P.O. BOX 8554 • OMAHA, NE 68108-0554 / 4538 EAGLE ROCK BLVD • LOS ANGELES, CA 90041 • SADDLE-CREEK.COM

AUGUST 27TH, 2021

• LP pressed on “Shopping Cart Yellow” vinyl. TRACK LISTING 01. 17 3:06 • Indie Exclusive LP limited to 1,000 copies pressed on “Tangerine” marbled vinyl. 02. Darker Than Death 3:13 • LP includes digital download. 03. Die/Cry 2:26 04. Pretty Pictures 2:58 “Everything has to be said.” This is the conviction guiding Indigo De Souza’s sophomore album, Any Shape You 05. Real Pain 4:50 Take. This dynamic record successfully creates a container for the full spectrum—pushing through and against 06. Bad Dream 4:52 every emotion: “I wanted this album to give a feeling of shifting with and embracing change. These songs came 07. Late Night Crawler 4:17 from a turbulent time when I was coming to self-love through many existential crises and shifts in perspective.” 08. Hold U 4:17 09. Way Out 4:02 Faithful to its name, Any Shape You Take changes form to match the tenor of each story it tells. “The album title 10. Kill Me 4:20 is a nod to the many shapes I take musically. I don’t feel that I fully embody any particular genre—all of the music just comes from the universe that is my ever-shifting brain/heart/world,” says Indigo. This sonic range is Artist: Indigo De Souza unified by Indigo’s strikingly confessional and effortless approach to songwriting, a signature first introduced in Title: Any Shape You Take her debut, self-released LP, I Love My Mom. Written in quick succession, Indigo sees these two records as Catalog #: LBJ-318 companion pieces, both distinct but in communion with each other: “Many of the songs on these two records Formats: CD / LP / Indie Exclusive LP came from the same season in my life and a certain version of myself which I feel much further from now.” Street Date: August 27, 2021 Throughout Any Shape You Take, Indigo reflects on her relationships as she reckons with a deeper need to Genre: Alternative redefine how to fully inhabit spaces of love and connection.“It feels so important for me to see people through change. To accept people for the many shapes they take, whether those shapes fit into your life or not. This album is a reflection of that. I have undergone so much change in my life and I am so deeply grateful to the PRESS PROMOTION people who have seen me through it without judgment and without attachment to skins I’m shifting out of.” Grandstand (US) Eloy Lugo - [email protected] Meghan Growing up in a conservative small town in the mountains of North Carolina, Indigo started playing guitar Helsel - [email protected] when she was nine years old. “Music was a natural occurrence in my life. My dad is a bossa nova guitarist and singer from Brazil and so I think I just had it in my blood from birth.” It wasn’t until moving to Asheville, NC that Prescription (UK) Indigo began to move into her current sound, developing a writing practice that feeds from the currents that James Parrish - [email protected] surround her: “Sometimes it feels like I am soaking up the energies of people around me and making art from a space that is more a collective body than just my own.” RADIO PROMOTION College, Commercial & Specialty Radio At the forefront of all De Souza’s projects is her magnetism—her unique quality of spirit that is both buoyant [email protected] and wise. While her backing band has undergone shifts between releases, her sound has stayed tethered to her vision. Any Shape You Take is the first full-length album that Indigo produced herself. Teaming up with executive MASTER USE LICENSING producer Brad Cook (Bon Iver, Waxahatchee, The War on Drugs) and engineers/producers Alex Farrar and Adam US - [email protected] McDaniel, Indigo recorded the album at Betty’s, Sylvan Esso’s studio in Chapel Hill, NC and finished it with UK/Europe - [email protected] additional production and mixing at Drop of Sun Studios in Asheville. Moving past the limitations of a home studio, Indigo could finally embody the full reach of her sound: “It felt really exciting to lean into my pop INTERNATIONAL LICENSING & DISTRO tendencies more than I have in the past and to trust my intuition to take the songs where I felt they should go. [email protected] I had the tools to do it and collaborators who were willing to go there with me.”

“I feel very much like a shape-shifter with my music, I’m always trying to embody a balance between the existential weight and the overflowing sense of love I feel in the world.” It is exactly this balance that Indigo strikes in her Saddle Creek debut, Any Shape You Take. A listening experience that gives back, as you shed and shape-shift along with her.

LP LP Indie Exclusive CD Shopping Cart Yellow vinyl Tangerine marbled vinyl 4 panel wallet, 16 panel poster

LP NOT RETURNABLE Marisa Anderson & William Tyler Lost Futures Thrill - 542 CD *90377-A5422-4

LP Vinyl is non-returnable *9037H-A5421-7 BLUE LP Vinyl is non-returnable *90377-54211-0

GENRE : Folk / Americana LISTEN HERE FILE UNDER : “A” for Anderson, “T” for Tyler Guitarists Marisa Anderson and William Tyler distill deeply rooted and RELEASE DATE : August 27th, 2021 varied traditions into distinctive voices all their own. Anderson and Tyler are each unyielding in their desire to extend through those traditions and the confines of “guitar music” to craft music at once intimate and expansive, TRACK LISTING: conversational and transcendent. The duo’s debut collaborative album tethers together their singular voices into unified narratives that glisten, drive, 1. News About Heaven 5. At the Edge of the World and sway. On Lost Futures, Anderson and Tyler’s guitars dance through lush 2. Lost Futures 6. Hurricane Light arrangements and pastoral duets serpentine and reverent. 3. Pray for Rain 7. Life and Casualty 4. Something Will Come 8. Haunted By Water The duo met in Portland, as Anderson tells it, “There was an obvious and immediate affinity musically and personally which led to the feeling that SALES POINTS we should try and do something together, but in January of 2020, both of us had pretty full schedules so it was more of a vague idea to do something, Anderson and Tyler’s debut live performance as a duo was at someday… then COVID hit.” With tours sidelined and the increasing Knoxville’s Big Ears Festival in 2020 tensions of isolation, unrest and ecological disaster looming, the duo set to composing and collaborating remotely. Tyler joined Anderson in Portland Limited indies-only blue color vinyl available. for a week before recording as protests across the city escalated and raging wildfires cast a dangerous haze. Against the tumultuous backdrop the duo Package features artwork by Sam Smith. found harmony in their quick, organic development as a compositional team. Rich ballads and breezy rambles flourished as the duo explored new All LP versions include artworked inner-sleeve featuring pho- rhythmic techniques and elaborated on unused riffs. In uniting to meditate tography by Marisa Anderson. on their musical practices together, the two guitarists composed music filled with the joy of playing together while having a sober tone reflective of the Marisa Anderson and William Tyler are both prolific solo art- troubled state of the world around them. ists. Tyler has also toured with groups including Lambchop and Silver Jews, and Marisa has contributed to recordings by Beth Lost Futures takes its name from writer Mark Fisher’s cultural theory of the Ditto, Sharon Van Etten and Circuit Des Yeux among others. loss of potential futures, the hopes and ideals which once felt inevitable but have since been interrupted. Anderson and Tyler’s use of textural Lost Futures features guests Gisela Rodriguez Fernandez on drones, rhythmic repetition and harmonic shifts embody the building violin and Patricia Vázquez Gómez playing quijada. tensions of uncertainty created by profound loss: loss of life, experience, companionship, compassion. Across Lost Futures, Anderson and Tyler mold “[Anderson is] one of this era’s most powerful players.” - NPR their instruments into breathtaking panoramas of blight and bliss. Each First Listen movement contains a dense biome of transportive sound. The duo’s music together reckons with mounting pressures as well as the joy of newfound “One of the best emotional mediums in the field of solo guitar, friendship and gratitude for being able to play together. In tandem, Marisa Anderson is a master of lovely melancholy.” - Pitchfork Anderson and William Tyler have composed a work of remarkable breadth, brimming with resplendent odes of solace. “Tyler has always paired the sprawling sound of Americana with the ugliness that can reside within its expanse. The tension in his work often feels like his way of navigating the dissonance; ALSO AVAILABLE : that so many of his compositions resolve in ringing, open Marisa Anderson & Jim White - The Quickening CD/LP (Thrill 511) chords becomes a way of summoning peace from deep within.” Marisa Anderson - Cloud Corner CD/LP (Thrill 466) from - Pitchfork

“Tyler has captured a sense of ineffable vastness — a sense that lies at the heart of many great works of American art… free Follow William Tyler and weird, big and wild.” - NPR

@thrilljockey Thalia Zedek Band Perfect Vision Thrill - 547 CD *9037H-A5472-9

LP Vinyl is non-returnable *90377-A5471-2

LP Vinyl is non-returnable *9037H-54711-5

LISTEN HERE GENRE : Rock / Alternative FILE UNDER : “Z” Zedek, Thalia Thalia Zedek is an artist of immutable stature and unceasing vitality. The legendary RELEASE DATE : August 27, 2021 songwriter’s fiery voice and frank lyricism give her songs emotional potency and stark beauty. Zedek is able to distill complex events into simple, clear, and at times monumentally weighty moments with a singular grace. Through ballads or bluster, Zedek TRACK LISTING: imbues her music with unguarded honesty. Perfect Vision examines the anxiety and pain of rising divisions between people both physical and ideological. Zedek transmutes fervor 1. Cranes 6. From the Fire and resilience into sobering laments, while her lush arrangements wrap the listener in an 2. Smoked 7. The Plan often complex emotional message. 3. Binoculars 8. Revelation Time Perfect Vision follows the 2018 Fighting Season, created in the midst of growing tensions 4. Overblown 9. Remain across the U.S. On Fighting Season Zedek sought resistance, where on Perfect Vision she 5. Queasy 10. Tolls searches for clarity during a time of exponential isolation and doubt. Every challenge and sadness Zedek forces us to see is met in equal measure by her defiant guitar and dissenting SALES POINTS voice, a torch illuminating a path for the listener to navigate through the darkness. Since 1982 with Live Skull, Thalia Zedek has been a force Lockdowns allowed Zedek to take more time working on arrangements as well as to within rock music. From Come to her solo records, Zedek’s collaborate remotely with artists from across the country. Zedek recorded the core of work stands alone for its singular persistent guitar driven the album with the veritable rhythm section of bassist Winston Braman and drummer melodies and seering emotional intelligence. Gavin McCarthy (also of Zedek’s E and Karate) bringing a propulsive punch. As the trio recorded at Machines With Magnets with engineer Seth Manchester, friends old and Recorded and mixed by Seth Manchester at Machines with new remotely recorded their parts fleshing out Zedek’s vision and arrangements. Pedal Magnets steel guitarist Karan Zarkisian buoys the steady swagger of “Cranes” whose sublime melodic lines are seemingly in an intimate conversation between friend with Zedek. Brian Features Winston Braman, Gavin McCarthy (E, Karate) and guests Brian Carpenter (Beat Circus, Ghost Train Carpenter’s trumpet harmonies punctuate the incendiary “From the Fire” with flares of Orchestra), Alison Chesley (Helen Money), David Michael Eastern European brio. On the waltzing “Smoked” and climactic album closer “Tolls,” Curry (Boxhead Ensemble, Dinosaur Annex Music Alison Chesley’s (Helen Money) cello bolsters David Michael Curry’s elegantly restrained Ensemble, Willard Grant Conspiracy), Mel Lederman lines. Mel Lederman added final touches of piano and back up harmonies. (Victory at Sea), and Karen Sarkisian.

Zedek and Manchester completed work on the album on January 6th, 2021, as the Perfect Vision is available on black or crystal clear vinyl U.S. Capitol was under insurrection. Perfect Vision is an album fully willing to see and packaged with download card, in full color jacket and inner acknowledge the insidious forces of the modern world. Zedek brings considerable skills sleeve with lyrics. as a musician and as a groundbreaking advocate for both women in music and LGBTQ rights to face emotional and political obstacles with unblinking, steadfast determination. Zedek’s debut solo record Been Here and Gone was issued The sharp and diverse songs across Perfect Vision stand as profoundly reflective, moving on LP for the first time in July on it’s 20th anniversary. anthems to purging malevolence. “When we talk about guitar gods, Zedek should appear more ALSO AVAILABLE : often in the pantheon.” - Bandcamp Trust Not Those In Whom Without ... CD (Thrill 148) “As ever, Zedek specializes in thorny songs that unflinchingly Liars and Prayers CD (Thrill 196) • Via CD/LP (Thrill 325) address adult topics and full-grown problems, with the Eve CD (Thrill 409) • Fighting Season CD/LP (Thrill 471) malleable backing of her guitar and band providing either OUT JULY 2021: momentary refuge or sympathetic cries of exasperation.” - Been Here & Gone LP (Thrill 544) Pitchfork

“This is someone getting better at something they were already incredible at.” - The Quietus Follow Thalia Zedek

@thrilljockey breeze Only Up Written, recorded and mixed in 8 days, Only Up is the second Breeze album by producer and artist Josh Korody (Nailbiter, Beliefs). Enlisting a whirlwind of performances from Tess Parks, Cadence Weapon and an array of the Toronto music scene, including members of Orville Peck, Tallies, Vallens, Zoon, Sauna, Fake Palms, Rapport, Praises, Civic TV, Moon King, Blonde Elvis, For Jane, Ducks Ltd, TOPS and Broken Social Scene, Only Up sees Korody digging through and channelling three decades of anthemic British bands. From the angular guitars of late 70’s post-punk (Gang Of Four, Wire), to the lush gloom of 80's electro-pop (Tears for Fears, OMD), with the dance floor psychedelia of the Manchester sound (Primal Scream, Happy Mondays), and through the late '90s and early 2000s post-punk / new wave revivalists, Only Up celebrates it's sound cathartically.

When originally asked to make this album for indie label Hand Drawn Dracula, Korody and his long time music collaborator Kyle Connolly (Orville Peck, The Seams) quickly threw down ideas in a session, however with Connolly embarking on a world tour, and with Korody's demanding schedule at his Candle Recording Studio, the project sat unattended. But by the time of the album's delivery deadline, Korody not only orchestrated a creative ensemble of Label: Hand Drawn Dracula friends and collaborators, he wrote, recorded and mixed the entirety Territory: Worldwide of the album in two weeks without a single regret or compromise. Release: August 26th, 2021 Catalogue Num: HDD091 "It was the best way I could have done it. A strict deadline to make Format: Digital, CD, Vinyl decisions, move on and focus on things that matter the most. Every Genre: Alternative, Rock decision was made in that headspace. The ease of technology to FCC: Album Clean endlessly tweak with, it sometimes can end up destroying records Key Tracks: Come Around (feat Cadence Weapon), Hard Boiled until there is no soul in it, no happy accidents and it's completely Wonderland, Ecstasy On Keele St sterile. You can have a well produced record without going down that dark rabbit hole." Breeze “Only Up” The album flowed together quickly and off the cusp with Korody at 01. Intro (1:23) the helm. Delivering sharp lyrics directly to the experience of being 02. Come Around (feat Cadence Weapon) (3:53) an independent artist, musician and entrepreneur in an increasingly 03. Let It In (4:23) gentrified city. On "Let It In", Korody sings "usually the first idea’s the 04. Ecstasy On Keele Street (4:16) best'' essentially summing up Only Up's recording process and 05. Hard Boiled Wonderland (3:41) adds the bleak but cheeky line “You hope for La La Land, but all you 06. Our Scene (2:29) see is Dufferin,” poking fun at himself and peers who mostly live and 07. Bummer (3:44) work within the Dufferin area of Toronto’ west end. 08. Release The Pain (0:41) 09. Don’t Cry (4:50) Only Up is due worldwide August 26th via Hand Drawn Dracula. 10. Only Up (feat Tess Parks) (5:45)

Recent Press RIYL: Happy Mondays, Primal Scream, Gang of Four, Gorillaz “Come Around (feat Cadence Weapon)” radio premiere June 27th UPC: 6-23339-2615-0-0 (digital) ~ THE STROMBO SHOW / CBC MUSIC 6-23339-2615-1-7 (LP) 6-23339-2615-2-4 (CD)

Hand Drawn Dracula | [email protected] | website facebook instagram twitter (photo: Jayme Keith)

Soul Jazz Records presents Studio One

BRENTFORD ALL STARS Greedy G

12” Single

23rd July 2021

Next KILLER tune in the Brand New series of Limited Edition 12”s of all-time CLASSIC Studio One party bombs available on super loud 12”.

Brentford Road All Stars’ 'Greedy G’ is the ultimate reggae record to crossover into hip-hop. The all-time epic sample for Boogie Down Productions’ seminal ‘Jack of Spades’ and based on James Brown’s funk bomb ‘Get on the Good Foot’.

The flipside is another Brentford Road All Stars essential cut, ‘Granny Scratch Scratch’, the heaviest, funkiest dub monster ever with bass to shake more speakers than a juggernaut lorry!

100% essential monster tunes that rock any dancefloor!

Release Date: 23rd July 2021 Artist: Brentford All Stars Title: Greedy G Tracks: A: Brentford All Stars – Greedy G B: Dub Specialist – Granny Scratch Scratch Label: Soul Jazz Records Format: Cat. No: SJR478-12, 12” Single UPC: 5026328004785

Soul Jazz Records • Soho • London • UK • www.souljazzrecords.co.uk • @souljazzrecords

Soul Jazz Records Presents

LLOYD MCNEILL

Tori

23rd July 2021

Soul Jazz Records’ limited-edition black vinyl 1000-copies worldwide LP (+ download code), as well as 1. O Mercado (Brazilian CD and digital issue of this very rare deep spiritual jazz meets Brazilian and Latin album, first released Market) (4.55) as a private-press album in 1978 on flautist Lloyd McNeill’s own Baobab Record label in Washington, 2. Tori (Segment One) DC. The album has been out-of-print for 43 years and is lovingly remastered by Soul Jazz Records. (1.37) Tori is a stunning album that blends Brazilian and Latin flavours with deep Spiritual Jazz, recorded in 3. Tzigane (11.02) 1978. The album features an unbelievably strong line-up which includes legendary Brazilian figures like Dom Um Romao, Nana Vasconcelos and Dom Salvador alongside jazz heavyweights such as Buster 4. Tori (Segment Two) Williams, Howard Johnson, John La Barbera and more. These A-team musicians were all regulars in (0.43) McNeill’s long-running and highly successful resident live group in New York, all set up to blend deep 5. Sambinha (5.24) jazz, Brazilian and Latin music together. 6. Time Still / Passaro - Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., Pifaro (Flute Bird) in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, (8.54) Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic

‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in 7. Tori (Segment Three) Washington, DC. (1.57)

McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a 8. Tranquil (11.38) reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso,

working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz

and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he

travelled throughout Brazil and West Africa studying music, and taught music anthropology in the US.

rd

Release Date: 23 July 2021

Artist: Lloyd McNeill

Title: Tori Label: Soul Jazz Records Format 1: CD: Cat. No: SJRCD487, UPC: 5026328104874 Format 2: LP, Cat. No: SJRLP487, UPC: 5026328004877

LITA 194 | 2xLP, Color 2xLP, CD

• Volume 3 in Light in the Attic’s acclaimed Country Funk series! • Featuring Dolly Parton, J.J. Cale, Conway Twitty, Larry Jon Wilson, and Billy Swan, amongst many others • Includes previously unreleased track by Tony Joe White • Newly remastered audio • New original artwork by renowned artist J. William Myers (Artist for Robert Altman’s Nashville, Waylon Jennings and Willie Nelson’s Waylon & Willie album, and LP covers for the Charlie Daniels Band)

The horse still bucks, the band still funks, and well...the fire still burns.

That’s right—Country Funk is back.

In the summer of 2012, a new sound blew in from the dusty desert. It was a sound difficult to pin down, to codify; a sound that, like some wild horse, resisted one’s grasp. But this was no trend, no flash–in–the–pan movement, no shotgun marriage of styles, no ma’am. This sound went back decades, back to the latter half of the 1960s and early 1970s, when adventurous artists started to blend country hoedown harmony with the elation of gospel, the sexual thrust of the blues and a touch of inner city grit. This was a new sound with a simple name: Country Funk.

Country Funk 1969–1975 (LITA 083, 2012), first released in 2012 and co–produced by Zach Cowie, Patrick McCarthy and Matt Sullivan, brought together a disparate group of artists that were neither bound by geography nor a shared ideology, but connected through the simple feel of their songs. Country Funk is alternatively playful and melancholic, slow jammin’ and booty shakin’. It’s a sound both studio slick and barroom raw, as evident in the artists featured on Volume I: Johnny Adams, Mac Davis, Dale Hawkins, Tony Joe White, Bobbie Gentry, Larry Jon Wilson, and many others. Just two years later, we chased Volume I with a new collection of songs for Country Funk II 1967–1974 (LITA 116, 2014). Volume II didn’t let up, dealing out all the loose–talking and lap–steel twangin’ one could handle. Heavy hitters like Willie Nelson, Townes Van Zandt, Kenny Rogers, Dolly Parton and J.J. Cale shared barstools with the lesser known voices of Bill Wilson, Donnie Fritts and Thomas Jefferson Kaye.

With Country Funk Volume III 1975–1982 (LITA 194) we’re here to say there’s more funk left in the trunk yet. This time around, the jeans are tighter, the hair is bigger and the disco ball spins along to a country–synth beat. Produced and compiled by Jason Morgan (Bay Area DJ/collector) and Patrick McCarthy (co–producer/compiler of Volume I & II), the tracklist features regulars Dolly Parton, J.J. Cale, Larry Jon Wilson and Tony Joe White (whose track is released here for the first time) alongside new faces like Steven Soles, Gary & Sandy, Conway Twitty, Travis Wammack, Billy Swan, Rob Galbraith, Brian Hyland, and so many more. As the 1970s began to wane and the 1980s approached, the Country Funk pallet expanded to include disco beats, heavy Moog synth bass lines and more clavinet than you could shake a stick at. Volume III shows artists continuing to buck traditional country tropes and production while embracing modern soul, disco, and coked–up 80s synth pop. This is the true soundtrack of the Urban Cowboy. Saddle up, partners.

RELEASE DATE: AUGUST 6, 2021. CONTACT: [email protected]

01. STEVEN SOLES – Shake The Dust 02. J. J. CALE – Nobody But You 03. CONWAY TWITTY – Night Fires 04. EDDIE RABBIT – One And Only One 05. JERRY REED – Rhythm And Blues 06. DOLLY PARTON – Sure Thing 07. BILLY SWAN – Oliver Swan 08. ROB GALBRAITH – I Got The Fever 09. TRAVIS WAMMACK – Do Me 10. LARRY JON WILSON – I Betcha Heaven’s On A Dirt Road 11. GARY & SANDY – Gonna Let You Have It 12. BRIAN HYLAND – Hale To The Man STANDARD EDITION CD LITA194–2 BARCODE 13. TONY JOE WHITE – Alone At Last 2xLP BLACK WAX 8 26853 21942 6 LITA194–1 BARCODE 14. RONNIE MILSAP – Get It Up 8 26853 01941 5 15. DELBERT MCCLINTON – Shot From The Saddle 16. TERRI GIBBS – Rich Man 17. DENNIS LINDE – Down To The Station Colin Hay I JUST DON’T KNOW WHAT TO DO WITH MYSELF

LIMITED EDITION RANDOM COLOR VINYL

CD PACKAGED IN A MINI LP CD SLEEVE

FEATURING SONGS FROM: The Beatles, Blind Faith, Del Amitri, Dusty Springfield, Faces, Gerry & the Pacemakers, Glen Campbell, Jimmy Cliff, The Kinks

FROM THE LINER NOTES: I wasn’t particularly planning a covers album. Gerry Marsden had sadly just died, and I was sitting around in the basement, playing major 7th chords, as you do, and I started singing “Don’t Let The Sun Catch You Crying” to myself. So I switched on the machines with the pretty lights and recorded it. Just vocals and guitar. I sent it to STREET DATE August 6, 2021 my best man, Chad Fischer, and said, “See what you can do with this”, and he did. It sounded more than delightful to both of us. He said, “Send me another”. And so it LABEL Compass Records went, until we had ten. Quite enough for the moment. FILE UNDER Rock The song choices were simple. “Waterloo Sunset” was playing through the sound CAT# AMK N4780 system at Southampton Docks in June 1967, when I was boarding the Fairstar with my family, heading for the New World. What a sendoff. FORMAT CD PACKAGING Wallet “Wichita Lineman” has fascinated me for many reasons. It was a hit for Glen Campbell, yet written by Jimmy Webb, a master songwriter. This was intriguing in and of itself. It contains one of the greatest lines in modern music. (You know which one I’m talking about.) UPC 766397478029 I worked in my parents record store in the 60’s in Saltcoats, Scotland, and it seemed CAT# AMK N4781 Dusty Springfield always had a hit on the charts. “I Just Don’t Know What To Do With FORMAT LP Myself” was produced by Johnny Franz, whose team created the closest thing Britain PACKAGING Jacket had to the Phil Spector ”wall of sound”. Dusty Springfield’s voice is divine.

There are so many Beatles songs one could choose to try and do justice to it’s ridiculous. “Norwegian Wood” contains a classic, simple and elegant melody, and I UPC 766397478111 would occasionally perform it live in a dropped D tuning, so that one sprang to mind.

Chad suggested “Ooh La La”, the Faces song, written by Ronnie Lane and Ronnie TRACK TITLES Wood and sung by Ronnie Wood. I loved Rod Stewart and the Faces, and was 1. I Just Don’t Know What To Do With Myself considering a few others. However, Brooke Fischer, Chad’s wife, fancied “Ooh La La”. 2. Waterloo Sunset I’m a big fan of Brooke, so on it went. 3. Wichita Lineman 4. Norwegian Wood (This Bird Has Flown) “Driving With The Brakes On” is simply one of the best songs ever written. I love Del 5. Don’t Let The Sun Catch You Crying Amitri, and Justin Currie’s songwriting. When I first came over to live in California in 6. Ooh La La the early 90’s I would listen to this song driving home late at night. 7. Driving With The Brakes On 8. Across the Universe “Across The Universe”... well what can you say? A staggering lyric, and equally 9. Can’t Find My Way Home beautiful music and melody. 10. Many Rivers To Cross That one BLIND FAITH album had a big impact on me in 1969. And “Can’t Find My Way Home” is one of those songs you could attempt on acoustic guitar. So that’s ALSO AVAILABLE what I did.

And lastly, we all became obsessed with The Harder They Come in the early 70’s, when it was shown in the cinemas in Melbourne. The music and sound of Jimmy Cliff transcends time. Many people have sung “Many Rivers To Cross”; indeed dare I say, it is a singer’s song. My brief to myself was to simply deliver it and not get in the way of the brilliance of the song itself. Going Somewhere Fierce Mercy Man @ Work CD: COM 4406, CD: COM 4680, CD: COM 4365, 766397440620 766397468020 766397436524 I hope you enjoy these versions of these songs half as much as we enjoyed creating them. LP: COM 4772, LP: COM 4685, LP: COM 4628, 766397477213 766397468518 766397462813 Colin Hay [Summer, 2021]

COMPASS RECORDS GROUP 916 19th Avenue South, Nashville, TN 37212 Distributed by Outside Music compassrecords.com Kate Taylor WHY WAIT!

CD & LIMITED EDITION JADE VINYL

“Fifty years ago, James Taylor’s sister released her debut album, then promptly vanished from the scene. Now, decades after she traded rock stardom for life in a teepee, Kate Taylor is back.” —ROLLING STONE

OVERVIEW STREET DATE August 6, 2021 Kate Taylor, of the renowned musical clan that includes brothers James, Livingston, LABEL Red House Records Alex and Hugh, is releasing WHY WAIT! on Aug 6. The album reunites her with many CAT# RHRCD322, RHRLP322 of the key players who backed her on her 1971 debut, SISTER KATE, including FILE UNDER Folk renowned session musicians Russ Kunkel, Danny Kortchmar, and Leland Sklar. Produced by GRAMMY Award-winning music veteran Peter Asher, who was also at the helm for the SISTER KATE sessions, WHY WAIT! marks the 50th anniversary of SISTER KATE, which launched her music career.

James Taylor told Rolling Stone: “For Kate to be doing this with Peter, and that both of them have this life experience that brings them back together, it’s really a moving thing. I think it’s so great that Kate will have this next iteration, you know, this next chance for people to hear her and pick up on her.”

FORMAT CD FORMAT Jade LP (140 Gram) PACKAGING Wallet PACKAGING Jacket

SRLP UPC 033651032229 UPC 033651032212

TRACK TITLES TRACK TITLES 1. Good Day Sunshine Side A 2. Why Wait! 1. Good Day Sunshine 3. He 2. Why Wait! 4. He Caught The Katy 3. He 5. (You Don’t Know) How Glad I Am 4. He Caught The Katy 6. I Will Follow 5. (You Don’t Know) How Glad I Am 7. I Got A Message (Bonus Track) 6. Beams Of The Queen 8. Tell Him Side B 9. The Glory Of Love 1. I Will Follow 10. Long Distance Love (Bonus Track) 2. Stop The Wedding 11. Don’t Knock 3. Tell Him 12.Crystal Blue Persuasion 4. The Glory Of Love 13.Stop The Wedding 5. Crystal Blue Persuasion 14. Beams Of The Queen 6. Don’t Knock

RED HOUSE RECORDS | COMPASS RECORDS GROUP 916 19th Avenue South, Nashville, TN 37212 Distributed by Outside Music compassrecords.com CD

Jan Lundgren

Em il e Parisien

Lars Danielsson

Into the Night (ACT 9932-2)

Release date: 27. August 2021

The trio form at has always been som ething of an ideal uses euphoric expressions to describe it: “a trinity, divine pro- for Jan Lundgren. That particular buzz when communication vidence!" And later, in the intimate setting of a small concert between the musicians in a trio is direct, immediate and ever- hall, where each and every listener is inevitably part of the present...when the trio keeps a constant sense of forward process of creating the music, the magic of the new trio could motion and development...when the players collectively remain really unfold. "Jazz is always about good melody, concise open to the inspiration of every millisecond. These are the rhythm and strong composition," explains Lundgren. "Everyone virtues which Lundgren sees as the recipe for the kind of o- brings their own personal imprint, starting as we do from such penness, freedom, subtlety and excellence of a trio at its best. completely different musical backgrounds. And that's what makes it so exciting and thrilling. We enjoy immersing oursel- Lundgren has had a trio in the classic pia- ves in each other's worlds – and creating new worlds in the no/ bass/ drum s form at ever since 1995. In addition, since process." 2007, he has also broken the mould with the "Mare Nostrum" project, a congenial alliance with Sardinian trumpeter Paolo Lundgren, Parisien and Danielsson choose catchy Fresu and French accordionist Richard Galliano. Critics hailed tunes as the starting-point for their excursions together; there it at the time as the "first European supergroup". And Mare is an appealingly childlike sense of wonder, joy and discovery Nostrum has brought him even closer to his ideal. But, there as these improvisations unfold. The opener "Glädjens again, Jan Lundgren is nothing if not driven and determined, Blomsters" (Flowers of Joy) is an old Swedish folk song; Emile and is probably at his most fulfilled when setting himself new Parisien's dark soprano sax gives it a feeling of melancholy that challenges... is truly touching. Lars Danielsson's hymn to his daughter "As- ta" seems to take us to an echo-ey corridor full of harmonic "I have always been on the look -out for strong voices vibrations. And then come a series of surprises, starting with in the European jaz z scene, musicians who have a similar the bassist introducing Parisien's "Preambule" with an em- sense of adventure to mine and who can move in any direc- phatic introduction, and then the heart-warming "I Do", which tion," explains the 55-year-old. And he also happens to have a Lundgren once wrote to accompany a stage play, and which good platform to make that happen, in the form of the Ystad the musicians find deft ways to illuminate. The pianist intro- Sweden Jazz Festival. Lundgren founded the festival in 2010 duces "Schubertauster" in virtuoso romantic style – the tune and has been Director of it ever since. (Ystad, incidentally, is is a homage to Franz Schubert composed by French accordi- the small town on the south coast of Sweden which has been onist Vincent Peirani. made world-famous by Henning Mankell's Wallander TV thril- lers). The "Ystad Concert '' from 2015 with bassist Mattias Jan Lundgren owns a dog, a cute little Yorkshire Ter- Svensson and the Bonfiglioli Weber String Quartet, a tribute to rier/Chihuahua mongrel, and "A Dog called Jazze" has puppy- the Swedish jazz pioneer Jan Johansson, is a case in point. As like liveliness and enthusiasm. The title track "Into The Night" is Lundgren expresses it: "There's always something new waiting harmonically colourful and seems like it could be the sound- for me in Ystad, something I've never tried before..." track for Sweden’s traditional ‘Midsommar’ celebrations. Final- ly, Lars Danielsson has written a personal declaration of love And thus it was that fate took a hand at the 2020 festi- for "Ystad", this little gem of a jazz festival, and the three musi- val – as it so often does in jaz z . Jan Lundgren had pro- cians shower it with love, devotion and empathy. grammed a performance by his own piano trio. But when the drummer had to cancel due to Corona travel restrictions, The Ystad Sweden Jaz z Festival will be held again in French saxophone luminary Emile Parisien stepped into the 2021, from 4 to 7 August. And once again, Jan Lundgren, breach at very short notice and a completely unconventional Emile Parisien and Lars Danielsson will be getting together as trio was born, one of those unexpected challenges which a trio to offer the festival audience their exuberant musici- Lundgren particularly relishes. anship, their wealth of experience and their simple enjoyment of being back together in this new group. The prospect, Lund- The day before the concert, Lundgren, Parisien and his gren says, makes him extremely contented: “I'm just so happy Swedish com patriot Lars Danielsson m et for the very about the way this has turned out, and the fact that we can first tim e. After a short rehearsal, all three of them had a pick up again where we left off after this long pandemic break. strong feeling that luck was on their side. Jan Lundgren even I have the feeling luck is on my side for a second time!"

NEW RELEASES: AUGUST 2021 eois f aihn bat atrae ih nua, grsie hae t epes rsrto, ne, eov, oe lv and love hope, resolve, anger, frustration, express to and revealing personal one ofthemost inwhat may recordingsacceptance become to outofthetrying timeofCovid-19. come phrases aggressive angular, with alternate beauty ravishing of Melodies wide-range ofmusical whichcommunicates languages broad ofemotions. anequally spectrum extraordinarily an encompasses Rather,it abrasiveness. gardeavant of piece severe some is City Queen that imply to not is This There is a real sense of confrontation between Allen and his horn and the audience which makes for a unique listening experience. a not Coleman Hawkins’ is “Picasso”-toned, of symbiosis. I-love-my-horn-and-my-horn-loves-me This type performer. the of psyche the into insight rare some affording power,uncompromising stark, of full recording a is It ofintrospection isthiscurrenthis period recording, saxophone program. asolo saxophonist’sto tenor response recording.” and The performing started before I years the place, first the in playing started I why rememberto try to me forced and that changed Covid-19 experience. shared a it’s music;also the of part a is sizeany listeners of of audience an that realization the to come I’ve and do I what is people with and for music “Performing writes, Allen notes the In to dowiththetimethat isgiven us.” In JD Allen’s liner notes for Queen City, it becomes clear that he spent a great deal of time during the pandemic thinking about “what –ifonlyfor thelengthofthisrecording.suspended Suddenly, itis1985again! herebyare space and time of laws the fruition to project this bring helped who those all and SavantRecords Harvie, tothanks So Jones, Gil Evans, Urbie Green, Art Farmer, Lee Konitz and Sheila Jordan, and continues to enjoy a long and Thad extremelySims, Zootprolific as career.greatssuch with played already had S Harvie featuredand series the Sandy’s at Live being popular Records’ from Muse on fresh drummer was Dawson Alan Downside, Upside leader, a as album first his release to about was Stern Mike from themistsoftime,capturingHarvieS,Mike Stern andAlanDawson atoftheirabilities. thepeak Records Savant of arranged for Fields a fromselection them to Barneythe see light of commercial release.with So here togetherare thought-to-be back these lost performances and hands private in were evenings those of tapes that knew S Harvie However, to remain musical to intheaudience. onlyascherished memories those by its very nature, is an ephemeral art and once the trio finished their three night run, it was thought the music went up intogreatof unforgettable and theintensity, performances delivering excitement. virtuosity ether Jazz, Dawsoncourt, Alan held drummer based For three nights in 1985 the awe-inspiring triumvirate of guitarist and Miles Davis alumnus Mike Stern, bassist Harvie S and Boston- amateur of group lucky a as musicians whowerewell ableto jointhe“pros” onstageat featured thefrequentas sessions open by theClub. artists jazz national and local top of up made diverse, equally was performers of roster The andthecognoscenti. jazz“newbies” both clientele diverse a of home to vibrantcolorful thriving, and a was Cambridge, MA in Club 1369 the mid-1980s, the years in Forfive CD / SCD2194 /633842219424$13.75 CD /SCD2194 HIGHNOTE RECORDS Release Date: 2021-07-09 QUEEN CITY JD ALLEN /633842219523$13.75 CD /SCD2195 HIGHNOTE RECORDS Release Date: 2021-07-09 GOING FORIT HARVIE STRIO CD CD OUTSIDE MUSIC NEW AUGUST 2021 RELEASES: • • • • • Cambridge, MA liveRecorded at the1369Club, Alan Dawson –drums Harvie S–bass Mike Stern -guitar eatimentrus. quertam actabefenicaetanulut vilicam iuconsedipordieri, issil halibesceperitilinarissulemo inte caecomnovit,morbendam Nimis Atgratuamintemiucribus NEW RELEASES: AUGUST 2021 listener into alook Eddie’s singularvisioncelebrating thesights (andspirit)ofHawaii. andsounds the gave Tide High on music the sensibilities, pop and Hawaiian, psych, of mix seasoned A Hawaii. now the of version and vision rare impossibly now the recorded Hawaii, album, HighTide.TheLPisn’tNew local music journalist arock-outfit, Wayne Haradagroup, ruminated ina1973 review. Rather,his it’sand oneman’s Suzuki Eddie years, many for songs composing and performing after 1973, In first. came alwaysmusic Suzuki, Eddiestore. For guitar Honolulu’stop he become topivoted 18, that shop of piano age a owned the By members. 40 to up sometimes and 16, of orchestra band big a led he school, high In lessons. piano take to money enough saving Honolulu, 1940s in shoeshiner young a as workedSuzuki 1929, 4, October on lifetime.Born throughouthis path own his made Suzuki Eddie musician and composer Enterprising spirit. and Hawaii’swarmthcelebrating album beautiful A beautifully presentedthis uniquealbuminitsmost form. own to chance a is gatefoldThis jacket.a in remasteredhoused newly and is Spirit 1996, in Records Island by released Originally twenty years albums before.career-defining released his as challenging as and deep as release this provingskill, and greaterprecision of instrumentation and lyrics gut-wrenchingfor Waylon Jennings’ Right For maturingthe Nelson Time, Spirit gracefully:most sees he trades rousing tunes sing-alongs and saloon gravity when next placed to ballads that tug at even the most unwavering heartstrings. Likened to Bob Dylan’s Time Out Of Mind or longtime touring guitarist Payne,Jody is the anchoredsong-cycle by lilting Spanish-inspired instrumentals that a absorb lonesome his and piano, on His Nelson and Bobbie sister Wills Playboys), Texas Bob (of Gimble Johnny fiddler country legendary by Backed throughslipped thecracks inthemainstream, butremains highlyrevered amongstcriticsandfans alike. he wrote:himself “sad and songs ain’twaltzes this selling year.” Beloved byfamiliar those with Nelson’s catalog, deep Spirit largely assuredly1973 commercialAfterknew in the melancholic. Nelson risksreleasingall, this album an behind producing Spirit, While his life. We follow himdown thepath asheconfronts ofloss grief, gets andeventually inacceptance. backonhisfeet, solace finds Willie Nelson’s 1996 album Spirit is an emotional concept album illustrating the forlorn tale of a man abandoned by the great love of LP /AGS053BLK /787790275985$37.75 LIGHT INTHE ATTIC Release Date: 2021-07-30 HIGH TIDE EDDIE SUZUKI LP /MCR9251826853092517$32.69 LIGHT INTHE ATTIC Release Date: 2021-07-09 SPIRIT (REMASTERED) WILLIE NELSON LP LP OUTSIDE MUSIC NEW AUGUST 2021 RELEASES: • • • • • LP housed ina gatefoldLP housed jacket Newly remastered audio Pressed atPressed Gotta Groove Records by Thompson Jessica Meticulously restored for reissue Hawaiian psych rarity pop Official reissueofthisobscure LES PYTHONS DE LA FOURNAISE LP • Limited Edition Art Cover & Splatter Color Vinyl L‘ORCHESTRE DU PITON

AUGUST 2021 AUGUST 2021 • 12×12 Liner Note Art Insert – US Version Release Date: 2021-07-30 • 180Gram Heavyweight Vinyl LIGHT IN THE ATTIC • Collaborative Pressing with LP Splatter/ WXTM008 / 709388062395 / $39.44 Catapulte Records

The rich sounds of Maloya and Séga music, originating from the Réunion island (as well as Mauritius and Seychelles for Séga), have recently been brought to the ears of the Northern hemisphere’s music lovers. Hailing from the French Alps, where Réunion-natives and young “metropolitan” French youngsters have been sharing parties, food and music for years, Les Pythons De La Fournaise are NEW RELEASES: NEW a flavoursome electric “Séga” band and they have already put out a couple of albums over the last decade.

Though true to the roots and spirit of the genre, they developed a special sensitivity which defined their style; and this time, they are interpreting Séga and Maloya songs under the form of a – nearly – all-acoustic orchestra : “L’Orchestre Du Piton” !

This Long-Player has got a particular sound and character, starting with a powerful four-woman choir (often sung in unison, in accordance with the Maloya tradition). The “lead” is a different singer on almost every song, which brings a variety of tone and vocal texture to the album.

Instead of keys, organ or synth, Les Pythons went for accordion ; they also brought into the studio an array of percussion, ranging from classic bongos and bells to typical instruments of the Indian Ocean : the Kayamb, the Pikeur, the Sati and most notably the Roulèr – the king of them all, majestic barrel-shelled bass drum.

On songs like “”Anon Manz Demiel”” (Let’s go and eat honey), two crazy electric guitars with intertwined riffs add a fresh element to the sound – somewhat echoeing with Esquivel’s exotica and Congolese rumba at the same time !

And the most unusual fact on this record : there is no bass guitar. Perhaps the band had a statement to make; in our modern music culture where bass plays a central role, they prove that one can move to other sounds – and appreciate the more organic deepness of percussion.

Whether or not you look into the meaning of the songs (mostly from the Réunion repertoire with a couple of Mauritian exceptions and one original “Pythons” composition), you will feel the mood of the Creole lyrics – a deep love story in “Maloya Tantine”, an hymn to slowness and indolence in “”Tou Dou””, a clumsy chat-up scene in “Malbaraise”…

And overall, a joyful, fresh and sparkly energy emanates from this “Orchestre” sound, from this exceptionally talented crew. Oté !

OUTSIDE MUSIC NEW RELEASES: AUGUST 2021 THE SURPRISE PACKAGE LP • This release is the second installment of our new Lee FREE UP

AUGUST 2021 AUGUST 2021 Hazlewood Industries (LHI) Records Reissues Series Release Date: 2021-07-30 • First ever vinyl reissue LIGHT IN THE ATTIC • Newly remastered from the LP / MR422 / 8435008842215 / $36.06 original analog tapes by GRAMMY®-nominated engineer John Baldwin • Includes a new interview with Surprise Package singer Rob Munster Records is proud to present the second installment of the Lee Hazlewood Industries Lowery and rare photos from the (LHI) Records Reissues Series with the first-ever reissue of The Surprise Package, “Free Up”. LHI archive • Q&A with Surprise Package

NEW RELEASES: NEW member & GRAMMY®-nominated Born out of the fertile 1960s music scene of the Pacific Northwest, The Surprise Package was reissue producer Hunter Lea comprised of members from The Viceroys and The Galaxies. These two bands were regulars at regional teen fairs and often played alongside The Sonics and The Wailers.

After a record deal with Columbia Records and Terry Melcher fell through, the group found themselves in the waiting room of LHI headquarters for an audition with Lee Hazlewood. Lee liked what he heard and the band was signed.

In the late 1960s, Lee went on a creative tangent into the world of psychedelia, releasing far-out tracks from Ann-Margret, The Aggregation, Hamilton Streetcar and many others. The Surprise Package recorded the album “Free Up” with Lee, featuring heavy fuzz guitar, rock organ, keyboard bass (like The Doors) and a fifteen-minute title track. Though Lee was always willing to experiment in the studio and explore many different genres, psychedelia wasn’t totally his bag. He spent a lot of the sessions in the control room drinking scotch.

“I can give you a quote from Merle Haggard,” joked Surprise Package singer Rob Lowery. “He was sitting in on one of our sessions once and he said ‘You know, I don’t understand this rock ‘n’ roll bullshit!’ I don’t think Lee understood it either, but he liked it and he was behind us.” A stadium show with Led Zeppelin, extensive touring with the Beach Boys and other national acts failed to bring success. The band parted ways with Lee and LHI, changed their name to American Eagle and put one final record out on Decca.

Remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin, the reissue is complimented by a new Q&A interview with Surprise Package member Rob Lowery and GRAMMY®-nominated reissue producer Hunter Lea.

OUTSIDE MUSIC NEW RELEASES: AUGUST 2021 NEW RELEASES: AUGUST 2021 this finest this finest rare groove record on alimited 180g heavyweight doubleLPwithanOBIstrip!Alltracks newly have been remastered. by Roy Ayers. This is her only solo album which was released from Roy’s label “Uno Melodic” in 1981. P-VINE is Sylvia Striplin is an NY-basedso proud jazz, and soul, of R&B singer who is wellalso known releasingas of a of the member Ladies Eighties, which is led Young, TinaTurner, Loretta Lynn others. andcountless Point soundtrack, the girls went their separate ways, each continuing to sing professionally with artists that include Bob Seger, Neil Frey.Glenn with Tired”failedto an release, “So album After audience. find its song, The the for last Upon recording one Vanishing Smile,” co-written “TakeAnd track It title the and Roads” “Dusty beautiful the including originals amazing of handful a and Davis Mac Dylan, Taylor,Bob Bacharach, Brothers,James Burt byGibb The songs FeaturingPeteNeil, FredEagles. the fromFreySneaky Glenn Cooder,and Ry band, TCB Elvis’ Crew,Wrecking the of members included sessions recording the musicians, of group stoned a and grooves funky with replaced were country album rock vibe that Ltdpermeated Los Angeles in Honey the early 1970s John (Think Philips the “Wolfking Backed Of by L.A.). of another amazing feel group girl psychedelic the but present, ever were harmonies Smile”.ethereal“Takerecord And The to It studio the Tominto wentproducer Thacker and Eve 1970, of spring the In ofthegroup,of theashes thethree remaining members continued onunderthenameEve. contract on his label, Lee Hazlewood Industries (LHI), renaming them, Honey Ltd. Their sole 1968 LP never saw the light of day. Out Upon meeting Lee Hazlewood in Los Angeles, he was bowled over, offering them a recording ethereal like andheavenly sounded voices noone. harmonies a instrument, inspirationthe upon vehiclebuilt harmonic magical holy improvisationand Their friends. fourof close a created voices, combined their Cats, Mama the their as followKnown todream. Angeles Los to hitch-hiked Detroit from girls teenage four 1960s, late the In 2LP /PLP715344995879071533$69.81 LIGHT INTHE ATTIC Release Date: 2021-08-06 GIVE MEYOUR LOVE SYLVIA STRIPLIN LP /MR4218435008842116$36.06 LIGHT INTHE ATTIC Release Date: 2021-07-30 TAKE IT AND SMILE EVE LP 2LP OUTSIDE MUSIC NEW AUGUST 2021 RELEASES: • • • • • • • • • Hunter Lea nominated reissue producer Q&A withEve &GRAMMY®- of Eve Temmer Darigan&JoanGlasser New interview withLaura Creamer, John Baldwin. GRAMMY®-nominated engineer by tapes original analog Newly remastered from the First ever vinyl reissue And Smile” first ever reissue of Eve’s, “Take It Records Reissues withthe Series (LHI) Industries Hazlewood Lee present thefirst installment ofthe Munster Records isproud to All tracks newly remastered OBI-strip LP Limited 180gheavyweight double Striplin’s album onlysolo NEW RELEASES: AUGUST 2021 “Love HasTaken Thisreissue ItAllAway”! withOBI-strip. willcome tune opening the with knees the in weak go listenersAOR Duke. Roby and Seawind from Wilson Bob by trackscomposed some regarded as a masterpiece of CCM (Contemporary Christian Music) AOR. Features Richard Page and Steve George of Pages, with “Somethin’ Right” releasedhad been in 1983 from Emerald Records, produced and arranged by Terry Winch. This work was highly A long-awaited reissue for AOR fans is here! Jim Schmidt is an American Christian singer from the 80’s west coast and his only work asitistranslucent, barelyfriendship anddepths,astangled somehow there yet far thesumofitsparts. beyond framed by caresses of born suite It’sa andstring escape. veiled and rareair of theaterelevated an conjuring patience, fingerpicking compositional Ford’stexturesand spatial tactile Duffy’s with complementary, oddly are instincts musical Their Fountains”). The Are Faucets opaque. All Heaven and My Are,” “In Who You open-ended About (“Learning both oblique and blunt optimism, alternately duality, strange similar a a reflect titles with song imbued emotive, and intimate distinctly feel tracks 10 its nature, album’sthe dissipation.Despite divinationand forward curious elusive, between experimental momentum,spiraling subdued, but a into embracesand’ an moniker fromAsthe distinct to, discographies. respective alludes ‘yes their compellingly language sonic congealing poetic gradually Angeles, Los in sessions studio pandemic-shadowed during shape took Americans) North Greene, The charged partnership of versatile guitarist Meg Duffy (aka Hand Habits) and producer Joel Ford(Oneohtrix Point Never, Jacques LP /PLP71444995879071441$56.31 LIGHT INTHE ATTIC Release Date: 2021-08-20 SOMETHIN’ RIGHT JIM SCHMIDT LP White /DFS047 /843563137048$25.94 LIGHT INTHE ATTIC Release Date: 2021-08-06 YES/AND YES/AND LP LP OUTSIDE MUSIC NEW AUGUST 2021 RELEASES: • • • and Joel Fordand Joel Duffy Meg Collaboration between AOR (Contemporary ChristianMusic) ofCCM Masterpiece OBI-strip NEW RELEASES: AUGUST 2021 Originally a CD only release, MIOS now comes to vinyl for the very first time, complete with brand new artwork by Elvis Barlow- Elvis by artwork new Smith. brand with complete time, first very the for vinyl to comes now MIOS release, only CD a Originally the albumremains asoneofJapan’s truehiddentreasures. Although Synergetic Voice Orchestra would eventually morph into a new band, leaving MIOS to exist as a singular moment in time, elements. percussive the of some for parts machine washing old utilised neighbours, his disturb not to as night at cemetery a in practiced exploratory,an creative MIOS, work that felt creativity. alive with free-wheeling produced Nothing was off limits. The drummer, who sessions ran a stall vegetable by day and recording resulting the and compositions her to energy real a brought approach This the group hadalarger impactthanthat oftheindividual. Buckminsterof resultsFuller,environmentfostered theorist the an whereshe architectand American of synergetic principles the It wasn’t always easy for Yumiko, a classically taught musician, to work with others who lacked her formal training. But by employing of whomwere self-taught not andcould read music. album of ‘any kind of music she wanted’. She togetherpulled she artists knew or playinghad seen from in and around Tokyo, many Having released her solo piano record Resonance a couple of years earlier, Yumiko was thrilled when offered the chance to make an identities withmoresonic traditional ofOkinawa. from city sounds Japanese thesouthern these merged that album create an to China and Mali, Korea Ethiopia, India, from influences on drew band the globe, the around Synergeticprojectthe a tothat called come would be Voice Orchestra. Inspired by Yumiko’s differentloveof culturesmusical from Yumiko composer and pianist 1989, semi-professionalstreetgroupdiverseIn playersand togethermusicians a of put Morioka for reissued albumagain!OBIstripis thisfinest attached. fans as a masterpiece. Their “Anything / Love Means Everything” sold out right away 7-inch when released last Autumn, so P-VINE soul many by praised been has and Davis John by produced was soul/disco“Touchalbum quartet80’s3rdPhilly Class.” Their Of LP /MTR008LPB /826853002363$36.06 CD /MTR008CDS /826853002370$22.25 LIGHT INTHE ATTIC Release Date: 2021-08-20 MIOS SYNERGETIC VOICE ORCHESTRA LP /PLP71434995879071434$56.31 LIGHT INTHE ATTIC Release Date: 2021-08-20 LOVE MEANS EVERYTHING TOUCH OFCLASS CD LP LP OUTSIDE MUSIC NEW AUGUST 2021 RELEASES: • • • • masterpiece Praised by many fans soul asa OBI strip Brand new artwork First ever vinyl pressing NEW RELEASES: AUGUST 2021 full version of“Powerslide” inallits7-minute glory. classic must-have Anall-time record from theHawaiian Islands. the includes pressing Soul Got Aloha this reissues,Carey).other Unlike Mariah Jay-Z,Kanye West,record, incl. wherestars studio island the runs now (who Holomalia Gaylord and debut), Bradbury’s Hal produced (who Funai Jimmy Lemuria), (of McCall Azure fame), cult “Lihue” (of Cypriano Nohelani scene: music 70s local the in who’swho a readslike LP This group,Kalapana.Hawaiian covetedHighly Hawaiian jazz/soul fromalbum debut The album. Mackey Feary’s contemporary afterseminal band solo departing ofsurrealconjures asense ambiguity, organic both andotherworldly, time. allat thesame Lynch, David with collaborations of history her With songs.” Chrystabell these adds a cinematicsinging depth to stage, her performance. Like on Lynch, who alone refuses to Chrystabell explain away imagined the mysteries “I in his work, her Collin, voice said This isthefirst record Collinhasdevoted “For meit was liketo onebandand vocalist. avision,” his uniquelyforged arranging aesthetic into something authentically new. and repertoire, performance, woven again has he Collin, MarcVague Nouvelle co-founder by conceived and arranged Produced, And explore it he does on Strange as Angels, the Marc Collin’s redefined new collection of it reinvented Cure that songs, sung by powerful the ethereal Chrystabell. so an maintained music group the alternative styles, aesthetic continuity, created creating varied vast aworld so andmysterious that there’s these room Cure for to other artists exploreThroughout it. them. The transcended they decades genres, master four just didn’t They over mainstream. for – Goth Wave, New Post-Punk, LP /AGS062BLK /787790276784$27.63 LIGHT INTHE ATTIC Release Date: 2021-08-27 MACKEY FEARY BAND MACKEY FEARY BAND LP /KW1333760300314555$29.31 LIGHT INTHE ATTIC Release Date: 2021-08-27 CHRYSTABELL SINGSTHE CURE STRANGE AS ANGELS LP LP OUTSIDE MUSIC NEW AUGUST 2021 RELEASES: • • • • • • Chrystabell Cure sungby songs, theethereal ofreinventedA new collection Marc Collin by Nouvelle Vague co-founder arranged andconceived Produced, Japan First official reissueoutsideof remastered by Thompson Jessica Meticulously restored and version of“Powerslide” Original tracklisting full includes from Hawaii Must have rare groove classic OUTSIDE MUSIC - NEW RELEASE ORDER FORM - AUG 2021

* Please submit all new orders to your Outside Music sales representative * Account: PO Number: Buyer:

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HDD091LP BREEZE ONLY UP [LP VINYL] HAND DRAWN DRACULA 2021-08-27 ALTERNATIVE 2 LP 623339261517 $17.00 SJR47812 BENTFORD ALL STARS GREEDY G [12" VINYL] SOUL JAZZ RECORDS 2021-07-23 RAGGEA 1 12" 5026328004785 $20.00 SJRCD487 LLOYD MCNEILL TORI SOUL JAZZ RECORDS 2021-07-23 JAZZ 1 CD 5026328104874 $20.00 SJRLP487 LLOYD MCNEILL TORI [LP VINYL] SOUL JAZZ RECORDS 2021-07-23 JAZZ 1 LP 5026328004877 $32.50

LITA194-2 VARIOUS ARTISTS COUNTRY FUNK VOLUME 3 1975-1982 LIGHT IN THE ATTIC 2021-08-06 COUNTRY / FUNK 1 CD 826853219426 $17.19 COUNTRY FUNK VOLUME 3 1975-1982 LITA194-1 VARIOUS ARTISTS [2LP VINYL] LIGHT IN THE ATTIC 2021-08-06 COUNTRY / FUNK 2 LP 826853019415 $37.75 I JUST DON'T KNOW WHAT TO DO COMPASS RECORDS COMP4780 COLIN HAY WITH MYSELF GROUP 2021-08-06 ROCK-POP 1 CD 766397478029 $11.00 I JUST DON'T KNOW WHAT TO DO WITH MYSELF [RANDOM COLOUR LP COMPASS RECORDS COMP4781 COLIN HAY VINYL] GROUP 2021-08-06 ROCK-POP 1 LP 766397478111 $14.25 COMPASS RECORDS RED HOUSE RHRCD322 KATE TAYLOR WHY WAIT! GROUP RECORDS 2021-08-06 FOLK 1 CD 033651032229 $11.00 COMPASS RECORDS RED HOUSE RHRLP322 KATE TAYLOR WHY WAIT! [TEAL LP VINYL] GROUP RECORDS 2021-08-06 FOLK 1 LP 033651032212 $14.25 JAN LUNDGREN, EMILE PARISIEN ACT99322 & LARS DANIELSSON INTO THE NIGHT ACT MUSIC 2021-08-27 JAZZ 1 CD 614427993229 $15.50

SCD2195 HARVIE S TRIO GOING FOR IT HIGHNOTE RECORDS SAVANT RECORDS 2021-07-09 JAZZ 1 CD 633842219523 $13.75 SCD2194 JD ALLEN QUEEN CITY HIGHNOTE RECORDS SAVANT RECORDS 2021-07-09 JAZZ 1 CD 633842219424 $13.75 MODERN CLASSICS MCR9251 WILLIE NELSON SPIRIT (REMASTERED) [LP VINYL] LIGHT IN THE ATTIC RECORDINGS 2021-07-09 COUNTRY 1 LP 826853092517 $32.69 AGS053BLK EDDIE SUZUKI HIGH TIDE [LP VINYL] LIGHT IN THE ATTIC ALOHA GOT SOUL 2021-07-30 POP 1 LP 787790275985 $37.75 PYTHONS DE LA FOURNAISE, L‘ORCHESTRE DU PITON [SPLATTER WXTM008 LES LP VINYL] LIGHT IN THE ATTIC WAX THEMATIQUE 2021-07-30 FOLK / COUNTRY 1 LP 709388062395 $39.44 MR422 THE SURPRISE PACKAGE FREE UP [LP VINYL] LIGHT IN THE ATTIC MUNSTER RECORDS 2021-07-30 ROCK 1 LP 8435008842215 $36.06

MR421 EVE TAKE IT AND SMILE [LP VINYL] LIGHT IN THE ATTIC MUNSTER RECORDS 2021-07-30 FOLK / COUNTRY 1 LP 8435008842116 $36.06 PLP71534 SYLVIA STRIPLIN GIVE ME YOUR LOVE [2LP VINYL] LIGHT IN THE ATTIC P-VINE 2021-08-06 FUNK / SOUL 2 LP 4995879071533 $69.81 DRIFTLESS DFS047 YES/AND YES/AND [WHITE LP VINYL] LIGHT IN THE ATTIC RECORDINGS 2021-08-06 EXPERIMENTAL 1 LP 843563137048 $25.94 PLP7144 JIM SCHMIDT SOMETHIN’ RIGHT [LP VINYL] LIGHT IN THE ATTIC P-VINE 2021-08-20 FUNK / SOUL 1 LP 4995879071441 $56.31

PLP7143 TOUCH OF CLASS LOVE MEANS EVERYTHING [LP VINYL] LIGHT IN THE ATTIC P-VINE 2021-08-20 FUNK / SOUL 1 LP 4995879071434 $56.31

MTR008CDS SYNERGETIC VOICE ORCHESTRA MIOS LIGHT IN THE ATTIC METRON RECORDS 2021-08-20 WORLD 1 CD 826853002370 $22.25

MTR008LPB SYNERGETIC VOICE ORCHESTRA MIOS [LP VINYL] LIGHT IN THE ATTIC METRON RECORDS 2021-08-20 WORLD 1 LP 826853002363 $36.06 CHRYSTABELL SINGS THE CURE [LP KW133 STRANGE AS ANGELS VINYL] LIGHT IN THE ATTIC DIGGERS FACTORY 2021-08-27 ROCK 1 LP 3760300314555 $29.31 AGS062BLK MACKEY FEARY BAND MACKEY FEARY BAND [LP VINYL] LIGHT IN THE ATTIC ALOHA GOT SOUL 2021-08-27 FUNK / SOUL 1 LP 787790276784 $27.63