DOCSLIB.ORG

Catalogo-Oneida-Dinnerware-2017.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Catalogo-Oneida-Dinnerware-2017.Pdf DinnerwareCOLLECTION Table of Contents 6 Cato 8 Montague 12 Othello 14 Cromwell 18 Surrey 20 Tenor 22 Chord 24 Botticelli 28 Circa 30 Fusion 34 Impressions 36 Mood 38 Nexus 42 Queensbury 44 Royale 48 Sahara 50 Horizons Table of Contents Table 52 Grooves 56 Glacier 58 Ovation 2 64 Ivy Flourish 88 Eclipse 66 Lancaster Garden White 90 Gemini 68 Lancaster Garden Pink 92 Vision 70 Lancaster Garden Grey 94 Tundra 72 Lancaster Garden Blue 96 Classic Coupe 74 Manhattan 98 Perimeter 76 Current 100 Quartet 78 Lines 102 Whirl 80 Stage 104 Classic/Neo-Classic 82 Zen 108 Espree 84 Concord 110 Shape 2000 86 Verge 112 Stealth 116 Arcadia 118 Briana 120 Caprice 122 Killington 124 Nottingham 126 Blue Ridge & Dunes 128 Bright White Ware 136 Cream White Ware 141 Dinnerware Care & Handling 142 Warranty 3 Table of Contents Table With prestigious heritage, distinctive shapes and exceptional craftsmanship, this elite European brand, established in 1990, unites modern themes with timeless classic design, gracing prestigious fine dining establishments all over the world. Sant’ Andrea dinnerware delivers the highest quality bright white porcelain, translucent bone china, and maxadura high alumina porcelain in virtually every shape and style. Choose from a mix of continental and globally inspired designs that are as durable as they are elegant. The collections offer decorating opportunities and a full assortment of matching accessory and serving pieces. SANT' ANDREA 5 Dinnerware Collection Dinnerware Cato™ Bone China (0000) Traditional Asian service items modeled in translucent bone china, Cato is the supreme companion to fine Eastern Cuisine. Fine coupe plates, platters and bowls also mix beautifully with other Sant’ Andrea Hotel Bone China collection items. • Translucent bone china body • Coupe-shaped plates and platters • Limited Lifetime no-chip warranty Dish Sauce W602 951 (2§⁄¨" / 7 cm), 6 doz W602 952 (3¢⁄©" / 8.9 cm), 6 doz Plates (Coupe) W602 114 (6¢⁄¨" / 15.8 cm), 3 doz W602 124 (7¢⁄©" / 18.8 cm), 3 doz W602 133 (8¢⁄¨" / 20.8 cm), 3 doz W602 143 (9¢⁄©" / 23.8 cm), 2 doz W602 163 (12" / 30 cm), 1 doz Dish (2-Compartment) 1 †W602 894 (5¢⁄¤" x 3 ⁄2"), 3 doz Noodle Bowls Plate (Deep Coupe) W602 760 (4¢⁄©" / 10.8 cm), 3 doz W602 152 (10¢⁄©" / 26.3 cm), 1 doz 10 oz / 29.6 cl W602 733 (5" / 12.7 cm), 3 doz 14§⁄¨ oz / 43.6 cl Platters (Coupe) W602 333 (8¢⁄¨" x 5§⁄4"), 3 doz W602 353 (10§⁄¨" x 7ª⁄¤"), 1 doz W602 363 (12" x 8¢⁄¤"), 1 doz 7 All volumes stated are in ounces and are approximations. † Special Order CATO 7 Fine Dining Fine Collection Montague™ Bone China (0000) Montague Bone China comprises refined details, versatility and performance. This extensive range of bone china is designed for use in high-volume banquet operations yet the shapes are suitable for the finest of table settings. • Translucent bone china body • Coupe-shaped plates and platters • Limited Lifetime no-chip warranty Bouillon (Stackable) Rim Soup Bowl 4 W600 705 (3 ⁄5"/ 9.6 cm), 3 doz W600 740 (9" / 22.5 cm), 3 doz Plate (Cocktail) 3 4 5 1 8 ⁄ oz / 25.9 cl W600 317 (9 ⁄8" x 6 ⁄4" / 24.4 x 15.8 cm), 1 doz Bouillon (w/ Handles) (Stackable) 5 W600 706 (5 ⁄8" / 14.3 cm), 3 doz 3 8 ⁄4 oz / 25.9 cl Pasta Bowl W600 790 (12" / 30 cm), 1 doz Platters 1 1 W600 358 (11 ⁄4" x 8 ⁄2"), 1 doz 1 Saucer Bouillon (Fits 705 & 706) W600 373 (13 ⁄4" x 10"), 1 doz 1 W600 506 (6 ⁄8" / 15.1 cm), 3 doz Plates 1 W600 117 (6 ⁄4" / 15.8 cm), 3 doz 1 Fruit W600 127 (7 ⁄2" / 18.8 cm), 3 doz 1 4 1 W600 711 (6 ⁄ " / 15.8 cm), 3 doz W600 133 (8 ⁄4" / 20.8 cm), 3 doz Plate - Deep, Small Well 3 3 W600 145 (9 ⁄4" / 24.5 cm), 1 doz W600 785 (11 ⁄8" / 28.9 cm), 1 doz 3 W600 153 (10 ⁄4" / 27 cm), 1 doz W600 155 (11" / 27.5 cm), 1 doz 3 W600 157 (11 ⁄8" / 28.9 cm), 1 doz ( Continued on next page ) 7 W600 162 (11 ⁄8" / 29.7 cm), 1 doz 1 W600 165 (12 ⁄4" / 30.8 cm), 1 doz Bowl (Stackable) 3 W600 760 (4 ⁄4" / 12 cm), 3 doz 3 W600 765 (5 ⁄4" / 14.5 cm), 3 doz All volumes stated are in ounces and are approximations. † Special Order MONTAGUE 9 Fine Dining Fine Collection Cup A.D. (Stackable) 1 W600 535 (3 ⁄4"/ 8.3 cm), 3 doz 1 3 ⁄2 oz / 10.4 cl Coffee Pot 1 W600 861 (7 ⁄4"/ 18.4 cm), 2 doz 21 oz / 62.1 cl Saucer A.D. (Fits 535) 1 W600 505 (4 ⁄2" / 11.3 cm), 3 doz Tea Pot 3 W600 870 (6 ⁄4" / 17.2 cm), 2 doz 1 17 ⁄2 oz / 51.8 cl Cup (Tall) W600 510 (4" / 10.2 cm), 3 doz 7 oz / 20.7 cl Shaker Salt 3 W600 910 (1 ⁄4" / 4.4 cm), 3 doz Shaker Pepper Cup (Stackable) 3 4 1 W600 911 (1 ⁄ " / 4.4 cm), 3 doz W600 530 (4 ⁄2" / 11.6 cm), 3 doz 9 oz / 26.6 cl Bud Vase Saucer (Fits 530) W600 921 (5" / 12.5 cm), 3 doz W600 500 (6" / 15 cm ), 3 doz Saucer (Fits 510) 3 W600 501 (5 ⁄4" / 14.5 cm), 3 doz Fine Dining Fine Collection Napkin Ring 7 W600 950 (1 ⁄8" / 4.8 cm), 3 doz Creamers 3 W600 803 (4 ⁄8" / 11.1 cm), 3 doz 4 oz / 11.8 cl 1 W600 807 (4 ⁄4" / 10.8 cm), 3 doz 7 oz / 20.7 cl Egg Cup W600 915 (2" / 5 cm), 3 doz Sugar Bowl 1 W600 909 (2 ⁄2" / 6.4 cm), 3 doz 1 3 ⁄2 oz / 10.4 cl Sugar Bowl (w/Cover) 3 W600 900 (3 ⁄4" / 9.5 cm), 3 doz 3 7 ⁄4 oz / 22.9 cl 10 MONTAGUE All volumes stated are in ounces and are approximations. † Special Order Othello™ Bone China (0000) The refined knife-edge, and wide rim of Othello create a delicate beauty that enriches the dining experience. Classically styled uprights and accessory pieces make Sant' Andrea Othello bone china an ideal choice for the very finest settings. • Limited Lifetime no-chip warranty • Ideal for executive dining Fruit 1 A.D. Saucer W601 710 (5 ⁄2" / 14 cm), 3 doz W601 505 (5" / 12.5 cm), 3 doz Plates 1 W601 117 (6 ⁄4" / 15.8 cm), 3 doz 1 W601 127 (7 ⁄2" / 18.8 cm), 3 doz 1 W601 133 (8 ⁄4" / 20.8 cm), 3 doz 1 Bowl Salad W601 143 (9 ⁄2" / 23.8 cm), 2 doz 1 1 W601 151 (10 ⁄2" / 26.3 cm), 1 doz Cup (Low) W601 754 (6 ⁄4" / 15.9 cm), 3 doz 1 5 W601 159* (11 ⁄2" / 28.8 cm), 1 doz †W601 510 (4 ⁄8" / 11.5 cm), 3 doz 1 W601 167 (12 ⁄4 " / 30.8 cm), 1 doz 8 oz / 23.7 cl 1 *11 ⁄2" Plate has a plain rim Soup Cream (w/o Cover) Handled 1 Fine Dining Fine Collection W601 766 (6 ⁄4" / 15.9 cm), 3 doz 12 oz / 35.5 cl Soup Lid 3 W601 766L (5 ⁄8" / 13.7 cm), 3 doz Cup (Tall) 1 W601 530 (4 ⁄8" / 10.3 cm), 3 doz 6 oz / 17.7 cl Platter (Oval) 3 †W601 387 (15" / 37.5 cm), 6 ea W601 536 (4 ⁄8" / 11 cm), 3 doz 9 oz / 26.6 cl Rim Soup (Deep) W601 741 (9" / 22.9 cm), 3 doz A.D. Cup 1 Bowl Pasta/Entrée W601 525 (3 ⁄2" / 8.8 cm), 3 doz Saucer 1 1 W601 790 (12 ⁄4" / 31.1 cm), 1 doz 3 ⁄2 oz / 10.4 cl W601 500 (6" / 15 cm ), 3 doz 12 OTHELLO All volumes stated are in ounces and are approximations. † Special Order Tea Pot 1 W601 861 (10 ⁄8" / 25.3 cm), 1 doz 1 34 ⁄2 oz / 102 cl Coffee Pot 3 †W601 872 (3 ⁄4 " / 9.5 cm), 1 doz 25 oz / 73.9 cl Sugar Bowl (w/Cover) 3 †W601 900 (4 ⁄8" / 11 cm), 3 doz 9 oz / 26.6 cl Sugar Packet Holder 1 1 W601 906 (3 ⁄2" x 2 ⁄2" / 8.8 x 5.6 cm), 3 doz Creamer 1 1 W601 808 (3 ⁄2 x 2 ⁄2 " / 8.9 x 6.4 cm), 3 doz 8 oz / 23.7 cl Shaker Salt 1 W601 910 (3 ⁄4 " / 8.3 cm), 3 doz Shaker Pepper 1 W601 911 (3 ⁄4 " / 8.3 cm), 3 doz FAMILY NAME 18/10 Stainless 18/10 Cromwell™ Maxadura™ (0000) Culinarians will appreciate Sant' Andrea Cromwell’s presentation attributes including generous plating surfaces and an attractive warm white body color. Employing the innovative Maxadura body, Cromwell offers superior chip- resistance and a strong scratch and mark resistant glaze. • Fortified Maxadura™ Body • Limited Lifetime no-chip warranty • Bone white color Bouillon (2 Handled) Soup Rim (Deep) 1 W603 702 (6" / 15 cm), 3 doz W603 740 (9 ⁄4" / 23.3 cm), 3 doz 1 9 ⁄2 oz / 28.1 cl Plates 5 W603 118 (6 ⁄8" / 16.5 cm), 3 doz 1 W603 133 (8 ⁄4" / 20.8 cm), 2 doz 1 W603 139 (9 ⁄8" / 22.8 cm), 2 doz 1 W603 149 (10 ⁄4" / 25.8 cm), 1 doz 1 Bouillon (w/o Handles) W603 155 (11 ⁄8" / 27.8 cm), 1 doz 3 3 W603 705 (3 ⁄4" / 9.5 cm), 3 doz W603 165 (12 ⁄8" / 31 cm), 1 doz 10 oz / 30 cl Oval Bowls 1 W603 745 (9 ⁄4" / 23.5 cm), 2 doz 3 W603 746 (12 ⁄4" / 32.4 cm), 1 doz Fruit/Condiment 1 W603 710 (5 ⁄2" / 13.8 cm), 3 doz Deep Bowl 3 W603 152 (10 ⁄8" / 26.4 cm), 1 doz 3 Bowl Pasta W603 157 (11 ⁄8" / 28.9 cm), 1 doz W603 790 (12" / 30 cm ), 1 doz Bowl Cereal 1 W603 733 (5 ⁄8" / 12.8 cm), 3 doz Bowls Salad Oval Platters 1 1 1 W603 734 (6 ⁄4 " / 15.8 cm), 3 doz Plates (Square) W603 341 (9 ⁄4" X 7 ⁄4" / 23.5 cm), 2 doz 1 1 1 7 W603 735 (7 ⁄4 " / 18.3 cm), 3 doz W603 136S (8 ⁄2" / 21.3 cm), 2 doz W603 360 (11 ⁄4" X 8 ⁄8" / 28.6 cm), 1 doz 3 7 1 5 W603 736 (8 ⁄8" / 21 cm), 2 doz W603 147S (9 ⁄8" / 24.7 cm), 1 doz W603 373 (13 ⁄2" X 10 ⁄8" / 34.3 cm), 1 doz 3 1 W603 114S (6 ⁄16" / 15.7 cm), 3 doz W603 391 (15 ⁄4" X 12" / 30.5 cm), 6 ea 1 W603 124S (8 ⁄2" / 21.6 cm), 2 doz 1 W603 144S (9 ⁄2" / 24.1 cm), 1 doz ( Continued on next page ) All volumes stated are in ounces and are approximations.
Load more

Recommended publications
  • 9. Ceramic Arts
    Profile No.: 38 NIC Code: 23933 CEREMIC ARTS 1. INTRODUCTION: Ceramic art is art made from ceramic materials, including clay. It may take forms including art ware, tile, figurines, sculpture, and tableware. Ceramic art is one of the arts, particularly the visual arts. Of these, it is one of the plastic arts. While some ceramics are considered fine art, some are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artifacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery".[1] In a one-person pottery studio, ceramists or potters produce studio pottery. Most traditional ceramic products were made from clay (or clay mixed with other materials), shaped and subjected to heat, and tableware and decorative ceramics are generally still made this way. In modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat. It excludes glass and mosaic made from glass tesserae. There is a long history of ceramic art in almost all developed cultures, and often ceramic objects are all the artistic evidence left from vanished cultures. Elements of ceramic art, upon which different degrees of emphasis have been placed at different times, are the shape of the object, its decoration by painting, carving and other methods, and the glazing found on most ceramics. 2.
    [Show full text]
  • Etch Imitation System for Porcelain and Bone China (One-Fire-Decal-Method)
    Etch Imitation System for Porcelain and Bone China (One-Fire-Decal-Method) 1 General Information Etched decorations belong to the richest, most valuable precious metal designs to be found on tableware. However, etched decorations are not only work-intensive and expensive but they also require working with aggressive acids. Instead, producers work with etching imitation systems in which first a decal with a matt underlay and a bright relief on top is produced, applied onto the substrate to be decorated, and fired. Secondly, a liquid precious metal is applied by brush on top of the relief and the item is fired for a second time. With this Technical Information, Heraeus Ceramic Colours introduces a one-fire-etch imitation system for decals. The new decoration system consists of carefully adjusted components: special underlay, special medium, relief, precious metal paste. The perfect harmony of these components allows the production of an imitation etching in one decal, which only needs to be transferred and fired once! 2 Firing Conditions Substrate Firing Condition s Porcelain 800 - 820°C (1470-1508°F), 2 to 3 hours cold/cold Bone China 800 - 820°C (1470-1508°F), 2 to 3 hours cold/cold Worldwide there are many different glazes. The firing conditions differ from producer to producer. Pre-tests under own individual conditions are absolutely necessary. 3 Characteristics of the Products The product composition and the production process determine the major product characteristics of the components of the decoration system. Testing each production lot guarantees a constant product quality. With regard to the bright precious metal pastes of the system we regularly check the viscosity, the printing characteristics, the outline of printed test decorations as well as the precious metal colour shade and the brightness of the decoration after firing on a defined test substrate.
    [Show full text]
  • Chromaphobia | Chromaphilia Presenting KCAI Alumni in the Ceramic Arts
    Chromaphobia | Chromaphilia Presenting KCAI Alumni in the Ceramic Arts Kansas City Art Institute Gallery March 16 – June 3, 2016 Exhibition Checklist Chromaphobia Untitled Chromaphilia Lauren Mabry (’07 ceramics) 2015 Curved Plane Laura De Angelis (’95 sculpture) Silver plated brass and porcelain Cary Esser (‘78 ceramics) 2012 Hybrid Vigor 13 x 16 x 20 inches Chromaphilia Veils Red earthenware, slips, glaze 2012 Courtesy of the Artists 2015-2016 24 x 60 x 15 inches Ceramic, encaustic, fresh water pearls Glazed earthenware Dick and Gloria Anderson Collection, 20.5 x 16 x 9 inches Nathan Mabry (’01 ceramics) 16 x 79 x .75 inches Lake Quivira, Kansas Courtesy of Sherry Leedy Vanitas (Banana) Courtesy of Sherry Leedy Contemporary Art, Kansas City 2007 Contemporary Art, Kansas City and Fragmented Cylinder Cast rubber the Artist 2012 Teri Frame (’05 ceramics; art history) 8 x 8 x 8 inches red earthenware, slips, glaze Sons of Cain Lithophane #1 Courtesy of Cherry and Martin, Los Christian Holstad (’94 ceramics) 20 x 24 x 22 inches 2016 Angeles and the Artist Ouroboros 6 (Red with green and yellow snake) Dick and Gloria Anderson Collection, Bone china, walnut 2012 Lake Quivira, Kansas 9 x 7 x .25 inches Nobuhito Nishigawara Vintage glove, fiberfill and antique obi Courtesy of the Artist (’99 ceramics) 39 x 17 x 16 inches Pipe Form Untitled - Manual 3D Like Printer Courtesy of the Artist and Andrew 2014 Sons of Cain Lithophane #2 2013 Kreps Gallery, New York Red earthenware, slips and glaze 2016 Clay 20 x 28 x 28 inches Bone china, walnut 23 x
    [Show full text]
  • Clay: Form, Function and Fantasy
    4 Ceramics Monthly Letters to the Editor................................................................................. 7 Answers to Questions............................................................................... 9 Where to Show.........................................................................................11 Suggestions ..............................................................................................15 Itinerary ...................................................................................................17 Comment by Don Pilcher....................................................................... 23 Delhi Blue Art Pottery by Carol Ridker...............................................31 The Adena-Hopewell Earthworks by Alan Fomorin..................36 A Gas Kiln for the Urban Potter by Bob Bixler..................................39 Clay: Form, Function and Fantasy.......................................................43 Computer Glazes for Stoneware by Harold J. McWhinnie ...................................................................46 The Three Kilns of Ken Ferguson by Clary Illian.............................. 47 Marietta Crafts National........................................................................ 52 Latex Tile Molds by Nancy Skreko Martin..........................................58 Three English Exhibitions...................................................................... 61 News & Retrospect...................................................................................73
    [Show full text]
  • “Be !Nspired” S P N E B by Jacksons I D “Be !Nspired”
    i r d e“be !nspired” p n s b e by Jacksons i d “be !nspired” Launching our first ever Look Book. Be Inspired is in addition to our existing 2018/19 catalogue. e Hoping we inspire you with the fun and innovative content to discover new ideas for your restaurant, hotel or bar. Working with several new suppliers we have put together this catalogue to show you current trends in the marketplace. r There have been big changes in the last 12 months particularly in china with a move to new textures and colours. We are pleased to have started working with Serax and together with Surrey Ceramics we have some interesting options in stoneware and porcelain plates, i bowls & dishes. Cocktails are more popular and adventurous than ever and we hope that in both the bar accessories and glassware sections there is something to reflect your own innovation and ideas. p Sometimes we forget how easy it is to enhance creativity in the form of accessories and on pages 38-41 we have added colourful and interesting vases and t-light holders. s We have shown several ideas where you can bespoke your presentation working with Royal Crown Derby, Surrey Ceramics & Rosenthal...... where personal design and creativity can come to the forefront. Introducing Studio William, Charingworth & Degrenne gives you leading edge design and award n winning cutlery ranges. One of the best examples is illustrated with the ever popular Mulberry Mirror range on page 117. i PVD cutlery brings a new dimension and exciting finishes in a multitude of colours.
    [Show full text]
  • Historic Narratives
    Historic Narratives Bouke de Vries uses his skills as a conservator to create new work. Simon Martin explains. 1 We decided to bridge past and present by commissioning an installation…that would create new narratives 2 36 CERAMIC REVIEW 257 September/October 2012 As seen in CERAMIC REVIEW THE INTERNATIONAL MAGAZINE FOR CONTEMPORARY AND HISTORICAL CERAMIC ART 1 Leo, from Signs (Metamorphosis), eighteenth-century Derby figure with silver crown and mixed media, 2011, H37cm 2 Aries, from Signs (Metamorphosis), Ming figure of Guan Yin with mixed media, 2011, H35cm 3 Vanitas, exploded Bow porcelain teapot, c1765/2012, Ø28cm 3 As part of the Cultural Olympiad this year there are many Olympic- collection the Gallery could have mounted a worthy, but conventional themed art projects taking place around the country, created by some historic survey exhibition, but instead we decided to bridge past of Britain’s leading contemporary artists such as Anish Kapoor and present by commissioning an installation from a contemporary and Jeremy Deller. Yet there are seemingly few projects involving artist that would create new narratives and connections between ceramics, despite the fact that the site of the Olympic village in the the individual pieces. The notion of inviting contemporary artists Lea Valley in East London is intimately tied to the history of British to engage with historic collections is by no means unique: recent ceramics. In the 1740s this was where Thomas Frye and Edward successful examples have included Grayson Perry at the British Heylyn established the Bow Porcelain Factory on the banks of the Museum, George Shaw’s Graham Sutherland exhibition at River Lea, producing soft-paste porcelain to imitate imported Chinese Modern Art Oxford and, Edmund de Waal at Waddesdon Manor, and Japanese porcelains and rival the wares being produced at Buckinghamshire.
    [Show full text]
  • History and Description of English Porcelain Pdf, Epub, Ebook
    HISTORY AND DESCRIPTION OF ENGLISH PORCELAIN PDF, EPUB, EBOOK William Burton | 277 pages | 01 Jun 1988 | E.P. Publishing | 9780854099023 | English | United Kingdom History and Description of English Porcelain PDF Book Twitchett, John. Ltd : Hanley, , earthenware, ironstone, etc. Mackenzie, Sir Compton. Brears, Peter C. Hughes, G. Blue and White Transfer Ware, A Qing plate depicts Christ being baptized by John—with magnolia trees blossoming in the background. Today, one can still marvel at the strange game of decorative, Orientalist telephone that this development created. King, William. Reprint Philadelphia: Seifer, Both the French and the English porcelain of the 18th century is of the artificial kind using powdered glass - with the frequent addition in England of ash from charred bones, beginning the specifically British tradition of bone china. Pine, Lynda and Nicholas Pine. This level of materialism, after all, is never about necessity. During the 17th century imports of china become much more common, particularly of delicate wares to accomodate Europe's new craze of tea-drinking. Spode logo since London: Chapman and Hall, In general a better substance. John, Willliam D. Crown Derby Porcelain. This is despite it being fired at the same high vitrifying temperature as hard-paste porcelain. A Century of Potting in the City of Worcester from I am doing my best to raise the phoenix from the ashes with my ongoing company making English bone china figurines. Another patent was applied for by Frye on 17 November , and the specification was enrolled 17 March Since the site had been a 'potworks' and at the time of the Spode purchase it was described as including: ' potworks potovens pothouses workhouses warehouses compting house… '.
    [Show full text]
  • Wedgwood 2016 Catalogue.Pdf
    AUSTRALIA & NEW ZEALAND CATALOGUE 2016 Customer Service Australia Telephone: (02) 8665 8200 or Toll Free: 1300 852 022 Fax: (02) 9831 1631 Email: [email protected] New Zealand Telephone: (612) 8665 8200 or Toll Free: 0800 442 575 Fax: (612) 9831 1631 Email: [email protected] Address 100 Holbeche Road Arndell Park NSW 2148 Postal Address PO Box 888 Blacktown NSW 2148 Hours Monday - Friday: 9.00am - 5.00pm (EST) Saturday: 10.00am - 4.00pm (EST) Email [email protected] Website www.wedgwood.com.au Social Media www.facebook.com/wedgwoodAU twitter.com/WedgwoodAU instagram.com/wedgwoodau pinterest.com/wedgwoodau Contents Commemorative Collection Chinoiserie Green 58 Lord Wedgwood Commemorative 5 Chinoiserie White 59 Tisbury 60 Tisbury Wood 62 Wedgwood Tableware Expressive Arris 8 Vera Wang Cornucopia 10 Blanc Sur Blanc 68 Hibiscus 12 Grosgrain 70 Renaissance Gold 14 Grosgrain Indigo 72 Vera Lace 74 Floral Vera Colour 76 Vibrance 16 Chime Cutlery 78 Spring Blossom 18 Grosgrain Cutlery 79 Whites Infinity Cutlery 80 Intaglio 19 Night & Day 20 Vera Wang Giftware Everyday Chime Silver 82 Blue Bird 22 Grosgrain Silver 83 Sarah’s Garden 24 Infinity Silver 84 Love Knots Gold & Silver 86 Teaware With Love Gold & Silver 88 Butterfly Bloom 30 With Love Noir 90 Cuckoo 32 With Love Nouveau 92 Tea Garden 34 With Love Treasures 94 Tea 36 Infinity Baby Collection 95 Giftware Vera Wang Crystal Gilded Muse 40 Duchesse 98 Intaglio China 42 Duchesse Encore 99 Intaglio Silver 43 Peplum 100 Little Luxuries 44 Sequin 101 Vibrance Giftware 46 Leaf Vase 102 Wish Silver 47 General Information Nurseryware Care Instructions 105 London Bear 49 Glossary of Terms 106 Peter Rabbit Boy & Girl 50 Assurance Program & Privacy Policy 107 Peter Rabbit Silver 52 General Commercial Terms & Conditions of Trade 108 Trademarks 110 Jasper Conran Platinum Lined 56 Jasper Conran White 57 All prices shown are recommended retail prices effective 14th January 2016 in New Zealand and 28th January 2016 in Australia.
    [Show full text]
  • Porcelain Jersey Pottery Porcelain Is a Pure White and Translucent Ceramic
    Porcelain Jersey Pottery Porcelain is a pure white and translucent ceramic. It is extremely durable and strong enough to be used in commercial settings such as restaurants because it is fired at a hire temperature and is therefore non-porous and stain resistant. It is easy to clean and lead and cadmium- free. Porcelain is dishwasher and microwave safe, oven proof and will not fade and wear with heavy use. Bone China More delicate looking and generally finer than porcelain yet it is very strong. It is made from bone ash, china clay and china stone. Jersey Pottery Bone China is pure white and translucent. If you hold it up to the light you can see a shadow from an object placed in front of the bone china. New Bone China has similar characteristics to Bone China but avoids the use of bone is therefore suitable for those who may prefer for ethical reasons ceramics that do not contain animal products. Earthenware Jersey Pottery Earthenware is fired at a lower temperature than porcelain and bone china. It is also less strong, less tough and more porous than stoneware, but is less expensive and easier to work. Due to its higher porosity, it must usually be glazed in order to be watertight but its glazes can hold strong colours. Stoneware Jersey Pottery Stoneware is similar in composition to Earthenware but fired at a higher temperature and is therefore heavier, less porous and more hardwearing. Decals A ceramic decal is used at Jersey Pottery to apply designs to ceramic tableware. The decal comprises three layers: the colour, or image, layer which comprises the decorative design; the covercoat, a clear protective layer, which may incorporate a low-melting glass; and the backing paper on which the design is printed by screen printing or lithography.
    [Show full text]
  • Meet Our Brands Chefs’ Collection 5 Concept Stores Innovative
    MEET OUR BRANDS CHEFS’ COLLECTION 5 CONCEPT STORES INNOVATIVE CREATIVE PERSONAL CONTACT OWN STOCK 5 CONCEPT STORES EUROPEAN BRANDS FAMILY BUSINESS OWN STOCK BROGGI 1818 Made in Italy Our company has been producing unique and refined objects for almost 200 years: a story of prestige and great success. Our products have always contained the profes- sionalism of master silversmiths of other times, well-finished products, from the classi- cal and refined lines. A historical brand, while respecting the original guidelines, does not remain anchored to the memory of the magnificence of the past, professionalism and dedication do not change, but the constant attention and monitoring of new design trends contribute to give it a dynamic and constantly evolving image today. In addition to the decorations and reliefs of the most classical lines, historical collec- tions that have left their mark on the tradition of international hotel; new lines from linear sections, smooth surfaces and forms of design arise that make the silversmith company a name of tradition always oriented to the future. Robert Welch Britisch designed cutlery With over 60 years’ experience and passion for creating cutlery that is as functional as it is beautiful, Robert Welch cutlery is ideal for use across all catering establishments. An extensive range of high-quality, British designed, stainless steel catering cutlery (or flatware) from a multi-award winning brand. Today, Robert Welch Designs supply the world’s foremost hotels, restaurants and airlines, often with bespoke ranges of the finest 18/10 stainless steel cutlery, chef’s knives, barware, flatware, hollowware and bathroom ranges.
    [Show full text]
  • China Paint & Overglaze Ebook
    CHINA PAINT & OVERGLAZE PDF, EPUB, EBOOK Paul Lewing | 238 pages | 01 Mar 2007 | American Ceramic Society | 9781574982695 | English | none China Paint & Overglaze PDF Book Not for use with dry grounding materials The ferrule brushes generally dont need conditioning Southwell, Sheila. In his company began to make a fine hard-paste porcelain in small quantities. A light violet may turn into a dark blue, and a pale pink into a brown-crimson. On the other hand, using a thick viscous medium can hold substantially more powder and thus result in a heavy layer of paint on the glazed surface. Kakiemon dish, Arita, porcelain with overglaze enamels c. Continuing a family tradition of the finest in china painting. Chinese University Press. Help Learn to edit Community portal Recent changes Upload file. Also, lead can significantly alter the color of some yellows, reds, browns and greens. Consider using a ceramic tile as your palette. Ended: 04 Dec, GMT. The acrylics dry to a hard finish and are difficult to remove once they dry. The J. Learn about Hispano-Philippine ivories on Wed. Do what I laughingly call the "kitty-butt wiggle" Related sponsored items Feedback on our suggestions - Related sponsored items. Outline drawn in water-based OHP pen. A factory for white tin-glazed soft porcelain was founded at Chantilly around A fairly long bristle of about an inch or so is prefered over a short detail brush. An image is drawn with a greasy crayon on a smooth stone or zinc surface, which is then wetted. The Great Artists of China Decoration.
    [Show full text]
  • Coalport Museum Spreads:Layout 1
    Decoration Decorative colours and patterns were applied to Coalport porcelain by dipping the piece into buckets of coloured glaze, dusting the glaze powder on and then hand-painting. Another important method of creating designs was transfer printing, where a line drawing was scratched into a copper plate, the ceramic colour was brushed over the plate and then wiped off, so it only Early Beginnings remained in the grooves. The plate was then put through The early history of Coalport is complicated. It began a heavy roller with a sheet of special tissue paper, which with 21 year old John Rose who set up a china works in took a print from the plate. This paper was then placed 1793 at Jackfield in partnership with Edward Blakeway. directly onto the ceramic object transferring the print In 1796 they established a porcelain manufactory across as the colour soaked into the surface. the river at Coalport where a canal had recently been built and many new industries were starting up. By 1815 There were two sorts of decorator at the Coalport John Rose had taken over two other local porcelain firms China Factory. Many of Coalport’s most popular designs and was well-established as a manufacturer of fine china. were based on a transfer outline to which colours were applied to bring it to life. Indian tree is an example of this and this work was nearly always done by women A Difficult Journey paintresses, who were not paid very much. The detailed Artists and Their Art John Rose died in 1841 and his nephew William Pugh took one-off hand-painted landscapes and flower painting over the factory.
    [Show full text]