Armchair-Art-Tours-Dutch-And-Flemish-Masters

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Artists Mentioned During Armchair Art Tours: Dutch and Flemish Masters, parts 1 and 2 Jan van Eyck (1390-1441) Rogier van der Weyden (1399-1464) Hieronymus Bosch (1450-1516) Hans Memling (1430-1494) Pieter Bruegel the Elder (1525-1569) Johannes Vermeer (1632-1675) Cimabue (1251-1302) Giotto di Bondone (1267-1337) Simone Martini (c. 1284-1344) Rembrandt van Rijn (1606-1669) Judith Leyster (also Leijster) (1609-1660) Tiziano Vecellio (1488-1576) Raffaello Sanzio da Urbino (1483-1520) Thomas de Keyser (1596-1667) Willem Kalf (1619-1693) Pieter Claesz (1597-1660) Jan Baptiste Weenix (1621-1662) Carel Fabritius (1622-1654) Johannes Vermeer (1632-1675) Peter Paul Rubens (1577-1640) Anthony van Dyck (1599-1641) Franz Halls (1580-1666) Key Artworks Rembrandt The Anatomy Lesson of Dr. Nicolaes Tulp, 1632 The Anatomy Lesson of Dr. Joan Deyman, 1656 The Night Watch, The Militia Company of Captain Frans Banning Cocq, 1642 Aristotle Contemplating a Bust of Homer, 1653 The Jewish Bride, 1665 The Blinding of Samson, 1636 Portrait of Jan Six, 1654 A Woman Bathing in a Stream, modelled by Hendrickje, 1654 Jacob Blessing the Sons of Joseph, 1656 Syndics of the Drapers' Guild,1662 Judas Repentant, Returning the Thirty Pieces of Silver, 1629 Bathsheba at Her Bath or Bathsheba with King David's Letter, 1654 Supper at Emmaus 1628 and 1648 Presentation of Jesus in the Temple (Simeon in the Temple) 1631 and 1669 The Return of the Prodigal Son, 1669 Saul and David, 1651 Leyster Jolly Toper, 1629 Serenade, 1629 The Proposition, 1631 Young Flute Player, 1630 The Happy Couple,1630 Suggestions for further reading The Art of Arts: Rediscovering Painting by Anita Albus Vermeer and the Art of Painting by Arthur K. Wheelock Jr. Vermeer’s Hat by Timothy Brook Rembrandt: The Painter at Work by Ernst van de Wetering The Rembrandt Book by Gary Schwartz The Last Painting of Sara de Vos by Dominic Smith Exhibits Black in Rembrandt’s Time (fall 2020) Women Artists of the Dutch Golden Age (fall 2019).

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Observing Protest from a Place
VISUAL AND MATERIAL CULTURE, 1300-1700 Knox Giles Knox Sense Knowledge and the Challenge of Italian Renaissance Art El Greco, Velázquez, Rembrandt of Italian Renaissance Art Challenge the Knowledge Sense and FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Sense Knowledge and the Challenge of Italian Renaissance Art FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Visual and Material Culture, 1300–1700 A forum for innovative research on the role of images and objects in the late medieval and early modern periods, Visual and Material Culture, 1300–1700 publishes monographs and essay collections that combine rigorous investigation with critical inquiry to present new narratives on a wide range of topics, from traditional arts to seemingly ordinary things. Recognizing the fluidity of images, objects, and ideas, this series fosters cross-cultural as well as multi-disciplinary exploration. We consider proposals from across the spectrum of analytic approaches and methodologies. Series Editor Dr. Allison Levy, an art historian, has written and/or edited three scholarly books, and she has been the recipient of numerous grants and awards, from the Nation- al Endowment for the Humanities, the American Association of University Wom- en, the Getty Research Institute, the Dumbarton Oaks Research Library of Harvard University, the Whiting Foundation and the Bogliasco Foundation, among others. www.allisonlevy.com. FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Sense Knowledge and the Challenge of Italian Renaissance Art El Greco, Velázquez, Rembrandt Giles Knox Amsterdam University Press FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS This book was published with support from the Office of the Vice Provost for Research, Indiana University, and the Department of Art History, Indiana University.
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THIS EDITION IS LIMITED TO seventy-five copies on Japan paper (Edition de luxe) numbered i to j5 AND five hundred copies on Holland paper numbered 76 to 676 COPY N" 95 ALL RIGHTS RESERVED THE COMPLETE WORK OF R E M B R A N D T HISTORY, DESCRIPTION AND HELIOGRAPHIC REPRODUCTION OF ALL THE MASTER'S PICTURES WITH A STUDY OF HIS LIFE AND HIS ART THE TEXT BY WILHELM BODE DIRECTOR OF THE ROYAL GALLERY, RERLIN ASSISTED BY C. HOFSTEDE DE GROOT LATE DIRECTOR OF THE PRINT ROOM, AMSTERDAM MUSEUM FROM THE GERMAN BY FLORENCE SIMMONDS SEVENTH VOLUME CHARLES SEDELMEYER, PUBLISHER 6, RlIE DE LA ROCHEFOUCAULD, 6 1902 NC> XXII PORTRAITS AND STUDIES PAINTED DURING THE LAST YEARS OF THE MASTER 1601 TO 1669 Mntit wDT s bankruptcy, I be X v; loss ol bis home, tile dispersal of bis posses- s ' ons Ois art treasures, ’ and even of bis studies by a forced sale had been 'jjf l a terrible blow for the artist, one to which many a genius even of the more vigorous order would have succumbed. Rembrandt’s art and bis activity were in ^ no wise affected thereby, although the embarassments arising out ol these calamities extended over many years, making heavy ! demands on bis time and patience, and necessarily inducing a certain melancholy ol mood. These years of depression were followed by a period of keener suffering; misfortune and distress pursued the master to bis grave. Rembrandt’s bankruptcy bad not set him free from bis creditors. All be earned belonged to them; they laid claim to everything be painted, and pressed new loans upon him on conditions ever more and more merciless.
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To the Exhibition Catalogue
-the banishment of ... 48, 191, 191, 196, 236, 268, 299, Conus imperialis L. 416, 416 (fig. 112b) 300, 302, 306, ... waiting for Abraham 132, portrayal HOMER 134, 318, 378, 378 of ... 192, figure identified as ... 132, 191, 192 -Aristotle contemplating the bust of... 27, 28, 134, 171, HAID, Johann Gottfried 134 378, ... as painted by A. de Gelder 38, figure identified -prints by... as ... teaching his pupils 134, ... dictating to scribes Man in Armour (after Rembrandt) 134, 134 (fig. 15a), 318, 319, 378, 379,... reciting versus 326, 327, Portrait 136 of ... copy after late Hellinistic original, Boston 378, 378 Hairy War 128 (fig. 97a) HALL, Bernard 18 -books by... HALS, Frans (also Francis)18, 44, 149, 150, 153, 187, Odyssey 340, 440 200, 286, 322 HONTHORST, Gerrit van 126, 160, 214, 222, 284 -broad manner of ... 184 -paintings by... -paintings by... Violinist with a Glass Amsterdam 214, 214 (fig. 33a) The Evangelist Luke Odessa 162 HONTHORST, Willem van 284 The Evangelist Matthew Odessa 161, 162, 162 (fig. HOOCH, Carel de 110, 114 22b), 286 HOOCH, Pieter de 146, 279 Corporalship of Captain Reynier Reael and Lieutenant HOOFT, Pieter Cornelisz Cornelis Michiels Blaeuw (with Pieter Codde) -plays by... Amsterdam 150, 152 (fig. 19c), 153 Geeraerdt van Velsen 170 Married Couple in a Garden ( Isaac Massa and Beatrix HOOFT, W D van der Laan ) Haarlem 240 -plays by... Portrait of a Man Cambridge 183, 184, 184 (fig. 28c) Heden-daeghsche Verlooren Soon 396 Portrait of a Standing Man Edinburgh 150, 152 (fig. HOOGEWERFF G J 134, 378 19b), 153 HOOGH, de Portrait of a Woman Edinburgh 153 -collection of ..
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Tables and Indexes Bibliography Corpus VI
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