Open Spring Studios 2017 Opening Fri, April 21 Reception 6–9 pm Open Sat, April 22 Hours 1–8 pm

International Studio & Curatorial Program

1040 Metropolitan Ave Brooklyn, New York 11211 iscp-nyc.org @iscp_nyc #iscpopenstudios iscp 2 Open Studios Spring 2017 iscp Betty YuBetty ValverdeRaul Tosatti Maria Gian SeebachLisa Razavi Bita Liutauras Psibilskis O’BrienLiam Jonas Nobel Mullock Yvonne Mopidevi Aditya Srinivas Mazaccio &Drowilal Tess Maunder Jia-Jen Lin Leimer Sonia Elli Kuruş Ku Ling-lin Ayesha Khan Kamal Jess Johnson &TeijaPekka Isorättyä Inomata Aki Tetsugo Hyakutake Mark Hilton Gudra Stephanie FiorentinoAntonio Falsnaes Christian Derek Dunlop Constant Dullaart de VriesAnne Dahan Alexis Correa-Carlo Lourdes Correale Danilo Naomi Campbell Byrne Elaine Nina Bovasso Honey Biba Beckerlee AvdagicDamir

Artists &Curators inResidenceArtists

206 208 209 204 220 202 306 205 304 222 203 302 305 207 303 108 109 201 102 210 105 212 221 219 218 216 301 215 214 213 107 107 217 101 110 211

United States Germany Sweden / Austria Germany Japan Denmark Canada NetherlandsThe United States United States Denmark United States Australia United States United States Germany United States United States / Finland France Taiwan Australia Finland Japan Italy Italy United States Norway United States Australia India Taiwan NetherlandsThe / / / United States United States Italy ntd Kingdom United Estonia / / / / / / / France Ireland Pakistan Japan Iran looked histories, individual and collective narratives, historical texts texts historical narratives, collective and individual histories, looked over with engages and examines practice Byrne’s research-based States / United Byrne Elaine 101 Düsseldorf. Schmela, Galerie and Cleveland; Art, Contemporary 1, ; MoCA Sala include Exhibitions sculpture. and painting on paper, works sometimes and creates mainly Bovasso United States, Artist Bovasso Nina 105 Museum. Art York;New Tokyo and Metropolitan Fair, Art Contemporary Asian SCOPE Miami; include Exhibitions engineering. and production food global into investigations long-term world, continuing retinal the to applied as perception addresses She time. and space of light, physics the explores she science, and art in background her Combining art. visual in areas other to addition in glass, stained three-dimensional in directions new pioneers Campbell States / United Campbell Naomi Dublin. Gallery, Kavanagh Kevin New York; ISCP, 21st.Projects, New York; include and exhibitions Recent Arctic. the in happening currently militarization the to relating sculpture and painting photography, video, include will which Dublin, Gallery, Lane Hugh at the September in exhibition for an progress in work shows Byrne concerns. social and political current to it relates as history mobilize to aplatform as artworks and materials, archival and Nina Bovasso, Fin, 2010, ink on abaca handmade paper, 50 × 40 in. Naomi Campbell, Probe Series #7, 2017, metal, glass, stained glass, 5 × 10 × 3 in. Elaine Byrne, Northern Shamrock 1, Image credit: Jean Vong Photography Kotelny Island, East Siberian Sea, 2017, print on glass, 30 × 60 in.

rln, Artist Ireland, Japan, Artist Artist Japan,

102

– Museum of Museum - Gallery of Victoria, Melbourne. of Victoria, Gallery National and Brisbane; Art, of Modern Institute Montreal; Cattle, Raising include exhibitions Recent inevitable. the and impossible the between passage the with afascination by driven is Hilton’s practice United States, Artist Hilton Mark 108 Indias. de of Cartagena Art of Contemporary Biennial International The and Arts; of the Museum Bronx The Atlanta; Projects, & Night Day include exhibitions Recent display. exhibition and production series the from experiments new Valverde presents publications. and photography interventions, social simulations, computer-generated installations, including of media, avariety irony. with He works and illusion appropriation, Valverde’s and projects are ofteninvolvecontext-specific the use of States / United Valverde Raul 107 New York. Eleven, Vegas; Five of and Las Cosmopolitan &The Fund Production Art London; Arts, LAMB include exhibitions Recent ings. draw and sculptures in-progress and completed He shows hydrants. nomena such as cobblestone roads, payphones, fireandalarms fire phe urban current in appears past how the in interested is Dahan States / United Dahan Alexis Mark Hilton, Untitled, 2017, graphite on paper, 10 × 7 in. Raul Valverde, Surplus (cylinder #217), 2017, site specific object, 75 × 11 × 11 in. Alexis Dahan, Off the beaten tracks, 2016, plaster, dimensions variable

Spain, Artist Artist Spain, Artist France, Surplus 107 , which explores strategies of art of art strategies explores , which

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3 Open Studios Spring 2017 iscp 4 Open Studios Spring 2017 iscp Museum of Art. of Art. Museum Tikva Petach and Annandale-on-Hudson; of Art, Museum Hessel MADRE include exhibitions Recent States. United of the building the in minorities project ongoing his from drawings and materials He presents spiritual. the topics specific related to the concept ofidentity, from the to political into investigations long-term usually are projects His installation. Tosatti works in mainly the field ofand site environmental specific Italy, Artist Tosatti Maria Gian 201 Ways, Hartford. Art Real and Works, Stamford; Street Franklin ISCP, include New York; exhibitions Recent progress. work shows in Carlo Correa- spaces. public through movement of body her the and landscape, built the to relationship psychological and physical her work references Her conditions. these represent that forms visual the and alienation, and access of displacement, ideas around centers practice Correa-Carlo’s United States, Artist Correa-Carlo Lourdes 110 New York. Performa, and Brussels; Arts, for Fine Centre BOZAR, Vilnius; of Art, Gallery National include exhibitions Recent cultures. on contemporary takes other and institutions performances, paintings, translations, He creates internationally. exhibitions curated has and States United the and Europe in magazines for art written He has London. in culture visual and Vilnius in history art studied Psibilskis United States, Artist Psibilskis Liutauras 109 Gian Maria Tosatti, Homeland II, work in progress, Lourdes Correa-Carlo, installation view of No Title Liutauras Psibilskis, Untitled, January 16, 2016, photo reproduction, 9 × 7 in. site specific environmental installation (Light), 2016, video, 15 min. 7 sec. Homeland Homeland II – Contemporary Art Museum Donnaregina, Naples; Donnaregina, Museum Art Contemporary – la la civiltà dei vinti

, a work about the crucial role of role crucial , awork the about

of Contemporary Art. of Contemporary Biennial International Göteborg GIBCA, and ; Photography, include Center, Fotografisk TheCopenhagen; MuseumFinnish of exhibitions Recent States. United the in concern societal of great topics controversial with deal to graph acolorable uses book of this progress, workher in presents She mediums. as itself exhibition the and video photography, uses She countries. of various events national and structures political the to relation in systems of social workings inner the examines Razavi /Estonia / Finland Razavi Bita New York. Française, Alliance Institute French the and Moulins; Les Continua, Galleria Art; of Contemporary Biennale XMoscow include exhibitions Recent age. digital the in representation visual and Valley Silicon ideology, Californian with deal of which all abook, and series sculpture aphotographic series, of work: astill-life bodies new on three working currently are &Drowilal Mazaccio fascination. and revulsion between oscillates that shock avisual generate they pictures, patible incom often dissonant, juxtaposing In installations. and images, inal orig new collages, photographic create to culture popular from images repurpose & Drowilal humor, Mazaccio caustic and colors bold With France, Artists Drowilal & Mazaccio 203 Hangar, . and Shafer; Park, Sculpture Franconia Museum; Queens include tions exhibi Recent over time. experiences visual and of physical a variety through memories remap and override edit, how we can It examines exploring the process of for memories. searching and reconfiguring manipulated realities. Lin presents presents Lin realities. manipulated and desires latent our portray to performance and video photography, as a reflection of ourpsyche. She with integrateduses sculpture surroundings its and body human of the Lin’s imagery work creates Taiwan Lin Jia-Jen Bita Razavi, sketch for Coloring Book for Concerned Adults, Mazaccio & Drowilal, Champagne, 2015, Jia-Jen Lin, RAM-Tetraeder: work in progress, coloring book, 11 × 8 in. artist’s book (published by RVB books), Steam 02, work in progress, multi- 10 × 8 in., 52 pages channel video, 1 min. 50 sec. / United States, Artist Artist States, United

Coloring Coloring Book for Concerned Adults Iran, Artist Artist Iran, 204 202 Funes’ Broken Mirror Broken Funes’

, a project , aproject . Each page page . Each - - - Bahnhof Hamburger 21er Haus Kiev; Centre, Art Pinchuk include exhibitions Recent archive. his from material selected as well as progress in works collage and drawings shows Falsnaes power structures. and dynamics group of rituals, notions with deals he works, his In installations. immersive and mances of Falsnaes’s perfor part become visitors exhibition Unsuspecting Artist Denmark, Falsnaes Christian 207 . +Strumpf, Sullivan and Melbourne; Art, for Contemporary Centre Australian Brisbane; Art, of Modern Institute include exhibitions Recent works. performance and video of existing section across alongside production in currently works new exhibits O’Brien space, production and aresearch as studio the Retaining confrontation. and humor absurdity, between oscillate cally typi works resulting the video, and body, photography the Utilizing of value. determination the regarding questions explores practice O’Brien’s time, and of mortality dictates inescapable the by Governed Australia, Artist O’Brien Liam Brisbane. Art, of Modern Institute and Council; City Brisbane Biennale; 11th Shanghai the include tions exhibi Recent present. and past both projects of curatorial her archive Maunder is a curator, art critic, editor and researcher. Her projects to to Her projects researcher. and editor critic, art acurator, is Maunder Curator Australia, Tess Maunder 205 with Raqs Media Collective. She presents a presents She Collective. Media Raqs with Biennale 11th Shanghai of the aco-curator recently was She region. date focus on the Global South, mostly engaging with the Asia-Pacific Christian Falsnaes, FEED, 2017, mirrors, Liam O’Brien, Domestication, 2014, high definition Tess Maunder, documentation of the curtain, lighting, livestream on HD single channel video, 10 min. 15 sec. 11th Shanghai Biennale, work by screen, camera person, instructor, Ivana Franke, 2016 visitors, dimensions variable. Image credit: Pinchuk Art Centre, Kiev – Museum für Gegenwart, Berlin. Gegenwart, für Museum –

Museum for Contemporary Art, Vienna; and and Vienna; Art, for Contemporary Museum 206 206

Curatorial Curatorial Hub , a living , aliving - - - Museum; Cuadro Fine Art Gallery, Dubai; and ArtChowk, Karachi. ArtChowk, and Dubai; Gallery, Art Fine Cuadro Museum; Queens include exhibitions Recent sculptures. various and drawings media mixed of wire, made installation an presents She of polarity. tensions the address that structures nomadic of provisional impressions create to drawing, and video sculpture, including of media, a variety uses She of displacement. anxiety the Khan’s work in hovers Kamal States / United Ayesha Khan Kamal 210 Sydney. &Sciences, Arts of Applied Museum and Center, Wroclaw; Tokyo; Art Gallery, WRO Kubota Maho include exhibitions Recent printers. 3D with made shells crabs hermit given has she For example, quo. status the questions and identity to related topics explores she them, Through bagworms. and parakeets dogs, including creatures living with collaborations through artworks her creates Inomata Japan, Artist Inomata Aki 209 Nice. Arson, Villa and Hannover; Kunstverein Cologne; Kunst, junge für Artothek–Raum include exhibitions Recent another. that are structures isolated, and modified newly combinedwith one and forms of architecture, on observations based are sculptures The space. the in shakily hang and stand of steel constructions fragile and of paper, on dark apiece drawings delicate Like machines. homemade of or aconglomeration tools training absurd time, in frozen processes evoke formations sculptural Her space-consuming drawings. freehand her from translations are steel of bent made Seebach’s sculptures Germany, Artist Seebach Lisa 208 Ayesha Kamal Khan, Toy-ing (detail), 2017, found and fabricated toys displayed on Aki Inomata, Why Not Hand Over a “Shelter” to Lisa Seebach, From the outside (Welt), 2017, tiny shelves with labels on foam board, dimensions variable Hermit Crabs? -Boder-, 2009–16, hermit crabs, resin, metal and glazed ceramics, 86 × 127 × 51 in. dimensions variable. Image credit: Aki Inomata Image credit: Achim Kukulies Courtesy of Maho Kubota Gallery

Pakistan, Artist Artist Pakistan,

5 Open Studios Spring 2017 iscp 6 Open Studios Spring 2017 iscp Danske Danske Grafikeres Hus,Copenhagen. and Birmingham; Venice; Stryx, Malipiero, Palazzo include tions exhibi Recent space. exhibition the in artist and of viewer destinies the entangles installation This mechanics. development of quantum the in central been has that properties of light’s ademonstration experiment, Entangled Realities Her work installations. her through of reality perception our challenge to aims world. She the to way we relate the and worldview our produce images that conviction on the practice her bases Beckerlee Biba Artist Denmark, Honey Biba Beckerlee 213 Museum, Duisburg. Lehmbruck and Bonn; Bundeskunsthalle, Aachen; Kornelimünster, NRW Kunsthaus include exhibitions Recent works. dimensional two- her in signs and of images metaphysics the and processes, cal methodi general techniques, its and arts visual the references often She of images. production and history the Gudra’s with work deals Germany, Artist Gudra Stephanie 212 Winnipeg. +Projects, Art Kehler Lisa Vancouver; and Artspeak, Center, New York; Drawing The include exhibitions Recent gestures. mediated and materials outmoded intimacy, explore that drawings of minimal aseries He presents history. art with engaged deeply is work his and of practice, modes interdisciplinary and cross- as drawing and painting He considers abstraction. for contemporary conditions philosophical and ethical political, the explores research Dunlop’s Artist Canada, Derek Dunlop 211 Honey Biba Beckerlee, Cat State, 2014, installation, Stephanie Gudra, Siemensstern, Apo-Ronar 240mm, Derek Dunlop, Arch, 2015, carbon on paper, 30 × 22 in. dimensions variable Pan 25, 2013, photography, pigment print on paper, 12 × 12 in. takes its point of departure from the double slit slit double the from of departure point its takes - - Galleria Sculptor, Helsinki. Sculptor, Galleria and Büdelsdorf; NordArt, Festival; Art Mänttä include exhibitions on view. be Recent will that instruments out of surgical installation electromechanical an building are they Currently or stories. objects personal their share to want who people by artists the to donated material uses that installation and sculpture of electromechanical work comprised is Their them. view who those in empathy forth bring to attempt that experiences immersive create Teija and Isorättyä Pekka Artists Finland, &TeijaPekka Isorättyä 216 Stockholm. Lund, Charlotte Galleri and Amsterdam, Plato’sby inspired objects and drawings as well as Magellan, Ferdinand by globe and drawings 3D renderings based on of the the firstcircumnavigation artist of the by and personal associations Hereflections. is also the co-founder Nobel and makes of sculptures texts drawings influenced historical Sweden, Artist Jonas Nobel 215 Leipzig. Kunst, Zeitgenössische Verein für KV and Basel; Klingental, bitions include Gallery, Zagreb; Miroslav Kraljević Ausstellungsraum exhi Recent futures. up (im)possible opens and state-as-service-society 304 Systems work her is view On history. material as present the reading technology, and development of media the ines exam her, critically she around things of the agency the Investigating performances. lecture and drawings videos, installations, with verge Elli Kuruş’s and practice spans approaches artistic curatorial that con Germany, Artist Kuruş Elli 214 Pekka & Teija Isorättyä, work in progress, surgical Jonas Nobel, Killed by a plant, 2017, 3D scan and Elli Kuruş, History of Political Operating 304 – fig 08: instruments, plastic, electronics, dimensions variable photomontage, 20 × 20 in. Comparison of governance subscription models, 2017, video, 9 min. Phaedo / , which anticipates the imminent genesis of a global, digital digital of aglobal, genesis imminent the anticipates , which design . Recent exhibitions include De Brakke Grond, Grond, Brakke De include exhibitions . Recent / architect group Uglycute. He shows sculptures, sculptures, He shows Uglycute. group architect

History History of Political Operating - - - De Vries explores the relationship between technology, media and and media technology, between relationship the explores Vries De Artist Netherlands, The de VriesAnne 217 Paris. Paume, de Jeu New York; New Museum, and London; Museum, Albert and Victoria include exhibitions Recent them. generate that networks convolutional the and recognition development of image rapid atimeframe within positioned when especially general, in of depiction understanding our question of concepts renderings mechanical These culture. visual ern mod inform that structures technological the expose to seeks Dullaart Artist Netherlands, The Constant Dullaart Innsbruck. Taxispalais, im Galerie and Vienna; Museum, Leopold Angeles; Los &Council, Commonwealth include exhibitions Recent of New York mapping City. apersonal as functions of sculptures series tion, using the story of a type of specific applegrownin Italy.Another standardiza and locality identity, of globalization, issues with deals installation Her video palpable. change societal and history make that ways in transformed are objects and rooms Leimer’s contexts, historical concrete from Developed of experience. patterns media-related and historical of individual, basis on the formed are which foundations, perceptual our explore installations Leimer’s Artist /Italy,Austria Sonia Leimer 218 Tokyo, de Paris. Palais and Biennale; Berlin ZKM include exhibitions Recent banners. canvas their and events dance massive with deals that piece avideo He exhibits installations. large-scale and photography or experimental video, and sculpture word, of spoken form the takes work His agency. of human limits the as well as experience mass Constant Dullaart, Projectile, 2017, oil paint, toner, Sonia Leimer, Pink Lady, 2017, video still, Anne de Vries, Rechts und Links, 2015, canvas, clear coat, ghost pearls, 59 × 59 in. 6 min. 23 sec. digital print, plexiglas and razor blades, Image credit: Carroll / Fletcher London, 8 × 17 × 27 in. Future Gallery Berlin, Upstream Gallery Amsterdam – Center for Art and Media, Karlsruhe; 9th 9th Karlsruhe; Media, and for Art Center 219 219 Pink Pink Lady , on view, - - militarism. On view is is view On militarism. ing from to and justice labor gentrification immigrant rights, rang issues of work explores Her body history. community and narrative family story, personal own her through issues social approaches artwork Her multimedia artist. engaged Yu asocially is United States, Artist YuBetty 222 New . all Arts, for the Centre National Gandhi Indira and Centre; Cultural Italian Centre; Cultural Korean include exhibitions Recent Yes Architecture. Group, The Forensic Men and on Truth project curatorial and research ongoing the from excerpts presents today. Mopidevi practice collective about of questions range a explores he discourse, and of conversation forms other and mances lecture-perfor exhibitions, texts, world. In post-1990s the in collectives artist with engages practice curatorial and Mopidevi’s research Curator India, Mopidevi Aditya Srinivas 221 Berkeley. Institute, Art Kala and Copenhagen; Malerisamling, Nivaagaards Angeles; Los Projects, Noysky include exhibitions Recent Yugoslavia. Former for the Tribunal the from transcripts read artist the after unfolded conversations The generation. parents’ their and own their between divides generational the and Yugoslavia former the in young people engage in conversations about the effects of the conflict is view On generations. spoken he narratives, reflects on how ishistory between transferred performing and Collecting identity. and memory of historical issues with deals and text, and video performance, in Avdagic’s work based is Norway, Artist Damir Avdagic New York; Brooklyn Museum; and No Longer Empty, New York. Empty, No Longer and Museum; New York; Brooklyn Center,Asian Americaninclude Pacific exhibitions Smithsonian Recent Park. Sunset to journeys and experiences immigration differing their explores project The neighborhood. a Brooklyn workers from and immigrants Chinese and Latino from stories Voices of Immigrant Stories Betty Yu, 8th Avenue at Night Srinivas Aditya Mopidevi, Damir Avdagic, in Sunset Park, Brooklyn, 2017, installation view of exhibition Reenactment / Process, 2016, video photograph, 10 ½ × 19 in. In the Presence of Others, 2017. installation, dimensions variable Image credit: Korean Cultural Centre, , which addresses the practices of Walid Raad and The Atlas Atlas The and Raad of Walid practices the addresses , which New Delhi The The Future of Sunset Park: Through the Reenactment , a web-based project that features features that project , aweb-based 220

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Process , a video where four four where , avideo Positions Positions - -

7 Open Studios Spring 2017 iscp 8 Open Studios Spring 2017 iscp Yvonne Mullock Taiwan / Australia Ling-lin Ku Jess Johnson ntd igo, Artist Kingdom, /UnitedCanada 303 302 301 Gallery, Edinburgh. Gallery, Richmond. in both Gallery5, Toronto. Canada, Jack Hanley Gallery, New York; Art Basel Hong Kong; and Talbot Rice Talbot and Rice Kong; Hong Basel New York; Art Gallery, Jack Hanley Johnson’s are by and influenced drawings the installations interplay well as several costume and performance-based works in progress. progress. in works performance-based and costume several as well Ku uses the daydream as both a mine for information and a system to to asystem and for information amine both as daydream the Ku uses Founda- Esker Calgary; Gallery, Art Stride include exhibitions Recent on view, as are Museum Art Folk American the and Museum Design Smithsonian Hewitt, Cooper at the archives into research Her current Mullock’s multidisciplinary art practice explores materiality and the the and materiality explores practice art multidisciplinary Mullock’s and figures within architectural settings. Recent exhibitions include Recentinclude settings. exhibitions architectural and within figures or collaborators. participants involve often which projects, her in arise processes of making. Attention to thriftiness, care and the handmade handmade the and care thriftiness, to Attention of making. processes depict complex worlds that combine densely layered patterns, objects objects patterns, layered densely combine that worlds complex depict of andscience culture fiction,language, technology. Herdrawings and Gallery Anderson The include exhibitions Recent images. ahumorous exhibits She language. and structures materials, images, of intersections involve installations and Her sculptures interrogate. Jess Johnson, Worldweb Allthing, 2016, acrylic paint, pen, projected and sketches prints, alongside puns, visual toy involving Ling-lin Ku, After Morning, 2016, mixed tion Yvonne Mullock, Mushrooms of North America / Vogue, 2013, fiber-tipped markers and gouache on paper, 40 × 29 in. media installation, 60 × 10 × 45 in. archival ink jet print, 33 × 23 in. –

Image credit: Terry Brown of Museum Textile and Calgary; Gallery, Art Contemporary / United States, Artist Artist States, United New Zealand, Artist Artist Zealand, New

“form-thoughts,” points, perspective and speculation. He shows He shows speculation. and perspective points, “form-thoughts,” Tetsugo Hyakutake Hyakutake Tetsugo Antonio Fiorentino Antonio Art, Rome; American Academy in Rome; and Fondazione Sandretto Sandretto Fondazione Rome; and in Academy Rome; American Art, Italy, Artist Italy, Artist Italy, Artist Correale Danilo Japan, Artist Japan, Artist 306 306 305 304 Contemporary Art, Taipei; Carnegie Museum of Art, Pittsburgh; and and Pittsburgh; of Art, Museum Taipei; Carnegie Art, Contemporary Correale reflectslate andcapitalism post-work society, generating work, his In life. of everyday critique the involves research Correale’s visits to major war grounds. Through both photography and video, he he video, and photography both Through grounds. war major to visits Re Rebaudengo, Milan. Milan. Rebaudengo, Re transformation in elements processes, natural by fascinated He is intervention. of minimal umbrella the under falls Fiorentino’s research ICA Hyakutake’s works are based on research as historical well as field Murcia; La Loge, Brussels; and Moscow Biennale of Contemporary Art. of Contemporary Biennale Moscow and Brussels; Loge, La Murcia; rev( art and nature, science and magic, focusing attention on magnetic on magnetic attention focusing magic, and science nature, and art between relationship the Fiorentino’s alchemy. workand analyzes a as cartographies and maps using series painting anew alongside phenomena. Recent exhibitions include National Gallery of Modern of Modern Gallery National include exhibitions Recent phenomena. chemi through prints pigment bleaching involve that photographs exhibitions Recent society. adata-centric of critiquing means poetic cal manipulation. Recent exhibitions include MOCA include exhibitions Recent manipulation. cal present in “memorialized” become have events how historical explores 8 Manifesta include Antonio Fiorentino, of archive-based aseries and piece avideo shows Hyakutake society. Tetsugo Hyakutake, Wartime Children, 2016, Danilo Correale, Untitled, 2017, acrylic on canvas, 60 × 50 in. Dominium Melancholiae, 2014, manipulated pigment print, 10 × 8 in. – )r

chemical reagents, dimensions variable. Singapore. Arts, of Contemporary Institute The

Image credit: Villa Arson, Nice /

, a record of guided meditation on the liberation from work, from liberation on the meditation of guided , arecord – The European Biennial of Contemporary Art, Art, of Contemporary Biennial European The

– Museum of Museum

- to photography. to basisthe for Abass’s work, Oghobase lithography experiments while it as with relates cloth form experience and Nigerian in of Ankara alocal Salzburg. and Stamping time on she which layers cuts, artists’ pastes and bits three pieces and that come from all studio three years, one place Fine Arts in Austria. This is reflectedin the title, whichtranslates as separate their residenciesexperiences during Summer Academy at Salzburg the of come out observations of their artists and works three The possibilities. and by all of experimentation, of errors of and counter errors, amoment as and of freedom exhibition considers residency the extension an as of studio, artist’s the aspace as Nigerian artists three featuresand selections from CCA Lagos’s well works as as archives by progress in presented at CCA at 2016, ISCP Lagos in reconstructed exhibition is Originally this and international organizations. national and theorists curators, writers, artists, rest of West collaborating with Africa, promotes professionalization the production of art curatorship Nigeria and the in and practitioners public and exhibitions addition, In programs. through it encourages and workNigeria. culture It and critical and of supports art presents and intellectual the underrepresented were which traditionally art, in installation and performance to create new audiences and to prioritize media such as photography, filmand video, ment, It seeks presentation culture. and art of discussion and contemporary visual Lagos,based Nigeria. Nigeria, in In CCA Lagos provides aplatform for develop- the an independent, non-profitvisual arts organization foundedin December2007 and June exhibition of aseries presenting and an public 9th, CCA programs. Lagos is year, context.to a local This ISCP CCA residence invited has Lagos in to be through international perspective an exchange by to support bringing was initiated cultural residency 2011. annual since This institution-in-residence ISCP hosted has annual an Abraham Oghobase, The Space Between, 2016, lithograph in progress, 10 × 10 in. From the exhibition CCA Lagos at ISCP – CCA Lagos at ISCP at Lagos CCA rethought for . Idahor’s collage installation is a self-portrait in her . Idahor’s in Salzburg aself-portrait is installation collage – Kelani Abass,Kelani Taiye Idahor Oghobase. Abraham and The centers exhibition around the CCAISCP Lagosat – and madeand up of several amosaic pieces, creating Orí méta odún méta ibìkan Three heads,

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9 Open Studios Spring 2017 iscp 10 Open Studios Spring 2017 iscp practitioners diverse and audiences. of contemporary art avibrant community sustaining open and free are to all, which world,the founded 1994. in exhibitions, events ISCP organizes offsite and projects, most residency comprehensive in largest fourth and program arts international visual Brooklyn, with 35 light-filled work studiosand two galleries, ISCPis New York’s exchange residencies through public and Housed programs. aformer in in factory ISCP supports creative the development curators, and promotes and of artists now its second in year. between ISCP Center the and for at Studies Curatorial Bard College (CCS Bard) that is poemthe of same by name the Harmony Holiday. point told. shapes is way the history starting exhibition consider works the of how this departure, in every and unique perspective ashared pointstudio, issues. With these to respond and piece grounded in to aliterary has asked the four participating to artists reflect ontheir past work,in and beyond the curator research. The of archival entangled timescales and competing addresses the ISCP Ground Floor resident Valverde,Raul poetand Harmony Holiday. exhibition The features works by past ISCP residents Béna Julie current Megan and Francis Sullivan, Gazelle Lost in Watts Raul Valverde, Drawing Plane, 2010, from the archive Personal Images, 2005–ongoing. From the exhibition Gazelle Lost in Watts This exhibition is part of for apracticum acollaboration part exhibition is studies, curatorial This , an exhibition in ISCP’s exhibition in , an Project Space, curated by Pat Elifritz, Gazelle Lost inWatts About ISCP About Gazelle Lost in Watts is organized around organized is is availableis for purchase. Dr. David & Margery Edwards Charitable Giving Trust; Leila Elling; Farnesina Trust;Dr. Elling; Leila Giving Charitable Edwards David &Margery Foundation; Foundation; Arts Dedalus Danish North America; Exchange Service, New DAAD Zealand; Creative of Council; Federal ofDivision Brisbane the City Austria; Chancellery BKA for Arts; the Council Australia Council; Kordelin Cultural Foundation; Queensland; Asian Arts following residency the Foundation sponsors:ISCP thanks Alfred Alberta for Arts; the Design by Other Means Design edition made exclusivelyA limited for ISCP, Teija provided Isorättyä are by Tattly. temporary by tattoos residents & Pekka artist-designed Open Studios, free During Sprayregen. Laurie and Arlene Richman Janet Altchek, Reinsberg, BriefAnne Ezersky, Lori Henick, Adrienne Rachlin, Ellen founding members the ofISCP Director’s thanks Circle for generous their support: RoyalState Consulate General Legislature; New Norwegian in York; Tattly. and support the of with Governor M. Cuomo on Arts Andrew the NewCouncil the and York New Council; York City the with partnership in State Affairs, Department of Cultural Foundation; Avery Milton Sally and Arts The NewMaterials for York Arts; the City Founder’s Company; Fund; Google; Brewing Greenwich CollectionLtd.; Lagunitas Newin York; Consulate General of Netherlands the New in York; Elliott Dennis New York; New Consulate General in York; of Finland Consulate General of Sweden Forum New York; Cultural Swine; Austrian Arrogant Consulate General of Denmark in Warhol Andy by The supported, is program part, in This Foundation Arts; for Visual the Weiner. Lawrence and Alice and Helsinki; University of Arts the Toby Donor Devan Fund Lewis of Advised Jewish Federation the of Cleveland; Pictures; Office forContemporary Art Norway; Yoko Ono; Saastamoinen Foundation; No Niedersächsische Standard and Kultur und Sparkassenstiftung; Wissenschaft für Trust’sCommunity Van Sally and Edward Lier Fund; Niedersächsisches Ministerium New The York Council; City the with partnership in Affairs, Department of Cultural Taiwan;Culture, Fund; Mondriaan New York 34; New District York Council City City of NRW; Michael Council; Buxton Collection; Ministry ManitobaKunststiftung Arts des Freistaates Foundation Sachsen, Cultural of Free the State ofKulturstiftung Saxony; Academy of New Institute Italian York; atThe Columbia Cultural University; Italian Foundation; Shivdasani Inlaks for Artists; International Programme Visual International and Cooperation; IASPIS Affairs Cooperazione e della Esteri Internazionale Affari degli Ministero – Bundeskanzleramt Österreich Kultur Kunst und – Deutscher Austausch Akademischer Academic Dienst German Residency and Sponsors Program Supporters Program Self-esteem Self-esteem 5 cents – The Swedish Arts Grants Committee’s SwedishThe Arts , 2016, Leibowitz, by Cary

– Ministry of Foreign Ministry / Arts and Culture Culture and Arts

11 Open Studios Spring 2017 iscp 301 302 303 Yvonne Mullock Ling-lin Ku Jess Johnson

Third Floor

304 Danilo Correale

Exit 306 305 Antonio Fiorentino Tetsugo Hyakutake

205 206 207 208 209 210 Tess Maunder Liam O’Brien Christian Falsnaes Lisa Seebach Aki Inomata Ayesha Kamal Khan

211 Second Floor Derek Dunlop

203 201 204 202 212 Mazaccio & Gian Maria Bita Razavi Jia-Jen Lin Stephanie Gudra Drowilal Tosatti

221 Exhibition Srinivas Aditya CCA Lagos at ISCP Mopidevi Stairs to 3rd Floor

Exit 213 Honey Biba Beckerlee

222 Kitchen Lounge Betty Yu

214 Elli Kuruş Fire Exit

216 220 219 218 217 215 Pekka & Teija Damir Avdagic Constant Dullaart Sonia Leimer Anne de Vries Jonas Nobel Isorättyä

102 101 Exhibition 103 Naomi Gazelle Lost Elaine Byrne Exit Main Office Campbell in Watts Kitchen

104 First Floor Office

110 Lourdes 107 Correa-Carlo 109 108 106 105 Alexis Dahan Liutauras Psibilskis Mark Hilton Office Nina Bovasso Raul Valverde