Y Los Huesos Hablaron

Total Page:16

File Type:pdf, Size:1020Kb

Y Los Huesos Hablaron Y LOS HUESOS HABLARON Societat Doctor Alonso / Teatro de Babel - Dramafest Museu d’Arqueologia de Catalunya, from 6th to 9th of July SOCIETAT DOCTOR ALONSO www.doctoralonso.org “Y los huesos hablaron” Coproduction betwen; Societat Doctor Alonso (España) & Teatro de Babel (Mexico) Sinopsis: The work “Y los huesos hablaron ”1 comes form the willingness to unearth and revisiting two historical conflicts that its narrators have wanted to keep invisible on behalf of an alleged stability that had to allow a new socio-political and cultural situation to be born. It will cope with such hidden conflicts that despite the efforts of the society and the establishment to keep them invisible remain at the base of most political and social tensions in both countries today. The cases of Spain and its civil war, with all the disappeared still to be exhume and recognize in the gutters of the country, and Mexico, with the long process of elimination and castration of the various indigenous cultures that were disappearing after a new single, unitary country called Mexico. Bounds will talk to the audience. The voice of thouse who never had the voice to explain it’s history, or the other site of History. This piece is the result of an investigations process called; “El desenterrador2” that Societat Doctor Alonso have been developing the last two years. More Info: https://eldesenterrador.com/ 1 (=) “And t he bones spoken” 2 Desenterrador, from verb “desenterrar”(=) dig up, unearth SOCIETAT DOCTOR ALONSO www.doctoralonso.org Societat Doctor Alonso La Societat Doctor Alonso, directed by Tomas Aragay (Theater director and dramaturg) and Sofia Asencio (dancer and choreographer) has constructed a language which has found one of its key factors in the concept of placing anything outside of its place, area or ‘own space’ in order to investigate how this movement modifies language with respect to both its constituent grammar as well as with respect to the reading made by an observer. This involves moving in order to reveal something. This movement has shown itself to be an efficient tool for creating areas of poetic discourse which question our ‘standardised’ understanding of reality. Videos/Calendar/projects: http://www.doctoralonso.org/en/companyia/bio CONTACT: Direction: Tomàs Aragay email: [email protected] Tel. (0034) 661 458 309 Production: Imma Bové,: email: [email protected] Tel. (0034) 620 325114 Distribution: Maja Cecuk: email: [email protected] Tel. (0034) 620 325114 SOCIETAT DOCTOR ALONSO www.doctoralonso.org THE COMPANY – SOCIETAT DOCTOR ALONSO La Societat Doctor Alonso, directed by Tomás Aragay (theater director and playwrighter) and Sofia Asencio (dancer and choreographer) has built an unmistakable stage language, which has a peculiar spectacular as less spectacular as can be. The absurd and naif are the principles of the rupture with the conventional speech of theater language, creating the poetry of the pathetic. This shows he creates generate situations of tension, that emerge from the freedom of re invention of the rules of drama and break with schemes and hierarchy preestablished, with a great dose of humor, not – smart, fresh, where the same time and space converge in drama and humor with the intention of debunk the signifier of things, searching with incitement the audience´s complicity. They mix genres, scenic forms; they count with collaborators from the most varied origin, so they create them particular way of inhabiting the stage where beauty and grotesque coexists. Offbeat with each new project, they start from zero point to start again to rethink its own artistic language, forcing the established limits. TRAJECTORY Tomás Aragay established in 1996, with Roger Bernat, the “Creació in Barcelona, where he develops his artistic activities in collaboration with other artists, Sofía Asencio among them. In late 2001 “General Elèctrica”” closes its doors, by a unanimous decision, because of personal, economic and cultural environment reasons. Since that moment Tomás Argaray and Sofía Asencio consider a new phase in their artistic development and create Societat Doctor Alonso, as an open and mutant group of artists, a space for creation, training and reflection around the scenic fact. Settles at the Empordà to get away from the “noise” and “uniformity” that surrounds contemporary creation and the artistic environment that a big city like Barcelona has. SOCIETAT DOCTOR ALONSO www.doctoralonso.org A way to retract or view of our own inside, to search our own voice.To create in a rural environment, is anchoring our steps in our own cultural tradition, in a way that from this peripheral observatory, build a strong universal discourse. In the same way the “La societat Doctoro Alonso”” is born with a clear vocation of constant exchange with the foreign; this vocation is supported by a double conviction: on the one hand the need of maintaining a permanent listening of the creative ways which are developed outside our boundaries, and on the other hand, the need of showing its work to an audience from diverse cultural provenance to place it in a frame of plural reception, which allows us to receive an artistically enriching feedback. ”La societat doctor Alonso” company collaborates with a wide spectrum of multi-disciplinary artists, and participates in several projects on a regular basis. SOCIETAT DOCTOR ALONSO www.doctoralonso.org PRODUCTIONS 1997 Cruza cuando el hombrecito esté en verde 1st Choreography prize Madrid. Sala Olimpia (Madrid), November. With Laura Arís, Sofía Asencio and Nathalie Labiano 1998 By natural Piety Coproduction:Festival d’Estiu Grec 98 and General Elèctrica Pati de les Dones, CCCB (Barcelona), July. With Sonia Gómez, Guillermo Weickert, Idurre Azkue, Barbara Night Coproduction Certamen Coreográfico de Madrid i General Elèctrica Sala Olimpia (Madrid), November. With Laura Arís, Sofía Asencio and Nathalie Labiano. 1999 JOHN KOVACH, state of emergency Prix d’Auteur de los Rencontres Choreographiques Internationales de Seine-Sant-Denis. Coproduction: Festival d’Estiu Grec’99 and General Elèctrica Sala Beckett (Barcelona), July. With Laura Arís, Sonia Gómez, Idurre Azkue, Andrés Waksman and John Kovac. Rendez-vous Dies de dansa, Festival Grec’99. Museu Miró (Barcelona), July. With Sofía Asencio and Tomàs Aragay. SOCIETAT DOCTOR ALONSO www.doctoralonso.org 2000 La bocale Production; Festival Ile de Danse, Ajaccio, Corsica (France) and General Elèctrica February. With Idurre Azkue, Sofía Asencio and Tomàs Aragay Paradise Coproduction; Festival Grec’00, Isadora Danses au Centre, Tours (France) and General Elèctrica Thèâtre Equinoxe, Chateâuroux (France), May. With Idurre Azkue, Sofía Asencio, Iva Horvat, Ferran Carvajal, Xavi Sabata and the colaboration of Ivó Vinuesa 2002 Tomorrow will be like today Coproduction: Mercat de les Flors and Centre Chorégraphique de Rennes and la Socie- tat Doctor Alonso Mercat de les Flors (Barcelona), February. With Idurre Azkue, Sofía Asencio, Xavi Estrada and François Forêt. 2003 Shopping Bread Coproduction: Temporada Alta, l’Espai de Dansa de la Generalitat de Catalunya and Societat Doctor Alonso Teatre de Salt (Girona), Mars. With Sofia Asencio, François Foret, Nilo Gallego and Pablo Rega. SOCIETAT DOCTOR ALONSO www.doctoralonso.org 2004 Sobre la bellesa Coproduction: Societat Doctor Alonso and Festival GREC de Barcelona Teatre Lliure (Barcelona), July. With Salvador Buisam, Gloria Fuertes, Ubelsa Gonzalez, Joan Muntaner, Neus Martí, Agustí Bases, Enric Miralles and Agustí Fernandez. Santa Sofia, el solo d’una ignorant Coproduction: Festival Temporada Alta de Girona, L’espai de Dansa and la Societat Doctor Alonso. Teatre de Salt (Girona), December. With Sofia Asencio. 2005 Sobre la Mort Coproduction: Festival GREC de Barcelona and la Societat Doctor Alonso. Teatre Ovidi Montllor, Mercat de les Flors (Barcelona), July. With Patrícia Ayuste, Lídia Ayuste, Jan Cabarrocas, Xènia Costa, Clara Farrés, Eduard Paredes, Zaïra Ros and Mar Vallés. 2006 El Traspiés de Luisa Coproduction; Mercat de les Flors de Barcelona and la Societat Doctor Alonso Sala MAC, Mercat de les Flors (Barcelona), February. With Iva Horvat, Mía Esteve, Idurre Azkue and Sofía Asencio. 2007 Volumen II Coproduction: Teatre Lliure and La Societat Doctor Alonso Espai Lliure (Barcelona), May. With Sofía Asencio and Nilo Gallego. SOCIETAT DOCTOR ALONSO www.doctoralonso.org 2008 Retratos o si yo fuera Coproduction; Insituto Cervantes and Institut Ramon Llull. Manila (Philippines), Praga (Czech Republic), Beirut (Liban), Río de Janeiro (Brasil), Warsaw (Poland), Olot (Spain), Madrid (Spain) and Sant Esteve de Guialbes (Spain). First production of visual arts. Exhibition open in Museo Reina Sofía (Madrid), 17th of april of 2009. With Sofía Asencio. 2009 El cuerpo colectivo Coproduction: SDA and el CCCC l’Escorxador de Elche (Sapin). L’Escorxador (Elche, Sapin) Desember. With Sofía Asencio and Tomàs Aragay. 2010 Club Fernando Pessoa Coproduction; Teatre lliure and Concello del Ferrol. Radicals Lliure (Barcelona) 20th, 23th, 27th and 28th of May. With Mia Esteve, Ramon Giró, Sofia Asencio and Luis Carlos Viejo. Ácido Folclórico Coproduction: Festival Temporada Alta, Centro Párraga de Múrcia, La Fira Mediterrània de Manresa, Festival Ésdansa, Mercat de les Flors and CCC l’Escorxador de Elche. Fira Mediterrània de Manresa (Spain), November. With Sofía Asencio, Idurre Azkue, Emili Domínguez and Ramon Villegas. SOCIETAT DOCTOR ALONSO www.doctoralonso.org 2011 La glorieta Coproduction: Azala espacio de creación escénica,
Recommended publications
  • For the Encouragement of Learning
    For the Encouragement of Learning Copyright 1710-2010 Anniversary Forum London, 9 April 2010 “For the Encouragement of Learning” The world’s first copyright law was passed by the English Parliament on 10 April 1710 as ‘An Act for the Encouragement of Learning’. The Queen Anne Statute, as it is known, marked the beginning of modern copyright law. Professor Gillian Davies, author of ‘Copyright and the Public Interest’, describes it as ‘the foundation upon which the modern concept of copyright in the Western world was built’, quoting Halsbury’s ‘Laws of England’, edited by Lord Hailsham, as saying, ‘In changing the conceptual nature of copyright, it became the most important single event in copyright history’ and Barbara Ringer, US Registrar of Copyrights, as saying, ‘It is the mother of us all, and a very possessive mother at that.’ The 300th anniversary provides a unique opportunity to review copyright’s purposes and principles. If today we were starting from scratch, but with the same aim of encouraging learning‚ what kind of copyright would we want? To answer this question, the British Council is organising a series of meetings in London, Shanghai and elsewhere. Our starting point is the question, What is the purpose of copyright? And, once that is agreed, even tentatively, how could we achieve it? Is the list of ‘qualifying works’ the right one? Should copyright arise automatically or should rights be registered? Is ‘copyright’ the appropriate name? How do we balance access and ownership? What are the optimal lengths of copyright terms? What is the role of moral rights, and of personal data and privacy? What do we mean by ‘fair’ in the phrases ‘fair dealing’ and ‘fair use’ and how do we uphold this fairness in practice? Is fairness in a physical world different from fairness in the digital space? How do we define unlawful copying and how do we promote a fair regime of sanctions and penalties? The possibilities of creating and copying have expanded dramatically in recent years.
    [Show full text]
  • November 11-13, 2010 Hilversum and Amsterdam, the Netherlands Inhoudelijk En financiële Verantwoording Economies of the Commons 2, November 2010
    November 11-13, 2010 Hilversum and Amsterdam, the Netherlands www.ecommons.eu Inhoudelijk en financiële verantwoording Economies of the Commons 2, november 2010 Stichting Nederland Kennisland Keizersgracht 174 1016 DW Amsterdam +31 205756720 / http://www.kennisland.nl 2 / 48 1 ECONOMIES OF THE COMMONS 2 ....................................................................................4 1.1 BELANGRIJKSTE OPGELEVERDE RESULTATEN ........................................................................4 1.2 HTTP://WWW.ECOMMONS.EU/ ..............................................................................................5 1.3 PROGRAM ..........................................................................................................................6 2 BLOGPOSTS ..........................................................................................................................8 TOWARDS A RADICAL ARCHIVE: DE BALIEʼS ERIC KLUITENBERG ..................................................9 WHEN LIBRARIES EMBRACE THE DIGITAL FUTURE: INTERVIEW WITH KB'S IRMGARD BOMERS ......10 ARCHIVING IN CONVERGENCE: EUROPEANA'S DYNAMIC PORTAL ...............................................12 THE NETWORKED VAULT: INTERVIEW WITH MAARTEN BRINKERINK OF THE NETHERLANDSʼ INSTITUTE OF SOUND AND VISION ............................................................................................................................13 WHEN THE COPY'S NO EXCEPTION: INTERVIEW WITH KENNISLAND'S PAUL KELLER ...........15 PETER KAUFMAN ON APPRECIATING AUDIOVISUAL VALUE
    [Show full text]
  • Battling Bankers: Insights on Financial Power from the Grassroots
    STATE OF POWER 2019 Battling Bankers Insights on financial power from the grassroots Interview with Simona Levi, Alvin Mosioma and Joel Benjamin Worldwide, countless activists are engaged in challenging unjust financial power on a daily basis. Few are financial experts or economists but citizens who through their struggles have gained an understanding of financial power that few academics can rival. TNI had the privilege of talking to three warriors against the international banking cartel – a theatre director in Spain, a tax justice leader in Kenya and a local government campaigner in the UK – to hear about their struggles and the insights they have picked up that have relevance to all of us. Simona Levi, a theatre director and performance artist, is based in Barcelona. With her small group Xnet, she succeeded in getting former IMF chief and Bankia executive Rato and 17 others sentenced to prison in 2018 for their financial crimes and role in Spain’s economic crisis. Alvin Mosioma is based in Nairobi and with others stopped a tax avoidance treaty between Kenya and Mauritius. He helped organise the first World Social Forum in Kenya and is the founding Executive Director of Tax Justice Network-Africa. Joel Benjamin is based in London. His work with Debt Resistance UK has exposed a slew of toxic loans sold under false pretences to local authorities and has prompted major lawsuits, parliamentary enquiries and extensive media coverage. State of Power 2019: Finance 16 What finance-related campaigns are you involved in right now? Alvin: Our work revolves around how to ensure finance works for people.
    [Show full text]
  • Are Eu Governments Taking Whistleblower Protection Seriously?
    ARE EU GOVERNMENTS TAKING WHISTLEBLOWER PROTECTION SERIOUSLY? Progress report on transposition of the EU Directive Transparency International is a global movement with one vision: a world in which government, business, civil society and the daily lives of people are free of corruption. With more than 100 chapters worldwide and an international secretariat in Berlin, we are leading the fight against corruption to turn this vision into reality. www.transparency.org The Whistleblowing International Network is an international membership organisation and leading centre of global civil society expertise and innovation in whistleblowing law and practice. whistleblowingnetwork.org Are EU Governments Taking Whistleblower Protection Seriously? Progress Report on Transposition of the EU Directive Supported by a grant from the Open Society Policy Center in cooperation with the Open Society Initiative of Europe (OSIFE), part of the Open Society Foundations. Author: Marie Terracol Contributors: Anna Myers, Ida Nowers and all the country experts (listed on page 30) Reviewers: Matthew Jenkins, Adam Földes, Julius Hinks, John Devitt, Jan Dupák, Carina Paju, Nick Aiossa Cover: Miikka Luotio / Unsplash.com Every effort has been made to verify the accuracy of the information contained in this report. All information was believed to be correct as of February 2021. Nevertheless, Transparency International and the Whistleblowing International Network cannot accept responsibility for the consequences of its use for other purposes or in other contexts. ISBN: 978-3-96076-168-6 2021 Transparency International and Whistleblowing International Network. Except where otherwise noted, this work is licensed under CC BY-ND 4.0 DE. Quotation permitted. Please contact Transparency International – [email protected] – regarding derivatives requests.
    [Show full text]
  • Deliverable 5.3 National Dissemination Workshops
    This project has received funding from the European Union’s Horizon 2020 research and innovation Programme under grant agreement No 645852 EU Grant Agreement number: 645852 Project acronym: DIGIWHIST Project title: The Digital Whistleblower: Fiscal Transparency, Risk Assessment and the Impact of Good Governance Policies Assessed Work Package: 5 - Dissemination Title of deliverable: 5.3 National dissemination workshops Due date of deliverable: 28.02.2018 Actual submission date: XX Authors: Francesco Calderoni, Martina Rotondi, Riccardo Milani, Marina Mancuso and Ernesto U.Savona Organization name of lead beneficiary for this deliverable: Università Cattolica del Sacro Cuore - Transcrime Dissemination Level PU Public x PP Restricted to other programme participants (including the Commission Services) RE Restricted to a group specified by the consortium (including the Commission Co Confidential, only for members of the consortium (including the Commission All rights reserved. This document has been published thanks to the support of the European Union’s Horizon 2020 research and innovation Programme under grant agreement No 645852. The information and views set out in this publication are those of the author(s) only and do not reflect any collective opinion of the DIGIWHIST consortium, nor do they reflect the official opinion of the European Commission. Neither the European Commission nor any person acting on behalf of the European Commission is responsible for the use which might be made of the following information 1 DIGIWHIST National
    [Show full text]
  • FAKE NEWS Y Desinformacion ------#Fakeyou
    Informe para la acción estratégica y legislativa --------------------- FAKE NEWS Y DESINFORMACIoN ---------------------#FakeYou MONOPOLIOS DE LA MANIPULACIÓN INFORMATIVA [(TUS) GOBIERNOS | PARTIDOS POLÍTICOS | MASS MEDIA (NO PERIODISTAS) | CORPORACIONES] Y RECORTES DE LIBERTAD DE EXPRESIÓN Por Xnet VERSIÓN BETA SIN MAQUETAR ABIERTA A PEER REVIEW [Para correcciones y sugerencias, por favor, copiad la/s palabra/s o párrafo/s que queréis enmendar y mandad redacción alternativa con, si necesaria, motivación indicado el número de página, al email: [email protected]] Coordinación: Simona Levi Autores: Simona Levi, Robert Guixaró y Max Carbonell, Gemma Palau, Elizabeth Bodi, Gemma García, Pol Alberti participantes del Curso de Posgrado Tecnopolítica y Derechos en la Era Digital de la BSM-Universitat Pompeu Fabra dirigido por Simona Levi y Cristina Ribas Con aportaciones de Guillem Martínez, Mariluz Congosto, Alberto Escorcia, Lorin Decarli y Tatiana Bazzichelli (Disruption Network Lab Berlín) Agradecimientos a Alba Gutiérrez, Rubén Sáez, Sergio Salgado, L’entrellat Y en colaboración con Andrew Wainwright Reform Trust Las correcciones de este trabajo se han hecho con fondos de una subvención recibida por Xnet por parte del Ayuntamiento de Barcelona Licencia CC 4.0 by sa Barcelona - 14 de marzo de 2019 VERSION BETA PARA PEER REVIEW By the King. A proclamation to restrain the spreading of false news, and licentious talking of matters of state and government. England and Wales. Sovereign (1660-1685, King Charles II). Re-printed 1672. “C R HONI SOIT QVI MAL Y PENSE By the King. A PROCLAMATION To Restrain the Spreading of False News, and Licentious Talking of Matters of State and Government. CHARLES R.
    [Show full text]
  • The Practice of Art and AI
    Gerfried Stocker, Markus Jandl, Andreas J. Hirsch The Practice of Art and AI ARS ELECTRONICA Art, Technology & Society Contents Gerfried Stocker, Markus Jandl, Andreas J. Hirsch 8 Promises and Challenges in the Practice of Art and AI Andreas J. Hirsch 10 Five Preliminary Notes on the Practice of AI and Art 12 1. AI–Where a Smoke Screen Veils an Opaque Field 19 2. A Wide and Deep Problem Horizon– Massive Powers behind AI in Stealthy Advance 25 3. A Practice Challenging and Promising– Art and Science Encounters Put to the Test by AI 29 4. An Emerging New Relationship–AI and the Artist 34 5. A Distant Mirror Coming Closer– AI and the Human Condition Veronika Liebl 40 Starting the European ARTificial Intelligence Lab 44 Scientific Partners 46 Experiential AI@Edinburgh Futures Institute 48 Leiden Observatory 50 Museo de la Universidad Nacional de Tres de Febrero Centro de Arte y Ciencia 52 SETI Institute 54 Ars Electronica Futurelab 56 Scientific Institutions 59 Cultural Partners 61 Ars Electronica 66 Activities 69 Projects 91 Artists 101 CPN–Center for the Promotion of Science 106 Activities 108 Projects 119 Artists 125 The Culture Yard 130 Activities Contents Contents 132 Projects 139 Artists 143 Zaragoza City of Knowledge Foundation 148 Activities 149 Projects 155 Artists 159 GLUON 164 Activities 165 Projects 168 Artists 171 Hexagone Scène Nationale Arts Science 175 Activities 177 Projects 182 Artists 185 Kersnikova Institute / Kapelica Gallery 190 Activities 192 Projects 200 Artists 203 LABoral Centro de Arte y Creación Industrial 208 Activities
    [Show full text]
  • Dossier Xnet
    Technopolitical innovation for citizen action Real Democracy for the 21st century Transparency and public information: end of corruption and impunity TECHNOPOLITICS THE USE OF NETWORKS TO TRANSFORM REALITY Optimal propagation processes, combining the ability to change and adapt with maintaining a stable identity over time WHAT WE HAVE LEARNT FROM THE NET AND HOW IT CAN BE EXTRAPOLATED TO ALL SPACES OF STRUGGLE The !nternet is not "ust a tool; it is an epoch in history The Internet is both a tool and a battle ro!nd. Our main asset is surprise: the ability to do the unexpected, unexpectedly and in unexpected places %e have to do our crying elsewhere. %ho, what, how, when, where. &nd above all: why !nvention and e$perience at a time. No #roble$ sho!ld e%er ha%e to be sol%ed twi'e" &ttitude is no substitute for competence. Our time is the historical time, not the psychological time. Herd and cataly t ! 'ustice and (uality %hen you have no imagination, you turn to memory )ederated s*ills. Distributed leadership +articipation and responsibility Recognition and collective intelligence. The importance of the fork Altr"# $ # el% &ne t&at &a n't c($e ("t () t&e cl( et! &ll that is outside of the centre will always be -more”: more representative, more numerous, bigger, freer, more /e$ible, more volatile, newer and, above all, more real WHAT WE HAVE LEARNT FROM THE NET AND HOW IT CAN BE EXTRAPOLATED TO ALL SPACES OF STRUGGLE Representative democracy as the dictatorship of the largest minority over the ma"ority of minorities.
    [Show full text]
  • Xnet, a Case Study: the Role of Civil Society in Building the Framework for Whistleblower Protection
    Xnet, a case study: the role of civil society in building the framework for whistleblower protection Simona Levi, Abstract founder of Xnet (Catalonia) Xnet’s years of work to improve democracy in the digital era and the Míriam Carles, lawyer at Xnet experience of fighting corruption have (Catalonia) positioned it as one of the main drivers of legislative processes to secure protection for whistleblowers and implement tools and protocols, both within institutions and externally, to facilitate the disclosure of wrongdoing. Introduction Xnet is a member of the Whistleblowing International Network (WIN) and comprises a group of activists working, inter alia, in the legal, technical and communications struggle to defend the use of the internet as a tool for improving democracy and fighting against abuses and corruption. In 2012 Xnet launched ‘15MpaRato’, a platform which instigated the citizens’ lawsuit responsible for setting in motion and driving forward the Bankia Case, which was later heard in the Spanish National Court, resulting in almost a hundred politicians and bankers being put in the dock accused of committing fraud during the bank bailout. Sixty-five of those accused, who come from all the main 2019 November political parties (PP, PSOE, IU) as well as the two leading trade unions (CCOO, UGT) and the Employers’ Association (CEOE), were recently convicted and 15 sent to jail. The swifting point of the lawsuit came about as a result of the action taken by European Public Mosaic / Catalonia School of Public Administration Xnet members in 2012 to bring to the public’s attention what was later referred 9 to by the press as ‘the Blesa e-mails’.
    [Show full text]
  • How Ai Strategy Is Evolving
    accessnow.org EUROPE’S APPROACH TO ARTIFICIAL INTELLIGENCE: HOW AI STRATEGY IS EVOLVING Access Now defends and extends the digital rights of users at risk around the world. By combining direct technical support, comprehensive policy engagement, global advocacy, grassroots grantmaking, legal interventions, and convenings such as RightsCon, we fight for human rights in the digital age. EUROPE’S APPROACH TO ARTIFICIAL INTELLIGENCE: HOW AI STRATEGY IS EVOLVING DECEMBER 2020 TABLE OF CONTENTS I. INTRODUCTION TO THE AIMS OF THE REPORT 2 II. THE EUROPEAN UNION APPROACH IN A GLOBAL CONTEXT 3 How has the EU’s approach to AI influenced the global debate? 3 Where has “Trustworthy AI” been adopted? 5 Europe 6 The Americas 8 Asia Pacific 10 Private Sector & Standards Bodies 12 International Institutions 13 Critiques of the European Union approach 15 Council of Europe and other critiques from a human rights standpoint 19 Responses to the AI Whitepaper & next steps 22 III. HUMAN RIGHTS AND ETHICS AS GOVERNANCE FRAMEWORKS FOR AI 26 IV. NATIONAL STRATEGIES IN THE EU 30 High-level update on the status and trends in national strategies in the EU 30 Analysing the interaction between national strategies and EU level positioning 32 On a European regulation 33 Comments on the White Paper 34 Other issues 34 National AI strategies 36 Takeaways from the final stakeholder roundtable 37 Facial recognition as a case study in EU-national level interaction 40 V. CONCLUSION: AI POLICY STRATEGIES — WHAT HAS WORKED AND WHAT HAS NOT 43 VI. ANNEX - AGENDAS & PARTICIPANT LISTS 46 Europe’s Approach to Artificial Intelligence: How AI Strategy is Evolving I.
    [Show full text]
  • What's New at the Hertie School?
    What’s New at the Hertie School? Edition 1 | Academic Year 2015/2016 | November 2015 First Executive MBA/MPA Programme in Europe ESMT and Hertie School Launch Dual Degree Programme The Hertie School of Governance and ESMT degree programme of its kind in Europe. European School of Management and “In an increasingly interdependent Technology are offering a joint Executive world, we need responsible managers Master of Business Administration/ who can lead effectively at the interface Master of Public Administration (Executive between politics, business, and society. For MBA/MPA) degree from autumn 2016. ESMT and the Hertie School it is a natural, The new Executive MBA/MPA is a forward-looking step to combine our re- two-year programme and will be taught spective expertise with the new degree together by the two Berlin universities. programme and be the first to offer this would make faster progress with intersec- The programme, held in English, provides dual degree in Europe,” said ESMT Presi- toral thinking in everyday management. leaders from private, public, and non- dent Jörg Rocholl (pictured right). As an important centre for politics and profit sectors the opportunity to develop Helmut K. Anheier, President of the business in the heart of Europe, Berlin is their management skills across all of these Hertie School, adds, “Be it the viable use an ideal location for an international Exe- areas. While leading universities in the of resources, the integration of migrants cutive MBA/MPA such as the one the Her- US have been increasingly forging such into the labour market, or financial stabili- tie School and ESMT are offering.” alliances, this is the first joint executive ty - with the many challenges we face, we >> www.hertie.school/emba-empa Friede Springer Foundation Supports Centre for International Security Policy at the Hertie School The Friede Springer Foundation is sup- at the Hertie School.
    [Show full text]
  • FREEDOM CONTROL Final Report
    FREEDOM VS CONTROL FOR A DEMOCRATIC RESPONSE 18 20/11/2015 Final report Strasbourg 2015 PREMS 1055816 ENG The Council of Europe is the continent’s leading human rights organisation. It comprises 47 member states, 28 of which are members of the European Union. www.coe.int All Council of Europe member states have signed up to the European Convention on Human Rights, a treaty designed to protect human rights, democracy and the rule of law. The European Court of Human Rights oversees the implementation of the Convention in the member states. www.world-forum-democracy.org FREEDOM VS CONTROL: FOR A DEMOCRATIC RESPONSE Final report World Forum for Democracy 2015 Strasbourg, 18-20 November 2015 Council of Europe The opinions expressed in this work do not necessarily reflect the official policy of the Council of Europe. All requests concerning the reproduction or translation of all or part of this document should be addressed to the Directorate of Communication (F-67075 Strasbourg Cedex or publishing@ coe.int). All other correspondence concerning this document should be addressed to the Secretariat of the World Forum for Democracy ([email protected]). Contents FOREWORD 4 CONCLUSIONS AND RECOMMENDATIONS 6 FORUM CONCEPT 8 FORUM PRESENTATIONS AND DISCUSSIONS 11 Opening session 11 Plenary session 1: Surveillance – what is the right dose? 12 Plenary session 2: Lifting the veil of fear – building trust and resilience in diverse societies 14 Plenary session 3 - Media responsibility in the “age of terror” 16 Plenary session 4: The democratic response - theme reports and a debate with panellists 19 Closing Session and Democracy Innovation Award, Council of Europe Hemicycle 21 SATELLITE EVENTS 65 2015 World Forum for Democracy: facts and figures 68 Foreword How can individual freedoms and the right to safety be reconciled? This question – intrinsic to any democratic system – challenges democracies around the world.
    [Show full text]