Matthew Parrish

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Matthew Parrish Born in central California to hard-working, music-loving parents of four children, Matthew Parrish epitomizes the heart of jazz bass performance and livelihood. Matthew has performed and recorded with many of the top names in jazz. Regina Carter, Wynton Marsalis, Dee Dee Bridgewater, Paquito D'Rivera, Houston Person, Clark Terry, Etta Jones, Miri Ben-Ari, James Williams, Harry Sweets Edison, James Newton, Gary Thomas, Greg Osby, Stefon Harris, Orrin Evans just to name a few. His beautiful, warm and complex sound has earned him an impressive reputation in the music community, as a performer and composer/arranger/producer. While on tour with Al Grey, Matt performed with Clark Terry, Marion McPartland, Dr. Lonnie Smith, Lou Donaldson, Joe Cohn, Savion Glover, Bill Charlap and many others. You can ﬁnd Matthew at venues all over the world, from New York City to Sao Paulo. Matt is currently touring with Freddy Cole, Houston Person, the legendary Saxophonist, as well as the Vana Gierig Trio with Paquito D'Rivera. Matthew has recorded over ﬁfty works, including his debut CD "Circles" (2000) and his most recent recordings with Karine Aguiar, where Matthew was the producer, bassist and arranger (recorded in São Paulo Brazil), and a brand new recording with Houston Person, entitled "Rain or Shine" on Highnote Records. Education Studied Jazz Performance at Rutgers University Studied with Carolyn Davis (bass) Larry Ridley (bass) Craig Thomas (bass) Recordings Recordings on Verve, High Note, Hipnotic, Blueland, Enja, Music Together, Bigbang, Contour, and many others. Performance Highlights Al Grey tour of Europe, Regina Carter tour of Thailand, Kennedy Center performance and recording with Stefon Harris, Greg Osby tour in England, Houston Person tour of India, Freddy Cole tour of Japan, Touring with Vana Gierig and Paquito D'Rivera including Chile and Mexico, Rose Hall Lincoln Center with Regina Carter, Recording and performing in São Paulo Brazil with Karine Aguiar, Hammerstein and Sondheim concert Yardley Pa. - presented by Matthew. Website http://www.matthewparrish.org .

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File Photo Abate all-star quartet Greg Abate plays Lincoln June 10 ○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○ By Tom Ineck ○○○○○○○○○○○○○○○○○○○○ Spring 2003 ing a two-night stand at the Artists’ Greg Abate remains a resident Vol. 8, Number 2 of the Providence, R.I., area where Quarter, Abate speculated about his he was reared, a lifestyle choice that choice to live in Rhode Island rather might have meant obscurity for a than the Big Apple. lesser artist. The intrepid saxophon- “Living in New York may have ist, however, has achieved a body brought me to other areas,” he said. In this issue of Jazz.... of work and a level of recognition “Maybe I would be better known Prez Sez.......................................2 that ensures his livelihood, in Eu- now, if I did live there. I’ve always 1961 Fender Esquire........................3○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ rope as well as the United States. wondered about that. I really don’t His lyrical flights, biting tone know if it has hindered me, at all.” Jazz in June Schedule..................5 and rhythmic sophistication draw One thing is sure. Whether Jordan and Brown Review........6 comparisons to Charlie Parker, but Abate plays in St. Paul or Duluth, Jordan CD Review......................7 Abate also echoes the more tranquil Minn.; Moscow, Idaho; a small Dave Brubeck Quartet Review.....8 town on Cape Cod or Lincoln, Neb., ruminations of Paul Desmond. He Fortune-Morgan Review............9 has a broad repertoire of standards audiences are enthusiastic and per- at his nimble fingertips, but he also haps more appreciative than jaded Menza & Christlieb Review.......10 is a first-class composer.
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