Shakespeare's Possible Use of Polydore Vergil's Anglica Historia In
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The Cultural and Ideological Significance of Representations of Boudica During the Reigns of Elizabeth I and James I
EXETER UNIVERSITY AND UNIVERSITÉ D’ORLÉANS The Cultural and Ideological Significance Of Representations of Boudica During the reigns of Elizabeth I and James I. Submitted by Samantha FRENEE-HUTCHINS to the universities of Exeter and Orléans as a thesis for the degree of Doctor of Philosophy in English, June 2009. This thesis is available for library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgment. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ..................................... (signature) 2 Abstract in English: This study follows the trail of Boudica from her rediscovery in Classical texts by the humanist scholars of the fifteenth century to her didactic and nationalist representations by Italian, English, Welsh and Scottish historians such as Polydore Virgil, Hector Boece, Humphrey Llwyd, Raphael Holinshed, John Stow, William Camden, John Speed and Edmund Bolton. In the literary domain her story was appropriated under Elizabeth I and James I by poets and playwrights who included James Aske, Edmund Spenser, Ben Jonson, William Shakespeare, A. Gent and John Fletcher. As a political, religious and military figure in the middle of the first century AD this Celtic and regional queen of Norfolk is placed at the beginning of British history. In a gesture of revenge and despair she had united a great number of British tribes and opposed the Roman Empire in a tragic effort to obtain liberty for her family and her people. -
RHO Volume 35 Back Matter
WORKS OF THE CAMDEN SOCIETY AND ORDER OF THEIR PUBLICATION. 1. Restoration of King Edward IV. 2. Kyng Johan, by Bishop Bale For the year 3. Deposition of Richard II. >• 1838-9. 4. Plumpton Correspondence 6. Anecdotes and Traditions 6. Political Songs 7. Hayward's Annals of Elizabeth 8. Ecclesiastical Documents For 1839-40. 9. Norden's Description of Essex 10. Warkworth's Chronicle 11. Kemp's Nine Daies Wonder 12. The Egerton Papers 13. Chronica Jocelini de Brakelonda 14. Irish Narratives, 1641 and 1690 For 1840-41. 15. Rishanger's Chronicle 16. Poems of Walter Mapes 17. Travels of Nicander Nucius 18. Three Metrical Romances For 1841-42. 19. Diary of Dr. John Dee 20. Apology for the Lollards 21. Rutland Papers 22. Diary of Bishop Cartwright For 1842-43. 23. Letters of Eminent Literary Men 24. Proceedings against Dame Alice Kyteler 25. Promptorium Parvulorum: Tom. I. 26. Suppression of the Monasteries For 1843-44. 27. Leycester Correspondence 28. French Chronicle of London 29. Polydore Vergil 30. The Thornton Romances • For 1844-45. 31. Verney's Notes of the Long Parliament 32. Autobiography of Sir John Bramston • 33. Correspondence of James Duke of Perth I For 1845-46. 34. Liber de Antiquis Legibus 35. The Chronicle of Calais J Downloaded from https://www.cambridge.org/core. IP address: 170.106.35.93, on 27 Sep 2021 at 13:24:50, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S2042169900003692 CAMDEN K^AHkJ|f SOCIETY, FOR THE PUBLICATION OF EARLY HISTORICAL AND LITERARY REMAINS. -
Featuring Articles on Henry Wyatt, Elizabeth of York, and Edward IV Inside Cover
Richard III Society, Inc. Vol. 42 No. 3 September, 2011 Challenge in the Mist by Graham Turner Dawn on the 14th April 1471, Richard Duke of Gloucester and his men strain to pick out the Lancastrian army through the thick mist that envelopes the battlefield at Barnet. Printed with permission l Copyright © 2000 Featuring articles on Henry Wyatt, Elizabeth of York, and Edward IV Inside cover (not printed) Contents The Questionable Legend of Henry Wyatt.............................................................2 Elizabeth of York: A Biographical Saga................................................................8 Edward IV King of England 1461-83, the original type two diabetic?................14 Duchess of York—Cecily Neville: 1415-1495....................................................19 Errata....................................................................................................................24 Scattered Standards..............................................................................................24 Reviews................................................................................................................25 Behind the Scenes.................................................................................................32 A Few Words from the Editor..............................................................................37 Sales Catalog–September, 2011...........................................................................38 Board, Staff, and Chapter Contacts......................................................................43 -
Richard III: Victim Or Villain?
Richard III: Victim or Villain? SYNOPSIS As a student in history class my favourite topic was always the Tudors and their monarchs. So, when presented with the opportunity to form an investigation into a historical period of my choice, without hesitation, I chose the Tudors. After researching, I settled on the controversies surrounding Richard III. Many of the contemporary records widely available are written by the Tudors, the family who usurped the English throne from Richard. I also looked into popular culture and the enduring image we see of Richard III in many dramas, due to Shakespeare. This led me to question how much of King Richard’s image was created by the Tudors and not necessarily based on historical fact. Hence, this led me to my question: “To what extent has the image of Richard III been shaped by Tudor historians?” The most prevalent depictions of Richard III are those that have been kept in popular history, most prominently, the Tudor depiction, through Shakespeare’s play Richard III. To answer my question, I focussed on assessing the role of the early Tudor historians, focussing on the work of Thomas More and Polydore Vergil, in creating the image of Richard III. I then looked at how this image was immortalised by Shakespeare in his historical tragedy Richard III. Finally, I considered more modern revisionists attempts, such as Philippa Langley and the team who led the 2012 dig to find Richard’s remains, and the impacts these efforts have had on revising King Richard III’s image. Jeremy Potter, through his work Good King Richard?1 was the main source which provided insight into the personal context of key historians Sir Thomas More and Polydore Vergil. -
John Milton╎s History of Britain: Its Place in English Historiography
Studies in English Volume 6 Article 9 1965 John Milton’s History of Britain: Its Place in English Historiography Michael Landon University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the Literature in English, British Isles Commons Recommended Citation Landon, Michael (1965) "John Milton’s History of Britain: Its Place in English Historiography," Studies in English: Vol. 6 , Article 9. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol6/iss1/9 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. Landon: John Milton’s History of Britain: Its Place in English Historiogr JOHN MILTON'S HISTORY OF BRITAIN ITS PLACE IN ENGLISH HISTORIOGRAPHY by Michael Landon The History of Britain, that part especially now called England, from the first traditional Beginning continued to the Norman Conquest, by John Milton, was written at intervals between 1646 and 1660 and was first published in 1670 by James Allestry in a quarto volume of some three hundred and fifty pages which sold for five shillings.1 Few think of Milton as a historian, although anyone familiar with Paradise Lost alone of his best known works will realize that the famous mid-seventeenth century poet knew and had a pro found sense of history.2* His History of Britain has tended to be neglected by Milton scholars and has not as yet been critically -
The Causes of Tyranny As a Guide to Political Reform: St
THE CAUSES OF TYRANNY AS A GUIDE TO POLITICAL REFORM: ST. THOMAS MORE’S HISTORY OF KING RICHARD III OF ENGLAND Carle Mock, Ph.D. University of Dallas, 2017 Dr. Gerard Wegemer, Director Part One of this dissertation establishes a basis for interpreting More’s History of King Richard III. Chapter One inquires into its genre, concluding it is a “rhetorical history” like the histories composed by Thucydides, Livy, Sallust, and Tacitus, a genre similar to drama which aims to reveal fundamental moral and political truths by following classical rhetorical principles. Chapter Two investigates the relationship between the nine textually significant extant versions of this work, and concludes that they derive from a series of revised drafts. The English versions are shown to be preliminary drafts, with the Paris manuscript being the Latin version based on the latest draft. Chapter Three analyzes the changes between drafts and finds that More carefully revised his work and paid particular attention to concepts important in political philosophy. The four chapters of Part Two interpret the work's political teaching. Chapter Four introduces the major theme—the causes of tyranny in the England depicted—by contrasting tyranny with a good political order, “republic.” This chapter defines tyranny, distinguishes the tyrant Richard from the merely bad king Edward, notes the relationship between tyranny and faction, and describes the attributes of a republic and its members, “citizens.” It also discusses aligning public and private interests and avoiding conflicts of interest as principles of political reform. Chapter Five inquires into institutional causes of tyranny, discussing sanctuary and the dangers of imprudent rational critique, the strengths and weaknesses of England's criminal, civil, and constitutional law, and the weaknesses of hereditary kingship. -
Lambert Simnel and the King from Dublin
Lambert Simnel and the King from Dublin GORDON SMITH Throughout his reign (1485-1509) Richard III's supplanter Henry VII was troubled by pretenders to his throne, the most important of whom were Lambert Simnel and Perkin Warbeck.1 Both are popularly remembered perhaps because their names have a pantomime sound to them, and a pantomime context seems a suitable one for characters whom Henry accused of being not real pretenders but mere impersonators. Nevertheless, there have been some doubts about the imposture of Perkin, although there appear to have been none before now about Lambert.2 As A.F. Pollard observed, 'no serious historian has doubted that Lambert was an impostor'.3 This observation is supported by the seemingly straightforward traditional story about the impostor Lambert Simnel, who was crowned king in Dublin but defeated at the battle of Stoke in 1487, and pardoned by Henry VII. This story can be recognised in Francis Bacon's influential history of Henry's reign, published in 1622, where Lambert first impersonated Richard, Duke of York, the younger son of Edward IV, before changing his imposture to Edward, Earl of Warwick.4 Bacon and the sixteenth century historians derived their account of the 1487 insurrection mainly from Polydore Vergil's Anglica Historia, but Vergil, in his manuscript compiled between 1503 and 1513, said only that Simnel counterfeited Warwick.5 The impersonation of York derived from a life of Henry VII, written around 1500 by Bernard André, who failed to name Lambert.6 Bacon's York-Warwick imitation therefore looks like a conflation of the impostures from André and Vergil. -
The Hieroglyphs of Kingship: Italy’S Egypt in Early Tudor England and the Manuscript As Monument
THE HIEROGLYPHS OF KINGSHIP: ItaLy’s EGYPT IN EARLY TUDOR ENGLAND AND THE MANUSCRIPT AS MONUMENT Sonja Drimmer, University of Massachusetts, Amherst nhabitants of early quattrocento Rome witnessed the unraveling of enigmas in their own back- Iyard. Scattered across the Roman cityscape were monumental plinths, overgrown with moss and dormant as Ozymandias’s “trunkless legs of stone.” An anonymous author of ca. 1415 summarized a commonly held belief on the imperial origins of these monoliths, writing that one built “in the great forum under the Capitol . had been erected with the ashes and bones of Julius Caesar.”1 But little else about the monuments was surmised.2 Then, in a momentous discovery, a manuscript that would help to demystify the inscriptions on these ancient monuments was found on the island of Andros by Cristoforo Buondelmonti in 1419.3 A fourteenth-century copy of what purports to be an ancient dictionary in Greek of 189 hieroglyphic symbols, the Hieroglyphica of Horapollo, was shepherded back to Italy, where it made the rounds among Florentine humanist circles.4 It was only then, with the Hieroglyphica as their guide, that quattrocento Italians turned their newly educated eyes to the symbols on those inert monoliths, recognizing their Egyptian provenance.5 What followed was a period of zeal for hieroglyphs, fueled by the conviction that they were the long sought-after universal language knowable to all enlightened minds.6 I would like to thank the American Trust for the British 4 Although believed in the Renaissance to have been of an- Library for supporting my work on the exhibition “Royal cient origin, the Hieroglyphica was composed in the fourth or Manuscripts: The Genius of Illumination,” where research fifth centuryA .D. -
Three Books of Polydore Vergil's English History, Comprising The
////y .^7/^^'///////.^ ^ '.u/ 'm COi^'^^^UL JU ., MICHAJEL5 ^i^^^Vn/^ ST. Oi ..*^- -^i^*-:, r>*v.rJ^° / CHARLES SAVILE ROUNDELL. e/ / tu^ THREE BOOKS POLYDORE VERGIL'S ENGLISH HISTORY, COMPRISING THE REIGNS OF HENRY VI., EDWARD IV., AND RICHARD III. FROM AN EARLY TRANSLATION, PRESERVED AMONG THE MSS. OF THE OLD ROYAL LIBRARY IN THE BRITISH MUSEUM. EDITED BY SIR HENRY ELLIS, K.H. " Ornatissime Polydore, Opera tua sunt eleg'anter et feliciter excusa." Erasmi Epist.fol. Lugd. Bat. 1706, Ep. dcclx. 5 Sept. 1525. LONDON: PRINTED FOR THE CAMDEN SOCIETY, BY JOHN BOWYER NICHOLS AND SON, PARLIAMENT STREET. M.DCCCXLIV. APL " 6 1938 ' MAR 1 1967 [no. XXIX.] >v^ COUNCIL OF THE CAMDEN SOCIETY, FOR THE YEAR 1844. THE RIGHT HON. LORD BRAYBROOKE, F.S.A. THOMAS AMYOT, ESQ. F.R.S., Treas. S.A. Director. JOHN BRUCE, ESQ. F.S.A. Treasurer. JOHN PAYNE COLLIER, ESQ. F.S.A. THE LORD ALBERT CONYNGHAM, K.C.H., F.S.A. C. PURTON COOPER, ESQ. Q.C., D.C.L., F.R.S., F.S.A. T. CROFTON CROKER, ESQ. F.S.A., M.R.I.A. SIR HENRY ELLIS, K.H., F.R.S., Sec. SA. HENRY HALLAM, ESQ. M.A., F.R.S., V.P.S.A. THE REV. JOSEPH HUNTER, F.S.A. SIR FREDERIC MADDEN, K.H., F.R.S., F.S.A. THOMAS JOSEPH PETTIGREW, ESQ. F.R.S., F.S.A. THOMAS STAPLETON, ESQ. F.S.A. WILLIAM J. THOMS, ESQ. F.S.A., Secretary, ALBERT WAY, ESQ, M.A., DIR. S.A. THOMAS WRIGHT, ESQ. -
The History of Richard III / Historia Richardi Tertii
Thomas More’s Early Works: The History of Richard III / Historia Richardi Tertii Historia Richardi Tertii: Editions Manuscripts A620. Paris, Bibliothèque nationale, MS fr.4996, fol. 208–252 (Anciens fonds). [CW 15: cxxxiii–cliv. Folio 230v reproduced in CW 15:: facing p.cxxxvi. Edited with a translation in CW 15: 313–485. Early to mid-16th century MS unknown to Sylvester, editor of CW 2, was discovered by Daniel Kinney, editor of CW 15. Best MS of More's Latin Text.] A621. College of Arms, MS Arundel 43. [CW 2: xviii; CW 15: cxxxiii–cxlii;. mid-16th century fragment. Published in CW 2: 96–149 and collated in CW 15. Folio 25vreproduced in CW 2: frontispiece.] A622. British Library, MS Harley 902. fols. 158–62. [CW 2: xviii; CW 15: cxlii–cxliii;c. mid- 16th century fragment. Collated in CW 2: 96–107 and in CW 15.] A623. Oxford, Bodleian Library, MS Tanner 302, fols. 97–110v. [CW 2: xviii. c. 1575–1600. Text taken from 1565 Latin Opera Omnia.] Editions A624. More, Thomas. "Historia Richardi Regis Angliae eius nominis tertii, per Thomam Morum, Londinensis civitatis iam tum vicecomitem conscripta, Annum circiter M.D. XIII. Quam propriae exercitationis gratia, nec ita magno studio conscriptam, neque absolutam haud unquam postea emendauit, vt minime mireris, si cum alijs eius Latinis operibus quoad sermonis elegantiam non conferenda sit. Hoc opus nunc primum Latine in lucem aeditum est. Nam ante complures annos Britannice ab eodem authore quam elegantissime conscriptum, in manus hominum prodierat: quod in eius Anglicorum operum volumine insertum inuenies." Thomae Mori Angli, . -
Thomas Stapleton, the Life and Illustrious Martyrdom of Sir Thomas
THE LIFE AND ILLUSTRIOUS MARTYRDOM OF SIR THOMAS MORE by THOMAS STAPLETON Translated by PHILIP E. HALLETT Edited by Katherine Stearns and Emma Curtis CTMS Publishers at the University of Dallas © 2020 1 AbbreviAtions Corr The Correspondence of Sir Thomas More, ed. Elizabeth F. Rogers (Princeton University Press, 1947), followed by page numbers. CW The Complete Works of St. Thomas More, 15 vols. (Yale University Press, 1963–97), followed by volume and page numbers. CWE The Collected Works of Erasmus, 86 vols. (Toronto University Press, 1974–), followed by volume and page numbers. EE Erasmi Epistolae, ed. P. S. Allen et. al, 12 vols. (Oxford University Press, 1906–55), followed by letter number. EW Essential Works of Thomas More, ed. Gerard B. Wegemer and Stephen W. Smith. (Yale University Press, 2020), followed by page number. H (Hallett) Thomas Stapleton’sThe Life and Illustrious Martyrdom of Sir Thomas More, trans. and notes by Philip E. Hallett (Burns and Oates, 1966), followed by page number. R (Reynolds) Thomas Stapleton’sThe Life and Illustrious Martyrdom of Sir Thomas More, trans. by Philip E. Hallett; notes by E. E. Reynolds (Burns and Oates, 1966; Fordham UP, 1984), followed by page and note number. S Stapleton’s note 2 Contents Preface by Thomas Stapleton . 4 1. Birth, Education, and Studies. 6 2. His Youth . 8 3. His Public Career. 13 4. His Wide Learning and Literary Work . 19 5. The Many Learned and Famous Men Who Were His Friends . 25 6. His Holiness of Life . 37 7. His Contempt of Honors and Praise . 42 8. His Contempt of Riches . -
SHAKESPEARE, the WELSH, and the EARLY MODERN ENGLISH THEATER, 1590-1615 DISSERTATION Presented in Partial Fulfi
STAGING CAMBRIA: SHAKESPEARE, THE WELSH, AND THE EARLY MODERN ENGLISH THEATER, 1590-1615 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Marisa R. Cull, M.A. ♦ ♦ ♦ ♦ The Ohio State University 2008 Dissertation Committee: Approved by: Professor Richard Dutton, Advisor ______________________________ Professor Christopher Highley Advisor English Graduate Program Professor Luke Wilson ABSTRACT This dissertation focuses on theatrical representation of Wales and the Welsh at a particularly pressured moment in the development of the English nation. In these twenty- five years, England strengthened its armed forces to fight wars both foreign and domestic, expanded its empire and moved toward a “British” state, and continued adapting to the changes of the Reformation. This dissertation argues that the frequent and varied representation of Wales and the Welsh on the late Tudor and early Stuart stage reveals the extent to which the English understood their national history and identity in relation to their western neighbors. Although Wales has been overshadowed by Ireland and Scotland in studies of early modern English nationalism, its impact on the formation of English national identity should not be underestimated. As the descendants of the heroic ancient Britons (including King Arthur), the Welsh had an enviable narrative of military prowess that the English often co-opted for themselves; moreover, the English annexation of Wales—culminating in the 1536 Act of Union—provided a hopeful precedent for how England might incorporate its most resistant Celtic neighbor, Ireland, and later, for how England might expand into a British empire.