
  • "If There Were More Cynthia Phelpses Around, There Might Be More Viola Recitals…She Is a Master of Her Instrument -- Rema
    "If there were more Cynthia Phelpses around, there might be more viola recitals…she is a master of her instrument -- remarkable technique and warm, full sound." – THE WALL STREET JOURNAL "Not only does CYNTHIA PHELPS produce one of the richest, deepest viola timbres in the world, she is a superb musician" (Seattle Post-Intelligencer). Principal Violist of the New York Philharmonic, Ms. Phelps has distinguished herself both here and abroad as one of the leading instrumentalists of our time. The recipient of numerous honors and awards, including the Pro Musicis International Award and first prize at both the Lionel Tertis International Viola Competition and the Washington International String Competition, she has captivated audiences with her compelling solo and chamber music performances. She is "a performer of top rank...the sounds she drew were not only completely unproblematical --technically faultless, generously nuanced-- but sensuously breathtaking" (The Boston Globe). Ms. Phelps performs throughout the world as soloist with orchestras, including the Minnesota Orchestra, Shanghai, San Diego, Santa Barbara, Eastern Music Festival and Vermont Symphonies, Orquesta Sinfonica de Bilbao, and Rochester and Hong Kong Philharmonic among others. World-wide, her electrifying solo appearances with the New York Philharmonic garner raves; they have included Berlioz's Harold in Italy, the Bartok Viola Concerto, Strauss's Don Quixote, the Benjamin Lees Concerto for String Quartet, the premiere of a concerto written for her by Sofia Gubaidulina and most recently, the premiere of a new concerto by the young composer Julia Adolphe written for her. She has appeared as soloist with the orchestra across the globe, including Vienna’s Musikverein, London’s Royal Festival Hall, and the Concertgebouw in Amsterdam among others.
    [Show full text]
  • MOSCOW STATE RADIO SYMPHONY ORCHESTRA Zellerbach Hall Alexei Kornienko, Chief Conductor, Laureate of International Competitions
    CAL PERFORMANCES PRESENTS ORCHESTRA ROSTER Saturday, March 20, 2010, 8pm MOSCOW STATE RADIO SYMPHONY ORCHESTRA Zellerbach Hall Alexei Kornienko, Chief Conductor, Laureate of International Competitions Moscow State Radio Symphony Orchestra Robert Cole, conductor Robert Cole, conductor Violin I Cello Bassoon with Igor Khvalev, Concertmaster Alexey Shulgin, Principal Evgeny Evstafyev, Principal Alexander Sinchuk, piano Alexader Torsukov Alla Makova Mikhail Velichenko Elena Abdullina Liubov Kotsiubenko and Liudmila Zhukova Alexander Koptsov Horn Julian Schwarz, cello Igor Kiselenko Yulia Tretiakova Nikolay Kumarin, Principal Tatiana Revedinskaya Tatiana Barykina Dmitry Babintsev Julia Maklakova Mikhail Yakovlev Dmitri Kouznetsov PROGRAM Evgeniya Badaeva Lyubov Kozhemiatova Victor Platonov Boris Markosyan Sergey Zheltov Nataliya Mikhalkina Double Bass Vladimir Efimenko Pyotr Il’yich Tchaikovsky (1840–1893) Romeo and Juliet, Fantasy-Overture Yury Zhogas Evseviy Kirnitskiy, Principal Natalia Alexeeva Andrey Knyazev Trumpet (1869; rev. 1870, 1880) Olena Kostaniants German Chernyavskiy Evgeny Kudryavtsev, Principal Ekaterina Khoroshilova Vladimir Prikhodko Yury Poliakov Alexandr Serdyukov Nikolay Aseev Serge Rachmaninoff (1873–1943) Rhapsody on a Theme of Paganini Violin II Svetlana Rodionovskaya Nikita Tokarev for Piano and Orchestra, Op. 43 (1934) Nina Rumyantseva, Principal Alexander Sinchuk, piano Mikhail Karapetyan Flute Trombone Leonid Tobolev Vladimir Maydanovich, Principal Konstantin Baev, Principal Anna Venina Albert Ratsbaum Alexander
    [Show full text]
  • Seattle Chamber Music Society 31St Season
    SEATTLE CHAMBER MUSIC SOCIETY 31ST SEASON 2012 ANNUAL REPORT OUR MISSION Seattle Chamber Music Society fosters the appreciation of chamber music in our region by presenting performances featuring world-class musicians in accessible and inviting formats, with an emphasis on developing a broad-based sustainable audience through education and community outreach. SEATTLE CHAMBER MUSIC SOCIETY CONTENTS // Letter from the President 4 2012: The Season in Review 5 Engaging the Community 9 Ensuring Our Artistic Vision & Stability 14 Sponsors and Donors 15 Board of Directors and Staff 19 2012 Financial Report 20 2012 Summary of Activities 21 Festival Musicians 23 COVER: From left to right; violinists James Ehnes and Amy Schwartz Moretti, violist Richard O’Neill, and cellist Robert deMaine 2012 ANNUAL REPORT // 3 Our recently completed 2012 season was the first to be programmed by new Artistic Director James Ehnes, who has continued the high standards set by SCMS founder Toby Saks. Our Winter Festival was a great success with full houses at every concert. More tickets were sold at the Summer Festival in July than have ever been sold in our 31-year history. Our first-ever free outdoor concert in Volunteer Park in July drew an astounding 1,800 people! Concert reviews were uniformly enthusiastic; our performances are now widely recognized as some of the best in the country. Seattle Chamber Music Society lost a dear friend this year with the untimely passing of board member Max Gellert. Max’s reach in the Seattle arts community was broad and he will be missed. We dedicated our 2012 Summer Festival to Max, whose thoughtful questions and quiet generosity provided support and guidance for many years.
    [Show full text]
  • 2020 ANNUAL REPORT // 3 Our Supporters
    ANNUAL REPORT 2020 JAMES EHNES Artistic Director OUR MISSION Seattle Chamber Music Society fosters the appreciation of chamber music in our region by presenting performances featuring world-class musicians in accessible and inviting formats, with an emphasis on developing a broad-based sustainable audience through education and outreach. FRONT COVER: Andrés Díaz, cello; Yura Lee, viola; Kirsten Docter, viola. INSIDE COVER: (from upper left) Simone Porter, violin. James Ehnes, violin; Augustin Hadelich, violin; Ani Aznavoorian, cello; Jonathan Vinocour, viola. The Center for Chamber Music. Tessa Lark, violin; Erin Keefe, violin. BACK COVER: James Ehnes, violin; Anton Nel, piano. Benjamin Beilman, violin; Orion Weiss, piano; Ani Aznavoorian, cello. Tessa Lark, violin; Stephen Rose, violin; Ronald Thomas, cello; Cynthia Phelps, viola. Andrew Wan, violin; Cecile Licad, piano; Sæunn ThorsteinsdÓttir, cello. THE 2020 SEASON IN REVIEW WINTER FESTIVAL: JANUARY 17–26 administrative offices, an on-site box office, two SCMS’s 2020 Winter Festival was a huge rehearsal rooms, and the Toby Saks Sheet Music success! Ticket sales were the highest ever, with Library. The centerpiece of the Center is the over 3,200 people attending the Festival’s six intimate Dr. Kennan Hollingsworth Living Room, main concerts, which averaged 99% capacity. which served as the hub for our 2020 Virtual Program highlights included: an exploration of Summer Festival concerts. While Benaroya Hall Beethoven’s string quartets by the Ehnes Quartet will still be home for our main Festival concerts (Part 1 of the complete cycle programmed for the once it reopens, the Center will provide year- season), two string quintets by Brahms, beloved round chamber music programming and events.
    [Show full text]
  • Seattle Chamber Music Society Fosters the Appreciation of Chamber Music
    SEATTLE CHAMBER MUSIC SOCIETY JAMES EHNES Artistic Director 2013 ANNUAL REPORT OUR MISSION Seattle Chamber Music Society fosters the appreciation of chamber music in our region by presenting performances featuring world-class musicians in accessible and inviting formats, with an emphasis on developing a broad-based sustainable audience through education and community outreach. SEATTLE CHAMBER MUSIC SOCIETY CONTENTS // Letter from the President 4 2013: The Season in Review 5 Engaging the Community 9 Remembering Toby Saks 13 Ensuring Our Artistic Vision & Stability 14 Sponsors and Donors 15 Board of Directors and Staff 19 2013 Financial Report 20 2013 Summary of Activities 21 Festival Musicians 23 COVER: From left to right; violinists James Ehnes and Jesse Mills, pianist Andrew Armstrong, cellist Julie Albers, and violist Cynthia Phelps 2013 ANNUAL REPORT // 3 PRESIDENT’S LETTER // The recently completed 2013 season was one of and musicians new to SCMS. The world premiere high artistic successes, but also great sadness. of Lawrence Dillon’s Sanctuary – described as a Seattle Chamber Music Society’s beloved founder “musical musing for piano, horn and strings on the Toby Saks passed away shortly after the Summer many meanings of the word” – was an especially Festival ended, devastating the musicians, staff, well-received work, and a tribute to the foresight board and entire community. Our hearts go out to of the SCMS’s Commissioning Club, now in its Toby’s family, and SCMS is seeking ways to honor eighth year. Toby’s vision and provide a legacy to commemorate her many contributions to the arts community, not SCMS’s community and outreach programs continue only locally but worldwide.
    [Show full text]
  • Toby Saks, Cello
    J FRIENDS OF MUSIC University of Washington 5zv THE SCHOOL OF MUSIC 1991 LIfB'I1MB FRlBNDS Alan T. Robertson 101m Lansdale Cheater and Marion IIeaLI loin. 101m S. Robinson Laurence and Roaolle Lang Renee C. R.Iea and Rkbard T. Black Toby SakI and Martin Green . Byron and Sharon LapIn presents a faculty recital: I-IS- The &oeml Company Tom and Lonalne Sakata E. Keith and Joan G. Lanolt Brecbemln Family Poundatlon IrwIn and Barbara Sarason 101m and Iulia Liebesldnd Nancy A. Clemlnsbaw Gordon and Jllllan Somerville Thomas and Susan Und Ildward J. ConJon Samuel bonm Charlotte Lilt Da'rid and J_ Davia Naomi S. Wilaon Gary Louie Meade and Deborah Emory William P. Mahrt Rlc:1wd and Judith Bvana CONTRIBlJTORS ($S().$249) Sally Mann William and Ruth Oerberdinl and Lorna Aapard Comell and Virginia MatCII Mrs. Cbariea T. Ori1Tea H. Allison Marinka Intemalionol L P. and Barbara Hlmmelman o IIId Ruth Backup Simon R. Mauro Mfa. Ward D. lnadm Georae and BlU'bara Barmuta Charles and AJioe Mt<lregor AIIIt Cheri McLaughlin Toby I!aWe Sean Bennet! cello of Demar'lrvlne Saks, Luther and Carol Jonea Llaa Beraman and David Fluharty Donold and Renale McVllIIe Mana and Thelma Lehmann Kelly and Maraarel Bonham Roaer and Emily Moe Ed and Cbari_ Ulllefield Carl Bowman EIalne and Joa!pb M~n Barry CbaI1ea McCmI Oeorae BOWIh MartiD and Bernice RInd Donold and Unda Miller Robert and Florence Bridgfortb Ion R. Nelson Aura Bonell Morrison Marilyn Broetman Emannel M. Papper Bernice Moatafer-Rind foundation ManbalI and J_ Brown Iullan Patrick Anbur and Helen Ness Robert K.
    [Show full text]
  • November 9-13, 2020
    GATEWAYS MUSIC FESTIVAL IN ASSOCIATION WITH EASTMAN SCHOOL OF MUSIC Program Guide NOVEMBER 9-13, 2020 1 MUSIC The Bienen School of Music offers · A 152,000-square-foot state-of-the-art facility overlooking Lake Michigan · Conservatory-level training combined with the academic flexibility of an elite research institution · Traditional BM, BA, MM, PhD, and DMA degrees as well as innovative dual-degree, self-designed, and double-major programs · Close proximity to downtown Chicago’s vibrant cultural landscape www.music.northwestern.edu Dear Friends of the Gateways Music Festival, n these very unusual and uncertain times, we are more grateful than ever for your support and encouragement. In the midst of it all, we remember Leonard Bernstein’s response to the sorrow that gripped our nation in 1963. He said we will “make music more intensely, more beautifully, more devotedly than ever before.” AndI that is how it feels right now for many of us. With concert halls, clubs and other live music-making venues closed, this has been a particularly challenging time for musicians, with many creating new ways to express themselves and heal the world. We hope that this year’s virtual Gateways Music Festival will provide hope, sustenance, and joy for you as you listen to the concerts, panel . TO MAKE MUSIC “ discussions and talks scheduled for this week. Our musicians have poured their MORE INTENSELY, hearts and souls into these performances, and I am immensely grateful to them for their belief in the mission of Gateways MORE BEAUTIFULLY, Music Festival and for their willingness to keep making music in such a time as this.
    [Show full text]
  • Toby Saks Memorial Program Booklet
    Continuing the Legacy A Celebration of the Life of of Toby Saks Toby Saks If you would like to honor and remember Toby Saks by making a contribution to recognize her life and legacy, you may send a January 8, 1942 – August 1, 2013 donation to one of the following organizations: THE TOBY SAKS ARTISTIC DIRECTOR LEGACY FUND As Seattle Chamber Music Society’s Founder and the longtime Artistic Director for 30 years, Toby had a profound impact on many musicians, audience members, friends, and people in our community. Through contributing to this restricted fund, donors to The Toby Saks Artistic Director Legacy Fund will continue her legacy to support the Artistic Director’s role and vision. To make a contribution, please visit: www.seattlechambermusic.org Gifts may also be mailed to: Seattle Chamber Music Society Attn: The Toby Saks Artistic Director Legacy Fund 10 Harrison Street, Suite 306 Seattle, WA 98109 For more information, please call 206.283-8710. VILEM SOKOL ENDOWED SCHOLARSHIP FUND Attn: Camille Perezselsky, Constituent Relations Officer School of Music, University of Washington Box 353450, Seattle, WA 98195-3450 Or visit: www.giving.uw.edu/Sokol SWEDISH MEDICAL CENTER FOUNDATION 747 Broadway Seattle, WA 98122 Or visit: www.swedish.org/donations/general OCTOBER 14, 2013 { BENAROYA HALL † ¢ oby Saks was born in New York City on January 8, 1942. Growing up in the Bronx, Toby switched from piano to cello Tat age 9 and continued her education at the High School of photos Performing Arts and The Juilliard School under teacher Leonard Rose. She won prizes in New York as a teenager, was first prizewinner at the International Pablo Casals Competition in Israel in 1961, and was a top prizewinner at the Tchaikovsky Competition in Moscow.
    [Show full text]
  • Toby Saks, Cello and Craig Sheppard, Piano
    J UPCOMING 1993-94 CONCERTS: University of Washington S1. '{ To request disability accommodatimlS, contact the Office ofthe ADA Coordinator THE SCHOOL OF MUSIC (ttq,{ at least ten days in advance ofthe event. 543-6450 (voice); 543-6452 (roD); '(­ 685·3885 (FAX); [email protected] (E-mail). presents a April 6, Sax Night. g PM, B~. Rescbeduled for April 13 (see below). April 7, !-eslie Wyber &:. Cberyl Pauls, Two Pianos. 8 PM, Brecbemin Auditorium. ' ,': Aprill~ Catch a Rising Star. ,3 PM. Brecbemin Auditorium. April 10. Lynn Harrell Master Class for Chamber Music. 6 PM, Brecbemin Audimmn. FACULTY RECITAL April II. University Harp Ensemble, Alumni &, Friends. 8 PM, Meany Theater. " April II. Voice Division Reci1al. 7 PM, Brecbemin Auditorium. April 12, FACULTYRf,q,AL: Splendor in tile Brass. 8 PM, Meany Theater. April 13. Sax Night. 8 PM, Brecbemin Auditorium. Toby Saks, cello April 14. Keyboard Debut Series. 8 PM, Brecbemin Auditorium. AprU16. Ryan Layne Whitney.: l':iaDo Music of Russia's Romantic Period.. 2 and l'M, Brechemin Auditorium. April 19. UniverSity SYmphony. 8 PM. Meanf'theatef. ,'; Craig Sheppard, piano April 20, Music ofNorth India and IDdOoesia. 8 PM: )1rememin Auditorimn. April 21, BENEFll'RECll'AL FOR SCHOOL OF MUSIC SCHOLARSHIPS: Robin McOIbe &: Racbelle McCabe, pianists. 8 PM, Meany Theater. April2S, Founb Annual EIectro-Acousdc Music Festival. 8 PM, Meany Theater. April 28, Graduate Woo Quintet 8 ~ BredJemin Auditorium. April 30. Systematic Musicology conc.irt 7 PM, Brecbemin Auditorium. in a concert of works May I. FACULTY RECll'AL: SOni Ve~torum Wind Qumtet 3 PM, Brecbemin for cello and piano by Auditorium., May 2·13, .SCHOOL OF'MUSIC RESIDENCY: Dist'ingusbed Hans and i1bebna Lehmann Professor: William Bolcom.
    [Show full text]
  • Carlsen Cello Foundation News Fall 2006 Putting Cellos in the Hands of Deserving Students
    Carlsen Cello Foundation News Fall 2006 Putting cellos in the hands of deserving students The fall newsletter is devoted to the PAOLO MALIKSI (BELLEVUE, WA), attends the activities of some of our cello recipients. It is Peabody Institute of Music in Baltimore such a pleasure for me to report the awards, the master classes, the travel, and the participation JOSHUA ROMAN (CLEVELAND INSTITUTE OF of our students in musical events all over the MUSIC) has been selected as the new principal world. cellist of the Seattle Symphony Orchestra. He is Could the Foundation claim credit for these now the Dr. & Mrs. Richard Fuller Principal achievements? If so, perhaps only 5-10%, Chair. because only 1) practice, 2) practice, and 3) st more practice has earned these students the MOSA TSAY (SAN DIEGO, CA) placed 1 in the recognition they deserve. They send me MTAC Bach Festival, 2nd in the MTAC recordings of their work, and I am amazed at Concerto Competition, and has been selected to their progress and professionalism. Please read play in the ASTA California Solo Competition on: at the next level. CAMDEN SHAW (SEATTLE, WA), winner of the JOY ADAMS (COLBERT, WA), won the Young Concerto Competition and Festival Medal for Artists High School Division of the Coer three consecutive years at the Seattle Young d’Alene Concerto Competition and performed Artists Music Festival, now, at age 16, enters his Saint-Saëns’ “The Swan” with the Spokane first year at the Curtis Institute of Music in Symphony Orchestra. She spent the summer of Philadelphia. 2006 at the Aspen Music Festival where we had several students.
    [Show full text]
  • Book-86974.Pdf
    1 © Copyright 2014 Maya Leites 2 This thesis is dedicated to the memory of Toby Saks (1942 – 2013) 3 Table of Contents List of Figures .............................................................................................................................................................................................. 6 Acknowledgments..................................................................................................................................................................................... 10 Introduction .............................................................................................................................................................................................. 11 Fort Lawton and Discovery Park - Historical Background ......................................................................................................................... 25 1898-1908 ............................................................................................................................................................................................. 25 1909-1940 ............................................................................................................................................................................................. 26 The World War II Era ............................................................................................................................................................................. 27 Post World War II Era ...........................................................................................................................................................................
    [Show full text]
  • Seattle Symphony June
    JUNE/JULY 2018 LUDOVIC MORLOT, MUSIC DIRECTOR BERNSTEIN WONDERFUL TOWN MORLOT C O N D U C T S COPLAND'S THIRD SYMPHONY PLUS JAWS & STAR WARS PRESENTING SPONSOR OF THE SEATTLE SYMPHONY ORCHESTRA CONTENTS MASTERWORKS SEASON SPONSOR OF THE SEATTLE SYMPHONY OFFICIAL AIRLINE OF THE SEATTLE SYMPHONY ORCHESTRA EAP full-page template.indd 1 10/19/16 3:56 PM CONTENTS JUNE/JULY 2018 4 / CALENDAR 6 / THE SYMPHONY 10 / NEWS FEATURES 12 / SYMPHONY IN METAMORPHOSIS 14 / BERIO’S SINFONIA CONCERTS 15 / June 6 & 7 JAWS–IN CONCERT 16 / June 8, 9 & 10 THE SOUNDS OF SIMON & GARFUNKEL 18 / June 14 & 16 BERNSTEIN WONDERFUL TOWN 25 / June 15 [UNTITLED] 3 29 / June 18 WAYNE MARSHALL 32 / June 21 & 23 COPLAND SYMPHONY NO. 3 36 / June 22 COPLAND UNTUXED 32 / JOHANNES MOSER Photo: Uwe Arens Uwe Photo: 37 / June 28, 30 & July 1 SAINT-SAËNS SYMPHONY NO. 3 ORGAN 40 / July 11 BRAHMS V. RADIOHEAD 41 / July 13–15 STAR WARS: A NEW HOPE IN CONCERT 50 / GUIDE TO THE SEATTLE SYMPHONY 29 / WAYNE MARSHALL 37 / BENJAMIN GROSVENOR Photo: Charles Best Photo: Photo: Patrick Allen/Opera Omnia Allen/Opera Patrick Photo: 51 / THE LIS(Z)T ON THE COVER: Bernstein’s Wonderful Town COVER DESIGN: Helen Hodges EDITOR: Heidi Staub © 2018 Seattle Symphony All rights reserved. No portion of this work may be reproduced in any form or by any electronic or mechanical means without written permission from the Seattle Symphony. All programs and artists are subject to change. encoremediagroup.com/programs 3 ON THE DIAL: Tune in to June & Classical KING FM 98.1 every July Wednesday at 8pm for a Seattle Symphony spotlight and the first Friday of every month CALENDAR at 9pm for concert broadcasts.
    [Show full text]