The Radical Mental Health Magazine INSIDE OUT, OUTSIDE in TRANSFORMING MENTAL HEALTH PRACTICES
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2011 PROGRAM 63Rd
OCTOBER 27–30, 2011 Comprehensive and Coordinated Care: Bringing it all Back Home 2011 PROGRAM 63rd Co-sponsorsed with Drexel University College of Medicine/ Sponsored by Behavioral Healthcare Education APA’s Leading Educational Conference on Public, Community, and Clinical Psychiatry American Psychiatric Associa tion AMR E ICAN PSYCHIATRIC ASSOCIATION 63RD INSTITUTE ON PSYCHIATRIC SERVICES Scientific Program Committee Members: Back Row – Standing Left to Right: Douglas Fraser, Michael J. Yao, M.D., Mary E. Diamond, D.O., M.A., M.P.A., Donna N. McNelis, Ph.D., David A. Pollack, M.D., Neal Adams, M.D., Hunter McQuistion, M.D. Front Row – Seated Left to Right: Wesley E. Sowers, M.D., (Program Chair), Altha J. Stewart, M.D. Not Pictured: Stephanie LeMelle, M.D., Anita S. Everett, M.D., Stephen M. Goldfinger, M.D., Jennifer Kraker, M.D., M.S., John M. Oldham, M.D. (APA President), James H. Scully, Jr., M.D. (APA Medical Director) 2011 SCIENTIFIC PROGRAM COMMITTEE Wesley E. Sowers, M.D. David A. Pollack, M.D. Altha Stewart, M.D. Chair, Scientific Program Committee Vice Chair, Scientific Program Committee Committee Member Pittsburgh, PA West Linn, OR Memphis, TN Hunter L. McQuistion, M.D. Mary E. Diamond, D.O., M.A., M.P.A. Stephanie LeMelle, M.D. Committee Member Committee Member Committee Member Hastings-on-the-Hudson, NY Harrisburg, PA New York, NY CONSU LTA NTS Anita S. Everett, M.D. Douglas Fraser Neal Adams, M.D. Baltimore, MD Albuquerque, NM Local Arrangements Consultant Berkeley, CA LIAISONS John M. Oldham, M.D. Donna N. McNelis, Ph.D. -
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Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
Streaming out 2 - Tyneside Cinema - Pixel Palace (Dominic Smith)
Streaming Out 2 - Tyneside Cinema - Pixel Palace (Dominic Smith) START AUDIO 0:00:02 Dominic: Hello. I’m Dominic. I run the Pixel Palace. The Pixel Palace is a creative digital media programme at Tyneside Cinema in Newcastle upon Tyne. We develop commissions. This is an image of a recently commissioned piece entitled Mariner 9 by artist Kelly Richardson. It’s one of our largest commissions to date and it’s 50ft by 9ft. It was way too large to exhibit in the cinema space, so we had to exhibit it elsewhere. And this is relevant for a reason I will discuss later. We also run a residency programme. We run regular talks and interactions via a regular event called Datarama in which artists and hackers meet and exchange ideas. We also run a young-people’s digital-media programme called The Factory. But I’m here today to talk about another thing we do. A streaming radio project we developed called basic.fm. basic.fm stands for broadcast, art, sound and independent culture. But before I go into any detail about this project, I’m going to explain why we did it. It’s no accident that this project was developed in a cinema. Cultural anthropologist Victor Turner agued in 1979 that film is the dominant mode of liminality for electronically advanced societies. 0:01:19 1 Transcribed by www.soundwords.co.uk Streaming Out 2 - Tyneside Cinema - Pixel Palace (Dominic Smith) Well, things have advanced a bit since then. But it can be argued that cinema was the first multimedia experience with each frame on a roll of 35mm film acting as a discrete sample of a moment of time. -
GENESIS BREYER P-ORRIDGE Blood - Sex - Magic Curated by Thomas Mießgang
GENESIS BREYER P-ORRIDGE Blood - Sex - Magic curated by Thomas Mießgang Duration: 26. 10. - 05. 11. 2011 In cooperation with VIENNALE - Vienna International Film Festival and INVISIBLE-EXPORTS, New York Genesis Breyer P-Orridge, born in Manchester in 1950, lives and works in New York. 1969 Member of the Exploding Galaxy/Transmedia (w/ David Medalla, Derek Jarman); Founding of COUM Transmissions (w/ Cosey Fanni Tutti); 1973 Begins Mailart, regular contributor to Fluxshoe; 1975 Founding of Throbbing Gristle (w/ Cosey Fanni Tutti, Peter Christopherson, Chris Carter); Co-edits Contemporary Artists (w/ Colin Naylor); 1981 Founding of Psychic TV (w/ Alex Fergusson); 1982 Co- curates the Final Academy (w/ William S. Burroughs, Brion Gysin). Selected exhibitions: 2011 Readykeulous: The Hurtful Healer: The Correspondance Issue, INVISIBLE- EXPORTS, New York; You and Now, Balice Hertling, Paris; 2010 Spillage…, Rupert Goldsworthy Gallery, Berlin; Marathon Map, The Serpentine Gallery, London; Decadence Now! Visions of Excess, Galerie Rudolfinum, Prague; I Punk, You Punk, We Punk, Galerie Ahlers, Göttingen, Germany; Dead Flowers, Participant Inc., New York; Brooklyn is Burning, P.S.1, New York; 2009 30 Years of Being Cut Up, INVISIBLE-EXPORTS, New York; 2008 It’s Not Over Yet, INVISIBLE-EXPORTS, New York; Punk. No One is Innocent, curated by Thomas Mießgang, Kunsthalle Wien, Vienna; Keeping Up With the Joneses, Schroeder/Romero Gallery, New York; Panic Attack! Art in the Punk Years, Barbican Art Gallery, London; 2007 Believers, Mass MOCA, Massachusetts; The Perfect Man, White Columns, New York; Womanizer, Deitch Projects, New York; 2006 We Are But One…, Participant Inc., New York; 2004 Painful But Fabulous, Künstlerhaus Bethanien, Berlin; None Of The Above, Swiss Institute of Contemporary Art, New York; 2002 Violence The True Way, Galerie Peter Kilchmann, Zurich; 2001 Candy Factory, Centre Of Attention, London; 2000 Volume, P.S.1 Contemporary Art Center, New York; Live In Your Head, Whitechapel Art Gallery, London. -
Introduction
Cambridge University Press 978-0-521-68981-6 - Liberatory Psychiatry: Philosophy, Politics, and Mental Health Edited by Carl I. Cohen and Sami Timimi Excerpt More information Introduction Carl I. Cohen and Sami Timimi Pinel’s unchaining of the eighteenth century Parisian insane has been an historical metaphor for the dual liberatory underpinnings of psychiatry: it can free persons from social, physical, and psychological oppression, and it can assist persons to be what they can be (i.e., self-realization), and to lead self-directed lives. Thus, psychiatry can help people to be both ‘‘free from’’ and ‘‘free to.’’ These goals not only link psychiatry to medicine and science but also to sociopolitical elements. Hence, two foundational points guide our work: (1) The project of psychiatry has always been one of liberation; (2) Psychiatry’s principal object, the mind (i.e., the psychological sphere), is inherently biological and social. If we are to take these two points seriously, it means that psychiatry has a critical and necessary role to play in social struggles that further liberation. What are the liberatory roles for psychiatry? When we refer to ‘‘free from,’’ we mean that psychiatry can help to free persons from the effects of internal biological forces that contribute to mental illness and distress. In addition, because it is also linked to sociopolitical elements, psychiatry can explore the subjective ramifica- tions of living under a particular social formation. For example, the impact of domination, alienation from the products of one’s labor or from one’s coworkers, of being treated as a commodity, or of being in a particular social class, gender category, ethnic or racial group. -
Psychic TV Allegory and Self
Psychic TV Allegory and Self track listing: 1 Godstar (3:39) 2 Just Like Arcadia (3:59) 3 Southern Comfort (3:44) 4 We Kiss (3:37) 5 She Was Surprised (5:03) 6 Caresse Song (2:10) 7 Starlit Mire (5:36) 8 Thee Dweller (6:41) 9 Being Lost (3:53) 10 Baby’s Gone Away (2:47) 11 Ballet Disco (4:49) key information / selling Points: Hometown / Key Markets: • London, New York, Los Angeles, Chicago, Austin Selling Points / Key Press: • Remastered reissue of the classic hyperdelic record • Legendary conceptual audiovisual group formed by Throbbing Gristle co-founder Genesis P-Orridge and Alternative TV’s Alex Fergusson Beginning in 1982, the conceptual audiovisual troupe labeled Psychic TV set • Vinyl has been out of print since 1988 out on a multimedia journey filled with subversion, liberation, and rebellion. • Guest appearances by Dave Ball (Soft Cell), Rose Materialized between Throbbing Gristle co-founder Genesis P-Orridge and McDowall (Strawberry Switchblade), Hilmar Orn Alternative TV songwriter Alex Fergusson, Psychic TV started pulling in familiar Hilmarsson, and Monte Cazazza faces with the likes of Peter “Sleazy” Christopherson, Paula P-Orridge, Jhonn • Includes Psychic TV’s biggest hit ever, “Godstar” Balance, David Tibet, John Gosling and countless others. While the members’ • White vinyl limited to 1500 copies worldwide previous works took root in the counterculture zeitgeist of late ’70s UK punk and conceptual art, it was no longer a question of how to rebel against authority, but Related Catalog: rather how to carefully subvert it through collective infiltration. Parallel to Psy- • SBR-3021 / DAIS-099 Psychic TV Pagan Day lp/cd chic TV, its members formed the anti-cult faction The Temple of Psychick Youth, cD further propagating the Psychic TV message and vision. -
Master and Slave in the Music of Coil
Sound Scripts Volume 3 Article 7 1-1-2011 Master and Slave in the Music of Coil Drren Jorgensen University of Western Australia Follow this and additional works at: https://ro.ecu.edu.au/soundscripts Part of the Other Music Commons Recommended Citation Jorgensen, D. (2011). Master and Slave in the Music of Coil. Sound Scripts, 3(1). Retrieved from https://ro.ecu.edu.au/soundscripts/vol3/iss1/7 This Refereed Article is posted at Research Online. https://ro.ecu.edu.au/soundscripts/vol3/iss1/7 Jorgensen: Master and Slave in the Music of Coil Master and Slave in the Music of Coil Darren Jorgensen Architecture, Landscape and Visual Art University of Western Australia For Theodor Adorno, pop music perpetuates the place of pop music in the lives of the British working drudgery and alienation of working class existence class. A founder of the industrial genre, Throbbing by providing a distraction fromit. This paper turns to Gristle, parodies the status of three minute songs a similar critique of pop music, in the work of Coil. with their grinding, shrieking number, "What a Day" Born out of the UK industrial scene, Coil distort the (20 Funky Jazz Greats, 1979), in an ode to the use of pop song format, reproducing and appropriating its popular music in relieving the drudgery of working sounds with cynical manipulations. This cynicism life. Or in another early example, Cabaret Voltaire's shines through a mastery over the forms of pop "Nag Nag Nag" (Extended Play, 1978) pokes fun at music and its sounds, that Coil configure without the everyday irritations of English life with layers of veering into pop's more explicit commercialism. -
Psychiatric System Survivors and Emancipatory Research: Issues, Overlaps and Differences
CHAPTER 5 (in ‘Doing Disability Research’ edited by Colin Barnes and Geof Mercer. Leeds, The Disability Press, pp. 66- 87). Psychiatric System Survivors and Emancipatory research: Issues, overlaps and differences Peter Beresford and Jan Wallcraft To approach emancipatory research in the survivors' movement, it is helpful first to have an understanding of the relation of the movement to disability and the disabled people's movement, as well as an understanding of the survivors' movement itself and of the issues facing survivors. We begin with the relation between survivors and disability and the disabled people's movement. THE SAME BUT DIFFERENT The relations between survivors and disability and between the survivors' and disabled people's movements are complex and there is little agreement about them. For example, there was only one mention of survivors in Jane Campbell and Mike Oliver's major examination of disability politics and the only organisation referred to is an organisation for mental health service users (Campbell and Oliver, 1996). Jenny Morris's exploration of feminism and disability on the other hand, included a chapter by a woman survivor, highlighting the links with disability and the disabled people's movement (McNamara, 1996). Some disabled people do not see survivors as disabled, because they do not have an impairment or their situation may not be permanent, while others do. Some survivors do not see themselves as disabled because they associate disability with the medicalisation of their distress. There are also fears and anxieties among survivors and disabled people about being associated with the negatives linked with the other group. -
Re-Launching the Dream Weapon
RE-LAUNCHING THE DREAM WEAPON: CONSIDERING COIL Coil, “Constant Shallowness Leads to Evil” tour, 2001. From left to right: Ossian Brown, Thighpaulsandra, Peter “Sleazy” Christopherson, John Balance. Photo courtesy of Peter Christopherson. Thomas Bey William Bailey|2 INTRODUCTION: THAT OLE POST-INDUSTRIAL MAGIC The real art communicates before it is understood, it contains the knowledge that all men once had, a knowledge that today is unfortunately often ignored and forgotten. I believe that our life is magical in its essence. The working of magic is a series of actions bringing intention into focus. It's a conscious and active participation in transformation between cause and effect. We know that everything we've ever done and do is intentional, and every intentional act is a Magical act. Not understanding it means human life as a journey from nowhere to nowhere. -Zbigniew Karkowski1 The distinction between musician and nonmusician- which separates the group from the speech of the sorceror- undoubtedly represents one of the very first divisions of labor, one of the very first social differentiations in the history of humanity, even predating the social hierarchy. Shaman, doctor, musician. He is one of society’s first gazes upon itself, he is one of the first catalyzers of violence and myth. -Jacques Attali2 The Bard’s curse is supposed to be able to blight crops and bowl over crooked politicians. The Bard is not just another imagemonger: the Bard, the shaman-poet, wields power. When the Bard pays attention, even wild animals come ‘round -
Lessons in Public Psychiatry from Italy and Franco Basaglia
Classics of Community Psychiatry Fifty Years of Public Mental Health Outside the Hospital Edited by Michael Rowe Martha Lawless Kenneth Thompson Larry Davidson OXFORD UNIVERSITY PRESS litera tu . OXFORD UNIVERSITY PRESS Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dares Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece recovel Guatemala Hungary Italy Japan Poland Portugal Singapore 7 South Korea Switzerland Thailand Turkey Ukraine Vietnam volume Copyright © 2011 by Oxford University Press life in n Published by Oxford University Press, Inc. econor 198 Madison Avenue, New York, New York 10016 www.oup.com more. E own wa Oxford is a registered trademark of Oxford University Press of the All rights reserved. No part of this pubhcation may be reproduced. on insti stored in a retrieval system, or transmitted. in any form or by any means, electronic. mechanical, photocopying, recording, or otherwise, in the 5 without the prior permission of Oxford University Press. illnesse; Library of Congress Cataloging in Publication Data in almst Further Classics of community psychiatry ; fifty years of public mental health outside the hospital / edited by Michael Rowe ... [et al.]. a broad p.;cm. Includes bibliographical references and index. to relyir ISBN 978-0-19-532604-8 (alk. paper) back int 1, Community psychiatry. 2. Community mental health services. I. Rowe, Michael, 1947— [DNLM: 1. Community Psychiatry—Collected Works. 2. Community Mental Health Centers—Collected Works. -
Balancing Care and Risk in Clinical Ser Vices Vol. 3: Stigma
The Consumers’ Atlas to Mental Health CONVERSATION STARTERS Vol. 1: The Medical Model Vol. 2: Entering the labyrinth: Balancing care and risk in clinical services Vol. 3: Stigma: The precarious balance between social and personal identity Vol. 4: Where mental health is made: Personal autonomy and social regulation Vol. 5: Mad Studies Vol. 6: Musings about the National Disability Insurance Scheme (NDIS): Are we in or out? Vol. 7: Holding ourselves together in time and space: Living in community Vol. 8: In the news: The wider context of mental health and illness Compiled by Merinda Epstein in partnership with Jacques Boulet The Consumer’s Atlas to Mental Health Published by Our Community Pty Ltd Melbourne Victoria Australia © Our Community Pty Ltd This publication is copyright. Apart from any fair use as permitted under the Copyright Act 1968, no part may be produced by any process without permission from the publisher. Requests and inquiries concerning reproduction should be addressed to: Our Consumer Place PO Box 354 North Melbourne 3051 Victoria, Australia Please note: The views expressed in this guide are not necessarily the views of all partners in the Our Consumer Place initiative. While all care has been taken in the preparation of this material, no responsibility is accepted by the author(s) or Our Community, or its staff, for any errors, omissions or inaccuracies. The material provided in this guide has been prepared to provide general information only. It is not intended to be relied upon or be a substitute for legal or other professional advice. No responsibility can be accepted by the author(s), funders or publishers for any known or unknown consequences that may result from reliance on any information provided in this publication.