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Dani California Words and Music by Anthony Kiedis, Flea, John Frusciante and Chad Smith

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Dani California Words and Music by Anthony Kiedis, Flea, John Frusciante and Chad Smith from Red Hot Chili Peppers - Stadium Arcadium Dani California Words and Music by Anthony Kiedis, Flea, John Frusciante and Chad Smith D5 Dm E7b9 F5 C5 5fr 5fr 6fr 134 1342 3142 134 134 Intro Moderately q = 96 µ ** Am G Dm Am Rhy. Fig. 1 End Rhy. Fig. 1 (Drums) *Gtr. 1 (clean) mf 5 3 5 5 5 3 6 5 5 X 4 X 7 X 5 X 7 X 5 X 7 7 7 X 7 X 7 7 7 X 5 5 5 X 5 5 5 X 7 7 7 X ? 5 5 5 3 3 3 5 5 5 *Two gtrs. arr. for one. **Chord symbols reflect overall harmony. Verse Gtr. 1: w/ Rhy. Fig. 1 (2 times) Am G Dm Am 1.Get - ting born in the state of Mis- sis - sip - pi, pa -pa was a cop -per and her ma -ma was a hip - pie. G Dm Am In Al- a - bam - a, she would swing a ham - mer. Price you got- ta pay when you break the pan o-- ra - ma. G Dm Am She nev- er knew that there was an -y - thing more than poor. ***Gtrs. 1 & 2 w/ modular filter 5 X X6 8 6 5 6 5 5 X X5 7 5 X X 4 5 4 7 X X 5 7 7 X 5 5 X 7 3 5 ***Gtr. 2 (clean), mf . Composite arrangement © 2006 MOEBETOBLAME MUSIC All Rights Reserved Used by Permission 1 G Dm Am What in the world does your com -pa - ny take me for? 3 5 X6 8 6 5 6 5 X 5 7 5 X X 4 5 4 7 5 7 7 X 5 5 X 7 X X 7 7 3 5 Verse *Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 2 tacet Am G Dm Am 2. Black ban- dan - na, sweet Lou i-- si - an - a, rob -bin’ on a bank in the state of In- di - an - a. 7 *Modular filter off G Dm Am She’s a run -ner, reb -el, and a stun - ner, on her mer- ry way, say- in’, “Ba -by, what- cha gon - na?” G Dm Am G Look- ing down the bar -rel of a hot met- al for -ty - five. Just an- oth - er way to sur- vive. Riff A End Riff A **Gtrs. 1 & 2 w/ modular filter 5 6 8 6 5 6 5 5 5 7 5 4 5 4 7 5 5 7 5 4 5 4 X X 7 5 X X 5 7 X X 7 X X 7 X 5 X X X X 7 3 5 X X X 5 3 5 **Composite arrangement 2 Authorized for use by Joshua Olson Gtr. 2 tacet Dm D5 E open Gtr. 3 (dist.) V V V V V V V (cont. in notation) * f Cal -i - for - Rhy. Fig. 2 End Rhy. Fig. 2 Gtr. 1 modular filter off 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 *Vol. swell Chorus Gtr. 1 tacet 3rd time, Gtrs. 7 & 8 tacet F5 C5 D5 G5 - nia, rest in peace. Si -mul - ta - Rhy. Fig. 3 End Rhy. Fig. 3 Gtr. 1 5 5 5 5 5 7 7 7 7 7 7 X 3 3 3 3 3 X 5 5 5 5 5 7 7 7 7 7 7 X 5 5 5 0 0 3 3 3 3 3 X 3 3 3 3 0 3 5 5 5 5 5 5 X 5 5 5 0 0 1 1 1 1 1 X 3 3 3 0 0 Gtr. 3: w/ Rhy. Fig. 3 (2 times) F5 C5 D5 G5 F5 C5 D5 G5 - ne - ous re - lease. Cal -i - for - nia, show your teeth. She’s my priest - To Coda 1 To Coda 2 F5 C5 D5 D5 Gtr. 3 X V V X X V X V V V K K K K K K K K K K K K K K K - ess, I’m your priest, yeah, yeah. Gtr. 3 **Gtr. 4 (slight dist.) (1st time, cont. in slashes) mf 5 5 5 5 5 7 7 7 7 7 7 7 7 3 3 3 3 3 X 5 5 5 5 5 7 7 7 7 X 7 7 7 X X 7 3 3 3 3 3 X 3 3 3 3 0 3 5 5 5 5 X 5 5 5 X X 5 3 1 1 1 1 1 X 0 3 **Doubled throughout 3 Authorized for use by Joshua Olson Interlude Gtr. 3 tacet Am G Dm Am G Dm Am Gtr. 5 NNNNNNNNNNNNNNN (dist.) NNNNNNN NNNNNNN NNNNNNN NNNNNNN NNNNNNN NNNNNNN NNNNNNN f w/ wah-wah 1 1NNNNNN 1NNNNNN 1NNNNNN 1NNNNNN 1NNNNNN 1NNNNNN 1NNNNNN NNNNNNNNNNNNN 15 15 11 11 10 10 13 13 15 15 11 11 10 10 13 13 Gtr. 6 (dist.) NNNNNNN NNNNNNNNNNNNNN NNNNNNN NNNNNNN NNNNNNN NNNNNNN NNNNNNN NNNNNNN f w/ wah-wah 1NNNNNN 1NNNNNN 1NNNNNN 1NNNNNN 1NNNNNN 1NNNNNN 1NNNNNN 1NNNNNNNNNNNNN 7 7 5 5 8 8 12 12 7 7 5 5 8 8 12 12 Gtr. 4 w/ Leslie 1 5 3 5 5 5 3 5 5 3 6 5 5 3 6 5 X 4 X 7 X 5 X 5 X 4 X 7 X 7 7 5 7 X 5 X 7 7 7 X 7 X 7 X 5 X 7 7 7 X 7 7 7 X 5 5 5 X 5 5 5 X 7 7 7 X 7 7 7 X 5 5 5 X 5 5 5 X 7 7 5 5 5 3 3 3 5 5 5 5 5 5 3 3 3 5 5 Verse Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 4 tacet Gtrs. 5 & 6 tacet Am G Dm Am 3.She’s a lov -er, ba -by, and a fight -er. Should -a seen her com -in’ when it got a lit- tle bright - er. Riff B End Riff B NNNNNNNNNNNNNNNNN NNNNNNNNNNNNN Gtr. 2 Gtr. 2 NNNNNNNNNNNNNNNNNNNNN NNNNNNNNNNNN Gtr. 4 wah-wah off divisi 1NNNNNNNNNNNNNNNN 1NNNNNNNNNNNN 1NNNNNNNNNNNNNNNNNNNN 1NNNNNNNNNNN 10 10 8 13 10 12 10 12 7 Gtr. 2: w/ Riff B G Dm Am With a name like Dan -i Cal i-- for - nia, (the) day was gon- na come when I was gon- na mourne ya. 4 Authorized for use by Joshua Olson *Gtrs. 1 & 2: w/ Riff A **Gtr. 1: w/ Rhy. Fig. 2 G Dm Am G Dm A lit- tle load -ed, she was steal -in’ an- oth -er breath. I love my ba -by to death. *w/ modular filter **Modular filter off Coda 1 D.S. al Coda 1 D5 K K K Cal -i - for - Gtr. 3 Gtr. 3 *** f 7 7 7 7 7 7 7 7 7 7 7 7 7 7 0 7 7 7 7 7 7 7 7 7 X X 7 7 7 7 7 0 5 5 5 5 5 5 5 5 5 X X 5 5 5 5 5 0 0 0 ***Vol. swell Bridge Gtr. 3 tacet Gtr. 4: w/ Rhy. Fig. 4 (2 times) Bm G † D/F# †† F#5/C# Bm K K K K K K K K K K K K Who knew the oth -er side of you? Who know what Rhy. Fig. 4 End Rhy. Fig. 4 Gtr. 4 w/ fast phase shifter 7 7 7 7 7 8 10 10 7 7 7 11 11 X 9 9 9 9 9 12 12 X 11 9 9 9 9 9 9 10 10 10 9 9 X 9 7 7 7 7 7 7 †Bass plays F #. ††Bass plays C #. G D/F# F#5/C# Bm G D/F# F#5/C# K K K K K K K K K K K K K K K oth -ers died to prove? Too true to say good- bye to you. Gtr. 2 NNNNNNNNNNNNNNNNNNN NNNNNNNNNNNNNNNN NNNNNNNNNNNNNNNNNN modular filter off 1NNNNNNNNNNNNNNNNNNN 1NNNNNNNNNNNNNNNN 1NNNNNNNNNNNNNNNNNN 12 12 10 14 14 12 5 Authorized for use by Joshua Olson Gtr. 2 tacet Bm K K K K K K K K K Too true to say, say, say... Gtr. 2 NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN 1NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN 12 14 Gtr. 4 3 7 7 7 7 7 7 7 X 7 7 9 X 9 9 9 9 9 X 9 9 9 9 9 9 5 7 7 7 7 7 7 7 7 7 7 7 7 5 3 Verse Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 4 tacet Am G Dm Am 4.Push the fad -er, gift -ed an- i - ma - tor one for the now and e- lev - en for the lat - er. Gtr. 2 Gtr. 2 NNNNNNNNNNNNNNNN NNNNNNNNNNNNNNNN NNNNNNNNNNNNNNNNNNNNN NNNNNNNNNNNNNNNN Gtr. 4 phase shifter off divisi 1NNNNNNNNNNNNNNNN 1NNNNNNNNNNNNNNNN 1NNNNNNNNNNNNNNNNNNNN 1NNNNNNNNNNNNNNN 5 3 6 5 7 5 8 7 5 G Dm Am Nev- er made it up to Min- ne - so - ta, North Da- ko - ta man was a gun -nin’ for the quo - ta.
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