October 2015 Calendar
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Street Value for Viagra
GREAT SALE PRICES INSIDE! From the front cover: Brett Halsey: Art or Instinct in Movies NEW TITLES by John B. Murray - $25 Brett Halsey is mainly known for his work in Alfred Hitchcock’s London - $25 spaghetti Westerns and Italian adventure films, Gary Giblin takes film fans on a tour of but also classics like Return of the Fly and Return London locations used in Hitchcock films. to Peyton Place. When one examines Hollywood Whether a world traveler or armchair tour- and European genre movies together, it becomes ist you will enjoy this guided tour. clear that Brett Halsey has fashioned an impres- sive body of work. Forgotten Horrors 4 - $25 by Michael H. Price and John Wooley Classic Cliffhangers: Vol. 2 FH4 picks up where FH3 left off and cov- by Hank Davis - $25 ers the years 1947 and 1948. Titles include Volume 2 also allows us to examine titles made series such as Jungle Jim, the Falcon and during the Golden Era. Beginning in 1941, our Philo Vance, etc. $25 coverage includes serial gems like The Adven- tures of Captain Marvel, The Perils of Nyoka, Good Movies: Bad Timing - $25 Spy Smasher. Secret Service in Darkest Africa, Author Nicholas Anez examines films that and The Crimson Ghost—1941-1955 displays were considered box office duds but upon some of the finest actors, stuntmen and directors reevaluation prove to be decent films. In- to grace the screen. cludes James Bond and Tarzan, Hollywood’s Top Dogs Mantan the Funnyman - $35 by Deborah Painter - $25 by Michael H. Price [Includes a CD] The dog hero has existed in motion pictures for A biography of the great Mantan Moreland, over 100 years. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
East-West Film Journal, Volume 3, No. 2
EAST-WEST FILM JOURNAL VOLUME 3 . NUMBER 2 Kurosawa's Ran: Reception and Interpretation I ANN THOMPSON Kagemusha and the Chushingura Motif JOSEPH S. CHANG Inspiring Images: The Influence of the Japanese Cinema on the Writings of Kazuo Ishiguro 39 GREGORY MASON Video Mom: Reflections on a Cultural Obsession 53 MARGARET MORSE Questions of Female Subjectivity, Patriarchy, and Family: Perceptions of Three Indian Women Film Directors 74 WIMAL DISSANAYAKE One Single Blend: A Conversation with Satyajit Ray SURANJAN GANGULY Hollywood and the Rise of Suburbia WILLIAM ROTHMAN JUNE 1989 The East- West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Kurosawa's Ran: Reception and Interpretation ANN THOMPSON AKIRA KUROSAWA'S Ran (literally, war, riot, or chaos) was chosen as the first film to be shown at the First Tokyo International Film Festival in June 1985, and it opened commercially in Japan to record-breaking busi ness the next day. The director did not attend the festivities associated with the premiere, however, and the reception given to the film by Japa nese critics and reporters, though positive, was described by a French critic who had been deeply involved in the project as having "something of the air of an official embalming" (Raison 1985, 9). -
N O. 5 Festiva L
Festival 29 JULY 2020 20 20 STARTS 13 JANUARY 2021 FINISHES No.5 ITALIAN FILM FESTIVAL EIGHTEEN FILMS NAMING SPONSOR 5 No. Our sponsors / Contenuto / Our sponsors Contents Benvenuti / 03 Welcome Naming Sponsor Naming Luoghi / 04 Locations Cinema / 06 5 Generations of Tunnelers Films Programma / 33 Schedule Classificazione / 59 Classification Proudly Supported by Supported Proudly Amici Il Vizio Della Speranza / The Vice Of Hope 3 / Benvenuti / Welcome Benvenuti / Welcome Ambasciatore Fabrizio again, we will naturally return has already been wrestling with Marcelli, Ambassador to our usual life but hopefully many contemporary issues. of Italy – equipped with some extra values It is no coincidence that we have I am glad to support once more and a fascination by everything programmed Paolo Sorrentino’s one of the most successful that is worthy of being called enormously lavish ‘Loro’ about Italian cultural events in ‘human’. Silvio Berlusconi, alongside New Zealand. With its 17 So it is with a great sense of the hilarious, biting satire locations throughout the privilege that we bring Italian ‘Sono Tornato /I’m Back’ about country, the Cinema Italiano films back into our cinemas Mussolini. Both films emerge Festival is the only Film Festival this year, with the support as razor-sharp satire in these in New Zealand, which didn’t of our strong community of volatile times. However, the go online this year. Renée & both dedicated film-goers and Cinema Italiano Festival also Paolo Rotondo have worked sponsors who have continued offers New Zealand audiences hard against the current difficult to empower us with their trust. culture, art and humour as circumstances to make this We are here. -
La Grande Belleza Says to Italians?’ and the Second Will Be the Attempt to Unveil ‘What This Rome Says About Italy to Non-Italian People?’
Divna Cpajak Student number 10849335! “La Grande Bellezza as an inquiry into Italianness” MA Thesis Comparative Literature Table of contents Introduction ......................................................................................................................3 La Grande Bellezza: What is an Italian Film? ...............................................................3 “Made in Italy”: Some Thoughts on National Identity ..................................................5 The Structure of the Analysis: Deconstructing “La Grande Bellezza”. ........................7 Chapter 1: Two cities. ........................................................................................................9 Into the Narrative of a City: Italy and Italianness. ........................................................9 Contrast: Two Visions of Rome ...................................................................................11 The Rome of Italians ................................................................................................11 The Rome of the Foreigners ....................................................................................12 Setting the Tone: a banal Rome ...............................................................................13 Chapter 2: A Character with an Old Premise in a New Story. ........................................16 Who is Jep Gambardella? ............................................................................................16 Flaubert´s F. Moureau ..................................................................................................16 -
Sunday Morning Grid 10/22/17 Latimes.Com/Tv Times
SUNDAY MORNING GRID 10/22/17 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Carolina Panthers at Chicago Bears. (N) 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) Figure Skating ISU Grand Prix: Rostelecom Cup. F1 Countdown (N) Å Formula 1 Racing 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 In Touch Paid Program 7 ABC News This Week News News Jack Hanna Ocean Sea Rescue Wildlife 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 11 FOX Fox News Sunday FOX NFL Kickoff (N) FOX NFL Sunday (N) Football Arizona Cardinals vs Los Angeles Rams. (N) Å 13 MyNet Paid Matter Fred Jordan Paid Program 18 KSCI Paid Program Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Oil Painting Milk Street Mexican Cooking Jazzy Julia Child Chefs Life 28 KCET 1001 Nights 1001 Nights Mixed Nutz Edisons Biz Kid$ Biz Kid$ Frank Sinatra: The Voice of Our Time Burt Bacharach’s Best 30 ION Jeremiah Youseff In Touch Law Order: CI Law Order: CI Law Order: CI Law Order: CI 34 KMEX Conexión Paid Program Fútbol Fútbol Mexicano Primera División (N) República Deportiva 40 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Jeffress K. -
King's Film Society Past Films 1992 –
King’s Film Society Past Films 1992 – Fall 1992 Truly, Madly, Deeply Sept. 8 Howard’s End Oct. 13 Search for Intelligent Signs of Life In the Universe Oct. 27 Europa, Europa Nov. 10 Spring 1993 A Woman’s Tale April 13 Everybody’s Fine May 4 My Father’s Glory May 11 Buried on Sunday June 8 Fall 1993 Enchanted April Oct. 5 Cinema Paradiso Oct. 26 The Long Day Closes Nov. 9 The Last Days of Chez-Nous Nov. 23 Much Ado About Nothing Dec. 7 Spring 1994 Strictly Ballroom April 12 Raise the Red Lantern April 26 Like Water for Chocolate May 24 In the Name of the Father June 14 The Joy Luck Club June 28 Fall 1994 The Wedding Banquet Sept 13 The Scent of Green Papaya Sept. 27 Widow’s Peak Oct. 9 Sirens Oct. 25 The Snapper Nov. 8 Madame Sousatzka Nov. 22 Spring 1995 Whale Music April 11 The Madness of King George April 25 Three Colors: Red May 9 To Live May 23 Hoop Dreams June 13 Priscilla: Queen of the Desert June 27 Fall 1995 Strawberry & Chocolate Sept. 26 Muriel’s Wedding Oct. 10 Burnt by the Sun Oct. 24 When Night Rain Is Falling Nov. 14 Before the Rain Nov. 28 Il Postino Dec. 12 Spring 1996 Eat Drink Man Woman March 25 The Mystery of Rampo April 9 Smoke April 23 Le Confessional May 14 A Month by the Lake May 28 Persuasion June 11 Fall 1996 Antonia’s Line Sept. 24 Cold Comfort Farm Oct. 8 Nobody Loves Me Oct. -
Academy Invites 774 to Membership
MEDIA CONTACT [email protected] June 28, 2017 FOR IMMEDIATE RELEASE ACADEMY INVITES 774 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 774 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2017. 30 individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2017 invitees are: Actors Riz Ahmed – “Rogue One: A Star Wars Story,” “Nightcrawler” Debbie Allen – “Fame,” “Ragtime” Elena Anaya – “Wonder Woman,” “The Skin I Live In” Aishwarya Rai Bachchan – “Jodhaa Akbar,” “Devdas” Amitabh Bachchan – “The Great Gatsby,” “Kabhi Khushi Kabhie Gham…” Monica Bellucci – “Spectre,” “Bram Stoker’s Dracula” Gil Birmingham – “Hell or High Water,” “Twilight” series Nazanin Boniadi – “Ben-Hur,” “Iron Man” Daniel Brühl – “The Zookeeper’s Wife,” “Inglourious Basterds” Maggie Cheung – “Hero,” “In the Mood for Love” John Cho – “Star Trek” series, “Harold & Kumar” series Priyanka Chopra – “Baywatch,” “Barfi!” Matt Craven – “X-Men: First Class,” “A Few Good Men” Terry Crews – “The Expendables” series, “Draft Day” Warwick Davis – “Rogue One: A Star Wars Story,” “Harry Potter” series Colman Domingo – “The Birth of a Nation,” “Selma” Adam -
The Great Beauty: Told by Director of Photography Luca Bigazzi Online
vE2V9 [Free] The Great Beauty: Told by Director of Photography Luca Bigazzi Online [vE2V9.ebook] The Great Beauty: Told by Director of Photography Luca Bigazzi Pdf Free Alberto Spadafora ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #2066564 in Books 2014-09-24Original language:EnglishPDF # 1 8.00 x .21 x 5.00l, .21 #File Name: 150246587690 pages | File size: 62.Mb Alberto Spadafora : The Great Beauty: Told by Director of Photography Luca Bigazzi before purchasing it in order to gage whether or not it would be worth my time, and all praised The Great Beauty: Told by Director of Photography Luca Bigazzi: 0 of 0 people found the following review helpful. An engaging readBy S. Nicholas AmendolareAn interesting first hand account of the methods of this gifted cinematographer. Not a lengthy volume by any means.0 of 0 people found the following review helpful. Five StarsBy PH 414This man is a photographic genius. His work many time outshines the story of the movie.1 of 1 people found the following review helpful. Five StarsBy Fritz SatranA Gem Luca Bigazzi is one of Italy’s most acclaimed award-winning directors of photography (DOP). His life has been dedicated entirely to the best of independent Italian cinema (not counting his work with Abbas Kiarostami). He has worked with directors such as Mario Martone, Gianni Amelio, Ciprì e Maresco, Silvio Soldini, Carlo Mazzacurati, Antonio Capuano, Leonardo Di Costanzo and Andrea Segre, and has been working with Paolo Sorrentino since The Consequences of Love in 2004. In this interview, edited by the photographer and film critic Alberto Spadafora, the Italian cinematographer talks about The Great Beauty, prizewinner of the Academy Award for Best Foreign Language Film of 2014. -
Sea Close By: the Coastal Diaries of Albert Camus, Athol Fugard and Stephen Watson
The Sea Close By: The Coastal Diaries of Albert Camus, Athol Fugard and Stephen Watson Hedley Twidle Abstract In reading passages about the southern African coastline from Athol Fugard’s Notebooks 1960-1977 (1983) and Stephen Watson’s A Writer’s Diary (1997), I hope to explore how and why these writers are drawn to the figure of Albert Camus. Much of this Nobel laureate’s oeuvre – his Carnets and in particular his lyrical essays like ‘Nuptials at Tipasa’ and ‘The Wind at Djemila’ – returns to an Algerian coastline of similar latitude, light and climate to that of the Cape Peninsula; so too he writes out of a vexed political context which speaks to the situation of the liberal-humanist literary imagination in southern Africa. The ‘invincible summer’ instilled by his Algerian upbringing was something which Camus imagined as the core of his creative being; yet how does a similar celebration of physicality, the body and ‘the sensual intelligence’ play out when relocated from a northern to a southern African coastline? In answering this, I hope to suggest how the diary form – a neglected and supposedly minor mode on the margins of ‘literature’ – is able to show with a particular power the ways in which natural, social and personal histories come to be braided together in a postcolony like South Africa. Keywords: Albert Camus, Athol Fugard, Stephen Watson, diary as literary form. On 12 July 1996, midway through his A Writer’s Diary, the Cape Town poet, critic and essayist Stephen Watson pauses to consider ‘those who, without Alternation Special Edition 6 (2013) 29 - 67 29 ISSN 1023-1757 Hedley Twidle being attached to anything like a weather bureau, keep a daily record of the weather, its changes, variations, apparent duplications’: I imagine there must be moments when they ask themselves what all their annotations amount to …. -
For More Than Seventy Years the Horror Film Has
WE BELONG DEAD FEARBOOK Covers by David Brooks Inside Back Cover ‘Bride of McNaughtonstein’ starring Eric McNaughton & Oxana Timanovskaya! by Woody Welch Published by Buzzy-Krotik Productions All artwork and articles are copyright their authors. Articles and artwork always welcome on horror fi lms from the silents to the 1970’s. Editor Eric McNaughton Design and Layout Steve Kirkham - Tree Frog Communication 01245 445377 Typeset by Oxana Timanovskaya Printed by Sussex Print Services, Seaford We Belong Dead 28 Rugby Road, Brighton. BN1 6EB. East Sussex. UK [email protected] https://www.facebook.com/#!/groups/106038226186628/ We are such stuff as dreams are made of. Contributors to the Fearbook: Darrell Buxton * Darren Allison * Daniel Auty * Gary Sherratt Neil Ogley * Garry McKenzie * Tim Greaves * Dan Gale * David Whitehead Andy Giblin * David Brooks * Gary Holmes * Neil Barrow Artwork by Dave Brooks * Woody Welch * Richard Williams Photos/Illustrations Courtesy of Steve Kirkham This issue is dedicated to all the wonderful artists and writers, past and present, that make We Belong Dead the fantastic magazine it now is. As I started to trawl through those back issues to chose the articles I soon realised that even with 120 pages there wasn’t going to be enough room to include everything. I have Welcome... tried to select an ecleectic mix of articles, some in depth, some short capsules; some serious, some silly. am delighted to welcome all you fans of the classic age of horror It was a hard decision as to what to include and inevitably some wonderful to this first ever We Belong Dead Fearbook! Since its return pieces had to be left out - Neil I from the dead in March 2013, after an absence of some Ogley’s look at the career 16 years, WBD has proved very popular with fans. -
Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE