SB&WF NEWSLETTER January 2020
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Trust News in Its One Stamped Addressed Envelope Will 4 - Los Trios Ringbarkus, Footbridge Present Form
SN 0314-0598 DECEMBER, 1984, VOL. 8, NO. 8 ALVIN AILEY Although the company performs works by that time. An added bonus for Members is AMERICAN DANCE other choreographers it is Ailey's own that they will be sent a voucher which can THEATER works which give the company its unique be exchanged for a complimentary soul and style. Ailey's work alone provides programme at the theatre on the the repertoire with a great diversity for his performance day. The programme will be choreography has gone through almost a splendid souvenir edition valued at as many phases or periods as Picasso's $4.00. As one programme will be provided paintings. per Member, those booking for Member This diversity has always required a friends should also quote their name and special breed of dancer, one who can AETT number on the booking coupon. master a spectrum of styles and the split The company will present two second switch from one to another. For programmes but at this stage repertoire the dar,cer there is the rare opportunity to has not been confirmed. Those who wish duvelop an unparalleled versatility. For to see two programmes should reserve the audience there is the unexpected tickets on the same day each week exposure to the panorama of modern (Tuesday to Saturday). Your booking dance. It all adds up to success which the coupon is enclosed. Alvin Ailey American Dance Theater has Members who are subscribers to the in abundance. Since 1962 and the first Australian Ballet will be notified State Department sponsored tours the separately by The Australian Ballet and audience attendance figures and should book through the Ballet in order to response have been overwhelming. -
OQS0762 Subs 2011 Brochure Text V6.Indd
SEASON 2011 SUBSCRIBE Truly. Madly. Deeply. AND SAVE! From the From the Premier of Queensland and Chief Executive/Artistic Director Minister for the Arts Come and celebrate Opera Queensland’s Welcome to Opera Queensland’s fi rst 30 years with 120 years of season for 2011. superlative creation. For nearly three decades, Opera After the success of our Verdi double Queensland has been presenting operas and musicals in 2009, it seems only fair to pay Puccini the same courtesy. across our state and, recently, across state borders. While there is a 43-year overlap in ages, in operatic terms, these two composers are not contemporaries, representing Not only is Opera Queensland expanding in its reach and as they do two musical traditions. Puccini sweeps us into scope, the company has found new ways to connect with the 20th century with melody to delight us all and a masterly audiences of many ages through programs with primary workmanship set to please even the most discerning. And students and young people in regional communities. so it is in May, that we bring you a wonderful new production My government provides key funding to Opera Queensland of The Girl of the Golden West, an opera never before seen as one of the state’s fl agship arts companies. in Queensland. While in October, we present John Copley’s I would like to acknowledge Opera Queensland’s corporate celebrated production of Tosca in all its traditional glory. After partners, many of whom have been onboard for more than an eight-year gap it is a great joy to return this magnifi cent a decade and who, along with government support, help piece to the Lyric Theatre. -
Seaborn Broughton & Walford Foundation Newsletter
Seaborn Broughton & Walford Foundation Newsletter Suite 10, 20 Young Street Neutral Bay NSW 2089 Phone - 9955 5444 Email –[email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday – 10.00am – 4.00pm Volume Number Issue Number Date 25 1 23rd January 2017 Chairman’s Letter announced nearly $300,000 in grants. Last year’s Dear Friends recipients included the Griffin Theatre Company, Sport For Jove, the Seymour Centre, the Hayes On behalf of the Board, Staff and volunteers at the Theatre, Monkey Baa, Outhouse Theatre, Red Line at Seaborn, Broughton & Walford Foundation may I extend the Old Fitzroy, Critical Stages, Powerhouse Youth our very best wishes to you for the New Year. May 2017 Theatre, National Theatre of Parramatta, Sydney bring good health, much happiness and many fine Critics Awards, Currency House and the State Opera performances. of South Australia to assist in completing their four- Last year ended on a high note for the Foundation and year project to produce Australian composer George our loyal Friends. Following the relocation to our new Palmer’s opera Cloudstreet, a critically-acclaimed premises in Neutral Bay, we are now optimistic about world premiere based on Tim Winton’s novel. the exciting opportunities that are emerging as we work Warm congratulations also go to Francesca Savige to support the Australian performing arts in 2017. and Shaun Rennie who won this year’s Sandra Bates Director’s Awards, a prize offering mentoring and Since the last Newsletter, we have achieved a number of directing experience for emerging theatre directors milestones: the celebration of three decades of at the Ensemble Theatre in Kirribilli. -
0 Seaborn Broughton & Walford Foundation Newsletter
0 Seaborn Broughton & Walford Foundation Newsletter Suite 10, 20 Young Street Neutral Bay NSW 2089 Phone - 9955 5444 Email –[email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday – 10.00am – 4.00pm Volume Number Issue Number Date 26 1 20th February 2018 PRESIDENT ’ S LETTER The audience of children & delegates adored the show. Thank you from the bottom of our hearts for all your Dear Friends support. Eva.” And from Ian Phipps producer of the The cicadas are singing outside the Foundation’s Sydney Theatre Awards. ‘On behalf of the critics panel of premises in Neutral Bay, an unmistakable sign of Sydney the Sydney Theatre Awards: and in fact from the entire summertime. I do hope that you all enjoyed a wonderful Sydney theatre community, may I say thank you again Christmas holiday, a memorable festive season and a to the Foundation for their generosity and ongoing Happy New Year. The Festival of Sydney, with its support. Without the grant from the Foundation, we imaginative smorgasbord of local and international events would not be able to hold an awards ceremony nor have has drawn to a close, and Carol Martin has a long list of beautiful framed certificates to present to the award theatrical treats for you to enjoy in 2018. winners.’ And from Kay Yasugi, puppeteer and General Please read the list carefully and book early as the limited Secretary of UNIMA Australia, the Puppetry number of good seats we acquire for the Foundation organisation of Australia: ‘Thank you very much for my Friends are usually very popular. -
Carmen Carmen
CARMEN CARMEN Saturday 12 August 7.30pm Federation Concert Hall Hobart Marko Letonja Conductor Teddy Tahu Rhodes Escamillo Elena Schwarz Assistant Conductor Emma Pearson Micaëla June Tyzack Chorusmaster Shane Lowrencev Zuniga 4 SPECIAL HOBART Elizabeth Hill Staging Samuel Dundas Moralès/Le Dancaïre Ingrid Rahlén Stage Manager Kathryn Radcliffe Frasquita Phoebe Briggs Music Preparation Sally-Anne Russell Mercédès With a long and rich Elena Maximova Carmen Jonathan Abernethy Le Remendado relationship spanning Marcelo Puente Don José TSO Chorus more than a decade, The20 are proud to be Opéra comique in Four Acts by Georges Bizet to a libretto by Henri Meilhac and Ludovic Helévy, after Prosper Mérimée’s novel. First performed at the creative collaborators Opéra-Comique, Paris, 3 March 1875. with the cultural icon Act I Act III that is the Tasmanian A public square in Seville; a tobacco A rocky place near Seville at night. Symphony Orchestra. factory on the right faces a guardroom on Duration 36 mins the left with a covered gallery in front. Duration 47 mins Act IV Outside the bullring in Seville. Act II Duration 21 mins Lillas Pastia’s tavern. Duration 36 mins INTERVAL Performed in French with surtitles. Duration 20 mins This concert will end at approximately 10.30pm. Presented in association with Tasmanian Symphony Orchestra concerts are broadcast and streamed throughout Australia and around the world by ABC Classic FM. We would appreciate your cooperation the20.com.au Cover image: Elena Maximova as Carmen © ROH. Photographer Catherine Ashmore in keeping coughing to a minimum. Please ensure that your mobile phone is switched off. -
Poppie Nongena Enthralling Musical Theatre
FEBRUARY,1985 Vol 9 No 1 ISSN 0314 - 0598 New David Williamson Play SONS OF KANE BY DAVID WILLIAMSON Directed by David Williamson Set and costume design by Shaun Gurton Cast: Noel Ferrier, John Gregg, Max Cullen, Sandy Gore, Libby Clark and Genevieve Picot Theatre Royal t is now almost four years since David I Williamson's last play THE PERFEC TIONIST was premiered and in that time he has been working in other media creating a screenplay of THE PERFEC TIONIST and writing THE LAST BASTION for television. But the attrac tion of the theatre was too great for him to stay away from live performance for long and a chance conversation with journalists in a pub one night provided the inspiration for a new play. SONS OF KANE is about crime and cor ruption, an issue on which David Williamson has not focused his attention since THE REMOVALISTS in 1981 Poppie Nongena (coincidentally to be remounted at Phillip Street Theatre later this month). The Enthralling Musical Theatre managing editor of a big newspaper em pire (played by John Gregg) uncovers Based on a novel by Elsa Joubert critic of The Guardian newspaper as one clear evidence that an honest cop has Written for the stage by Elsa Joubert and of the most impressive pieces of drama to been moved out of the force because he's Sandra Kotze emerge from South Africa in the past too much trouble. The idealism of youth Directed by Hilary Blecher decade, this production has taken Lon is rekindled and he brings in one of his Music by Sophie Mgcina don and New York by storm, collecting a friends (played by Max Cullen) whose Designed by Douglas Heap Lighting design by James Baird number of awards, including the career has taken a downturn to in Cast: Thulia Dumakude, Sophie Mgcina, prestigious Obie (for Outstanding vestigate the whole affair. -
Appendix 1 – Trustees & Advisors
Appendix 1: FNT13 Agenda item for WDC Forum North Trust Current Members CALVIN GREEN C0-CHAIR Calvin Green is a local business owner and co-chair of the Forum North Trust. Calvin has a passion for working with and for Community Development and is honoured to have an opportunity to work on and progress the concept of a New Zealand Unique Performance Centre in Whangarei. He has a BSc, MSc (University of Auckland, Psychology) and senior management experience at both Government of Ontario Canada and Whangarei District Council and Northland Business Development Trust.. He has started more than 20 Green Field Companies (NZ and International) and is currently Director of PGNZ Ltd, Gifts and Games Online; Florian and Green Ltd : Avocado Orchard (Export and Domestic markets) Calvin has been a lecturer at the NorthTec School of Business teaching Bachelor of Applied Management: Business Transformation and Change, Marketing and Applied Management. Community Boards Calvin has served on include: Chair -Whangarei Youth Orchestra, Chair – Tikipunga High School Board, Co-Chair of Forum North Trust and other community groups. ROS MARTIN CO-CHAIR Ros Martin has been connected to performing arts in Whangarei for many years both on stage and behind the scenes. During the late 1980’s and early 1990’s she served as chair of the Forum North Trust – a role she relished. She is now co – chair of Forum North Trust 2013 and is excited about the opportunities for reviving the vibrant community connections and involvement of the proposed Performing Arts Centre . Ros is semi – retired and works part – time as a consultant to the Retirement Village industry.She has worked in Education, Marketing, Communications, Fundraising, Events Management and a variety of leadership roles in the Retirement Village sector. -
WILLIAM TELL Armando Noguera (William Tell) VICTORIAN OPERA PRESENTS WILLIAM TELL
GIOACHINO ROSSINI WILLIAM TELL Armando Noguera (William Tell) VICTORIAN OPERA PRESENTS WILLIAM TELL Composer Gioachino Rossini Librettists V.J Etienne de Jouy and H.L.F. Bis Conductor Richard Mills AM Director Rodula Gaitanou Set and Lighting Designer Simon Corder Costume Designer Esther Marie Hayes Assistant Director Meg Deyell CAST Guillaume Tell Armando Noguera Rodolphe Paul Biencourt Arnold Melcthal Carlos E. Bárcenas Ruodi Timothy Reynolds Walter Furst Jeremy Kleeman Leuthold Jerzy Kozlowski Melcthal Teddy Tahu Rhodes Mathilde Gisela Stille Jemmy Alexandra Flood Hedwige Liane Keegan Gesler Paolo Pecchioli* Orchestra Victoria 14, 17 and 19 JULY 2018 Palais Theatre, St Kilda Original premiere 3 August 1829, Paris Opera Running Time is 3 hours and 15 minutes, including interval Sung in French with English surtitles *Paolo Pecchioli appears with the support of the Faculty of Fine Arts and Music, University of Melbourne. 3 PRODUCTION PRODUCTION TEAM Production Manager Eduard Inglés Stage Manager Marina Milankovic Deputy Stage Manager Meg Deyell Assistant Stage Manager Jessica Frost Assistant Stage Manager Luke Hales Wardrobe Supervisor Kate Glenn-Smith MUSIC STAFF Principal Repetiteur Phoebe Briggs Chorus Preparation Richard Mills, Phoebe Briggs Repetiteur Phillipa Safey CHORUS Soprano Jordan Auld*, Kirilie Blythman, Jesika Clark*, Rosie Cocklin*, Alexandra Ioan, Millie Leaver*, Rebecca Rashleigh, Diana Simpson, Emily Uhlrich, Nicole Wallace Mezzo Soprano Kerrie Bolton, Shakira Dugan, Jessie Eastwood*, Kristina Fekonja*, Hannah Kostros*, -
Great Performances in the Albert Hall the Second 25 Years (1954 – 1979)
Canberra Choral Society proudly presents GREAT PERFORMANCES ALexANDeR BALus IN THE ALBERT HALL the second 25 years (1954–1979) 20 September 2014 | Canberra Playhouse Conducted by Brett Weymark Starring Tobias Cole, Christopher Saunders and Jacqueline Porter with Christopher Richardson and Christina Wilson Sunday 13 July 2014 Great Performances in the Albert Hall the second 25 years (1954 – 1979) Conductor/MC: Tobias Cole Featuring Louise Page, Christopher Lincoln Bogg, Anthony Smith and CCS Chorus With Katie Cole, Barbara Jane Gilby, Joy McDonald and the Turner Trebles Guests Veronica Thwaites-Brown and Peter Tregear God Save the Queen (all) 1954–Vienna Boys Choir (Turner Trebles) Emperor's Waltz (Johann Strauss) 1955–Medea (Elizabethan Trust Theatre starring Judith Anderson) (Katie Cole and Tobias Cole) 1956–Miklos Gafni (Christopher Lincoln Bogg) Recondita Armonia (Puccini) Mattina (Leoncavallo) Torna a Surriento (de Curtis) 1957–Leontyne Price (Louise Page) 'Piangerò' from Giulio Cesare in Egitto (Handel) Après un rêve (Faure) 1959–Beryl Kimber 1961–Isaac Stern (Barbara Jane Gilby) ‘Loure’, ‘Gavotte en rondeau’ from Partita No. 3 in E (JS Bach) ‘Sonatensatz: Scherzo’ from FAE Sonata (Brahms) 1960–The Magic Pudding (Peter Scriven’s Puppets) (Joy McDonald) 1961–The Sentimental Bloke (singalong) 2 Interval 1963–Rita Streich (Louise Page) ‘O luce di quest’anima’ from Linda di Chamounix (Donizetti) 1965–Canberra Choral Society ‘Hallelujah’ from Messiah (Handel) 1968–Canberra Children’s Choir (Turner Trebles) ‘Wolcum Yole’ from Ceremony -
Seaborn Broughton & Walford Foundation Newsletter
Seaborn Broughton & Walford Foundation Newsletter 925 Botany Rd Rosebery NSW 2018 Phone - 9955 5444 Email – [email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday - 10am - 4pm Volume Number Issue Number Date 22 1 16th January 2014 Chairman’s Letter (incorporating Nan’s Letter Space) Dear Friends Congratulations to playwright Reg Cribb who won On behalf of the Board and Staff of the SBW Foundation the $20,000 award for his play Buried Country. may I wish you, your family and friends a Happy New This joyous, irreverent, theatrical and musical Year. May your 2014 be brimful of good health and journey is based on the story of Jimmy Little and theatrical delights. other indigenous country and Western pioneers such as Bobby Mcleod and boxer Lionel Rose who fought FESTIVAL OF SYDNEY: January is a vibrant month in to be accepted on their own terms. Reg has a the Sydney performing arts calendar. The Sydney Festival background as an actor and musician. His plays have has burst onto the scene with a dazzling choice of been performed nationally and internationally have engaging and provocative productions, events, free won many awards including the Rodney Seaborn performances and installations. I have been impressed by Playwrights Award in 2010. We were most gratified the enthusiasm of Festival Director Lieven Bertels and his to hear Reg’s acceptance speech: ‘The Rodney team who have organized an eclectic array of Seaborn Award is going to allow me to craft and entertainment, with a Festival Village in Hyde Park and a hone Buried Country into the stageworthy piece it schedule catering for all ages and tastes. -
Seaborn Broughton & Walford Foundation Newsletter
Seaborn Broughton & Walford Foundation Newsletter 925 Botany Rd Rosebery NSW 2018 Phone - 9955 5444 Email – [email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday - 10am - 4pm Volume Number Issue Number Date 21 1 31st January 2013 Nan’s Letter Space Dear Friends On behalf of the Board, Staff and Volunteers of the Although Billie Brown AM had once humorously SBW Foundation, I extend our very best wishes to you described himself as ‘a sweaty old character actor’, for a very Happy New Year. However, these New Year he was, in fact, a significant presence whether on greetings are tempered with profound sadness as we stage, in film or television. Those of us who saw his pay tribute to the late Dr Peter William Stafford performances in The Judas Kiss and The Histrionic Broughton who passed away on 11th December 2012 in realized we were watching great, unforgettable acting his 91st year. A distinguished founding Director of the at its towering best. The work of many fine actors Seaborn, Broughton & Walford Foundation and a dear will inevitably fade into the mists of time but Billie cousin of Dr Rodney Seaborn, Peter was a generous Brown will shine on as true stars do. donor and great supporter of our Foundation and its activities. Despite bouts of ill health in recent years, The Sydney Theatre Awards were also held this Peter regularly attended functions with his wife month. Among the many winners were Belvoir’s Deirdre. He will be greatly missed. We extend our Medea for best Direction (Anne-Louise Sarks) Best deepest sympathies to Deirdre, and to Peter’s brother, Actress (Blazey Best) Best New Australian Work, Philip, and family. -
A Mass for St Margaret
A Mass for St Margaret Saturday, October 16, 2010 at 8 pm First Church in Cambridge, Congregational A Mass for St Margaret Nicholas Ludford, Missa Regnum mundi Saturday, October 16, 2010 at 8 pm First Church in Cambridge, Congregational A Mass for St Margaret Introit: Me expectaverunt peccatores Sarum plainchant Kyrie XII (Conditor) Sarum plainchant Gloria / Missa Regnum mundi Nicholas Ludford (c. 1490-1557) Gradual: Specie tua Sarum plainchant Alleluya: Veni electa mea Sarum plainchant Credo / Missa Regnum mundi intermission Offertory: Offerentur regi virgines Sarum plainchant Sanctus / Missa Regnum mundi Agnus Dei / Missa Regnum mundi Communion: Feci iudicium Sarum plainchant Ite missa est Sarum plainchant • Votive antiphon: Gaude virgo mater Christi Hugh Aston (c. 1485-1558) Blue Heron Noël Bisson Jane Sheldon Julia Steinbok Pamela Dellal Martin Near Jason McStoots Mark Sprinkle Michael Barrett Sumner Thompson Glenn Billingsley Paul Guttry Ulysses Thomas Scott Metcalfe,director Pre-concert talk by James Simpson (Harvard University), sponsored by the Cambridge Society for Early Music Blue Heron · 45 Ash Street, Auburndale MA 02466 (617) 960-7956 · [email protected] · www.blueheronchoir.org Blue Heron Renaissance Choir, Inc. is a 501(c)(3) tax-exempt entity. This organization is funded in part by the Massachusetts Cultural Council, a state agency. A Mass for St Margaret The title of this evening’s concert should perhaps today the parish church of the Houses of Parliament. end with a question mark: A Mass for St Marga- This was Nicholas Ludford’s parish church from the ret? Among the many unsolved puzzles concerning early 1520s until his death in 1557; he was buried music from the fifteenth and sixteenth centuries is there on August 9 of that year.