Download the Fall 2021

Total Page:16

File Type:pdf, Size:1020Kb

Download the Fall 2021 How to order compose your Circle or highlight the concerts you’d like to attend in the grid below. If you have funds on account, you may use those own series & save! funds toward your purchase via the Box Office. Order by calling the Box Office M-F 10:00am-3:00pm at Buy 3 or more concerts and save up to 15%* 314-534-1700 or visiting us online at slso.org/season. All programs, artists, and dates are subject to change. *Excludes Boxes and $15 tickets. WED FRI SAT SUN Sep Kishi Bashi Sep 17 Program to include: - Improvisations on EO9066 7:30pm Dancing in the Street: The Music of Motown Kevin McBeth, conductor Sep 18 - 7:30pm Stéphane Previews the Season all tickets $15 Stéphane Denève, conductor Sep 19 - 3:00pm Forest Park Concert free Stéphane Denève, conductor Sep 22 In memory of Mary Ann Lee - 7:00pm concerts/dates Tchaikovsky’s Fourth Symphony Stéphane Denève, conductor JESSIE MONTGOMERY Banner Inbal Segev, cello Sep 25 Sep 26 ANNA CLYNE Dance - - Kirven Douthit-Boyd, choreographer 8:00pm 3:00pm PYOTR ILYICH TCHAIKOVSKY Symphony No. 4 Oct Bronfman Plays Rachmaninoff’s Third Stéphane Denève, conductor CAROLINE SHAW Entr’acte Yefim Bronfman, piano Oct 1 Oct 2 CHARLES IVES The Unanswered Question - - CHRISTOPHER ROUSE Rapture 10:30 am 8:00pm SERGEI RACHMANINOFF Piano Concerto No. 3 Crafted: Tchaikovsky’s Fourth Symphony Stéphane Denève, conductor Oct 1 PYOTR ILYICH TCHAIKOVSKY Symphony No. 4 - 6:30pm Made in America Leonard Slatkin, conductor JOAN TOWER Made in America David Halen, violin Oct 9 Oct 10 WILLIAM BOLCOM Violin Concerto - - 8:00pm 3:00pm BÉLA BARTÓK Concerto for Orchestra Changing Times John Storgårds, conductor JOSEPH HAYDN Symphony No. 64, “Tempora mutantur” Kirill Gerstein, piano Oct 15 Oct 16 THOMAS ADÈS Piano Concerto - - OUTI TARKIAINEN Midnight Sun Variations 7:30pm 8:00pm CARL NIELSEN Symphony No. 4, “The Inextinguishable” Revolution: The Music of the Beatles: Stephanie Childress, conductor Oct 22 A Symphonic Experience - 7:30pm Aoife O’Donovan Stephanie Childress, conductor Oct 23 Program to include: - America, Come 7:30pm Fliter Plays Schumann Nikolaj Szeps-Znaider, conductor KARIM AL-ZAND Luctus Profugis: Elegy for the Displaced Ingrid Fliter, piano Oct 29 Oct 30 ROBERT SCHUMANN Piano Concerto - - 10:30am 8:00pm BEDŘICH SMETANA Selections from Má vlast Nov Mozart, Brahms and Nikolaj Nikolaj Szeps-Znaider, violin W.A. MOZART Clarinet Quintet, K. 581 Erin Schreiber, violin JOHANNES BRAHMS String Sextet No. 1 in B-flat major Jonathan Chu, viola Nov 5 Christian Tantillo, viola - Melissa Brooks, cello 7:30pm Jennifer Humphreys, cello Scott Andrews, clarinet Stéphane Conducts Shostakovich Stéphane Denève, conductor JAMES LEE III Emotive Transformations Nikolaj Szeps-Znaider, violin Nov 6 Nov 7 JEAN SIBELIUS Violin Concerto - - 8:00pm 3:00pm DMITRI SHOSTAKOVICH Symphony No. 5 Beethoven’s Fifth Symphony Stéphane Denève, conductor CARLOS SIMON Fate Now Conquers Víkingur Ólafsson, piano Nov 13 Nov 14 EDVARD GRIEG Piano Concerto - - 8:00pm 3:00pm LUDWIG VAN BEETHOVEN Symphony No. 5 Schubert’s Great Symphony David Danzmayr, conductor ANNA CLYNE Pivot (SLSO Co-commission; U.S. Premiere) Simone Porter, violin Nov 19 Nov 20 MAX BRUCH Scottish Fantasy - - 10:30am 8:00pm FRANZ SCHUBERT Symphony No. 9, “The Great” Poems, Tales and Memories Thanksgiving Weekend JAKE HEGGIE The Work at Hand Gemma New, conductor Nov 27 Nov 28 EDWARD ELGAR Sea Pictures , mezzo-soprano - - Sasha Cooke 8:00pm 3:00pm NIKOLAI RIMSKY-KORSAKOV Scheherazade Elizabeth Chung, cello Dec Nic McGegan’s Bach Nicholas McGegan, conductor C.P.E. BACH Sinfonia in E minor Yin Xiong, cello Dec 3 Dec 4 Dec 5 C.P.E. BACH Cello Concerto in A major Beth Guterman Chu, viola - - - J.S. BACH Brandenburg Concerto No. 6 Andrew François, viola 7:30pm 8:00pm 3:00pm J.S. BACH Brandenburg Concerto No. 1 Generous operating support provided by Digital content supported in part by One-Hour Concert Live at Powell Hall.
Recommended publications
  • WXXI Program Guide | May 2021
    WXXI-TV | WORLD | CREATE | WXXI KIDS 24/7 | WXXI NEWS | WXXI CLASSICAL | WRUR 88.5 SEE CENTER PAGES OF CITY PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSFOR WXXI SHOW MAY/EARLY JUNE 2021 HIGHLIGHTS! WXXI-TV DAYTIME SCHEDULE MAY/EARLY JUNE PLEASE NOTE: WXXI-TV’s daytime schedule listed here runs from 6:00am to 7:00pm. The complete prime time television schedule begins on page 2. Saturday The PBS Kids programs below are shaded in gray. 6:00am Mister Roger’s Neighborhood 6:30am Arthur 7vam Molly of Denali Monday-Friday 7:30am Wild Kratts 6:00am Ready Jet Go! 8:00am Hero Elementary 6:30am Arthur 8:30am Xavier Riddle and the Secret Museum 7:00am Molly of Denali 9:00am Curious George 7:30am Wild Kratts 9:30am A Wider World 8:00am Hero Elementary 10:00am This Old House 8:30am Xavier Riddle and the Secret Museum 10:30am Ask This Old House 9:00am Curious George 11:00am Woodsmith Shop 9:30am Daniel Tiger’s Neighborhood 11:30am Ciao Italia 10:00am Donkey Hodie 12:00pm Lidia’s Kitchen 10:30am Elinor Wonders Why 12:30pm Christopher Kimball’s Milk Street Television 11:00am Sesame Street 1:00pm The Great British Baking Show 11:30am Pinkalicious & Peterrific 2:00pm America’s Test Kitchen 12:00pm Dinosaur Train 2:30pm Cook’s Country 12:30pm Clifford the Big Red Dog 3:00pm Second Opinion with Joan Lunden (WXXI) 1:00pm Sesame Street 3:30pm Rick Steves’ Europe 1:30pm Donkey Hodie 2:00pm Daniel Tiger’s Neighborhood Sunday 2:30pm Let’s Go Luna! 6:00am Mister Roger’s Neighborhood 3:00pm Nature Cat 6:30am Arthur 3:30pm Wild Kratts 7:00am Molly
    [Show full text]
  • DOSVC Weblist 8: Erato Box 51
    DOSVC Weblist 8: Erato Box 51 Label Serial No Composer, Work or Title Artists Record Condition notes Erato EPR 15554 Honegger Symphonie, Roussel Suite Munch, L'ORTF, Lamoreux Near Mint cutout notch UR Erato NUM 75106 Berlioz Symphonie Fantastique Conlon, Orch Nat de France Near Mint Gatefold album Erato NUM 75126 Schumann: Cello Concerto/Four Horns Lodeon/Devoyon/Guschlbauer Factory Sealed Cut Out notch Erato NUM 75146 Mahler/Strauss: Quartets for strings & piano Quatuor Ivaldi Near Mint Cut Out notch Erato NUM 75166 Corelli: Christmas Concerto Scimone, Solisti Veneti Factory Sealed Gatefold album Erato NUM 75167 Mozart: Sonata in D Major/C Minor/Fantasy Pires Factory Sealed Erato NUM 75168 Chopin Sonata 2 and 3 Duchable Factory Sealed Gatefold album, CO notch Erato NUM 75169 Handel: Alcina Gardiner, English Baroque Factory Sealed Gatefold album, CO notch 2 copies Erato NUM 75170 Offenbach/Cherubini/Saint-Saens/Godard Horne/Foster Factory Sealed Gatefold album, CO notch Erato NUM 75171 vocal by: Tosti/Rotoli/Brogi/Denza Raimondi/Scimone Factory Sealed Gatefold album, CO notch Erato NUM 75174 Delalande: Simphonies pour les Soupers du Roy Paillard Chamb Orch Factory Sealed Gatefold album, CO notch Erato NUM 75177 Liszt: Sonata in B Minor/Two Legends Duchable Factory Sealed Erato NUM 75178 Schumann: Scenes from Childhood/Forest Pires Factory Sealed Gatefold album, CO notch Erato NUM 75180 Mozart: Symphonies 38 & 39 Conlon , Scottish Chamber Near Mint Cut Out notch Erato NUM 75181 Motets of Vivaldi Scimone, Solisti Veneti Near Mint Cut Out
    [Show full text]
  • Waltz from the Sleeping Beauty
    Teacher Workbook TABLE OF CONTENTS Letter from Jessica Nalbone .................................................................................2 Director of Education, North Carolina Symphony Information about the 2012/13 Education Concert Program ............................3 North Carolina Symphony Education Programs .................................................4 Author Biographies ..............................................................................................6 Carl Nielsen (1865-1931) .......................................................................................7 Oriental Festival March from Aladdin Suite, Op. 34 Wolfgang Amadeus Mozart (1756-1791) ..........................................................15 Symphony No. 39 in E-flat Major, K.543, Mvt. I or III (Movements will alternate throughout season) Claude Debussy (1862-1918) ..............................................................................28 “Golliwogg’s Cakewalk” from Children’s Corner, Suite for Orchestra Piotr Ilyich Tchaikovsky (1840-1893) ..................................................................33 Waltz from The Sleeping Beauty Igor Stravinsky (1882-1971) ...............................................................................44 “Dance of the Young Girls” from The Rite of Spring Loonis McGlohon (1921-2002) & Charles Kuralt (1924-1997) ..........................52 “North Carolina Is My Home” Richard Wagner (1813-1883) ..............................................................................61 Overture to Rienzi
    [Show full text]
  • Elgar, Cello Concerto in E Minor
    Cello Concerto in E minor, Op. 85 i. Adagio; Moderato ii. Lento; Allegro molto iii. Adagio iv. Allegro; Moderato; Allegro, ma non troppo; Poco più lento; Adagio Edward Elgar enjoys a curious reputation in his own country. To many, he is the composer of overtly nationalistic music such as Pomp and Circumstance, the musical incarnation of Edwardian imperialism. Although early works such as the Enigma Variations and Imperial March garnered him praise and fame, it is his later works from 1918-1919 that are much more autobiographical in content – none more so than the Cello Concerto in E minor. The Concerto was mostly composed between 1918 and 1919 at Brinkwells, a cottage in the Sussex woods where he wrote three other chamber works – the Violin Sonata, String Quartet and Piano Quintet. Like these other Brinkwells compositions, the Cello Concerto is a deeply introspective work which reveals much about the composer’s state of mind: an aging artist concerned about his waning popularity, his wife’s failing health, and reflecting on the horrors of the First World War. Despite a grossly under-rehearsed première at the Queen’s Hall on 27 October 1919, it has since been established as perhaps the finest cello concerto in the repertoire, alongside Dvořák’s, and the only work of Elgar’s to enjoy regular performances outside the English-speaking world. The Cello Concerto is an emotionally draining work not only for the players but also the listener, its overwhelming mood one of melancholy and autumnal world-weariness. The first movement opens with a declamatory, grandiose statement by the soloist leading, in almost improvisatory style, into a lilting melody; there is a wistfully lyrical middle section before the opening melody returns.
    [Show full text]
  • Juilliard Orchestra Marin Alsop, Conductor Daniel Ficarri, Organ Daniel Hass, Cello
    Saturday Evening, January 25, 2020, at 7:30 The Juilliard School presents Juilliard Orchestra Marin Alsop, Conductor Daniel Ficarri, Organ Daniel Hass, Cello SAMUEL BARBER (1910–81) Toccata Festiva (1960) DANIEL FICARRI, Organ DMITRI SHOSTAKOVICH (1906–75) Cello Concerto No. 2 in G major, Op. 126 (1966) Largo Allegretto Allegretto DANIEL HASS, Cello Intermission CHRISTOPHER ROUSE (1949–2019) Processional (2014) JOHANNES BRAHMS (1833–97) Symphony No. 2 in D major, Op. 73 (1877) Allegro non troppo Adagio non troppo Allegretto grazioso Allegro con spirito Performance time: approximately 1 hour and 50 minutes, including an intermission This performance is made possible with support from the Celia Ascher Fund for Juilliard. The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. Juilliard About the Program the organ’s and the orchestra’s full ranges. A fluid approach to rhythm and meter By Jay Goodwin provides momentum and bite, and intricate passagework—including a dazzling cadenza Toccata Festiva for the pedals that sets the organist’s feet SAMUEL BARBER to dancing—calls to mind the great organ Born: March 9, 1910, in West Chester, music of the Baroque era. Pennsylvania Died: January 23, 1981, in New York City Cello Concerto No. 2 in G major, Op. 126 DMITRI SHOSTAKOVICH In terms of scale, pipe organs are Born: September 25, 1906, in Saint Petersburg different from every other type of Died: August 9, 1975, in Moscow musical instrument, and designing and assembling a new one can be a challenge There are several reasons that of architecture and engineering as complex Shostakovich’s Cello Concerto No.
    [Show full text]
  • Themenkatalog »Musik Verfolgter Und Exilierter Komponisten«
    THEMENKATALOG »Musik verfolgter und exilierter Komponisten« 1. Alphabetisches Verzeichnis Babin, Victor Capriccio (1949) 12’30 3.3.3.3–4.3.3.1–timp–harp–strings 1908–1972 for orchestra Concerto No.2 (1956) 24’ 2(II=picc).2.2.2(II=dbn)–4.2.3.1–timp.perc(3)–strings for two pianos and orchestra Blech, Leo Das war ich 50’ 2S,A,T,Bar; 2(II=picc).2.corA.2.2–4.2.0.1–timp.perc–harp–strings 1871–1958 (That Was Me) (1902) Rural idyll in one act Libretto by Richard Batka after Johann Hutt (G) Strauß, Johann – Liebeswalzer 3’ 2(picc).1.2(bcl).1–3.2.0.0–timp.perc–harp–strings Blech, Leo / for coloratura soprano and orchestra Sandberg, Herbert Bloch, Ernest Concerto Symphonique (1947–48) 38’ 3(III=picc).2.corA.2.bcl.2.dbn–4.3.3.1–timp.perc(3):cyms/tam-t/BD/SD 1880–1959 for piano and orchestra –cel–strings String Quartet No.2 (1945) 35’ Suite Symphonique (1944) 20’ 3(III=picc).2.corA.2.bcl.2.dbn–4.3.3.1–timp.perc:cyms/BD–strings Violin Concerto (1937–38) 35’ 3(III=picc).2.corA.2.bcl.2.dbn–4.3.3.1–timp.perc(2):cyms/tgl/BD/SD– harp–cel–strings Braunfels, Walter 3 Chinesische Gesänge op.19 (1914) 16’ 3(III=picc).2(II=corA).3.2–4.2.3.1–timp.perc–harp–cel–strings; 1882–1954 for high voice and orchestra reduced orchestraion by Axel Langmann: 1(=picc).1(=corA).1.1– Text: from Hans Bethge’s »Chinese Flute« (G) 2.1.1.0–timp.perc(1)–cel(=harmonium)–strings(2.2.2.2.1) 3 Goethe-Lieder op.29 (1916/17) 10’ for voice and piano Text: (G) 2 Lieder nach Hans Carossa op.44 (1932) 4’ for voice and piano Text: (G) Cello Concerto op.49 (c1933) 25’ 2.2(II=corA).2.2–4.2.0.0–timp–strings
    [Show full text]
  • String Quartet in E Minor, Op 83
    String Quartet in E minor, op 83 A quartet in three movements for two violins, viola and cello: 1 - Allegro moderato; 2 - Piacevole (poco andante); 3 - Allegro molto. Approximate Length: 30 minutes First Performance: Date: 21 May 1919 Venue: Wigmore Hall, London Performed by: Albert Sammons, W H Reed - violins; Raymond Jeremy - viola; Felix Salmond - cello Dedicated to: The Brodsky Quartet Elgar composed two part-quartets in 1878 and a complete one in 1887 but these were set aside and/or destroyed. Years later, the violinist Adolf Brodsky had been urging Elgar to compose a string quartet since 1900 when, as leader of the Hallé Orchestra, he performed several of Elgar's works. Consequently, Elgar first set about composing a String Quartet in 1907 after enjoying a concert in Malvern by the Brodsky Quartet. However, he put it aside when he embarked with determination on his long-delayed First Symphony. It appears that the composer subsequently used themes intended for this earlier quartet in other works, including the symphony. When he eventually returned to the genre, it was to compose an entirely fresh work. It was after enjoying an evening of chamber music in London with Billy Reed’s quartet, just before entering hospital for a tonsillitis operation, that Elgar decided on writing the quartet, and he began it whilst convalescing, completing the first movement by the end of March 1918. He composed that first movement at his home, Severn House, in Hampstead, depressed by the war news and debilitated from his operation. By May, he could move to the peaceful surroundings of Brinkwells, the country cottage that Lady Elgar had found for them in the depth of the Sussex countryside.
    [Show full text]
  • Chopin's Nocturne Op. 27, No. 2 As a Contribution to the Violist's
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory Rafal Zyskowski Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Zyskowski, Rafal, "A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory" (2014). LSU Doctoral Dissertations. 3366. https://digitalcommons.lsu.edu/gradschool_dissertations/3366 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A TALE OF LOVERS: CHOPIN’S NOCTURNE OP. 27, NO. 2 AS A CONTRIBUTION TO THE VIOLIST’S REPERTORY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Rafal Zyskowski B.M., Louisiana State University, 2008 M.M., Indiana University, 2010 May 2014 ©2014 Rafal Zyskowski All rights reserved ii Dedicated to Ms. Dorothy Harman, my best friend ever iii ACKNOWLEDGMENTS As always in life, the final outcome of our work results from a contribution that was made in one way or another by a great number of people. Thus, I want to express my gratitude to at least some of them.
    [Show full text]
  • NABMSA Reviews a Publication of the North American British Music Studies Association
    NABMSA Reviews A Publication of the North American British Music Studies Association Vol. 5, No. 2 (Fall 2018) Ryan Ross, Editor In this issue: Ita Beausang and Séamas de Barra, Ina Boyle (1889–1967): A Composer’s Life • Michael Allis, ed., Granville Bantock’s Letters to William Wallace and Ernest Newman, 1893–1921: ‘Our New Dawn of Modern Music’ • Stephen Connock, Toward the Rising Sun: Ralph Vaughan Williams Remembered • James Cook, Alexander Kolassa, and Adam Whittaker, eds., Recomposing the Past: Representations of Early Music on Stage and Screen • Martin V. Clarke, British Methodist Hymnody: Theology, Heritage, and Experience • David Charlton, ed., The Music of Simon Holt • Sam Kinchin-Smith, Benjamin Britten and Montagu Slater’s “Peter Grimes” • Luca Lévi Sala and Rohan Stewart-MacDonald, eds., Muzio Clementi and British Musical Culture • Christopher Redwood, William Hurlstone: Croydon’s Forgotten Genius Ita Beausang and Séamas de Barra. Ina Boyle (1889-1967): A Composer’s Life. Cork, Ireland: Cork University Press, 2018. 192 pp. ISBN 9781782052647 (hardback). Ina Boyle inhabits a unique space in twentieth-century music in Ireland as the first resident Irishwoman to write a symphony. If her name conjures any recollection at all to scholars of British music, it is most likely in connection to Vaughan Williams, whom she studied with privately, or in relation to some of her friends and close acquaintances such as Elizabeth Maconchy, Grace Williams, and Anne Macnaghten. While the appearance of a biography may seem somewhat surprising at first glance, for those more aware of the growing interest in Boyle’s music in recent years, it was only a matter of time for her life and music to receive a more detailed and thorough examination.
    [Show full text]
  • Taking Flight Beginning with a Tribute to Lindbergh, the St
    TAKING FLIGHT BEGINNING WITH A TRIBUTE TO LINDBERGH, THE ST. LOUIS SYMPHONY EXPRESSES THE SPIRIT OF ST. LOUIS. BY EDDIE SILVA DILIP VISHWANAT David Robertson Begin with a new beginning. The St. Louis Symphony’s 2016-17 season, its 137th, starts with the turn of a propeller, a steep rise into uncluttered skies, and a lonely, perilous journey that changed how people lived, thought, and dreamed. Charles Lindbergh’s silvery craft was christened The Spirit of St. Louis, and pilot and aircraft made their historic flight together across the Atlantic 90 years ago. The name “Spirit of St. Louis” also reflects upon the daring and innovation of a few St. Louisans early in the 20th century. It also speaks to St. Louis now, near the beginning of a new century amidst a whirlwind of innovation that turns more swiftly than a propeller. The St. Louis Symphony, Music Director David Robertson has remarked often, embodies that spirit: innovative, daring, risk-taking, enduring, agile, resourceful—give it an engine and a pair of wings and you’ll see Paris by morning. Kurt Weill’s The Flight of Lindbergh opens the 2016-17 season (September 16-17). Described as a “radio cantata,” it is one of the early collaborations between Weill and Bertolt Brecht, who created the classic The Threepenny Opera as well as other distinctive Brecht/Weill productions. KMOX’s Charlie Brennan provides the radio expertise as narrator of The Flight of Lindbergh. This 1929 work, written in the flush of inspiration that followed Lindbergh’s 6 Taking Flight achievement, will feel fresh, new, and innovative in 2016.
    [Show full text]
  • Prospero's Rooms
    2020 FEB HADELICH PLAYS PAGANINI 2019-20 HAL & JEANETTE SEGERSTROM FAMILY FOUNDATION CLASSICAL SERIES Michael Francis, conductor Rouse PROSPERO’S ROOMS Augustin Hadelich, violin Paganini VIOLIN CONCERTO NO. 1 IN D MAJOR Allegro maestoso Adagio Rondo: Allegro spiritoso Augustin Hadelich Intermission Rachmaninoff SYMPHONY NO. 3 IN A MINOR Lento—Allegro moderato—Allegro Adagio ma non troppo—Allegro Allegro—Allegro vivace Thursday, February 27, 2020 @ 8 p.m. Friday, February 28, 2020 @ 8 p.m. The appearances of Augustin Hadelich and Saturday, February 29, 2020 @ 8 p.m. Michael Francis have been generously underwritten by Segerstrom Center for the Arts a gift from Sam and Lyndie Ersan. Renée and Henry Segerstrom Concert Hall OFFICIAL MEDIA SPONSOR This concert is being recorded for broadcast on Sunday, March 15, 2020, on Classical KUSC. PacificSymphony.org FEB 2020 5 PROGRAM NOTES in the world of atonality; yet he was also a influenced his compositional as well as rock’n’roll fan (Led Zeppelin was a favorite) his playing style. and taught a class on the history of rock None of this even begins to suggest Christopher Rouse: while on the faculty at the Eastman School the nature or extent of Paganini’s of Music. celebrity, which spread through Italy Prospero’s Rooms Regarding Prospero’s Rooms, Rouse and then took Europe by storm. After an Lovers of classical noted on his website: “In the days when I 1813 concert at Milan’s La Scala opera music lost one would have still contemplated composing house, he was spoken of in the same of their own in an opera, my preferred source was Edgar reverential tones as other great violinists, 2019 when the Allan Poe’s ‘Masque of the Red Death.’… including Charles Philippe Lafont and Pulitzer Prize- However… I decided to redirect my ideas Louis Spohr.
    [Show full text]
  • 50Th Annual Concerto Concert
    SCHOOL OF ART | COLLEGE OF MUSICAL ARTS | CREATIVE WRITING | THEATRE & FILM BOWLING GREEN STATE UNIVERSITY 50th a n n u a l c o n c e r t o concert BOWLING GREEN STATE UNIVERSITY Summer Music Institute 2017 bgsu.edu/SMI featuring the SESSION ONE - June 11-16 bowling g r e e n Double Reed Strings philharmonia SESSION TWO - June 18-23 emily freeman brown, conductor Brass Recording Vocal Arts SESSION THREE - June 25-30 Musical Theatre saturday, february 25 Saxophone 2017 REGISTRATION OPENS FEBRUARY 1ST 8:00 p.m. For more information, visit BGSU.edu/SMI kobacker hall BELONG. STAND OUT. GO FAR. CHANGING LIVES FOR THE WORLD.TM congratulations to the w i n n e r s personnel of the 2016-2 017 Violin I Bass Trombone competition in music performance Alexandria Midcalf** Nicholas R. Young* Kyle McConnell* Brandi Main** Lindsay W. Diesing James Foster Teresa Bellamy** Adam Behrendt Jef Hlutke, bass Mary Solomon Stephen J. Wolf Morgan Decker, guest Ling Na Kao Cameron M. Morrissey Kurtis Parker Tuba Jianda Bai Flute/piccolo Diego Flores La Le Du Alaina Clarice* undergraduate - performance Nia Dewberry Samantha Tartamella Percussion/ Timpani Anna Eyink Michelle Whitmore Scott Charvet* Stephen Dubetz, clarinet Keisuke Kimura Jerin Fuller+ Elijah T omas Oboe/Cor Anglais Zachary Green+ Michelle Whitmore, flute Jana Zilova* Febe Harmon Violin II T omas Morris David Hirschfeld+ Honorable Mention: Samantha Tartamella, flute Sophia Schmitz Mayuri Yoshii Erin Reddick+ Bethany Holt Anthony Af ul Felix Reyes Zi-Ling Heah Jamie Maginnis Clarinet/Bass clarinet/ Harp graduate - performance Xiangyi Liu E-f at clarinet Michaela Natal Lindsay Watkins Lucas Gianini** Keyboard Kenneth Cox, flute Emily Topilow Hayden Giesseman Paul Shen Kyle J.
    [Show full text]