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Power and Communication
Power and Communication Power and Communication: Media, Politics and Institutions in Times of Crisis Edited by Silvia Leonzi, Giovanni Ciofalo and Antonio Di Stefano Power and Communication: Media, Politics and Institutions in Times of Crisis Edited by Silvia Leonzi, Giovanni Ciofalo and Antonio Di Stefano This book first published 2015 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Silvia Leonzi, Giovanni Ciofalo, Antonio Di Stefano and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7620-8 ISBN (13): 978-1-4438-7620-9 CONTENTS Acknowledgments ..................................................................................... vii Introduction ................................................................................................. 1 Framing Reality: Power and Counterpower in the Age of Mediatization Giovanni Ciofalo, Antonio Di Stefano and Silvia Leonzi Chapter One ............................................................................................... 11 Satire in Italy in the Post-Political Era Silvia Leonzi Chapter Two ............................................................................................. -
When Parody Is a Moral and Affective Priming in Political Persuasion
fpsyg-07-01144 August 6, 2016 Time: 16:24 # 1 View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Frontiers - Publisher Connector ORIGINAL RESEARCH published: 09 August 2016 doi: 10.3389/fpsyg.2016.01144 “The Bitter Laughter”. When Parody Is a Moral and Affective Priming in Political Persuasion Francesca D’Errico1* and Isabella Poggi2* 1 Psychology Faculty, Uninettuno University, Rome, Italy, 2 Fil.Co.Spe. Department, Roma Tre University, Rome, Italy Research on socially aware systems requires fine-grained knowledge of the mechanisms of persuasion in order to promote civic knowledge and aware political participation. Within humor studies, political parody is generally considered a simple pleasant weapon for political evaluation, currently explained by referring to the so called “just a joke effect” (Nabi et al., 2007). Indeed the funny side of parody can induce positive emotions, but it also includes a discrediting act that sometimes produces a “bitter laughter.” The present study aims to understand the role played by negative and moral emotions aroused by parody. A parody is defined as a communicative behavior (a discourse, text, body Edited by: movement, song) that imitates a communicative behavior or trait displayed by some Marko Tkalcic, Free University of Bozen-Bolzano, Italy Target by reproducing it in a distorted way, with the aim of making fun of the Target. Reviewed by: Based on a socio-cognitive approach, a distinction is made between “surface” and Anna Esposito, “deep” parody (Poggi and D’Errico, 2013), with the former simply imitating behaviors Seconda Università degli Studi di actually displayed by the Target, and the latter implying a (humorous) re-categorization Napoli, Italy Bruce Ferwerda, of the Target. -
Itabolario.Pdf
Le sfere 55 Itabolario L’Italia unita in 150 parole a cura di Massimo Arcangeli Carocci editore 1a edizione, febbraio 2011 © copyright 2011 by Carocci editore S.p.A., Roma Realizzazione editoriale: Progedit Srl, Bari Finito di stampare nel febbraio 2011 dalle Arti Grafiche Editoriali Srl, Urbino ISBN 978-88-430-5705-4 Riproduzione vietata ai sensi di legge (art. 171 della legge 22 aprile 1941, n. 633) Siamo su Internet: http://www.carocci.it Indice Sigle 9 Premessa 11 Itabolario 15 Bibliografia 301 Indice dei nomi 335 Indice delle forme lessicali 351 7 Sigle Si elencano di seguito, in ordine alfabetico, i nomi degli estensori delle voci dell’Itabolario, con le sigle con cui compaiono in calce a ciascuna di esse: Mario Alinei (MAL), Marcello Aprile (MAP), Massimo Arcangeli (MAR), Ales- sandro Aresti (AA), Francesco Bianco (FB), Alberto Casadei (AC), Maria Ca- tricalà (MCA), Vanni Codeluppi (VAC), Vittorio Coletti (VIC), Michele A. Cortelazzo (MCO), Lorenzo Coveri (LC), Paolo D’Achille (PD), Debora de Fa- zio (DDF), Maria Vittoria Dell’Anna (MVD), Valeria Della Valle (VDV), Tul- lio De Mauro (TDM), Elisa De Roberto (EDR), Alessandro Di Candia (ADC), Umberto Fiori (UF), Domenico Fiormonte (DF), Pietro Frassica (PF), Rita Fresu (RF), Giovanna Frosini (GF), Guido Gili (GG), Claudio Giovanardi (CG), Yorick Gomez Gane (YGG), Aldo Grasso (AG), Riccardo Gualdo (RG), Filippo La Porta (FLP), Erasmo Leso (EL), Rita Librandi (RL), Francesco Lio- ce (FLI), Francesco Lucioli (FLU), Claudio Marazzini (CM), Giacomo Marra- mao (GM), Yahis Martari (YM), Alessandro Masi (AM), Giovanna Massariello Merzagora (GMM), Francesco Montuori (FM), Mario Morcellini (MM), Silvia Morgana (SM), Rocco Luigi Nichil (RLN), Edoardo Novelli (EN), Silverio Novelli (SN), Marco Paciucci (MP), Elena Pistolesi (EP), Fabio Poroli (FP), Marcello Ravesi (MR), Fabio Rossi (FR), Leonardo Maria Savoia (LMS), Gia- como Scheich (GSC), Alberto Sebastiani (AS), Giuseppe Sergio (GSE), Loren- zo Tomasin (LT), Andrea Tobia Zevi (ATZ). -
Sabina Guzzanti
Mostra Internazionale del Cinema di Venezia 2005 ANAC Special Event presents A satirical documentary Sabina Guzzanti Running time: 80 min. INTERNATIONAL SALES - wild bunch 99 Rue de la Verriere, 75004 Paris - France www.wildbunch.biz Vincent Maraval - [email protected] Gaël Nouaille - [email protected] Carole Baraton - [email protected] (Attending SUNDANCE - cell: + 33 6 20 36 77 72) Sylvia Simonutti - [email protected] SUNDANCE PR - mPRm Public Relations Park City Marriott - Room #140 Tel: +1 435 649 2900 Mark Pogachefsky - [email protected] Tom Chen - [email protected] CREW WRITTEN AND DIRECTED BY Sabina Guzzanti MUSIC - Riccardo Giagni, Maurizio Rizzuto EDIZIONI MUSICALI C.a.m. EDITOR - Clelio Benevento DP - Paolo Santolini PRODUCED BY: Valerio Terenzio Trigona for Studio Uno Sabina Guzzanti for Secol Superbo & Sciocco Produzioni ADMINISTRATOR STUDIOUNO - Simona Banchi EXECUTIVE PRODUCER - Ferdinando Vicentini Orgnani for A.L.B.A. Produzioni s.r.l. PRODUCTION COORDINATOR - Anita Lamanna INTERVIEW BY - Alberto Nerazzini POST PRODUCTION SUPERVISOR - Tatiana Sarra POST PRODUCTION COORDINATOR - Sabina de Dominicis STOCK FOOTAGE PROVIDED BY: Rai Teche, Canal Plus, Channel 4, Stefilm, Wide Angle Thirteen/WNET New York, Vara Tv A SPECIAL THANK TO THE FOLLOWING FOR THEIR CONTRIBUTION IN THE MAKING OF THIS MOVIE: Bremner Bird & Fortune Team Bruno Gaccio & the staff of “Les Guignols de l’Info” Karl Zero & Sociètè du Spectacle Sanne Wallis De Vries & Vara TV The editorial staff of the "The Economist" CAST (in