ANTONIO CASTILLO GÓMEZ University of Alcalá
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Francisco De Osuna's “Norte De Los Estados”
FRANCISCO DE OSUNA’S “NORTE DE LOS ESTADOS” IN MODERNIZED SPANISH FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS FOUNDATIONS This series responds to the pressing need for new primary texts on the premodern world. The series fits Arc’s academic mission to work with scholars of the past in expanding our collective horizons. This source of accessible new texts will refresh research resources, engage students, and support the use of innovative approaches to teaching. The series takes a flexible, case-by-case approach to publishing. The works helpmay thebe original reader situate language the editions,text. facing-page (with English translation) editions, or translations. Each edition includes a contextual introduction and explanatory notes to Advisory Board Arizona State University Università Ca’ Foscari, Venezia Robert E. Bjork,University of Canterbury / Te Whare Wānanga o Waitaha Alessandra Bucossi,University of California, Santa Cruz Chris Jones, University of Oxford Sharon Kinoshita, Matthew Cheung Salisbury, Norte de los estados: en que seFrontispiece da regla de (overleaf): vivir a los mancebos Child Jesus, y a framed los casados, by the y asun, los viudos,holding y aa carpenter’stodos los continentes... square and the orb and cross, frontispiece of the second edition of Francisco de Osuna’s , Burgos: Juan de Junta, 1541. Inc370(I). Colección Borbón-Lorenzana. Biblioteca de Castilla-La Mancha. Reproduced courtesy of Spain’s Ministerio de Educación, Cultura y Deporte. FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS FRANCISCO DE OSUNA’S “NORTE DE LOS ESTADOS” IN MODERNIZED SPANISH A PRACTICAL GUIDE TO CONJUGAL LIFE IN SIXTEENTH-CENTURY EUROPE Edited by DANA BULTMAN FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. -
Umberto Eco's Novel L'isola Del Giorno Prima (1994, the Island of the Day Before, 1995)
A first attempt of a journey into a book of voyages and journeys in geography and knowledge : Umberto Eco's novel Title L'isola del giorno prima (1994, The Island of the Day Before, 1995) Author(s) Jorissen, Engelbert Citation ドイツ文學研究 (2007), 52: 31-83 Issue Date 2007-03-20 URL http://hdl.handle.net/2433/185485 Right Type Departmental Bulletin Paper Textversion publisher Kyoto University A first attempt of a journey into a book of voyages and journeys in geography and knowledge Umberto Eco's novel L'isola del giorno prima (1994, The Island of the Day Before, 1995) - Engelbert Jorissen About the complicated/complex structure and content of the novel The following modest preliminary study will concentrate on Umberto Eco's third novel The Island of the Day before (engl. trans!. 1995) , in the original 1 Italian title L'isola del giorno prima which appeared first in 1994 ' • Before begin ning an interpretation of the novel it should be helpful to say first something about the complex structure of the novel and give an outline of its contents. However, considering the character of my study I will do so in a sequel to this one and give only some essential data to help to ·enter' the novel. In the colophon, where the narrator explains the possible origins of the book, he writes: "If the papers (fragmentary, in any case, from which I have de vised a story, or a series of intersecting or skewed stories) have come down to us ..." (p. 505, p. 466, italics added by E. -
Italian Studies 521
Italian Studies 521 SEICENTO By Maurice Slawinski, Lecturer in Italian Studies, University of Lancaster 1. General poetics, criticism, literary history. Archivio tematico delle similitu- dini, i, ed. O. Besomi, J. Hauser, and G. Sopranzi, Hildesheim, Olms, 1994,x+476 pp., a companion volume to the ‘Archivio tematico della lirica italiana’ inaugurated with the volume dedicated to Marino’s Lira (cf. YWMLS, 54: 500), indexes by subject the imagery of all the major Italian verse romances and poemi grandi, from the Morgante to La Secchia and Adone (including the Gerusalemme Conquistata as well as the Liberata, which though not strictly belonging to the Seicento will be of particular interest to students of the period). L’anima in barocco, ed. Carlo Ossola et al., T, Scriptorium, xxxviii + 278 pp., is an anthology of devotional texts, divided by topic, and including a substantial number of near-forgotten authors (Felice Passero, Gasparo Murtola) and some well known in their time but since forgotten altogether (Pietro Battista, Giovanni Bona, Giuseppe Girolamo Semenzi), accompanied by the editors’ sparse commentary; the anthology, it would appear from the preface, originates in University seminars, but its exact purpose and prospective readership escape me. Marc Fumaroli, L’E´ cole du silence: le sentiment des images au XVIIe sie`cle, Paris, Flammarion, 1994, 512 pp., focuses on the visual arts, but is also peppered with references to Italian baroque poetics (the Index lists Allacci, the Andreini, Boccalini, Bracciolini, Capaccio, Cesarini, Ciampoli, Eritreo, Marino, Mascardi, Murtola, Pallavicino, Stigliani, Strada, Testi) which provide much of the ‘rhetorical’ backbone of the argument, a slightly worrying fact given that what he says about these (and a number of late Cinquecento literary figures) appears to be second-hand and in many cases inaccurate. -
Un Discurso Académico De Emmanuele Tesuro
UN DISCURSO ACADÉMICO DE EMANUELE TESAURO: EL JUICIO 175 ONOMAZEIN 8 (2003): 175-196 UN DISCURSO ACADÉMICO DE EMANUELE TESAURO: EL JUICIO* Pablo Chiuminatto Universidad de Chile Eduardo Molina Cantó Pontificia Universidad Católica de Chile Resumen Se presenta y comenta aquí un breve texto del italiano Emanuele Tesauro, uno de los más grandes tratadistas del Barroco europeo. Escritor, religioso, diplomático y profesor de retórica, Tesauro es una figura central para com- prender la retórica del siglo XVII. El panegírico Il giudicio, un discurso académico del autor, aborda con lucidez y claridad el análisis de dos estilos de discurso oratorio: el familiar y el majestuoso, evaluando en ambos casos su peculiar belleza y eficacia persuasiva. Abstract (In this study the authors present and comment a brief text of Italian writer Emanuele Tesauro, one of the main erudites of the European Baroque Age. Jesuit priest, diplomat and Rhetoric professor, Tesauro is an outstanding figure of the XVIIth Century Rhetoric. The panegyric Il giudicio, an academic speech of this author, approaches lucidly and clearly the analysis of two oratory speech styles: the colloquial and the sublime, evaluating in both cases their particular beauty and persuasive force.) * Este trabajo forma parte del proyecto FONDECYT N° 1010956: “Lo bello, lo sublime y lo siniestro. Estudio de las transformaciones históricas de las categorías estéticas en la clave de la negatividad.” Agradecemos a la Fondazione Primoli de Roma, que tiene a su cargo el fondo bibliográfico Mario Praz, y a Olof Page por haber hecho posible la revisión de las ediciones originales italianas de Tesauro y otros textos del seicento. -
Imagining Marcus Aurelius in the Renaissance: Forgery, Fiction, and History in the Creation of the Imperial Ideal
chapter 41 Imagining Marcus Aurelius in the Renaissance: Forgery, Fiction, and History in the Creation of the Imperial Ideal Thomas Dandelet From the earliest phase of the Italian Renaissance in the fourteenth century, reviving the memory, history, and writings of the Roman emperors was a cen- tral preoccupation of humanists who longed for a revival of Roman imperial culture and power. The long biography of Julius Caesar by Petrarch served as a foundation stone of this literary movement, and it was followed by numerous new editions of Caesar’s Commentaries. Figures such as Guarino Guarini championed Caesar as a model for new princes such as his patron Leonello d’Este, to whom he dedicated a new edition of the Commentaries, noting that the young prince was like a new Caesar.1 This was not a position shared by all humanists, as the spirited debate between Guarino and his republican contemporary from Florence Poggio Bracciolini amply demonstrated. While Poggio presented Caesar as a tyrant who destroyed republican liberty and shed the blood of many Romans, Guarino argued that he was one of the greatest military strategists and rulers who ever lived, as demonstrated by his many victories, writings, and the expansion of Roman power. Others, like Coluccio Salutati, took a more measured view of Caesar, acknowledging his virtues as a writer and military leader while criticiz- ing him for shedding Roman blood in the Civil Wars. Whatever the position, these authors and others such as Pius ii, who wrote his own Commentaries following the literary model of Caesar, could not resist focusing their attention on Caesar and his successors as they looked to the ancient Roman Empire for political models and wisdom in their own day. -
Knowledge Organization at the Interface
Gustavo Saldanha – Ibict - Unirio, Brazil Giulia Crippa – Bologna University, Italy Concept Theory and Conceit Theory Ontology and Logology Between Conceptuality and Non- Conceptuality in Knowledge Organization Abstract: Knowledge Organization (KO) has a historically established construction based on a concept theory according to the Aristotelian model. It is from the Organon that the primary theoretical basis of documentary-language thinking is established. One can identify the construction of conceptual thinking in classical approaches such as Ranganathan's classification theory. More directly, Dahlberg's theory of concept proves the demarcating point of view of the Aristotelian foundation in KO. However, even in such approaches as Ranganathan's, one can also identify another theoretical tradition in classification theory concerned with constructing a non- conceptual approach. It is from Emanuele Tesauro that we can conceive a non-conceptual theory, establishing a given conceit theory. This research aims to point out the dichotomies and correlations between a concept theory and a non-conceptual one in KO. The research method is theoretical, structured from the perspective of a historical epistemology with a pragmatic background. At first, the historical-theoretical place of concept theory in the KO is determined. Later, the foundation of a non-conceptual theory (or conceit theory) is identified. Furthermore, the relationship between theories in historical and contemporary development in the classification theory is discussed. From the Aristotelian categories, one can understand a method for the relationship between signifier, meaning, and referent, and establish the associations of meaning between terms. The non-conceptuality theory can be historically identified in Emanuele Tesauro. From his Categorical Index, published in the Cannocchiale aristotelico, the condition of concept (and no-concept) is the apex of a variety of chain of rhetorical being, and it points to the creation and progressive unfolding of language figures (conceit elements). -
Antonio De Guevara (1480-1545)
ESTUDIO CRÍTICO FHL © Del texto: el autor. © De la edición: Fundación Ignacio Larramendi. Madrid, 2013. Es una edición electrónica de DIGIBÍS. ANTONIO DE GUEVARA (1480-1545) MANUEL DE LA FUENTE Profesor de Filosofía en el IES Estelas de Cantabria Fray Antonio de Guevara es uno de los grandes clásicos del pensamiento español. Gracias a la labor ahora emprendida por la Fundación Hernando de Larramendi queda dispuesta, por primera vez la edición digital completa de las obras del autor español que más influencia alcanzó durante el siglo XVI, el que por aquel entonces fue el más traducido y reeditado. Ya en junio de 1999 quedó dispuesta gracias a la magnífica labor de la Fundación Gustavo Bueno y al Proyecto de Filosofía en Español gran parte de sus obras. Esta labor fue continuada por la Universidad de Alicante a través del proyecto Cervantes Virtual, pero es sólo ahora cuando es posible que todo el mundo pueda disponer de forma libre y sencilla de las obras de este cántabro universal. La vida de Antonio de Guevara transcurre en las últimas décadas del siglo XV. La unidad política de España está a punto de asumir una nueva expresión a través del matrimonio de la princesa Isabel de Castilla y del príncipe Fernando de Aragón. El matrimonio no ha sido resultado del azar, o de un «capricho romántico». A Aragón, que después del auge económico del siglo XIII y principios del XIV atraviesa un periodo de decadencia demográfica (la peste de 1333, 1347, 1351) y económica (la competencia de Génova), le interesa la unión con Castilla, como único modo de librarse del cerco de Francia. -
The Books of Gregorio Leti (1630-1701)
A Scholar’s Library from the Seventeenth Century: The Books of Gregorio Leti (1630-1701) Martina Di Gregorio MA Thesis Book and Digital Media Studies Leiden University First reader: Prof. dr. P.G. Hoftijzer Second reader: Fleur Praal MA Words: 17,123 Date: 29/08/2019 Acknowledgment I would like to extend my thanks to Prof. dr. P.G. Hoftijzer for his comments and patience throughout the writing of this thesis. I would like to thank my parents and my friends for listening to me and supporting me during this process. Most importantly, I would like to thank my partner, Nicolas Chagnet, for his endless patience and support. 2 Abstract This thesis aims at presenting Gregorio Leti (1630 - 1701) through the books he owned and using the auction catalogue established at his death. This unique approach paints a picture of a well-read man with connections in influential literary circles and interest in literary and philosophical topics. This analysis required the creation of an extensive database, transcribing and fixing mistakes from the auction catalogue from 1701. This database supported the quantitative and qualitative observations on Leti’s reading habits and interests. Quantitatively, the database agreed with the usual accounts of Leti's life as a typical seventeenth century academic and educated historian, accounts that have been discussed in the few bibliographies focusing on Leti. Qualitatively, this thesis highlighted a thoroughness and range of interest matching the profile of a seventeenth century scholar. While analysing Leti’s life and personality, this thesis also introduces some changes of the seventeenth century, including an analysis of philosophical and literary movements that became more prominent in this period. -
Spanish Exemplary Rulership? Antonio De Guevara’S Relox De Príncipes (1529) in English (1557) and Dutch (1578) Translation
UvA-DARE (Digital Academic Repository) Spanish Exemplary Rulership? Antonio de Guevara’s Relox de Príncipes (1529) in English (1557) and Dutch (1578) Translation Waasdorp, S. DOI 10.26530/OAPEN_1006718 10.1515/9789048541935 Publication date 2020 Document Version Final published version Published in Literary Hispanophobia and Hispanophilia in Britain and the Low Countries (1550-1850) License CC BY-NC-ND Link to publication Citation for published version (APA): Waasdorp, S. (2020). Spanish Exemplary Rulership? Antonio de Guevara’s Relox de Príncipes (1529) in English (1557) and Dutch (1578) Translation. In Y. Rodríguez Pérez (Ed.), Literary Hispanophobia and Hispanophilia in Britain and the Low Countries (1550-1850) (pp. 69-92). (Heritage and Memory Studies; Vol. 10). Amsterdam University Press. https://doi.org/10.26530/OAPEN_1006718, https://doi.org/10.1515/9789048541935 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You UvA-DAREwill be contacted is a service as provided soon as by possible.the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 2. -
Literary Hispanophobia and Hispanophilia in Britain and the Low Countries (1550-1850)
Literary Hispanophobia and Hispanophilia in Britain and the Low Countries (1550-1850) FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Heritage and Memory Studies This ground-breaking series examines the dynamics of heritage and memory from a transnational, interdisciplinary and integrated approach. Monographs or edited volumes critically interrogate the politics of heritage and dynamics of memory, as well as the theoretical implications of landscapes and mass violence, nationalism and ethnicity, heritage preservation and conservation, archaeology and (dark) tourism, diaspora and postcolonial memory, the power of aesthetics and the art of absence and forgetting, mourning and performative re-enactments in the present. Series Editors Ihab Saloul and Rob van der Laarse, University of Amsterdam, The Netherlands Advisory Board Patrizia Violi, University of Bologna, Italy Britt Baillie, Cambridge University, United Kingdom Michael Rothberg, University of Illinois, USA Marianne Hirsch, Columbia University, USA Frank van Vree, University of Amsterdam, The Netherlands FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Literary Hispanophobia and Hispanophilia in Britain and the Low Countries (1550-1850) Edited by Yolanda Rodríguez Pérez Amsterdam University Press FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS This research has been made possible with the generous support of the Netherlands Organisation for Scientific Research (NWO) within the ‘Innovational Research Incentives Scheme Vidi’. Cover illustration designed by David Durà Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6298 937 5 e-isbn 978 90 4854 193 5 doi 10.5117/9789462989375 nur 685 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) All authors / Amsterdam University Press B.V., Amsterdam 2020 Some rights reserved. -
Early Modern Clouds and the Poetics of Meteorology: an Introduction
Romance Quarterly ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/vroq20 Early modern clouds and the poetics of meteorology: An Introduction Jeffrey N. Peters & Katharina N. Piechocki To cite this article: Jeffrey N. Peters & Katharina N. Piechocki (2021): Early modern clouds and the poetics of meteorology: An Introduction, Romance Quarterly, DOI: 10.1080/08831157.2021.1900690 To link to this article: https://doi.org/10.1080/08831157.2021.1900690 Published online: 08 Apr 2021. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=vroq20 ROMANCE QUARTERLY https://doi.org/10.1080/08831157.2021.1900690 Early modern clouds and the poetics of meteorology: An Introduction Jeffrey N. Petersa and Katharina N. Piechockib aFrench and Francophone Studies, Department of Modern and Classical Languages, Literatures, and Cultures, University of Kentucky, Lexington, Kentucky, USA; bDepartment of Comparative Literature, Harvard University, Cambridge, Massachusetts, USA ABSTRACT KEYWORDS Since antiquity, philosophers and poets have understood clouds to be Clouds; poetics; cosmology; principles of generation and procreation. They can turn, Aristophanes tells gender; mediation us, “into anything they want.” They are bound up with the act of beget- ting and giving birth, of bringing into being the new – hollow vessels, as Seneca would later put it, with solid walls. And yet the creative force of clouds is a strange, even counterintuitive, one: what they generate and bring forth is often evanescent, incorporeal, and unsubstantial. In this essay, we explore a poetics of clouds as a site of tension between the empty and the procreative, the material and the immaterial, the percep- tible and the imperceptible. -
Literary Hispanophobia and Hispanophilia in Britain and the Low Countries (1550-1850)
10 HERITAGE AND MEMORY STUDIES Rodríguez (ed.) Pérez in Britain and the (1550-1850) Low Countries Literary Hispanophobia and Hispanophilia Edited by Yolanda Rodríguez Pérez Literary Hispanophobia and Hispanophilia in Britain and the Low Countries (1550-1850) Literary Hispanophobia and Hispanophilia in Britain and the Low Countries (1550-1850) Heritage and Memory Studies This ground-breaking series examines the dynamics of heritage and memory from a transnational, interdisciplinary and integrated approach. Monographs or edited volumes critically interrogate the politics of heritage and dynamics of memory, as well as the theoretical implications of landscapes and mass violence, nationalism and ethnicity, heritage preservation and conservation, archaeology and (dark) tourism, diaspora and postcolonial memory, the power of aesthetics and the art of absence and forgetting, mourning and performative re-enactments in the present. Series Editors Ihab Saloul and Rob van der Laarse, University of Amsterdam, The Netherlands Advisory Board Patrizia Violi, University of Bologna, Italy Britt Baillie, Cambridge University, United Kingdom Michael Rothberg, University of Illinois, USA Marianne Hirsch, Columbia University, USA Frank van Vree, University of Amsterdam, The Netherlands Literary Hispanophobia and Hispanophilia in Britain and the Low Countries (1550-1850) Edited by Yolanda Rodríguez Pérez Amsterdam University Press This research has been made possible with the generous support of the Netherlands Organisation for Scientific Research (NWO) within the ‘Innovational Research Incentives Scheme Vidi’. Cover illustration designed by David Durà Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6298 937 5 e-isbn 978 90 4854 193 5 doi 10.5117/9789462989375 nur 685 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) All authors / Amsterdam University Press B.V., Amsterdam 2020 Some rights reserved.